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Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The other day my girlfriend asked me to rake the leaves.
Initial Context: I really hate raking leaves, but I told her I would do it.
Original Ending: I forgot I to do it that day. She was really mad at me for forgetting. I made it up to her by raking the leaves and baking her cookies.
Counterfactual Context: I loved to rake the leaves, and immediately did it.
Output:
| [
"I forgot to text her that I had finished. She didn't care that I forget I ended up baking her cookies anyway. "
] | task269-f12425a1894b4e05a18edbfc3b1ad305 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Aaron was a great chef.
Initial Context: He specialized in Italian dishes.
Original Ending: He made his own pasta and sauce. When he fed it to his family, they all raved. It was their new favorite recipe!
Counterfactual Context: He specialized in Italian dishes but the family will never rave about it.
Output:
| [
"He made his own pasta and sauce. When he fed it to his family, they didn't say a word. It wasn't their favorite recipe. "
] | task269-b8aae708901c40f1b2fd4e881458960e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Two actors were in competition for a spot in a dog food commercial.
Initial Context: The director could not decide between them so he offered a solution.
Original Ending: Whichever actor are more of the dog food would do the commercial. The actors ferociously ate the dog food until they were too full. Soon after one actor vomited and he was declared the loser.
Counterfactual Context: The director decided on which dog he wanted for the commercial.
Output:
| [
"The dog actor was required to eat a lot of food during filming. The dog ferociously ate the dog food until it was over stuffed. Soon after, the dog vomited everywhere. "
] | task269-b0b4961373f6422c906cd1820000476c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Cal woke up and felt something was missing.
Initial Context: He realized his bed cap had come off during the night.
Original Ending: He looked all around the sheets and blankets for it. Cal couldn't find it anywhere! Then he spotted it on the floor under the bed.
Counterfactual Context: He realized his ceiling fan was turned off.
Output:
| [
"But then he had a bigger problem when he couldn't find his hat, so he looked all around the sheets and blankets for it. Cal couldn't find it anywhere! Then he spotted it on the floor under the bed. "
] | task269-2584dbfbbb8f48e3ba3eda9b1f0ba646 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jeff went to Lebowski's house for a meeting.
Initial Context: Lebowski told Jeff that his wife, Bunny, had been kidnapped.
Original Ending: Lebowski asked Jeff to deliver the ransom money. Jeff said no at first, but Lebowski offered to pay him. Jeff agreed to deliver the money to the kidnappers.
Counterfactual Context: Lebowski told Jeff that his wife, Bunny, left him.
Output:
| [
"Lebowski asked Jeff to deliver the contract money. Jeff said no at first, but Lebowski offered to pay him. Jeff agreed to deliver the money to the hitmen. "
] | task269-0ecdbef144e34117aa302c90dcf97186 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: No one would have guessed, but Amanda spoke Tagalog.
Initial Context: One day on her train, two women were speaking Tagalog.
Original Ending: They were making fun of Amanda, saying she looked like a disco dancer. Amanda, who had a sense of humor, knew she was dressed flamboyantly. As she got off the train, she did a few disco moves to stun the women.
Counterfactual Context: One day on the bus, two women were speaking Tagalog.
Output:
| [
"They were making fun of Amanda, saying she looked like a disco dancer. Amanda, who had a sense of humor, knew she was dressed flamboyantly. As she got off the bus, she did a few disco moves to stun the women. "
] | task269-38100975f25e41d7893c5237947217b6 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Charles was in the sixth grade.
Initial Context: That morning his mother gave him a bad haircut.
Original Ending: But his girlfriend, Melinda, still wanted him. On the bus going to camp, they kissed. The kids around cheered as Charles and Melinda's tongues twirled.
Counterfactual Context: That morning, his mother found him in bed sick as a dog.
Output:
| [
"But his girlfriend, Melinda, still wanted him. She came to visit him and they kissed. Charles felt better as their tongues twirled. "
] | task269-c4d3778b76134f19b0910235f4a486f5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mary has been watching the OJ Simpson miniseries on TV.
Initial Context: She decided she wanted to know more about the case.
Original Ending: She went to the library and looked up different books. She found a book authored by Marcia Clark. She checked out the book and began reading it.
Counterfactual Context: She decided it was not interesting and stopped watching it.
Output:
| [
"She went to the library and looked up different books. She found a book authored by Stephen King. She checked out the book and began reading it. "
] | task269-af2742761c734a83995ff070c743576f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Levon sells cartoon balloons in the park.
Initial Context: One Sunday, he met a young man.
Original Ending: The young man said he wanted a balloon animal. Levon made the young man a balloon giraffe. The young man left the park overjoyed.
Counterfactual Context: One sunday, he met a young woman.
Output:
| [
"The young woman said she wanted a balloon animal. Levon made the young woman a balloon giraffe. The young woman left the park overjoyed. "
] | task269-8d54d9597a0f4da4bc1de2f79a9cb598 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The young man sat at his desk.
Initial Context: He was incredibly bored.
Original Ending: His phone rang and caused him to reach into his pants. His friends told him they were throwing a party tonight. He would not be bored for much longer.
Counterfactual Context: He was incredibly busy with studying.
Output:
| [
"His phone rang and caused him to reach into his pants. His friends told him they were throwing a party tonight. He would not be studying for much longer. "
] | task269-55d0155d41e8447e8dd5c22d57c64e85 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My family visited me last week.
Initial Context: I met them at the airport.
Original Ending: We drove around the city for a while. I showed them the fun things in the city. When they left I was sad.
Counterfactual Context: I missed them at the airport.
Output:
| [
"They took an Uber to meet me in the city for a while. I showed them the fun things in the city. When they left I was sad. "
] | task269-62f3b78a5ef1456b97d91ef8d50fb049 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Anna received a manuscript.
Initial Context: She settled down with her pen to proofread it.
Original Ending: She highlighted all the errors and returned the manuscript. Three days later she got a note from the author. The note thanked Anna for being such a great editor.
Counterfactual Context: Coherent to 1st sentence.
Output:
| [
"She corrected all the errors and returned the manuscript. Three days later she got a note from the author. The note thanked Anna for being such a great editor. "
] | task269-78be8471565c48dfa84e9aeece6d228f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jennifer and her husband wanted to go out to eat.
Initial Context: They couldn't agree on one place.
Original Ending: So instead of arguing, they came up with a solution. They decided to play rock, paper, scissors. Jennifer won rock over scissors, and they had Italian for dinner.
Counterfactual Context: They decided to go to their favorite place.
Output:
| [
"So instead of arguing, they decided on Italian food. They decided to play rock, paper, scissors. Jennifer won rock over scissors, and got a free meal. "
] | task269-4ac4ab20238e4180bc6bbfdb0037f12a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jenny played hopscotch in front of her house.
Initial Context: She thought it would be fun to play backwards.
Original Ending: Jenny tripped over a rock. She scraped her elbows. Jenny doesn't want to play hopscotch anymore.
Counterfactual Context: She was careful and never had a misstep.
Output:
| [
"Jenny never wanted to trip over a rock. She protected her elbows. Jenny wants to play hopscotch every day. "
] | task269-a1e059c2cd7b4b59b9489010eb9e42ab |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Connor was a very sweet boy who always smiled.
Initial Context: No matter what was happening, Connor had a good attitude.
Original Ending: One day, another boy tried to get him to be upset. The boy picked on Connor and made fun of him, but it didn't work. Connor stayed happy because he always had a great attitude.
Counterfactual Context: Although Connor was happy, he easily got sad.
Output:
| [
"One day, another boy tried to get him to be upset. The boy picked on Connor and made fun of him, but this time it didn't work. Connor stayed happy because he didn't want to let people ruin his great attitude anymore. "
] | task269-c9449fa26ba64082afecf7b3d63e3b1a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My brother called me.
Initial Context: He told me he had cancer.
Original Ending: I began to cry. He told me not to worry because he was in stage one. Luckily, he survived and beat the cancer!
Counterfactual Context: He told me he had a nightmare about having cancer.
Output:
| [
"I comforted him and told him it was all a dream. He told me that he felt much better after talking to me. Luckily, he could go back to sleep. "
] | task269-9740450ee6024814b4db38fcd932fd54 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Andrew played catch with his son in their backyard.
Initial Context: He threw the ball forcefully overhead.
Original Ending: To his surprise, it went much farther than he expected. His son marveled at his father's strength. Andrew felt proud before running to retrieve the ball.
Counterfactual Context: They threw the ball gently.
Output:
| [
"To his surprise, it went much farther than he expected. His son marveled at his father's strength. Andrew felt guilty before running to retrieve the ball. "
] | task269-0ecf487557c449daa28b11ee4e5c56e0 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Doctor Jones was nervous about Tom's upcoming surgery.
Initial Context: Tom had a very rare disorder and needed some help breathing.
Original Ending: Tom had prepared for months for the surgery. He was physically healthy but very nervous mentally. Doctor Jones reassured him that it would be ok.
Counterfactual Context: Tom had a very rare disorder and needed some help breathing but didn't prepare at all for surgery.
Output:
| [
"He was physically not healthy enough. Doctor Jones was even more nervous. The doctor was not sure it would be ok. "
] | task269-842a32da7d964f2397333e070246265a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: A car drove very quickly down Pat's street.
Initial Context: He shouted at the driver and the driver flipped Pat off.
Original Ending: To fix the problem Pat decided to install a speed bump. The next time the drive went past he did not see the bump. The car bounced violently and the driver flipped Pat off again.
Counterfactual Context: He enjoyed the ride and was happy.
Output:
| [
"Pat wanted the driver to slow down so he installed a speed bump. The next time the drive went past he did not see the bump. The car bounced violently and the driver cussed out loud. "
] | task269-be52b83a0c6e4d69a131d942002796b6 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I moved into a new house on my own, far away from family.
Initial Context: The first day was not a problem, until the night came.
Original Ending: I had never slept in an empty house, all on my own! I was scared of every sound I heard, and often checked my locks. The next morning, I knew I needed a pet for some company!
Counterfactual Context: After my family's noisy home, I was so happy to have peace and quiet.
Output:
| [
"I had never slept in an empty house, all on my own, but I loved it! I was enjoying the silence, but it felt a bit lonely. The next morning, I knew I needed a pet for some company! "
] | task269-6962fbd549c241ffb434e550f9a54e53 |