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Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Keith wanted to become a professional chef.
Initial Context: He watched cooking shows and practiced recipes.
Original Ending: Keith enrolled in culinary school. After school Keith worked at a famous restaurant. Keith worked his way up to being head chef.
Counterfactual Context: He cooked only by taste.
Output:
| [
"Keith enrolled in culinary school. After school Keith worked at a famous restaurant. Keith worked his way up to being head chef. "
] | task269-5b74ffedffe3467896bc904e844cc28e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I was so excited that it was time for Spring Break.
Initial Context: This year we went to the History Museum in Chicago.
Original Ending: While at the museum my brother swallowed a large bug. He felt very sick after eating the bug. We decided that we will not go to the History Museum next year.
Counterfactual Context: This year we went to the mountains.
Output:
| [
"While in the mountains my brother swallowed a large bug. He felt very sick after eating the bug. We decided that we will not go to the mountains next year. "
] | task269-46e786c008d746549c66ef790082ac02 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: A man desired to improve his relationships with others.
Initial Context: He started being more friendly and outgoing to people.
Original Ending: He soon made many new friends. He saw his social skills improve. He dramatically improved his relationships with others.
Counterfactual Context: He had no idea what to do about it.
Output:
| [
"He took a class on social skills, and soon made many new friends. He saw his social skills improve. He dramatically improved his relationships with others. "
] | task269-77aedc70119c4795aaee2ce7b667f3f2 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ben and Jack were on trip abroad together.
Initial Context: While in Iceland, they rented a small two-door car.
Original Ending: There's one highway in Iceland that goes around the whole country. Ben and Jack had three days to drive around the whole road. They did so, and loved every minute of passing scenery and adventure.
Counterfactual Context: They decided to go for a horse ride.
Output:
| [
"There's a trail that goes around the whole town. Ben and Jack had six hours to ride around the trail. They did so, and loved every minute of passing scenery and adventure. "
] | task269-06f85c44624c4b89acf4d99b55cab4b5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Terry was always very quiet in school.
Initial Context: She did not have many friends.
Original Ending: One day she decided to bring her flute to school. She played for the class. After that she always had friends to talk to.
Counterfactual Context: She decided to enroll in the drama class because she felt she had no other talents.
Output:
| [
"One day she decided to bring cake to class. She served the class. After that she always had friends to talk to. "
] | task269-04c6fa78b8ce4b32b558a4cacb521a5a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tess wanted to make her family pizza for dinner.
Initial Context: But the dough she made fell flat, and her sauce was watery.
Original Ending: Tess was so disappointed! Then she thought of a solution. She ordered a takeout pizza, which her family loved!
Counterfactual Context: But her mother had already ordered Chinese takeout.
Output:
| [
"Tess was so disappointed! Then she thought of a solution. She ordered a takeout pizza to give the family a choice in foods, which her family loved! "
] | task269-7616b1fd752b41bfb4e34a9832d6d19b |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Alex fell asleep outside under the tree.
Initial Context: The storm clouds began to roll in.
Original Ending: Alex didn't notice the weather because he was sleeping. The rain started pouring down. Alex was surprised to get soaked in the middle of his nap.
Counterfactual Context: Suddenly he felt something begin to lick his face.
Output:
| [
"Alex wasn't sure what it was because she had been sound asleep. He noticed a dog that kept licking. His face was soaked when he got up from his nap. "
] | task269-1411e4973055459dacc7ff507d540ea4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Hank bought a new donkey.
Initial Context: He was a farmer and needed a strong animal to help in plow.
Original Ending: The donkey got hooked up to the plow. He refused to walk forward, no matter what Hank did. Hank took him back to the store for a refund.
Counterfactual Context: He is an animal pet collector.
Output:
| [
"The donkey was added to his collection. He refused to walk at the park, no matter what Hank did. Hank took his dogs out for a walk, instead. "
] | task269-bf63a94f7aad4dfaadceb381a5ce48cf |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jessica didn't like to drink.
Initial Context: But when a superstar offered to buy her a drink, she accepted.
Original Ending: She drank as much as he did. She agreed to go to his hotel because she needed to pass out. When she woke up, she knew she had sex but hadn't agreed to.
Counterfactual Context: When a superstar offered to buy her a drink she declined.
Output:
| [
"He drank far more than she did. She agreed to drop him off at his hotel to ensure he made it home safely. When she woke up feeling good, she was pleased to have declined the alcohol. "
] | task269-abb6a1228e7246eab388f67685e93af1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Carlos wants a cup of coffee for breakfast.
Initial Context: He pours a cup for himself.
Original Ending: Unfortunately, he spills it all over the table. Carlos spends a few minutes cleaning up. He still wants some coffee.
Counterfactual Context: He kept a cup for himself.
Output:
| [
"Unfortunately, he spills it all over the table. Carlos spends a few minutes cleaning up. He still wants some coffee. "
] | task269-28870464601948e1a23cf32253aab163 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Marc and Jerome were fighting over Jessica on the playground.
Initial Context: Marc hit Jerome in the face.
Original Ending: Jerome was crying and his face was bleeding. Jessica told them to stop, and she went home with her friend John. Marc and Jerome never got a chance to date Jessica.
Counterfactual Context: Marc shook Jerome's hand.
Output:
| [
"Jerome and Marc got along well. However, she didn't care and she went home with her friend John. Marc and Jerome never got a chance to date Jessica. "
] | task269-9b6603723a6e4cf3af1459be5ca18fb5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ted felt really awful about himself.
Initial Context: He was terribly thin and puny.
Original Ending: He decided he had to make changes to feel better. He worked every day to get fit by lifting weights and running. Finally, Ted looked at himself in the mirror and felt proud.
Counterfactual Context: He was muscle bound and stoutly built.
Output:
| [
"He decided he had to make changes to feel better. He worked every day to lose weight by running. Finally, Ted looked at himself in the mirror and felt proud. "
] | task269-55d10cf305c74b53ba95a911be935bfa |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The man woke up with an earache.
Initial Context: He took medicine, but decided to go to the doctor.
Original Ending: The man called the office to make an appointment. The man went into his appointment with the doctor. The doctor treated the man and gave him a prescription.
Counterfactual Context: He had a bug in his ear.
Output:
| [
"He tried to remove the bug but could not, so the man called the doctor office to make an appointment. The man went into his appointment with the doctor. The doctor removed the bug and gave him a prescription. "
] | task269-b2dc646f491a4cab91d084c7092cf62d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kate was forcing her friends to eat at the taco place.
Initial Context: It was the only was she could see her crush.
Original Ending: One day her friends refused to go with her. But after 2 weeks she was also tired of eating tacos. She decided she would wait a few weeks before returning.
Counterfactual Context: It was the only was she could see her Mom until she moved away.
Output:
| [
"One day her friends refused to go with her. After two weeks, Kate was also tired of eating tacos. She decided she would wait a few weeks before returning. "
] | task269-341d811541294fbd8159ba5c8969b33f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Corky had a really bad toupee.
Initial Context: His kids decided to wash it.
Original Ending: Unfortunately the washing machine destroyed the toupee. The kids were scared to tell the truth. They decided to blame the dog and say he chewed up the toupee.
Counterfactual Context: His kids decided to burn it.
Output:
| [
"They set it on fire in the yard and buried it. The kids were scared to tell the truth. They decided to blame the dog and say he buried the toupee. "
] | task269-d2b063a108994877b6e58cfafa2e9758 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bryan woke up one day and realized it was cold.
Initial Context: He looked through his closet but realized that his sweater had a hole.
Original Ending: He left to the store and decided to buy a new sweater. He bought a black one since he loved wearing black. He left to school with his new sweater and felt comfortable.
Counterfactual Context: He looked through his closet but realized that his sweater is nice.
Output:
| [
"He wore it every day though so he left to the store to buy a new sweater. He bought a black one since he loved wearing black. He left to school with his new sweater and felt comfortable. "
] | task269-e91aec194da147a0b20dc76741f19b50 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I answered my phone when it rung.
Initial Context: It was the crazy lady calling from down the street.
Original Ending: I traced her phone number to her house. I went to visit her at her home. I strangled the crazy lady with her own phone cord.
Counterfactual Context: It was the lottery people telling me I'd won.
Output:
| [
"I traced their phone number to their office. I went to visit them at their office. I hugged the lottery people with a thankful embrace. "
] | task269-1ab04801ae4c4d9a82d10b6fb415ef99 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Colby sat on the carpet playing with LEGOs.
Initial Context: His brother Liam jumped on his pile of LEGOs.
Original Ending: Surprised, Colby bumped backwards into the shelf. A Mrs Claus figure started shaking on the shelf. The Mrs Claus figurine fell on his head!
Counterfactual Context: His brother Liam stole all the LEGOs.
Output:
| [
"Surprised, Colby found all the LEGO in the shelf. A Mrs Claus figure poked out on the shelf. The Mrs Claus figurine fell on his head! "
] | task269-b1540bfb437f4114b0599e89f97c010c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My neighbor likes to play his music too loudly.
Initial Context: I went over to his apartment and knocked on his door.
Original Ending: When he opened the door, I told him to turn his music down. Because his music was so loud, he couldn't hear what I was saying. I had to write it down on a piece of paper and show it to him.
Counterfactual Context: When I knocked on his door, he couldn't hear it over the music so I kicked it down.
Output:
| [
"I then told him to turn his music down. Because his music was so loud, he couldn't hear what I was saying. I had to write it down on a piece of paper and show it to him. "
] | task269-bf8c1276f0b74557863c7b85970eddc9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Lori wanted to win a title.
Initial Context: She was determined to go to the state competition this year.
Original Ending: She practiced her talent every day. She worked on her swimsuit competition. When the local pageant came, Lori won a title.
Counterfactual Context: She was determined to go to the international competition this year.
Output:
| [
"She practiced her talent every day. She worked on her swimsuit competition. When the local pageant came, Lori won a title and an entrance into the international competition! "
] | task269-d3099e1bbd7346f08f231d6cc4a3afb0 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: A baker began to close shop after a hard day of work.
Initial Context: Suddenly, it began to rain very hard and the baker couldn't leave.
Original Ending: He turned the radio on and heard that there was a flash flood warning. The baker had to wait for a few hours before he could leave. When he finally left, he was grateful to be going home.
Counterfactual Context: Suddenly, it began to get cold and he rushed out.
Output:
| [
"He turned on the radio and heard that there was a freeze warning. The baker had to hurry for a few minutes to get home. When he finally got there, he was grateful to be home. "
] | task269-2a22ca592f48421ea76f9c500dd7ee21 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Anna was invited to go sailing.
Initial Context: She had never been and was a bit fearful.
Original Ending: But she agreed to go with her friends. In the end, she had a wonderful day on the water! Anna was glad she had taken a chance on a new experience.
Counterfactual Context: She had gone many times before and was at ease.
Output:
| [
"She agreed to go with her friends. She had a wonderful day on the water! Anna was glad she had gone with her friends. "
] | task269-9d9f780db17f4ee38de89e70141bb77f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Amy was having a bad day.
Initial Context: First, her hair looked bad.
Original Ending: Then, her clothes were too tight. After that, Amy was late for work! Amy felt sad and angry about the bad things in her day.
Counterfactual Context: She had fallen on her way into work and cut her leg.
Output:
| [
"She had to go to the emergency room. After that, Amy was late for work! Amy felt sad and angry about the bad things in her day. "
] | task269-5a97e0e168b74db6868b2c9eacb8e860 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ben was talking his preteen son rock climbing.
Initial Context: They went to an indoor rock wall and suited up.
Original Ending: Then they climbed side by side, breathing heavily. At the end of the day, both had reached the top, but it was hard! They agreed that they both needed to be a little more fit!
Counterfactual Context: When they arrived, they found the facility had closed for the day due to a gas leak.
Output:
| [
"Then they ran away from the door, breathing heavily. They went back the next day, and both reached the top, but it was hard! They agreed that they both needed to be a little more fit! "
] | task269-af01f51b070948e1924c9f7acb0f5278 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: There was a little girl named Tawny who went to the fair.
Initial Context: She was too short to ride the Ferris Wheel.
Original Ending: The next day, her mother took her to the store. They picked out a pair of shoes with extra-thick soles. With her new shoes on, Tawny was tall enough to ride.
Counterfactual Context: She was finally tall enough to ride the Ferris Wheel.
Output:
| [
"The next day, her mother took her to the fair. They picked out a pair of shoes with extra-thick soles. With her new shoes on, Tawny rode the Ferris Wheel. "
] | task269-09129bc5b1a54602bc445c69d85cb661 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I noticed my kitchen was getting dirty.
Initial Context: I decided to clean it and put on gloves.
Original Ending: I turned on the sink water and began to scrub the dishes. While putting dishes in the dishwasher, I dropped a plate. The plate broke into little pieces, and then I cleaned the mess.
Counterfactual Context: I decided to clean the table.
Output:
| [
"I turned on the sink water to wet a rag. While scrubbing the table, I accidentally knocked off a plate. The plate broke into little pieces, and then I cleaned the mess. "
] | task269-ea420306b6274a4db01b60103eb9e86f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Donald was afraid of spiders.
Initial Context: One day he heard his mom scream.
Original Ending: Donald ran into the room and saw her backing away from a spider. He quickly grabbed a broom and killed the spider. Now Donald no longer fears spiders!
Counterfactual Context: One day he heard his mom laughing.
Output:
| [
"Donald ran into the room and saw her dancing and singing. He quickly grabbed a broom and started dancing. Now Donald no longer fears performing! "
] | task269-427d9d6380e84b8e922e4ab114f20343 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Our son is silly when it comes to drinking fluids.
Initial Context: He only likes to drink milk.
Original Ending: Doesn't even like to drink juice! He will also only drink from one type of cup. He is very silly to say the least.
Counterfactual Context: He only likes to consume Popsicles.
Output:
| [
"Doesn't even like to drink juice! He doesn't drink from any cup. He is very silly to say the least. "
] | task269-ce20925001034485aebc1e459b14a475 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Erica adopted a Labrador puppy named Jerry.
Initial Context: Jerry loved to run away whenever he could.
Original Ending: One day, Jerry was injured when he was hit by a car. Erica had a fence installed while he was in the veterinary hospital. Jerry loved playing in his new, safe yard.
Counterfactual Context: Jerry refused to go outside.
Output:
| [
"One day, Jerry was injured when he was accidentally hit by a friend. Erica had a dedicated room built for him while he was in the veterinary hospital. Jerry loved playing in his new, safe room. "
] | task269-1e826720cd1e4a979a3446ca1ec4fc3a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Rob was invited to go trick or treating.
Initial Context: But he claimed trick or treating was for children.
Original Ending: Inside however, Rob was too embarrassed to wear a costume. Rob stayed inside for Halloween. He felt regret when he saw all of his friend's candy.
Counterfactual Context: He loved Halloween and dressed up as Ironman.
Output:
| [
"He and his friends excitedly went out and began knocking on doors. Rob was having a great time. He was happy to see how much candy he had at the end of the night. "
] | task269-34dd57d9a58741058b370de4b237e5d7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Timmy was playing in his backyard with a shovel.
Initial Context: While digging, he found a small pile of sharp arrowheads.
Original Ending: He took them to his mom who was very surprised. She called a local college and the professor sounded very interested. The professor offered them a lot of money to dig in their yard.
Counterfactual Context: While digging, he was sad to find nothing at all.
Output:
| [
"But he did find some arrowheads near a stream, which he took them to his mom who was very surprised. She called a local college and the professor sounded very interested. The professor offered them a lot of money to search in their stream. "
] | task269-f1ad50ab61584cff9d43d9bf60aa204f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mary's husband told her he was leaving her.
Initial Context: Distraught, she clubbed him over the head with a frozen leg of lamb.
Original Ending: The police determined he'd been killed by a blunt object. They couldn't find the murder weapon. Mary served them roasted lamb while they discussed it.
Counterfactual Context: She was thrilled because she'd been asking for a divorce.
Output:
| [
"The lawyer determined she'd been harmed by her husband. They found the husband at fault. Mary served them roasted lamb while they discussed it. "
] | task269-531449ffa204447fa7108ad983c5e539 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Joe's mom wanted him to do the dishes.
Initial Context: Joe threw a fit and refused to help.
Original Ending: Joe's mother threw a dish at him. Joe decided to do what his mother said. Joe washed every dish in the house.
Counterfactual Context: He washed them right away without being asked.
Output:
| [
"Joe's mother was astonished. Joe decided to help his mother out more often. Joe washed every dish in the house. "
] | task269-d09e940311924be9b7e99d278174dc89 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: People entered the hall where the party was starting.
Initial Context: Everyone got onto the dance floor as the music was playing.
Original Ending: They all started dancing the robot. As the music was winding down people returned to their seats. Everyone enjoyed the party especially the dancing.
Counterfactual Context: Everyone got into line for the buffet.
Output:
| [
"Randomly, they all started dancing the robot. As the music was winding down people returned to their seats. Everyone enjoyed the party especially the dancing. "
] | task269-92a3ca1621f74c3badb98a30aec4e353 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Nell was excited about becoming a big sister.
Initial Context: She ran to the door when her parents came home with the baby.
Original Ending: She begged to get to hold her new baby brother. As she held him, Nell's parents paid no attention to her. For a second, Nell thought of dropping the baby on the floor.
Counterfactual Context: She loved her new sister and took care of him.
Output:
| [
"She begged to hold her new baby brother. As she held him, Nells parents paid no attention to her, For a second, Nell though of giving the baby back her her parents. "
] | task269-94b103ef838448bd922d9c73b4ce8135 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mike chose the shortest line at the convenience store.
Initial Context: The person in front of him tried to pay in nickels from a glass jar.
Original Ending: The cashier counted the nickels three times. Every time she counted, the total was a nickel short. Mike knew that he always picks the wrong line at the store.
Counterfactual Context: The person in front of him tried to pay for nickel-candy with a credit card.
Output:
| [
"The cashier counted the times the card declined: three times. Every time she counted, his available balance was a nickel short. Mike knew that he always picks the wrong line at the store. "
] | task269-7d5de71f21f14fd48489f149dd34d643 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Emily was walking along the beach.
Initial Context: She saw a jellyfish washing up on the shore.
Original Ending: She realized there were many jellyfish in the water. Emily found a lifeguard. The lifeguard made sure nobody went into the dangerous waters.
Counterfactual Context: She was all alone.
Output:
| [
"She realized there were many jellyfish in the water. She was glad that nobody was around to get stung. These jellyfish were dangerous. "
] | task269-aad56ff2441a4c428cdd2b9893c54f63 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Rocky was cooking at his job.
Initial Context: While cooking he left outside to smoke.
Original Ending: When he came back all the food was burnt. Rocky's manager seen what rocky had done. He fired rocky on the spot.
Counterfactual Context: While cooking he stayed by the food and smoked.
Output:
| [
"He got distracted and suddenly the food was burnt. Rocky's manager seen what rocky had done. He fired rocky on the spot. "
] | task269-dde86aa01bf3472daed929b87a7066eb |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I went to the dirt bike track one day.
Initial Context: I bought a trailer and a four wheeler.
Original Ending: I unloaded the four wheeler and put on my helmet. I rode through the track and had fun. I went back to the trailer and went back home.
Counterfactual Context: I saw a lot of trailers and four wheelers.
Output:
| [
"I decided to unloaded the four wheeler and put on my helmet. I rode through the track and had fun. I went back to the trailer and went back home. "
] | task269-feaca5200cc7449291a94022a732c80d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I went on the splash mountain ride last week.
Initial Context: At first it was a peaceful ride.
Original Ending: We went into a calm tunnel. Then we dropped unexpectedly. I was scared.
Counterfactual Context: It was a peaceful ride from start to finish.
Output:
| [
"Except when we went into a calm tunnel. At it's end we dropped unexpectedly. I was scared. "
] | task269-23c6f301bca74cbebc5bd4cfbc1d0216 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Katie was making a casserole in home ec class.
Initial Context: She had assembled all her ingredients carefully.
Original Ending: She tried hard because the meal was half her final grade. But poor Katie's casserole was tasteless and burned! Her final grade went down to a "C".
Counterfactual Context: She threw in all her ingredients carelessly.
Output:
| [
"She said it was \"just casserole\" and it wasn't supposed to look pretty, even if it was half of her final grade. But Katie's casserole was tasteless and burned! Her final grade went down to a \"C\". "
] | task269-581c2c60935c49babbdd8857042ebb26 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Denise always got her eyebrows waxed.
Initial Context: However, Denise recently learned about eyebrow threading.
Original Ending: Denise decided to give eyebrow threading a try. After locating a specialist, Denise got the threading procedure. Denise was thrilled with the outcome of her eyebrow threading.
Counterfactual Context: However Denise got tired of it and decided to shave her eyebrows completely off and draw them on.
Output:
| [
"Before shaving them, Denise decided to give eyebrow threading a try. After locating a specialist, Denise got the threading procedure. Denise was not happy with the outcome of her eyebrow threading. "
] | task269-435678901b7642a1a8b8830a0d11eb8f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: A man wasn't making enough money selling rulers.
Initial Context: He decided to cut them an inch shorter to save money.
Original Ending: The new 11 inch rulers were a big hit. He made a lot of money under this scheme. To celebrate his wealth he took a day off and went to the beach.
Counterfactual Context: He decided to start selling pens and pencils instead.
Output:
| [
"The new erasable pens were a big hit. He made a lot of money under this scheme. To celebrate his wealth he took a day off and went to the beach. "
] | task269-7ffaf0d330e84ac68676f839b2e3f54d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jimmy Carr was a speedster.
Initial Context: He would go out at night and race his friends on old country roads.
Original Ending: One night, Jimmy was racing and had almost won. A cow ran out onto the road in front of him. Jimmy slammed into the cow and flew from his car and hit the pavement.
Counterfactual Context: He would go out at night and race his friends on the city highway.
Output:
| [
"One night Jimmy was racing and had almost won. A bicycle rolled out onto the road in front of him. Jimmy slammed into the bicycle and flew from his car and hit the pavement. "
] | task269-c7aa5dd537314d6f9a53e665475909c2 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Lisa is driving home from work.
Initial Context: While driving she hits a rock in the road.
Original Ending: Her car goes off the side of the road. She gets out to see what's wrong with her car. She notices she has a flat tire and calls someone for help.
Counterfactual Context: While driving she saw a sad young man on the side of the road.
Output:
| [
"She parks her car off the side of the road. She gets out to see what's wrong with the young man. She notices the young man has a flat tire and calls someone for help. "
] | task269-35c3d9d505b74c8981d178edf43a4b10 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Elias and Taylor were ready for the next step in their relationship.
Initial Context: They had been dating for several years.
Original Ending: Recently, they had moved into an apartment together. One night, Elias came home with two pet kittens. Taylor had never been so happy and surprised!
Counterfactual Context: They planned their wedding and moved into the perfect two-bedroom house.
Output:
| [
"One night, Elias came home with two pet kittens. Taylor had never been so happy and surprised! It made Elias feel good. "
] | task269-7d63f065494049b3a50f5836893ca3c7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Teresa went for a hike.
Initial Context: On the path, she saw a rattlesnake.
Original Ending: She and the rattlesnake both froze. Finally, the rattlesnake moved on. Teresa never went hiking alone again.
Counterfactual Context: On the path, she saw a mountain lion.
Output:
| [
"She and the lion both froze. Finally, the lion moved on. Teresa never went hiking alone again. "
] | task269-ca0928fd600d4053860d350d4c7d1fac |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I had a friend named Dan.
Initial Context: He liked to eat ice cream.
Original Ending: He would eat it so fast that he would get a headache. Dan didn't like headaches. Dan started eating slower.
Counterfactual Context: He didn't like to eat anything cold.
Output:
| [
"Cold foods gave him headaches. Dan didn't like headaches. He refused to eat cold things. "
] | task269-77edb6393b9d47a19e75c547644e0d02 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Chris spent a day at the beach.
Initial Context: He swam a bit in the water then came ashore.
Original Ending: Chris spread out a blanket on the sand. He laid down on the blanket and fell asleep. Chris woke up with a sunburn.
Counterfactual Context: He swam a bit in the water then immediately went home.
Output:
| [
"Chris spread out a blanket on his bed. He laid down on the blanket and fell asleep. Chris woke up refreshed. "
] | task269-a5eb2efb6cab442d87b252788ba2af0a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Charles knew his mother liked his sister more than him.
Initial Context: He hoped she would still leave both of them her house.
Original Ending: When his mother died, she left her house to his sister. Charles wanted to live in the house with his sister. But the will stated not to let Charles in because she hated his dad.
Counterfactual Context: He visited her and she told him she loved him more.
Output:
| [
"When his mother died, she left her house to him. Charles wanted to live in the house with his sister. But the will stated not to let his Sister in because she hated his dad. "
] | task269-c6481e1efaed4fab8ed73a7e052b18b2 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Briana and Taylor went to summer camp together.
Initial Context: One night, Briana was feeling very homesick.
Original Ending: Finally, she asked her counselor to call her mom so she could go home. Tayler was sad and tried to convince her to stay. Unfortunately, Briana was to unhappy and she did go home.
Counterfactual Context: One night, Briana went missing.
Output:
| [
"Finally, her counselor had to call her mom to see f she went home. Tayler was sad and tried to find her. Unfortunately, Briana was to not at home. "
] | task269-0d9250ffa2084777ba4d2dd03924e660 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Fred loved fishing.
Initial Context: He loved going with his friends.
Original Ending: Fred went to the local pond yesterday. He caught a large fish. He brought it back to eat it.
Counterfactual Context: He never went with his friends.
Output:
| [
"Fred went to the local pond yesterday alone. He caught a large fish. He brought it back to eat it. "
] | task269-ed6442fdee4b44238068623697f5b6e1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kelly got gum stuck in her hair yesterday.
Initial Context: It was pink bazooka.
Original Ending: She freaked out when it got stuck. Her mom told her to use peanut butter to get it out. She tried that and it worked.
Counterfactual Context: It was rainbow bazooka.
Output:
| [
"She freaked out when it got stuck. Her mom told her to use peanut butter to get it out. She tried that and it worked. "
] | task269-c7ad841447514763ac1dbb57a76569f7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ethan jumped on his bike, heading for Gamestop.
Initial Context: The change jingled in his pocket as he neared the end of the block.
Original Ending: He raced over the hill and parking lot to the store entrance. The bell jangled on the door as he entered. The clerk gave him a familiar smile and ushered him in.
Counterfactual Context: He had a flat tire, though, and couldn't go anywhere.
Output:
| [
"He fixed the tire, then raced over the hill and through the parking lot to the store entrance. The bell jangled on the door as he entered. The clerk gave him a familiar smile and ushered him in just before closing. "
] | task269-0d6433d1934544339b6cc83aaa55232f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jessie was on a whale watching cruise.
Initial Context: She hadn't seen any animals and was beginning to feel sick.
Original Ending: Suddenly, she had to run into the bathroom. When she came out, everyone said that she had missed the whales. They didn't see anymore for the rest of the trip and Jessie was upset.
Counterfactual Context: She was tired of watching for them and really wanted to go home.
Output:
| [
"She took a break and went to the bathroom. When she came out, everyone said that she had missed the whales. They didn't see anymore for the rest of the trip and Jessie really didn't care. "
] | task269-b208578a17d64c59b420308c9d18dfca |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kim liked to dance.
Initial Context: She would do ballet and jazz after school.
Original Ending: She was spinning around one time on the sidewalk. But she lost her balance and walked out into the street. A car had to swerve to miss her, but she was ok.
Counterfactual Context: She had never taken a class but she had always dreamed of being a professional dancer.
Output:
| [
"She was spinning around one time on the sidewalk. She lost her balance and danced out into the street. A car had to swerve to miss her, but she was okay. "
] | task269-1d34bc8da1c7499881879b94b94d5a57 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tom was a middle school student.
Initial Context: His neighbor was one year older than him.
Original Ending: His neighbor had a trampoline in their backyard. They had fun wrestling each other and playing on the trampoline. Tom eventually got a trampoline by asking his parents for one.
Counterfactual Context: His neighbor was a 92 year old man.
Output:
| [
"His neighbor had chairs in their backyard. They had fun sitting with each other and talking. Tom eventually got a chair by asking his parents for one. "
] | task269-951e225f110547a1ab24d4553647b621 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mitch read that there would be a big sale on TVs at a store.
Initial Context: He camped out all night to be first in line for the deal.
Original Ending: Once the doors opened he dashed to the electronics department. Another many fought Mitch for the TV's. Mitch put the other man in a sleeper hold to pacify him.
Counterfactual Context: He didn't want to camp out all night, so he ended up missing out on the sale.
Output:
| [
"Once the doors opened, he was at the back of the line as he dashed to the electronics department. Many people had fought for the TVs. Mitch didn't see any more TVs on sale. "
] | task269-3e6d25c7c5d840a09d0aba4abfd33875 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sally was feeling lonely.
Initial Context: She had moved away from home and was missing her friends.
Original Ending: She heard a soft knock on the door. She opened the front door and saw all her friends standing there! She was so excited she cried!
Counterfactual Context: She had moved away from home, but she never had friends anyways.
Output:
| [
"She heard a soft knock on the door. She opened the front door and saw all her sisters standing there! She was so excited she cried! "
] | task269-ceaae4d7e40843aca9fa48014dae914a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Rob was good at computer programming.
Initial Context: But he was indecisive.
Original Ending: So he wrote a computer program to make decisions for him. Over time, the program became very elaborate. And Rob ended up acting like a robot.
Counterfactual Context: He was determined.
Output:
| [
"So he wrote a computer program Over time, the program became very elaborate. And Rob ended up acting like a robot. "
] | task269-d6a6892a6e4f47079cb8d21bd2748bc4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gil's mother bought him a mug for his birthday.
Initial Context: The mug was very special to Gil and he took good care of it.
Original Ending: One day Gil was cleaning out his kitchen. His hand accidentally bumped the mug and it fell to the ground. The mug smashed into hundreds of pieces.
Counterfactual Context: He never used it and kept it on his desk.
Output:
| [
"One day Gil was cleaning out his office. His hand accidentally bumped the mug and it fell to the ground. The mug smashed into hundreds of pieces. "
] | task269-7326039aa2314effa74defee43ebe84d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The judge found the man guilty.
Initial Context: He sentenced him to four years.
Original Ending: The man's wife started crying. The judge felt bad. He gave the woman some tissue.
Counterfactual Context: He gave him to a small fine he could easily afford.
Output:
| [
"The man's wife was relieved. The judge felt he did well. He ignore the woman. "
] | task269-30210a2ea5de4a94a7cdd852bd7a09f7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My baby would not go to sleep last night.
Initial Context: She kept crying non stop.
Original Ending: Finally I strapped her into her car seat and drove around a bit. It helped quiet her down but only while driving. I wound up driving for hours.
Counterfactual Context: She stopped crying and fell asleep.
Output:
| [
"After a few minutes she cried again so I strapped her into her car seat and drove around a bit. It helped quiet her down but only while driving. I wound up driving for hours. "
] | task269-959419f7e7d64513aff6775b5cc5339c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: All my friends were telling funny stories the other day.
Initial Context: They asked me to tell a funny one.
Original Ending: I started to tell my story, but forgot how it ended. I tried to think of the ending, but I couldn't . So I had to make up an ending and it wasn't very funny.
Counterfactual Context: They rejected me to tell a funny one.
Output:
| [
"I started to tell my story anyway, but forgot how it ended. I tried to think of the ending, but I couldn't . So I had to make up an ending and it wasn't very funny. "
] | task269-d6338d2cc25249b39bcacf5e335a94a6 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bill was watching TV.
Initial Context: But there was a commercial that he didn't like.
Original Ending: He decided to change the channel. But there were only annoying commercials. So he decided to watch a movie.
Counterfactual Context: He loves watching commercials.
Output:
| [
"He decided not to change the channel. But there were only great commercials. So he decided not to watch a movie. "
] | task269-979b6c0821604a6c9e27990038e8afdd |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I bought a lot of new groceries from the store.
Initial Context: When I bought them home my shelves were too full.
Original Ending: I rearranged all the food on my pantry. I found a lot of expired food while doing this. I tossed out the old food and made more room for the new stuff.
Counterfactual Context: It was just enough to fill my empty pantry.
Output:
| [
"I rearranged all the food on my pantry. I found a lot of dust while doing this. I cleaned out the dust and made room for the new stuff. "
] | task269-064bf2fbc3c3407e8e7a00e49b996451 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Claire was at an auction when she saw a painting she liked.
Initial Context: Even though the price was high she bid on it.
Original Ending: Someone out bid Claire and began bidding without thinking. The price soared past what she could afford. Claire had won but snuck away to avoid paying for it.
Counterfactual Context: The price was high, so she did not bid on it.
Output:
| [
"But then someone out bid Claire and began bidding without thinking. The price soared past what she could afford. Claire had won but snuck away to avoid paying for it. "
] | task269-2bbacaf58d134cffb99282e8eebed300 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Pat complained about his tiring homework assignment.
Initial Context: He had to write a six page essay about a slum in Vietnam.
Original Ending: But when he started to do research, he saw sad images of the slum. Pat decided to never complain again. And he decided to finish his homework.
Counterfactual Context: He had to make a poster board, and write a essay while also showing where he got his info from.
Output:
| [
"But when he started to do research, he saw sad images of slums. Pat decided to never complain again. And he decided to finish his homework. "
] | task269-bf75192f6e4145dda04fcc0db4a0aa02 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tim and Jerry decided to go on a camping trip in the woods.
Initial Context: They drove out to the woods and set up their tent.
Original Ending: Jerry went off to find wood while Tim waited at the tent. After a while, Tim went to look for Jerry. Tim found Jerry in a diner drinking coffee.
Counterfactual Context: They drove out to the woods and realized they forgot the tent.
Output:
| [
"Jerry drove back to get the tent while Tim waited at the entrance to the woods. After a while, Tim called to see where Jerry was. Jerry told Tim he had stopped at a diner on the way to get some coffee. "
] | task269-b7ae9c6aba6f4cecbc4f431134f255ee |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Fred took his dog to the dog park.
Initial Context: He let his dog loose once they were in the leash free area.
Original Ending: Fred's dog played Frisbee and fetch with all of the other dogs! Soon, the sun started to go down. Fred called his dog, put the leash on him, and they went home.
Counterfactual Context: He left his dog on the leash.
Output:
| [
"Fred's dog wanted to play Frisbee and fetch with all of the other dogs! Soon, the sun started to go down. Fred commanded his dog, and they went home. "
] | task269-c8f57cc4c6dc4e4e92a3f771d8439f6c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bob works long hours to make money.
Initial Context: Bob misses his family.
Original Ending: Bob gets sick from the stress of his job Bob quits his job. Bob feels better because he gets to spend more time with his family.
Counterfactual Context: Bob misses his dog at home.
Output:
| [
"Bob gets sick from the stress of his job Bob quits his job. Bob feels better because he gets to spend more time with his dog. "
] | task269-ec6747fe11804e618aa344224d54a03a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kate always hated her school photo.
Initial Context: This year she wanted her hair to be perfect.
Original Ending: She tried hairstyles in the mirror for hours. And it paid off. She finally had the perfect hairstyle for picture day.
Counterfactual Context: This year she wanted a perfect dress and makeup.
Output:
| [
"She tried hairstyles in the mirror and online shopping for hours. And it paid off. She finally had the perfect hairstyle and dress for picture day. "
] | task269-b0b9cf91a6bc4a10be7bf13ce477e7c1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Nan was looking through her husband's bank statements.
Initial Context: She noticed a lot of purchases for a mysterious store called XXX.
Original Ending: She did a little snooping, and found out her husband was buying porn. They had a very long talk about his sexual addiction. The very next day, Nan called a therapist for couple counseling.
Counterfactual Context: She noticed a huge amount on savings.
Output:
| [
"She did a little snooping, and found out her husband was saving for a vacation for the two of them. They had a very long talk about his big plan for them. They went on the vacation very happy. "
] | task269-9674761861d6422495e1507d00f0ae51 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The Bundy's neighbor had a really annoying dog.
Initial Context: He barked all day and night.
Original Ending: One day someone took the dog. The neighbors blamed the Bundy's. They never saw the dog again.
Counterfactual Context: He became sick and died.
Output:
| [
"One day someone took the Bundy's dog. The Bundys blamed the neighbors. They never saw the dog again. "
] | task269-29f70a19fa5c4f7ca1969e77e3fdcc10 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The coach was interested in a basketball recruit named John.
Initial Context: The coach attended one of John's games at the high school.
Original Ending: John had a great game and the coach met him after the game. The coach also met with his parents to express his interest. The personal touch helped John accept a scholarship offer.
Counterfactual Context: John had already accepted an offer from another coach.
Output:
| [
"John had a great game and the coach met him after the game. The coach also met with his parents to express his interest. John informed the coach that he already accepted an offer from another coach. "
] | task269-25e59d3292df4ea0a41dc3e792fe29a2 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Aya did not know how to swim.
Initial Context: She decided to sign up for a local class.
Original Ending: There, they taught her basics like dog-paddling. Then she advanced to breast strokes and butterflies. Soon, Aya was swimming like an expert!
Counterfactual Context: Her mom started teaching her in their family's pool.
Output:
| [
"There, they taught her basics like dog-paddling. Then she advanced to breast strokes and butterflies. Soon, Aya was swimming like an expert! "
] | task269-4fb52204826b4fbda3b5f600dfb10f9b |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jim just got fired from work.
Initial Context: He is coming home from work.
Original Ending: His car begin to sputter. He pulled over to take a look. His car engine is blown up!
Counterfactual Context: He was going to the bar.
Output:
| [
"His car began to sputter. He pulled over to take a look. His car engine was blown up! "
] | task269-204832b661ec4d38af23ddeba2f31de6 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gus was out hunting birds in the woods.
Initial Context: He threw a rock at a bush he thought that contained birds.
Original Ending: The birds flew away when the rock came after them. Gus raised his gun at the birds. He fired twice and took out both birds.
Counterfactual Context: Gus had an accident with the gun and shot himself in the foot so he quit hunting after that.
Output:
| [
"The birds flew away when the shot rang out. Gus didn't raise his gun at the birds. He fired no more times and didn't take out any birds. "
] | task269-f1d134b5ea064b6584a74b12795aaaa8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Debbie was very tired and hungry.
Initial Context: She'd been hiking in the woods the whole day!
Original Ending: She berated herself for forgetting to pack snacks. Debbie ran into another couple on the trail. They shared food with her, and she wasn't hungry any more.
Counterfactual Context: She never hikes without food.
Output:
| [
"She congratulated herself for never forgetting to pack snacks. Debbie ran into another couple on the trail. She shared her food with them, and none of them were hungry any more. "
] | task269-c6b0afc60ddc49a499327d1feb9b586a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jeff decides that it would be a good day to go hunting.
Initial Context: He went into the woods with his gun.
Original Ending: He saw a deer and shot it. He carried the deer home. Jeff and his family ate the deer that night.
Counterfactual Context: He first mapped out the woods without his gun.
Output:
| [
"He saw a deer and made a note of where it was. He went home to get his gun. Jeff and his family ate the deer that night. "
] | task269-8ebcd9a7acac40618da36d81938555e4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Wayne wanted to be a famous rapper.
Initial Context: He had a tough life on the streets.
Original Ending: He wrote a song about his troubles in life. He performed the song to a judge at an audition. Wayne eventually got signed onto a record label.
Counterfactual Context: He had it easy his entire life.
Output:
| [
"He wrote a song about fake troubles in his life. He performed the song to a judge at an audition. Wayne eventually got signed onto a record label. "
] | task269-e8877eaeb57748bf90ce2304050fdd58 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jill visited a bakery yesterday.
Initial Context: She ordered several black and white cookies for her and her friends.
Original Ending: They then went to the park together. Overall, they had a pretty pleasant day. But the cookies were pretty expensive.
Counterfactual Context: She ordered a large cake for her and her friends.
Output:
| [
"They then went to the park together. Overall, they had a pretty pleasant day. But the cake was pretty expensive. "
] | task269-632dcfce2fbb4894abed79377bdd0e28 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Basil noticed that the weather sky had turned an odd shade of green.
Initial Context: Basil turned the television to the weather channel.
Original Ending: He learned a tornado was predicted in his area. Basil prepared the house and yard for a tornado. Basil heard the storm approaching as he entered the storm cellar.
Counterfactual Context: Basil turned the television to some recorded programs.
Output:
| [
"He had no idea a tornado was predicted in his area. Basil prepared the house and yard for a tornado. Basil heard the storm approaching as he entered the storm cellar. "
] | task269-9d5912800d3c4716bb242f4225ea836c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: It was a cold winter morning.
Initial Context: Jill had to let her dog out in the morning.
Original Ending: Her dog got sick with a cold because of the cold weather. Jill took her dog to the vet. The vet prescribed some cold medicine for her dog.
Counterfactual Context: Jill had to let her dog out in the morning but will never go to the vet.
Output:
| [
"Her dog got sick with a cold because of the cold weather. Jill never took her dog to the vet. The dog never got the cold medicine he needed. "
] | task269-69ff94f0e93c434d89c94b312608c22f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I did all my laundry the other day.
Initial Context: I let my laundry pile up a little too much.
Original Ending: I had to spend my whole day doing laundry. It took a lot of time and I had to buy extra detergent. That wasn't a whole lot of fun.
Counterfactual Context: I do my laundry a little at a time, so it doesn't pile up too much.
Output:
| [
"Still, I had to spend my whole day doing laundry. It should only have taken a little while, but I ended up running out of detergent and having to buy more. That wasn't a whole lot of fun. "
] | task269-f3dcba79b88d4260b7ebe393dba533b8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Donna breeds bulldogs.
Initial Context: She gives them shoes to chew for fun.
Original Ending: Many people are complaining. They do not want dogs who chew shoes. Donna had to change what she gives her puppies.
Counterfactual Context: She gives them bones to chew for fun.
Output:
| [
"Many people are complaining. They do not want dogs who chew bones for fun. Donna had to change what she gives her puppies. "
] | task269-eb589751a84744849228af8964cf30ec |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Keith was trying to impress his boyfriend.
Initial Context: He flexed his arms and tried to lift their car.
Original Ending: Unfortunately, it had been left in neutral with the parking brake off. The car rolled backwards right over Keith. His boyfriend watched helplessly as he was crushed under it.
Counterfactual Context: He flexed his arms and tried to lift their motorcycle.
Output:
| [
"Unfortunately, it had been left in neutral with the parking brake off. The motorcycle rolled backwards right over Keith. His boyfriend watched helplessly as he was crushed under it. "
] | task269-44fe77675ffd4bdea08c5c106f96858c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tuesday I decided to have a barbeque.
Initial Context: I got my friends together so we all could try it.
Original Ending: My friends bought the food for us to taste. Unfortunately I ended up dropping the hot dogs. So we had to order in instead.
Counterfactual Context: One friend brought tofu hot dogs and they were actually really good and we all ate several of them.
Output:
| [
"My other friends bought the rest of the food for us to taste. Unfortunately I ended up dropping the real hot dogs. So we had to all eat tofu instead! "
] | task269-025e6f99339b49e3a284e5949fe901e5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ever since he was a little boy, my son has loved Christmas.
Initial Context: He is now twenty two and still loves Christmas.
Original Ending: He always wears Christmas sweaters and Christmas socks. Last night, he put up 3,000 Christmas lights. He really is our Mister Christmas!
Counterfactual Context: He is now twenty two and hates Christmas.
Output:
| [
"He never wears Christmas sweaters and Christmas socks Last night, I put up 3,000 Christmas lights without him. He really is our Mister Scrooge! "
] | task269-522d8ee363b64aedb818eef6877272c0 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My hair is really long and I got pretty annoyed with it.
Initial Context: One day I went to the mall and found a place to get it cut.
Original Ending: I told them I just wanted it trimmed so they started working on it. After the haircut I decided that it looked great and tipped her well. It was a very cheap haircut and I was very pleased with it.
Counterfactual Context: One day I went to a salon so they could show me how to style it better.
Output:
| [
"I told them I just wanted a specific style so they started working on it. After I had learned how to do it, I tipped her well. It was a very easy style and I was very pleased with it. "
] | task269-1c75003564b446fbab21bc1decb55f30 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Two little kids decided to play a game of basketball.
Initial Context: While they were playing, some bigger kids arrived.
Original Ending: The bigger kids chased them away from the court. They wanted to play a game themselves. The little kids were too outmatched to do anything about it.
Counterfactual Context: While they were playing, some smaller kids arrived.
Output:
| [
"The little kids wanted to play with them. The two kids were happy to have more people. The kids ended up having a great time. "
] | task269-39712eda7abb497087504916daebfd27 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tahar went to get Kindle.
Initial Context: A new app was coming in the next few moments and she wanted it.
Original Ending: When the icon appeared in her Apps guide, she quickly ran to her mom. She begged her mom to download the app. Her mom did just that and Tahar passed the day playing the game.
Counterfactual Context: A new book was coming in the next few moments and she wanted it.
Output:
| [
"When the icon appeared in her reading app, she quickly ran to her mom. She begged her mom to download the book. Her mom did just that and Tahar passed the day reading the book. "
] | task269-6c58b2a9582747ef9589d814575a1647 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ethan was a very naughty boy who loved to do naughty things.
Initial Context: One day he put a blanket on his head and called himself a ghost.
Original Ending: More specifically, he was the ghost of evil. He walked around his house with the blanket on his head being bad. Eventually, he got tired of being the ghost of evil.
Counterfactual Context: One day, he put a blanket on his sister's head and called her a ghost.
Output:
| [
"More specifically, she was the ghost of evil. She played along and walked around his house with the blanket on her head being bad. Eventually, she got tired of being the ghost of evil. "
] | task269-e6fbbe6c836f47d49a07fa6306c14d9e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: There was a crowd beginning to form in front of the stroller.
Initial Context: Jane could not help but peek over to take a look herself.
Original Ending: In the stroller, Jane could make out some squirming movement. She could not count the number of cute furry kittens that lay within. Jane walked away, feeling a bit of warmth in her heart.
Counterfactual Context: It was twins.
Output:
| [
"In the stroller, Jane could make out some squirming movement. She could not count the age of the twins but was sure they were very young. Jane walked away, feeling a bit of warmth in her heart. "
] | task269-906f90a753a642acbcc4ba742e05b033 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I was sick yesterday.
Initial Context: I decided to stay in bed and watch a marathon.
Original Ending: I loved watching the runners on television. Thankfully the person I was rooting for won. I was thrilled
Counterfactual Context: I decided to stay in bed and watch the tv show Modern Family.
Output:
| [
"I loved watching the re-runs on television. Thankfully the one I was hoping for played. I was thrilled. "
] | task269-09e08fcf39ca48a1955fa26af0d2d743 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The hotel we stayed at was on the beach.
Initial Context: We spent all weekend playing in the ocean and sunbathing.
Original Ending: On the flight home we had to fly over the Atlantic. That flight was more depressing than usual. We wanted to jump out of that plane and go swimming!
Counterfactual Context: We spent all weekend playing in the ocean then drove home.
Output:
| [
"On the drive home we had to drive by the Atlantic. That drive was more depressing than usual. We wanted to jump out of that car and go swimming! "
] | task269-bd88beb641f141a48d35173e069de89f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Samantha is a computer programmer.
Initial Context: One afternoon, Samantha decided to program a new application.
Original Ending: Samantha worked on her application for two weeks. Finally, Samantha finished the application and listed it for sale. The application was a success!
Counterfactual Context: One afternoon, Samantha's friend Josh asked her to test his new application.
Output:
| [
"Samantha said no, because she had been working on her own application for two weeks. Finally, Samantha finished the application and listed it for sale. The application was a success! "
] | task269-a94789388e694f83bc5d1fcbb077cecd |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Edmund designed a new video game.
Initial Context: It was very personal to him.
Original Ending: It dealt with themes of repression and skepticism. People like the mechanics, but didn't notice the themes. Edmund was bitter about this.
Counterfactual Context: There was no meaning to the game but it had some very nice graphics.
Output:
| [
"It dealt with themes of repression and skepticism. People like the mechanics, but didn't notice the themes. Edmund was not worried about this. "
] | task269-0ff9b94991434e34b1adef15f3b85461 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I had a big basketball game tonight.
Initial Context: My school would be going up against our rival team.
Original Ending: I was nervous during tip-off. I led my team in scoring the entire game. I was able to dunk the ball with 3 seconds left to secure a win.
Counterfactual Context: My school were going up against the easiest team though.
Output:
| [
"I was confident during tip-off. I led my team in scoring the entire game. I was able to dunk the ball with 3 seconds left to secure a win. "
] | task269-3db17fad075b4ace9f4c232034a9649d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jamie was pitching at a baseball game.
Initial Context: He decided to try and throw ten strikes in a row.
Original Ending: Jamie threw five strikes in a row in the first half. In the second half, Jamie hurt his arm while pitching. He was unable to finish the game and didn't get ten strikes.
Counterfactual Context: He couldn't throw a single strike.
Output:
| [
"Jamie threw five wild pitches in a row in the first half. In the second half, Jamie hurt his arm while pitching. He was unable to finish the game and didn't get any strikes. "
] | task269-2c905ddedd34424c89bb0352aea6eb84 |