input
stringlengths 3.31k
3.61k
| output
sequencelengths 1
1
| id
stringlengths 40
40
|
|---|---|---|
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Nana came into the room with a puzzled look on her face.
Initial Context: She held up an orange sock and a blue one.
Original Ending: My daughter jumped up and grabbed the blue one out of her hand. She took off running down the hall while waving the sock in the air. Nana chased her down, caught her, and tickled her until she laughed.
Counterfactual Context: She held up an orange shirt and a blue one.
Output:
| [
"My daughter jumped up and grabbed the blue shirt out of her hand. She took off running down the hall while waving the shirt in the air. Nana chased her down, caught her, and tickled her until she laughed. "
] | task269-abb24ac94def47db9d4ec09fb21c0a56 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Paul was a basketball player who got cut from the varsity team.
Initial Context: He worked hard every day, never giving up faith.
Original Ending: The next year, he tried out again and was the last player to make it. In his final season, Pau developed into the star player. He is now playing collegiate basketball all because he never gave up.
Counterfactual Context: He decided to try golf and really liked it.
Output:
| [
"The next year, he tried out again for basketball and was the last player to make it. In his final season, Pau developed into the star player. He is now playing collegiate basketball all because he never gave up. "
] | task269-67cfaf5d23c9499c81486469668a3041 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bill kills his first two wives.
Initial Context: But the police were so incompetent that he got away with it.
Original Ending: When Bob kills his third wife police finally catch him He is sentenced to death. He still claims his innocence right as he is to be executed.
Counterfactual Context: He left a lot of evidence and the police caught him.
Output:
| [
"When Bob killed his second wife police finally catch him. He is sentenced to death. He still claims his innocence right as he is to be executed. "
] | task269-f39a0f434fd24eeebd94a567f81b0f2e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I decided to drive to the mall.
Initial Context: I was looking for a particular store that had discounts today.
Original Ending: When I came into a front of the outlet, there was a sign. It said that the store was closed for a week. As sad as I was, I went home after seeing the sign.
Counterfactual Context: I was looking to just browse all the stores.
Output:
| [
"When I came into a front of the outlet, there was a sign. It said that the mall was closed for a week. I went home after seeing the sign. "
] | task269-0ef69a5ce7d5409d9525645d4af1a685 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Morgan ran around the house.
Initial Context: She was careful not to bump into anything.
Original Ending: Despite her caution, she crashed hard into the wall. The room shook, and a vase toppled to the floor. Luckily, it remained intact, much to her relief.
Counterfactual Context: She was careful and did not bump into anything.
Output:
| [
"Despite her caution, she shook the floorboards. The room shook, and a vase toppled to the floor. Luckily, it remained intact, much to her relief. "
] | task269-60dd50a5a5a94cdb8da8a41d584389bf |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Debi wanted to breed French Bulldogs.
Initial Context: One day, she bought two French Bulldogs for breeding.
Original Ending: The girl bulldog jumped a fence. She got pregnant with a basset hound. Now Debi has to try to sell other puppies.
Counterfactual Context: One day, she was told selling puppies was illegal.
Output:
| [
"She still bought two bull dogs and the girl bulldog jumped a fence. She got pregnant with a basset hound. Now Debi has to try to sell other puppies. "
] | task269-200fb9d5e6d34603985ad78726dc4f5e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The man made pancakes.
Initial Context: He poured syrup on the pancakes.
Original Ending: He took a bite. He accidentally had used raspberry syrup. He gave the rest of the pancakes to his sister.
Counterfactual Context: He poured butter on the pancakes.
Output:
| [
"He took a bite. He accidentally had used honey butter. He gave the rest of the pancakes to his sister. "
] | task269-0e2ed86223744d49a42b167e5c160a83 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Charles hated his cousin's landlord who got angry over twenty dollars.
Initial Context: But Charles picked up a landlord who did the same thing.
Original Ending: Last month he paid his rent twenty dollars short. The landlord complained, even the the twenty paid for his Internet. So the landlord shut off the Internet until Charles paid his twenty.
Counterfactual Context: Charles decided to move out.
Output:
| [
"Last month he found a new place. The new landlord complained about Charles though. So the landlord shut off the Internet until Charles behaved better. "
] | task269-b4e17bc11dd4472388c5ebdd81fe4a1c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Derek was very sad.
Initial Context: His first surfboard seemed to be a total waste of money.
Original Ending: He had tried and tried to ride a wave. This was his last attempt as he paddled with the wave. He stood and it all came together, he was riding the wave.
Counterfactual Context: The surfboard he bought was made in China, very cheaply, and it wasn't safe to use it.
Output:
| [
"He almost injured himself when he tried to ride a wave. He made one last attempt as he paddled with the wave. He stood and the board cracked in half, causing him to fall hard. "
] | task269-df23c6f6708d4d09b95b86ac6940da3d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: John considers himself a pizza enthusiast.
Initial Context: John tried to eat at every new pizza place that opens.
Original Ending: John has been trying out new pizza places twice a week. John realized he could not fit into his clothes anymore. John didn't realize all the pizza he was consuming made him fat.
Counterfactual Context: John could no longer eat every new pizza because he was diagnosed with celiac.
Output:
| [
"John has been trying out new Gluten Free pizza places twice a week. John realized he could not fit into his clothes anymore. John didn't realize all the pizza he was consuming made him fat. "
] | task269-c8dc7cae5bf24681a07631287fcc77ad |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Pat had been training for her first 5K all summer.
Initial Context: She ran the Fall Festival race.
Original Ending: She had set a goal to finish in 30 minutes flat. She pushed herself as hard as she could. She finished the race in just a little over 29 minutes!
Counterfactual Context: She trained too hard and broke her leg.
Output:
| [
"She had set a goal to finish in 30 minutes flat. She pushed herself as hard as she could the next year though. She finished the race in just a little over 29 minutes! "
] | task269-6da61a0b67a9494aa84a20262aa43585 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I wanted to have custom playing cards printed.
Initial Context: My friend referred me to a company who would do it.
Original Ending: I called them and set it up. When the cards came, they were beautiful. I will use this company again.
Counterfactual Context: My friend said he would do it.
Output:
| [
"I called them and set it up. When the cards came, they were beautiful. I will thank my friend and return the favor. "
] | task269-a55b9ac6d6fb406791a0cbb4e4f10f44 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I used to play soccer in High School.
Initial Context: We had a very big game with our cross town rival.
Original Ending: I was so nervous before the game. I was so nervous that I couldn't sleep. I don't know why I was nervous because we ended up winning the game.
Counterfactual Context: We had a scrimmage with our cross town rival.
Output:
| [
"I was so nervous before the scrimmage. I was so nervous that I couldn't sleep. I don't know why I was nervous because we ended up winning the scrimmage. "
] | task269-c2559f76d2094e5886e7e51d53101df2 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tara heard strange sounds coming from her attic.
Initial Context: She called an exterminator who came out to her house.
Original Ending: The exterminator told Tara she had mice in her attic. The exterminator humanely trapped the mice. Tara doesn't hear noises coming from her attic anymore.
Counterfactual Context: The exterminator did not come to see her house.
Output:
| [
"Tara thought she had mice in her attic. Tara humanely trapped the mice. Tara doesn't hear noises coming from her attic anymore. "
] | task269-7ab1abfe8c7c4013a448fe025f55c2c7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: When I was a child, me and my cousins used to stay at my grandparents.
Initial Context: We would stay all summer long, having the times of our lives.
Original Ending: One year, my oldest boy cousin was on a ladder picking cherries. I was feeling onry, so I knocked him off the ladder by shaking it. My cousin chased me around with a baseball bat for an hour.
Counterfactual Context: We would stay during the snowy winters, having the times of our lives.
Output:
| [
"One year, my oldest boy cousin was on a ladder hanging Christmas lights. I was feeling ornery, so I knocked him off the ladder by shaking it. My cousin chased me around with a snow shovel for an hour. "
] | task269-eb4f48a339404f20a8a0151a00c0ef65 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Joey was asked by his friends to join them at the ice skating rink.
Initial Context: Joey knew he would embarrass himself again by falling.
Original Ending: He fell down repeatedly when trying to ice skate. His friends laughed at him many times. Joey never wanted to go ice skating again.
Counterfactual Context: Joey knew he wouldn't fall.
Output:
| [
"But he actually fell down repeatedly when trying to ice skate. His friends laughed at him many times. Joey never wanted to go ice skating again. "
] | task269-bfc32b7c0f11404799996ab218a392d3 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: It was raining and the sun was out.
Initial Context: Larry knew there was a rainbow somewhere.
Original Ending: He looked outside and there it was. The rainbow ended right in front of his house. Sadly there was not a pot of gold.
Counterfactual Context: Larry knew the forecast called for a thunderstorm.
Output:
| [
"He looked outside and he was very surprised when he saw a rainbow The rainbow ended right in front of his house. Sadly there was not a pot of gold. "
] | task269-c01976b676af46a2a40dbc1bc3f84eed |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Some people claim to need a car.
Initial Context: These people should look closely at what a need is.
Original Ending: We looked very closely at what our needs are. We decided that we only needed one car to live our lives. We sold our oldest car and invested the money.
Counterfactual Context: Those people should have more than one car.
Output:
| [
"They should look very closely at what their needs are. The will decide that they need a backup car to live our lives. They will buy two cars and spend the same the money. "
] | task269-d4853796475e4e8580ca443b65362272 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kate didn't feel like cooking.
Initial Context: She decided to have a sandwich for dinner.
Original Ending: But she hadn't been to the store in a while. The only bread in the house had mold on it. Kate went to sleep without eating.
Counterfactual Context: She went out for pizza.
Output:
| [
"When she got back she was still hungry and she wanted some bread. The only bread in the house had mold on it. Kate went to sleep. "
] | task269-16d9ab36987043b68ebfcf582f32e8b1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: One day, a boy named Ligeti was walking in the forest.
Initial Context: Even though he walked often, the forest was still scary.
Original Ending: On this day, a man jumped from behind the trees and frightened him. The boy ran all the way home, crying. The boy grew up to be frightened of the unknown.
Counterfactual Context: He was not scared of anything.
Output:
| [
"On this day, a man jumped from behind the trees and Ligeti laughed at him. The boy ran all the way home, laughing. The boy grew up to be ready to face the unknown. "
] | task269-b5697daa975d4a299276e119f3b01ffc |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tommy saw his friend playing with a dog.
Initial Context: He decided to ask his mother if he could have a dog too.
Original Ending: Tommy's mother and father discussed the idea. After speaking to Tommy about caring for a dog, they adopted a dog. Now Tommy is happy to care for and play with his dog every day.
Counterfactual Context: He ran from the dog since he is scared of them.
Output:
| [
"Tommy's mother and father discussed his problem. After speaking to Tommy about what could be done, they decided to get a therapist. Now Tommy is happy to alleviate his fears and love dogs again. "
] | task269-6f31d7ebc9934fb5a466f8c04474262d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I took my book bag from the desk and headed to school.
Initial Context: I walked inside my classes and sat down.
Original Ending: When the teacher asked for the homework, I searched by book bag. I couldn't find it although I placed it there last night. Later that day, my mom told me that she moved it.
Counterfactual Context: I walked inside the lunch room and sat down.
Output:
| [
"I headed to class when the bell rang, and when the teacher asked for the homework, I searched my book bag. I couldn't find it although I placed it there last night. Later that day, my mom told me that she moved it. "
] | task269-32c53f1b7d8d4b48b285dde4453f0d2a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tim was trying to draw the perfect circle.
Initial Context: He could not do it.
Original Ending: He tried twelve times. He had an idea. He traced around a CD to get a perfect circle.
Counterfactual Context: He could do it repeatedly with ease.
Output:
| [
"He did it twelve times. He traced around a CD to get a perfect circle. He compared that circle to his circles. "
] | task269-14424c29e33d4c7c8649d2db29480dd7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The weather outside was terribly cold.
Initial Context: Sam felt pressure to keep his house warm for his family.
Original Ending: He went outside with an ax to get firewood. There weren't any trees big enough to chop down. Sam began to hack away at telephone polls out of desperation.
Counterfactual Context: Sam kept his house warm for his family with the mechanical heater.
Output:
| [
"He went outside with an ax to get firewood as well. There weren't any trees big enough to chop down. Sam began to hack away at his neighbors trees instead. "
] | task269-023348da51204a3186def34dd6d96cdf |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My friends invited me to karaoke.
Initial Context: I couldn't sing so I declined.
Original Ending: However, they insisted. I decided to go with them. I enjoyed the karaoke!
Counterfactual Context: I loved to sing and couldn't wait.
Output:
| [
"They insisted I go first. I decided to listen to them. I enjoyed the karaoke! "
] | task269-47d4a05a98e04706aff95c11bd14c6c7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Beth needed a new outfit.
Initial Context: She had a special work event coming up.
Original Ending: She saw a shirt online and went to the store to see it. It was even prettier in person! She wore it proudly to the event.
Counterfactual Context: She had a special work event coming up but will never buy a shirt again.
Output:
| [
"She saw a dress online and went to the store to see it. It was even prettier in person! She wore it proudly to the event. "
] | task269-99fb8e79456541cbb89403102c2282bf |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Martha was sick of paying costly utility bills.
Initial Context: She wanted to get solar panels.
Original Ending: She had them installed on her house. Her electricity bill became nonexistent. Martha was extremely happy with her purchase.
Counterfactual Context: She decided to move into a smaller house so her bills would be lower.
Output:
| [
"She also had solar panels installed on her new house. Her electricity bill became nonexistent. Martha was extremely happy with her purchases. "
] | task269-980420dcd69b4bc8838ea395c1c0cbb5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bob was celebrating thanksgiving.
Initial Context: He was with all of his family.
Original Ending: They ate a lot of turkey and stuffing. He ate 10 plates full. He end up with a stomach ache.
Counterfactual Context: He did not get to eat a lot because all his family was there.
Output:
| [
"They didn't have a lot of turkey and stuffing. He only ate 1 plate. He was glad he didn't end up with a stomach ache. "
] | task269-25b79ad08f324fa995aa262291690793 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Polly loves music.
Initial Context: She really wants to go to a concert.
Original Ending: One day, she bought a ticket to a rock concert. It was for the front row. On the day of the concert, she had a great time rocking out.
Counterfactual Context: But, she never wants to go to a concert.
Output:
| [
"One day, her friend bought a ticket to a rock concert. It was for the front row. On the day of the concert, her friend had a great time rocking out. "
] | task269-2511239ab663440abbf13cd186fc4d28 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mark is a lifeguard in the summer time.
Initial Context: One day while he was working a kid started struggling in the water.
Original Ending: Mark dove into the water and swam to the kid. He brought the kid to the side of the pool where he could calm down. The kid thanked Mark for a job well done saving him.
Counterfactual Context: One day while he was working he saw a seal struggling in the water.
Output:
| [
"Mark dove into the water and swam to the seal. He brought the seal to the shore where he could call wildlife specialists. The onlookers thanked Mark for a job well done saving him. "
] | task269-aa6299957b1a4331ac91707976effea1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I was walking through the forest on a dark and stormy night.
Initial Context: The wind was whipping through the trees.
Original Ending: It looked like the branches were reaching down to grab me. I ran as fast as I could to get out into the clear. Then I woke up in a cold sweat from the nightmare I was having.
Counterfactual Context: I called my mom to come get me.
Output:
| [
"It looked like the branches were reaching down to grab me I ran as fast as I could to get out into the clear I felt like I was in a nightmare until my mom arrived. "
] | task269-50d4c0abe43a46b0a06c940ce66d00a8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sasha was in her history class.
Initial Context: Suddenly, there was an announcement to go outside.
Original Ending: Outside, she saw a horrific crash scene. She watched as emergency services arrived and began to help. Finally, her teacher revealed that it was all fake for a lesson.
Counterfactual Context: Suddenly, there was an announcement to not look outside.
Output:
| [
"She couldn't resist looking, and she saw a horrific crash scene. She watched as emergency services arrived and began to help. Finally, her teacher said to not look at the accident. "
] | task269-ab2c06126b2141afa45599c37f370c11 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: A group of flies were chasing Dan to the shoreline.
Initial Context: He accidentally tripped on a rock and fell into the shore.
Original Ending: Several insects managed to get inside of his pants. They were biting my legs to a large extent. Ultimately, I had to run out of the water
Counterfactual Context: He sprayed some fly spray at them and killed them.
Output:
| [
"Before he had, several had managed to get inside of his pants. They were biting his legs. Ultimately he had to dive into the water. "
] | task269-1d4fc588b2544a618e668db02c2ef91d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Eric liked eating oatmeal.
Initial Context: But wished he could let it cook by itself.
Original Ending: Eric noticed that his rice cooker had a porridge mode. So he cooked his oatmeal in the rice cooker. Eric was able to let the rice cooker do the cooking for him.
Counterfactual Context: But suddenly wished he never ate it again.
Output:
| [
"Eric noticed that his rice cooker had a porridge mode. So he cooked his oatmeal in the rice cooker. Eric was able to let the rice cooker do the cooking for him, but it burned the oatmeal. "
] | task269-138bb9cdf58e4718bbe4cbf2301be7fe |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jenna had never been on an airplane before.
Initial Context: She was excited to fly on one to visit her grandma in Florida.
Original Ending: She had a window seat so she could look down at the cities. Jenna ate the peanuts and drank the juice the attendant gave her. She was excited to return back home on another plane after her visit.
Counterfactual Context: She was going to see her brother in Paris.
Output:
| [
"She had a window seat so she could look down at the city. Jenna ate the peanuts and drank the juice the attendant gave her. She was excited to return back home on another plane after her visit. "
] | task269-3777b2e4e9a94b27861f0af1aa2f23ca |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Joe was walking down the street and saw a homeless man.
Initial Context: The homeless man begged him for money.
Original Ending: Joe didn't give him money but felt bad he didn't help him. The next day Joe bought a ham and brought it to the homeless man. Joe no longer felt bad about the homeless man.
Counterfactual Context: The homeless man was sleeping.
Output:
| [
"Joe wanted to help but didn't want to disturb the man. The next day Joe bought a ham and brought it to the homeless man. Joe no longer felt bad about the homeless man. "
] | task269-05f078251bc84151a66327cd0544e8ea |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tyrese was battling a addiction with heroin.
Initial Context: He started doing it because of a wrong crowd.
Original Ending: He decided to quit. He went to rehab. He got better in 3 months
Counterfactual Context: Tyrese started doing it because his brother did it.
Output:
| [
"They decided to quit. They went to rehab They got better in 3 months "
] | task269-45d38dc7c5764d9b9e4a0705180ffb6d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: John went for a walk to get some fresh air.
Initial Context: He loved to walk in the woods.
Original Ending: Today there was a bike race on his favorite trail. He didn't realize it until a biker almost hit him! John walked back home, feeling defeated.
Counterfactual Context: He went and sat down by the river.
Output:
| [
"Today there was a bike race on the river trail. He didn't realize it until a biker almost hit him! John walked back home, feeling lucky. "
] | task269-12d7daa691c1465295913245aad7f075 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: In 1958 two brothers borrowed $600 from their mother.
Initial Context: They used that money to open the first Pizza Hut.
Original Ending: Now Pizza Hut is one of the biggest pizza chains in the world. There have been some bumps along the way. But the brothers are now worth hundreds of millions of dollars.
Counterfactual Context: They used that money to open the first Domino's Pizza.
Output:
| [
"Now Domino's is one of the biggest pizza chains in the world There have been some bumps along the way But the brothers are now worth hundreds of millions of dollars "
] | task269-6f1d4237bcc04aa49f727dc7c0fa300d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I love to drink coffee every day.
Initial Context: I have been doing it for Years and it helps me get through the day.
Original Ending: I take it with cream and sugar each time. I've read an article that so much sugar is very bad for you. So from now on I just drink it black and it works fine.
Counterfactual Context: I have to quit because of doctors orders.
Output:
| [
"Now I take it with cream and sugar each time. I've read an article that so much sugar is very bad for you. So from now on I just drink it black and it works fine. "
] | task269-cdc3889562954712960fb0d9145de0a4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The teacher was disturbed by my friend's new hairstyle.
Initial Context: He asked my friend about his hairstyle and said that it's ridiculous.
Original Ending: In addition, he gave my friend an F on the exam although he aced it. I tried contacting the school staff to report the issue. They believed my story and investigated the scene.
Counterfactual Context: He asked my friend about it and my friend told him his sister cut it.
Output:
| [
"He gave my friend an F on the exam although he aced it. I tried contacting the school staff to report the issue. They believed my story and investigated the scene. "
] | task269-42e9b00aef714e89abb8998da40ca7a1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The man dug into the hard clay.
Initial Context: He hit something hard with his shovel.
Original Ending: He looked at what he had hit. It was a small box. He re-buried the box where he had found it.
Counterfactual Context: He hit something squishy with his shovel.
Output:
| [
"He looked at what he had hit. It was a small gopher. He re-buried the animal where he had found it. "
] | task269-6074efed6bab471f9f75ad63e9d2dd3e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jamie was sitting on the couch one day.
Initial Context: She had a thought about her period.
Original Ending: She was late and decided to buy a Pregnancy Test. Jamie takes the test in the bathroom. It turns out Positive and Jamie is about to become a mom.
Counterfactual Context: She had a thought about her pregnancy.
Output:
| [
"She remembered being late and deciding to buy a Pregnancy Test Jamie took the test in the bathroom. It turned out Positive and Jamie learned then, she was about to become a mom. "
] | task269-fd22fdafa2264af1a8cb8200372f80b3 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kim was at the bar over the weekend.
Initial Context: Someone next to her started smoking.
Original Ending: She asked them to put it out. They refused. She alerted the staff and they forced him to.
Counterfactual Context: Someone next to her started smoking and she left.
Output:
| [
"She had asked them to put it out. They refused. She alerted the staff and they did not care, so she left. "
] | task269-36f970ea39d141f0ac6eb4ac02d8e76c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I loved chocolate.
Initial Context: I decided to make chocolate.
Original Ending: I accidentally dropped some cocoa on the floor. My dog ate it. He got poisoned and died.
Counterfactual Context: I decided to make chocolate but mom talked me out of it.
Output:
| [
"I accidentally forgot about some chocolate in my bag. My Mom ate it. She got full and smiled. "
] | task269-4d27e92889b24da4a59f09a43c4bef83 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: As I was driving to work, it started to rain.
Initial Context: This made me mad because I had just washed my car the day before.
Original Ending: The was a pothole full of mud in the middle of the road. I couldn't help but drive over it, making my car dirty again. I was even madder now, because I had to wash my car again.
Counterfactual Context: I loved the rain it always made me relaxed.
Output:
| [
"The was a pothole full of mud in the middle of the road. I couldn't help but drive over it, making my car dirty. I was mad now, because I had to wash my car. "
] | task269-0ee5986119024d0e908cc29b1035ea8c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Last week, I went on vacation to Florida.
Initial Context: While I was there, I went to an animal reservation.
Original Ending: I saw many endangered animals, including wolves, which I had feared. I learned a lot about the wolf population while I was there. I now think I would like to work with wildlife preservation.
Counterfactual Context: While I was there, I stay at home.
Output:
| [
"I had a boring time. Im not sure why I even went to Florida. it wasnt a vacation at all "
] | task269-a1dd421d93464fd284ea73a5f96f529c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jeremy could tell that he was not well.
Initial Context: He made an appointment with his doctor.
Original Ending: The doctor prescribed Jeremy an antibiotic. He took the medicine exactly as prescribed. Jeremy is no longer ill.
Counterfactual Context: He couldn't make an appointment with his doctor because he's on vacation.
Output:
| [
"The doctor would have prescribed Jeremy an antibiotic. He would have taken the medicine exactly as prescribed. But instead Jeremy is still ill. "
] | task269-7f6d0c1cd501493da6ae1b53434e763a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ann hated chores, especially washing dishes.
Initial Context: But she took a job as a dishwasher after school to earn money.
Original Ending: She saw how hard and tiring it was to wash dishes constantly. She went home and saw her poor mom struggling to do the same thing. After that, Ann did the dishes every day without being asked.
Counterfactual Context: She told her mom she wasn't going to do any chores anymore.
Output:
| [
"She saw how hard and tiring it was to wash dishes constantly. She saw her poor mom struggling to do the same thing. After that, Ann never did the dishes every day. "
] | task269-7abf2447dbb643b28948743b22ae3e65 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Karen rejected the supplemental coverage on her insurance.
Initial Context: She wondered, after all, how often someone was struck by a car.
Original Ending: Karen decided to text that question to her sister. She wasn't paying attention as she crossed the street. She crossed safely to the other side without incident.
Counterfactual Context: She later called back and changed it so she had it.
Output:
| [
"Karen decided to text a question to her sister. She wasn't paying attention as she crossed the street. She almost got hit by a car before getting safely to the other side. "
] | task269-78a4f802f26d44189f3fe50a62df2b99 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Roy and Jim were working outside on Roy's garden.
Initial Context: They got thirsty so Roy went inside for water.
Original Ending: Roy took out a pitcher and filled it to the top. He forgot to add ice so it was warm. Roy took the pitcher, two cups and some loose ice to Jim.
Counterfactual Context: They got hungry so Roy went inside for water.
Output:
| [
"Roy took out a pitcher and filled it to the top and grabbed himself an apple to eat. He forgot to add ice so the water was warm Roy took the pitcher, two cups and some loose ice to Jim. "
] | task269-2c33fe7e673a42b398da79612a9d0c3f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bob set a thick slab of wood on his workbench.
Initial Context: He took his electric saw and cut down the middle.
Original Ending: Sawdust began to fly in every direction. Bob had to stop to clear away the dust. He put all the sawdust in his garbage can.
Counterfactual Context: He took out his hammer and began to hammer nails into it.
Output:
| [
"It was really noise and others began to complain. Bob had to stop because he was making others uncomfortable. He put the hammer away and decided to work later. "
] | task269-3b6caa1cef6d49d2a0d1d8ba709eae43 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Chad recently decided to take a speaking engagement at his old school.
Initial Context: Chad was glad for the opportunity to speak to high schoolers.
Original Ending: However, Chad was a bit nervous about what to say to them. Chad decided he would tell them about the realities of life in society Chad could not wait to give his speech to the students.
Counterfactual Context: Chad was glad for the opportunity to speak to teachers.
Output:
| [
"However, Chad was a bit nervous about what to say to them. Chad decided he would tell them about the value of teachers in society. Chad could not wait to give his speech to the teachers. "
] | task269-f1fbfceebef244328098efa0cc49a591 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jake was on a boat with his family.
Initial Context: He was trying to enjoy the sights in the water.
Original Ending: Unfortunately, he started to feel very sick. He ended up throwing up. By the time he got out of the restroom, the ride was over.
Counterfactual Context: He ended up taking a swim.
Output:
| [
"Unfortunately, he started to feel very sick. He ended up throwing up. By the time he was done throwing up, the ride was over. "
] | task269-644cf4527c7f4fe8a132ccbaebd70db9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Arthur wrote his last will and testament.
Initial Context: Arthur's brother got arrested for domestic abuse.
Original Ending: Arthur took his brother out of his will. Arthur died one morning. Arthur's sister got all of his inheritance.
Counterfactual Context: Arthur's brother was given everything.
Output:
| [
"Arthur's brother knew he was going to be in his will. Arthur died one morning. Arthur's brother got all of his inheritance. "
] | task269-52021b9fd55842b8b114d23ac4aa7d15 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The man turned up the air conditioning.
Initial Context: He fell asleep.
Original Ending: He woke up when his wife came home. It was way too cold in the house. The woman got angry at the man for wasting energy.
Counterfactual Context: He fell onto the floor.
Output:
| [
"He woke up when his wife came home. It was way too cold in the house. The woman got angry at the man for wasting energy. "
] | task269-0fba8428bb5649168893070220fe02c8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Clara wants to get her mom something special for Mother's day.
Initial Context: She buys her a bouquet of flowers and a card from the store.
Original Ending: When she gets home, her dog eats the flowers! Clara's mom tells Clara that she doesn't need a present anyways. The two spent Mother's Day having a picnic in the park instead.
Counterfactual Context: She buys things for a picnic.
Output:
| [
"When she gets home, her dog eats the picnic food! Clara's mom tells Clara that she doesn't need a present anyways. The two spent Mother's Day having a picnic in the park when they get some new food to eat. "
] | task269-8386569b80d04195acec8ee4947c1c97 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tom and Mary decided to ride the 4-wheeler out to cut a Christmas Tree.
Initial Context: They drove deep into the woods and found the perfect 7' tree.
Original Ending: They easily hooked it to the bike and started towing it home. Unfortunately, the 4-wheeler ran out of gas half way home. Tom and Mary had to carry the tree all the way back.
Counterfactual Context: Deep in the woods they got lost.
Output:
| [
"They easily got scared and started trying to find their way home. Unfortunately, the 4-wheeler ran out of gas half way home. Tom and Mary had to find their way back on foot. "
] | task269-1660ef82c6264ad994d592b600a9c227 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jack went to buy a fur coat.
Initial Context: He told the store clerk that he wanted a black coat with fur trim.
Original Ending: The store owner told him that fur is murder, and said get out. Jack went to a different store. The other store found him a coat made of fur and he was happy.
Counterfactual Context: He told the store clerk that he wanted a faux-fur black coat.
Output:
| [
"The store owner told him that faux-fur is not fashionable, and said get out. Jack went to a different store. The other store found him a coat made of faux-fur and he was happy. "
] | task269-a94636e8ad03447f918f40d08dc6928d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: June loved to make up stories about people.
Initial Context: She knew it was wrong.
Original Ending: She also knew it could hurt people's feelings. One day she got called into the principal's office. June received detention for spreading gossip at school.
Counterfactual Context: She didn't know it was wrong.
Output:
| [
"She also didn't know it could hurt people's feelings. One day she got called into the principal's office. June received detention for spreading gossip at school. "
] | task269-31c280330cff46e38137e2e2d8a613ec |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ray went out back with a telescope one night.
Initial Context: He lay on the back lawn and settled comfortably.
Original Ending: Then he started gazing up at the stars. He identified a dozen constellations! Ray was proud of his stargazing aptitude.
Counterfactual Context: He lay on the back lawn and feel asleep until morning.
Output:
| [
"He missed his chance to gaze up at the stars. He still identified a few clouds! Ray was proud of his skygazing aptitude. "
] | task269-0794cbf4d4634b8fb28459e726329a98 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Steven's mom kept telling him all morning to hurry up.
Initial Context: She knew he was going to be late, if he didn't get to the bus stop.
Original Ending: Steven finally grabbed his lunch box as he walked out the door. Just as he turned the corner, he saw the back of the bus pull away. He had to go back home and tell his mom he missed the bus again.
Counterfactual Context: She knew she would never start the carpool run in time if he didn't hurry.
Output:
| [
"Steven finally grabbed his lunch box as they walked out the door. Just as he turned the corner, he saw the back of the bus pull up. He had to go back home and tell his mom he didn't need a ride. "
] | task269-17caf9df90d74c33b9e3cf5c9e189663 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The man retired from his job.
Initial Context: He became bored.
Original Ending: He asked his old boss for his job back. His boss offered him a different job with less hours. The man accepted the new job.
Counterfactual Context: He loved his new leisurely lifestyle.
Output:
| [
"His old boss asked him to come back. He offered him a different position with less hours. The man accepted the new job. "
] | task269-2cda47d4b322435f8cf1b9435ecb22ea |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Lenny was excited about school today.
Initial Context: When he arrived he put his things away.
Original Ending: He asked the teacher if it was time to take out the bikes. His teacher said yes, it was time. Lenny rode his bike with his friends at school.
Counterfactual Context: He presented hi family album and pet parakeet for show-and-tell.
Output:
| [
"Later at recess, he asked the teacher if they could ride bikes around the playground. His teacher said yes. Lenny rode his bike with his friends at school. "
] | task269-fe2c5899532b4237bf53e6dbd84517e1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: When I was five we were going to go camping with my neighbor.
Initial Context: A day before the trip I got ill and we were unable to go.
Original Ending: I was disappointed about missing the trip. The weather was bad and the neighbors were caught in a storm. The camping trip ended up being a disaster and I was glad I was sick.
Counterfactual Context: A day before the trip our families car broke and we were unable to go.
Output:
| [
"I was disappointed about missing the trip. The weather was bad and the neighbors were caught in a storm. The camping trip ended up being a disaster and I was glad we hadn't gone. "
] | task269-a3e880357b68436a9e076c22a80598d1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bill had a very important meeting in Washington DC.
Initial Context: He left extra early to make sure he arrived on time.
Original Ending: Traffic was awful on the interstate. He got on the metro and the train was delayed. He arrived at his meeting with just seconds to spare.
Counterfactual Context: Because he didn't have time he rescheduled it for next week.
Output:
| [
"On the day of the meeting, the traffic was awful on the interstate. He got on the metro and the train was delayed. He arrived at his meeting with just seconds to spare. "
] | task269-9897d97cbc4f4fd2a1c57a989924f628 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gertrude's friends are throwing a dinner party in Queens.
Initial Context: Gertrude always loves to catch up with her friends.
Original Ending: She picks out an outfit and prepares to go to the party . However, she feels it is so cold outside she cannot go anywhere. Gertrude feels sad to miss seeing her friends because of the weather.
Counterfactual Context: Gertrude would rather just stay home.
Output:
| [
"She picks out an outfit and prepares to go to the party, but doesn't want to. However, she realizes it is so cold outside she cannot go anywhere. Gertrude feels happy to miss seeing her friends because of the weather, even though she won't admit it. "
] | task269-c9676fb736e148b49c260d63c0afef15 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Esther took her grandchildren to the mall to shop for their parents.
Initial Context: She gave each of the children $20 to get something for mom, and dad.
Original Ending: The oldest asked her for $20 more. Later the oldest told Esther the Ester was to get a gift for her. Esther was moved by her granddaughters kindness.
Counterfactual Context: She refused to give the kids money.
Output:
| [
"The oldest asked her for $20 but she said no. Later the oldest told Esther the money would have been to get her a gift. Esther was moved by her granddaughters kindness. "
] | task269-a4ba7c46cf104d308c0cfb2cc25f9484 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Fred was the only member of his family who didn't speak French.
Initial Context: He decided it was time for him to learn.
Original Ending: He enrolled in a course that required him to speak French every day. Fred's French language skill improved slowly. Finally Fred was able to speak French.
Counterfactual Context: He decided to stay that way.
Output:
| [
"He enrolled in a course that required him to speak Spanish every day. Fred's Spanish language skill improved slowly. Finally Fred was able to speak Spanish. "
] | task269-ed30d150ad8d45a8ac43ffddbce48c09 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Andy was standing outside at his bus stop one morning.
Initial Context: He greeted Mister Tom, the driver when getting on the school bus.
Original Ending: Mister Tom took a detour from the next stop. Andy was surprised to find himself at a convenient store. Mister Tom got Andy candy before finishing the rest of his stops.
Counterfactual Context: The bus never showed up to the stop.
Output:
| [
"He got his friend to give him a ride. Andy was surprised to find himself at a convenient store. His friend got Andy candy before going to his destination. "
] | task269-e41ef01b0a344566a61d400404b4d5c6 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Billy was excited that school was out.
Initial Context: His mother told him she needed to speak to him.
Original Ending: Billy had done poorly in school. His mother said he needed to attend summer school. Billy sulked into his room.
Counterfactual Context: His mother told him she was proud of him.
Output:
| [
"Billy had done great in school. He told his mother he needed to attend summer school. Billy loved studying in his room. "
] | task269-2ef4f2ee064d45e1b6a8d0b2c3d0a733 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Yesterday Tina made a blueberry pie.
Initial Context: She thought it would turn out great.
Original Ending: However unfortunately the pie turned out horrible. When she went to taste it, it tasted terrible. Tina had to throw it out.
Counterfactual Context: She accidentally used salt instead of sugar.
Output:
| [
"So the pie turned out horrible. She figured out she used salt when she went to taste it and it tasted terrible. Tina had to throw it out. "
] | task269-d274732d06144e0abd2f87f855bc6e6a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Joe was making an advertisement for his line of shirts.
Initial Context: It didn't go well.
Original Ending: It was horrible quality. Joe got a huge loan from the bank. After that he was able to make a great advertisement.
Counterfactual Context: It went very well.
Output:
| [
"It was an amazing quality. Joe never even got a huge loan from the bank. After that he was able to make a great advertisement. "
] | task269-c4ddedc16ac1472baab907269b18505b |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gina was desperate to get her loose tooth out.
Initial Context: She just couldn't pull on it hard enough.
Original Ending: Her brother tied a piece of string to it. The other end was tied to a doorknob. When he slammed the door the tooth came out.
Counterfactual Context: She finally pulled on it hard enough.
Output:
| [
"It came out and she looked at it. She felt her gums with her tongue. She threw her tooth away. "
] | task269-294da2cfa2a548589845b052d2a71482 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The man made himself a hamburger at work.
Initial Context: He ate the hamburger.
Original Ending: His boss saw him eat it. The man was supposed to have paid for it. The man got in trouble.
Counterfactual Context: His boss thought his hamburger looked great and asked if he could get one.
Output:
| [
"He made his boss a hamburger. His boss was supposed to pay for it but didn't. But his boss didn't get in trouble. "
] | task269-0fa50f9cc31d4ce1b94d3da8f0d1d660 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ben is a big fan of Criminal Minds.
Initial Context: Ben always tunes in to Criminal Minds when he gets home.
Original Ending: Ben gets his food and drinks ready. Ben sits down and watches the show with his girlfriend. Ben watches the show until it ends and then goes to bed.
Counterfactual Context: But when he got home the TV would not work.
Output:
| [
"Ben had had his food and drinks ready. Ben wanted to watch the show with his girlfriend. Ben ends up just going to bed. "
] | task269-23beaec99667413b871890f94c85c98c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The soldiers were talking to each other.
Initial Context: Eventually, everyone started to pack up their equipment.
Original Ending: John placed several handguns and grenades in his bag. However, a grenade fell out of his bag. It blew up in the middle of the equipment center.
Counterfactual Context: Eventually, John started to pack the equipment except the grenades.
Output:
| [
"John placed several handguns in his bag. However he accidentally kicked a grenade. It blew up in the middle of the equipment center. "
] | task269-b92586b04c754de88044d4a193054c15 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Davis always loved model train sets.
Initial Context: He decided to set up a model train set in his basement.
Original Ending: He asked his son to join him in the effort. They spent weeks putting it together in intricate detail. They were both very proud when the elaborate set-up was all done.
Counterfactual Context: He decided to set up a simple lego train set in a day with his daughter.
Output:
| [
"His daughter was happy to join him in the effort. They spent weeks putting it together in intricate detail because it was too intricate to finish in a day. They were both very proud when the elaborate set up was all done "
] | task269-cbe6f4c47fff4d8c98daaff5caaa2f29 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Lester was the quarterback for the football team.
Initial Context: He trained for several hours every day.
Original Ending: He got more accurate with his throwing. He learned to hit a small target from many yards away. His accuracy throwing helped lead his team to the State Championship.
Counterfactual Context: He napped for several hours every day.
Output:
| [
"He never learned the playbook. He couldn't hit a small target from far away. His napping led his team to lose the state championship "
] | task269-69646beae4344f9ab0a82ddb0f8c3c99 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: An art student bought 10,000 rubber bands to make a sculpture.
Initial Context: He wrapped them around a large doll to make a human figure.
Original Ending: The art piece was displayed in a gallery at a fancy show. Many people offered a lot of money for the work. The artist refused and kept the piece for himself.
Counterfactual Context: He wrapped them around a large doll, but they snapped.
Output:
| [
"It still worked, and the art piece was displayed in a gallery at a fancy show. Many people offered a lot of money for the work. The artist refused and kept the piece for himself. "
] | task269-a36223617fd74eb4a8f8a0191c46e6c9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ida pruned the limbs off of the bushes.
Initial Context: The shears broke.
Original Ending: Ida called her husband. Ida's husband bought new shears. Ida's husband presented Ida some new shears two hours later.
Counterfactual Context: The shears worked wonderfully.
Output:
| [
"Ida called her husband. Ida's husband was proud of her hard work, Ida's husband presented Ida with a beautiful bouquet of flowers two hours later. "
] | task269-99d5654a4494409f9eb7dfd0a6991772 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Courtney was in high school.
Initial Context: The teacher was giving a lecture.
Original Ending: She quietly told a joke. The class started laughing. The teacher kicked Courtney out of class.
Counterfactual Context: She got sick and had to run to the restroom.
Output:
| [
"She quietly told a joke when she returned from the bathroom. The class started laughing. The teacher kicked Courtney out of class. "
] | task269-d68f71eae5c74c7a8c3e7bd3f7113d9c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tom bought two ferrets from a friend.
Initial Context: Tom's friend told them they were housebroken.
Original Ending: Tom took the ferrets home. The ferrets used the bathroom all over the house. Tom returned the ferrets to his friend.
Counterfactual Context: Tom's friend told him they were nice.
Output:
| [
"Tom took the ferrets home. The ferrets used the bathroom all over the house. Tom returned the ferrets to his friend. "
] | task269-e23656762c1e4f2f9839d003bdcc7bca |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Enrique was installing a new sprinkler system in the yard.
Initial Context: He walked over to the fence to dig a hole.
Original Ending: The neighbor's dog ran up to the fence, barking loudly. Enrique was startled and jumped back. The neighbor came and got the dog, apologizing profusely.
Counterfactual Context: He decided to sit down and read the instructions first.
Output:
| [
"While he was reading, the neighbor's dog ran up to the fence, barking loudly. Enrique was startled and jumped back. The neighbor came and got the dog, apologizing profusely. "
] | task269-209eb0e82c2646488b6314ea4c71f19e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gary had a plot of land.
Initial Context: He decided to plant some produce on it.
Original Ending: He picked corn for the first crop. It grew tall and healthy. He harvested it and made some delicious food.
Counterfactual Context: He decided to plant some produce on it but will never pick corn.
Output:
| [
"He didn't like corn and didn't know anyone he could give it to. The crops grew tall and healthy. He harvested them and made some delicious food. "
] | task269-b48b51eb74b64119a92ddf14133c5c9b |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Hillary arrived to her campsite in the middle of the southwest USA.
Initial Context: She set up camp and then left to go for a hike.
Original Ending: While hiking, she noticed a large canyon and wanted to get closer. While walking over to the canyon's edge, Hillary suddenly fell inside. When she hit the bottom, she was miraculously not hurt.
Counterfactual Context: She set up camp and then left to go for a swim.
Output:
| [
"While hiking to the lake, she noticed a large canyon and wanted to get closer. While walking over to the canyon's edge, Hillary suddenly fell inside. When she hit the bottom, she was miraculously not hurt. "
] | task269-9a80abcf2368452c93b375024cc781a8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gary didn't want to go to school today.
Initial Context: He had been up all night studying for a big test and wasn't ready.
Original Ending: When he got to school, his teacher was stuck at home sick. Instead of the test, Gary got to watch a movie in class. He was so thankful to get another day to study for the test!
Counterfactual Context: He felt sick even though he had slept all night.
Output:
| [
"When he got to school, his teacher noticed he was sick. Instead of the test, Gary got to go to the nurse's office who sent him home. He was so thankful to get another day to study for the test! "
] | task269-cf201a578f66410c9a125ee0dab8bc20 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Greg ripped some pages out of a book.
Initial Context: He returned the book to the library.
Original Ending: Someone else borrowed that book. They couldn't read the missing pages. They would always wonder.
Counterfactual Context: He returned the book to the store.
Output:
| [
"Someone else bought the book. They couldn't read the missing pages They would always wonder "
] | task269-e060336db271492fb6b02067d78aa223 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mark was a hopeless romantic.
Initial Context: He was also a magician.
Original Ending: He wasn't very good at either. The only magic in his life was making women disappear. Girls really didn't like Mark's magic.
Counterfactual Context: He wanted to attract people.
Output:
| [
"He wasn't very good at it. The only magic in his life was making women disappear. Girls really didn't like Mark. "
] | task269-1742668d92a644ca94f76a917cae6baa |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Theo was on the prowl for a new home.
Initial Context: He called his bank and got a loan.
Original Ending: Next he called a realtor to show him homes. The realtor showed him 8 homes. Theo fell in love with one and purchased it.
Counterfactual Context: He rented an apartment instead.
Output:
| [
"A few years later, he called a realtor to show him homes. The realtor showed him 8 homes. Theo fell in love with one and purchased it. "
] | task269-0b6a3d1bfecc4610870aebcd9b3f615c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Junie saw an ad for sea monkeys in a comic book.
Initial Context: She ordered the kit and awaited its arrival.
Original Ending: When it arrived, she followed the directions on the kit. The sea monkeys hatched and swam around their bowl. As Junie bent to see them, she knocked the bowl over.
Counterfactual Context: She decided not to order a kit.
Output:
| [
"Later on though, she changed her mind, and when it arrived, she followed the directions on the kit. The sea monkeys hatched and swam around their bowl. As Junie bent to see them, she knocked the bowl over. "
] | task269-174c86047ccd4a2380b0fc5662080b9c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Rachel got her license when she turned 16.
Initial Context: She didn't take driving seriously and would text and drive.
Original Ending: One day, she was sending a text and ran a stop light. Rachel was ejected from her car after hitting another vehicle. Rachel lost a leg as a result and never texted while driving again.
Counterfactual Context: She was a very careful driver and would never text while driving.
Output:
| [
"One day, she saw someone sending a text and run a stop light. Rachel was ejected from their car after the other vehicle hit her. Rachel lost a leg as a result and gave speeches about never texting while driving. "
] | task269-76c5ecaabcfb4b83b37140a22c4fedee |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ron loved music so much.
Initial Context: Ron began writing and performing tunes on his keyboard on You Tube.
Original Ending: Rob's videos went viral. Ron got a call from a producer at ESPN. Now ESPN's Sportscenter show opens to a tune by Rob!
Counterfactual Context: Ron began writing and performing tunes on his keyboard on the streets.
Output:
| [
"A passerby recorded him and posted the video which went viral. Ron got a call from a producer at ESPN. Now ESPN's Sportscenter show opens to a tune by Rob! "
] | task269-ff50e226c62546d08c5ed6ab3f65b722 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Last night I went to Laura's house.
Initial Context: We had some fried chicken.
Original Ending: It was amazing. I asked her for the recipe. She told me it was a secret.
Counterfactual Context: We had some tape and scissors.
Output:
| [
"It was time to work. I asked her for help. She told me of course. "
] | task269-c75e8360a0194cca873de23bf3c0d53d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My son and I often bake cookies.
Initial Context: One day, in the middle of a recipe I notice we were short one egg.
Original Ending: My son suggested asking the neighbor for an egg. He went next door and got an egg. Thanks to her generosity, we were able to finish making the cookies.
Counterfactual Context: One day, in the middle of a recipe I notice we were short of milk.
Output:
| [
"My son suggested asking the neighbor for some milk. He went next door and got some milk. Thanks to her generosity, we were able to finish making the cookies. "
] | task269-64d55796c9e9469d926f824ace694378 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Stacy was excited to be going to the state fair.
Initial Context: She planned her day to take in every attraction.
Original Ending: Then, Stacy smelled the aroma of deep-fried goodies. She stopped at each vendor to sample the wares. Two hours later, Stacy was back at the car with a belly ache.
Counterfactual Context: She couldn't eat but was excited for the rides.
Output:
| [
"Then, Stacy smelled the aroma of deep-fried goodies. She stopped at each vendor to sample the wares even though she wasn't supposed to. Two hours later, Stacy was back at the car with a belly ache. "
] | task269-784fb5f7fe98470d8f0caf102105444c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jack didn't like the food in the school cafeteria.
Initial Context: He asked his mom to pack his lunch.
Original Ending: Jack began to bring his lunch to school. One day, there was pizza in the cafeteria. Jack wished he hadn't brought his lunch.
Counterfactual Context: He brought sushi with him.
Output:
| [
"Jack began bringing sushi every day for lunch to school. One day, there was pizza in the cafeteria. Jack wished he hadn't brought his lunch. "
] | task269-f2a680c897054d71ac7513ed96122462 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Claire had dance lessons this evening.
Initial Context: She went to the dance studio dressed in her ballet clothes.
Original Ending: Her teacher scolded her for being late. Claire was performing her routine when she felt a pain in her leg. Claire sprained her leg and got to go home.
Counterfactual Context: She decided not to go to the studio and played hooky.
Output:
| [
"Her teacher scolded her for not showing up. Claire was showering when she felt a pain in her leg. Claire sprained her leg and got to stay home. "
] | task269-6f7a0ee6d2474eb3acc1ea112fc5c648 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My friend bought tickets to this Friday's big game.
Initial Context: He got a ticket for his girlfriend.
Original Ending: Unfortunately she's sick and can't go. So I get to go instead. I'm happy because of her suffering.
Counterfactual Context: He got a ticket for his dad, but he has to work.
Output:
| [
"Fortunately he was too busy and can't go. So I get to go instead. I'm happy that his dad had to work. "
] | task269-a5393477d0234dd6b689dbbe511e8fff |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Lucy was gardening with her grandma.
Initial Context: She spotted a watermelon in the corner.
Original Ending: Lonely for a friend she named the watermelon Mel. She put stickers on the melon for eyes and a nose. That night the rain washed her friends face away.
Counterfactual Context: She spotted an apple in the corner.
Output:
| [
"Hungrily, she ate the apple. She put peanut butter on it. That night, she had another apple. "
] | task269-58f996a240d64f1cba5ce681a701048d |