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Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Milly's class was visiting a real working farm.
Initial Context: They had been promised a tractor ride while they were there.
Original Ending: They were all very excited about it. Milly was in the first group to ride on the tractor. It was much louder and bouncier than she expected.
Counterfactual Context: Milly was so scared to ride a tractor.
Output:
| [
"All of her classmates were very excited about it. Milly was the first in the group to ride the tractor. It was much louder and bouncier than she expected, but she got over her fear quickly. "
] | task269-2f55893336f24764b7a60c896c5f2912 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Missy love her chocolate.
Initial Context: She had no money to afford it.
Original Ending: She did chores for a week for mom and dad. She raised ten dollars for her Chocolate. Missy got the biggest chocolate bar and became super happy.
Counterfactual Context: She had 20 dollars to buy chocolate.
Output:
| [
"She had done chores the week before for mom and dad. She took her twenty dollars to the store. Missy got the biggest chocolate bar and became super happy. "
] | task269-6f81bf4d5edf4cc383da751fd1a2beb2 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Since we travel on business, we stay in the same hotel for months.
Initial Context: We had the sweetest housekeeper who did a great job for us.
Original Ending: One day, my husband saw her and she looked sad. Three weeks before Christmas, she told me that she had been fired. She lost her job before she could buy presents for her children.
Counterfactual Context: We kept to ourselves and didnt talk to anyone.
Output:
| [
"One day, my husband saw a new housekeeper who started working there and she looked sad. Three weeks before Christmas, she told me that she had been fired. She lost her job before she could buy presents for her children. "
] | task269-1207d89eb16f4220990bdf1c03ea72b7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Alex's was home with his dad.
Initial Context: His mother who normally made breakfast was out of town.
Original Ending: His dad made them pancakes for breakfast. The pancakes were burned and tasted terrible. They decided to eat cereal instead.
Counterfactual Context: His mother was making him breakfast.
Output:
| [
"His dad made them pancakes for breakfast as well. The pancakes were burned and tasted terrible. They decided to eat his mother's breakfast instead. "
] | task269-67326d9852fd473aa303f0798b173bc7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mary needed to buy baby food for her baby.
Initial Context: She realized the grocery did not have any baby food.
Original Ending: She goes to another grocery in hopes of finding baby food. She finally finds baby food in an aisle. Mary felt relieved and goes home to feed her baby.
Counterfactual Context: She was out of money and would not get paid for another week.
Output:
| [
"She goes to another grocery in hopes of finding someone who would buy her baby food. She finally finds someone who would buy her baby food in an aisle. Mary felt relieved and goes home to feed her baby. "
] | task269-e583eca21daa4f59b18164bb20273cc5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Rex notices that he is feeling very bored.
Initial Context: He decides to see what is on television.
Original Ending: Rex watches a nice documentary on turtles. After the documentary he goes on a walk. Rex feels much less bored now.
Counterfactual Context: He decides to go play soccer.
Output:
| [
"He finds a turtle outside and decided he wanted to watch a documentary on them. After the documentary he goes on a walk. Rex feels much less bored now. "
] | task269-e656e09c212c460bb214f4cb8d9a01c2 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Roger had a fluffy pet rabbit hopping around his floor.
Initial Context: Delighted, he rolled and laughed.
Original Ending: The bunny remained stoically twitching his whiskers. Roger felt a deep and awful crunch under his back as he rolled over. He jumped up only to break down, destroyed at what he had done.
Counterfactual Context: Delighted, he rolled and laughed as the rabbit hopped energetically around him.
Output:
| [
"The bunny remained energetically twitching his whiskers. Roger felt a deep and awful crunch under his back as he rolled over. He jumped up only to break down, destroyed at what he had done. "
] | task269-f7631fa1ad8845f08820182cce3f94f9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Brittany woke up to her dog barking.
Initial Context: Someone was at her front door.
Original Ending: She threw on a sweatshirt and raced downstairs. Her boyfriend was at the door. He was holding roses and coffee.
Counterfactual Context: Someone was in her garage.
Output:
| [
"She threw on a sweatshirt and raced to the garage. Her boyfriend was there. He was holding roses and coffee. "
] | task269-f8812c07d1fa4347860eb6319e7ca779 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Westin lived in the woods.
Initial Context: Westin wanted to build a log cabin.
Original Ending: He spent days chopping trees and piling logs. He laid the logs and wedged them into place. Westin had completed his new log cabin!
Counterfactual Context: Westin wanted to move back to the city immediately.
Output:
| [
"He spent days chopping trees and piling logs. He sold the logs for a high price. Westin had completed his goal of earning enough to move! "
] | task269-6876d5a8b76448c79e1728255c55059c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ed's family always made hot dogs for dinner.
Initial Context: He didn't mind until he turned 12.
Original Ending: He asked for hamburgers instead for his birthday meal. His mom grinded up the hot dogs and made a pattie out of them. Ed was happy he got a burger that year.
Counterfactual Context: He never ate them again after he turned 12.
Output:
| [
"He asked for hamburgers instead for his meal. His mom ground up the leftover hot dogs and made patties out of them. Ed was happy he got a burgers for every dinner now.. "
] | task269-4a929ca1f2a54cb580c82c9dbb73ae08 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: When I was at the beach today there was a major flock of seagulls.
Initial Context: I was sitting down on a chair when five seagulls came around.
Original Ending: The birds came and started eating my lunch. I was horrified. I had to run and eat the rest of my food near my car.
Counterfactual Context: They were all swarming around a family with 3 young kids.
Output:
| [
"The birds were watching as they ate their lunch. The family then noticed and started watching. I decided to eat the rest of my food near the car. "
] | task269-b59f18cf7d2e47d78285f1955a41ade9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Fred was a dog owner who was thinking of adopting another dog.
Initial Context: He went down to the humane society with his current dog in tow.
Original Ending: The idea was to see how well his dog got along with any new ones. Fred found a mutt who seemed to hit it off with his current dog. He brought home the mutt and they lived happily ever after.
Counterfactual Context: His girlfriend convinced him to get a cat instead.
Output:
| [
"The idea was to see how well his dog got along with a at. Fred found a cat who seemed to hit it off with his current dog. He brought home another cat and they lived happily ever after. "
] | task269-ce2b5ae394f4455492d85616915f6ddb |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Yesterday I went to the beach.
Initial Context: I laid outside all day long.
Original Ending: Unfortunately I never put on any sunscreen. As a result I got a terrible burn. When I got home i could not move.
Counterfactual Context: I put on sunscreen before I laid outside all day.
Output:
| [
"Unfortunately I never put on any sunscreen on my ears. As a result I got a terrible burn. When I got home I could not touch them at all. "
] | task269-485e45946bb9458886e0c87c5be434fe |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kristen likes candles.
Initial Context: She decides to make a trip to a candle factory.
Original Ending: She goes on a factory tour. While there she learns how to make her own candles. Now Kristen makes candles in her free time.
Counterfactual Context: She made candles for a living.
Output:
| [
"She goes on a factory tour. While there she learns more about candle-making. Now Kristen makes better candles in her free time. "
] | task269-7cdd79de7c544f029ae04aa0b6974229 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Claire went to the doctor to get a flu shot.
Initial Context: She waited in the waiting room for 20 minutes.
Original Ending: The nurse brought her into an exam room. The nurse quickly gave her a shot in her arm. Claire got a sticker for being such a good patient.
Counterfactual Context: She waited in the waiting room until she got sick of waiting and left.
Output:
| [
"The nurse brought her into an exam room after catching up to her in the hallway. The nurse quickly gave her a shot in her arm. Claire got a sticker for being such a good patient. "
] | task269-b3fdc6011c9048368b1d9d03e11125c8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Merle was 85 years old and in a retirement home.
Initial Context: Today he was out in his mobility unit cruising around the grounds.
Original Ending: He made several turns and all of a sudden became lost. A couple of assistants found him in a neighboring park. They brought him back to the home and put a gps tracker on him.
Counterfactual Context: He rarely left his mobility unit since he was in a wheelchair.
Output:
| [
"He made several turns and all of a sudden his wheel got stuck. A couple of assistants found him in an elevator. They brought him back to his room and fixed his wheelchair. "
] | task269-39827003843146788494bd554a795629 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Katie decided to take her boyfriend car shopping with her.
Initial Context: She wanted a tiny compact car.
Original Ending: He thought she should get something a lot bigger. Katie told him it needed to be fuel-efficient. Katie finally picked a sedan, striking a compromise between the two.
Counterfactual Context: She wanted a large SUV.
Output:
| [
"He thought she should get something a lot smaller. He told her it needed to be fuel-efficient. Katie finally picked a sedan, striking a compromise between the two. "
] | task269-593841a99af74871b89d809662b48f85 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Emma love wearing pearls.
Initial Context: Her favorite piece was a long pearl necklace.
Original Ending: She wore them with a great, classic dress. Whenever she wore them together, she felt classy and pretty. Emma's accessories always made her feel put together.
Counterfactual Context: Her favorite piece was a pearl necklace but it no longer fit her neck.
Output:
| [
"She wore them as a bracelet instead, classic dress. Whenever she wore them together, she felt classy and pretty. Emma's accessories always made her feel put together. "
] | task269-e1ce6612c5324c1b849b5eb3e3b32b9a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sam went to the pool.
Initial Context: He was swimming with his friends.
Original Ending: They played many games in the water. Then they took a break and ate. Sam had so much fun.
Counterfactual Context: He was swimming by himself.
Output:
| [
"Then his friends joined him and they played many games in the water. Then they took a break and ate. Sam had so much fun. "
] | task269-d7d6ff2671004830ab98432ce747f0ec |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: It was a rainy day and there was nothing to do.
Initial Context: Bonnie and Blair decided to put on a puppet show.
Original Ending: They prepared all morning. After lunch, they had a show for Bonnie's stuffed animals. They were a wonderful audience!
Counterfactual Context: Bonnie and Blair decided to watch a movie together.
Output:
| [
"They watched all morning. After lunch, they decided to reenact the movie for Bonnie's stuffed animals. They were a wonderful audience! "
] | task269-2125a9ff6c084598a131d61cfd659163 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Randy wants to buy a new car.
Initial Context: He works really hard to save up for a new car.
Original Ending: When he finally saves up enough he goes to the car dealership He buys a new car. He drives his buddies around in his new wheels.
Counterfactual Context: He asks his parents for a loan.
Output:
| [
"When they finally loan him enough he goes to the car dealership He buys a new car. He drives his buddies around in his new wheels. "
] | task269-cbec92fa145a44868dd012c894fd555a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bob was going shopping for groceries.
Initial Context: His wife gave him a list of groceries to purchase.
Original Ending: Bob looked inside his pocket for the grocery list at the store. He couldn't find it. He had to call his wife and ask what to get from the grocery store.
Counterfactual Context: Bob was going shopping wife gave him groceries.
Output:
| [
"Bob looked inside his pocket to check his wallet. He found it. He started doing his shopping. "
] | task269-73ae88e4c4374c73a3b5b49815b9b576 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Anna wanted to be a chef.
Initial Context: Her parents wanted to encourage her passion.
Original Ending: They sent her to culinary school at age eleven. There, Anna learned all kinds of cooking techniques. She came home with more skills than a professional chef!
Counterfactual Context: Her parents wanted to encourage her passion but she will never learn how to cook.
Output:
| [
"They sent her to culinary camp at age eleven. There, Anna learned all kinds of cooking techniques. She came home with more skills than they expected and they were impressed. "
] | task269-3edae58cf5c442c2b5886f2e6f5ecd5c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Peter wanted to be nice and kind to everyone he met.
Initial Context: One day he met someone that he didn't like as much.
Original Ending: Peter still wanted to be nice to him however. He struggled a little bit but finally was nice to him. Peter is now best friends with this person!
Counterfactual Context: One day he met someone that he liked very much.
Output:
| [
"Peter wanted to be nice to him. He was nice to him. Peter is now best friends with this person! "
] | task269-046d0064a3ad4431adbe1504d2cb39e9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: In 2012 we visited our friends Max and Roe in NH.
Initial Context: Max's sister had recently moved to NH and dropped by.
Original Ending: I learned she was taking art courses. I paid her to do a painting of the pond in front of our home. She did a nice winter landscape which we proudly hung in our home.
Counterfactual Context: I had never been to NH and was very excited to go see them.
Output:
| [
"I learned they were taking art courses. I paid them to do a painting of the pond in front of their home. They did a nice winter landscape which we proudly hung in our home. "
] | task269-32a22a305d18405797eaf819293b60e7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Arnold was scared of big malls.
Initial Context: He would always avoid those crowded areas.
Original Ending: He had to get a gift for his mom for mother's day however. He decided to go to a big mall. Arnold almost fainted.
Counterfactual Context: He would do all of his shopping from home via Amazon.com.
Output:
| [
"He had to get a gift for his mom for mother's day. Amazon did not have what she wanted so he went to a big mall. Arnold almost fainted. "
] | task269-8bb60d4a910d45f7b34fcb6b6829ff68 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mary and Lisa were best friends, together all the time.
Initial Context: Mary was great at the hula hoop, Lisa was not.
Original Ending: A Hula hoop contest had Mary very excited. Without telling Mary, Lisa took lessons. Mary was shocked when Lisa entered the contest and beat her!
Counterfactual Context: Mary was bad at the hula hoop, Lisa was the best.
Output:
| [
"A Hula hoop contest had Lisa very excited. Without telling Lisa, Mary took lessons. Lisa was shocked when Mary entered the contest and beat her! "
] | task269-ae3eb87e242145d6baac005487ae18e1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Lenny heard chirping as he walked by the holly tree in his yard.
Initial Context: He looked down and saw a baby bird on the ground.
Original Ending: He carefully lifted it up and placed it in the nest with two others. He was worried the mother bird would reject this baby. But shortly after she came back with worms and fed all three of them.
Counterfactual Context: He looked down and saw a mouse on the ground.
Output:
| [
"He carefully lifted it up and placed it in the nest with two others. He was worried the mother mouse would reject this baby. But shortly after she came back with cheese and fed all three of them. "
] | task269-f2a0552b9aea40e788f85cc5f51a93cf |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: It was Sara's turn to let the dog outside.
Initial Context: Sara opened the front door and let the dog run out.
Original Ending: A couple hours later Sara remembered the dog and went to let him in. She noticed the gate was open and her dog was missing. Sara rushed to tell her mom that the dog was missing.
Counterfactual Context: Sarah forgot to open the door and let the dog out.
Output:
| [
"A couple hours later Sara remembered the dog and let him out. She noticed the gate was open. Sara rushed to close the gate before the dog noticed. "
] | task269-554b9f7b430f4381ad9939e3fa9e08fc |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Larry was trying to park.
Initial Context: He looked for a spot for minutes.
Original Ending: Eventually he found one. Before he got there someone else took it. He got angry and went home instead.
Counterfactual Context: He looked for a spot then gave up and left.
Output:
| [
"The next day he came back and started looking for a spot, and this time he eventually saw one. But before he got there someone else swooped in and took it. He got angry and went home instead. "
] | task269-760adccd6006415ba2e1edee989059c9 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: On the cul-de-sac there were two girls named Carla.
Initial Context: The first one was a 10 year old blonde with green eyes.
Original Ending: The second one was only 3 years old with long dark hair. Everyone called the first girl Big Carla and the other Little Carla. Years later they met but Little Carla was the biggest by then.
Counterfactual Context: The first one was a petite 3 year old blonde with green eyes.
Output:
| [
"The second one was only 3 years old with long dark hair. Everyone called the them Blonde Carla and the other Brown Carla. Some people thought that was offensive but the kids didn't know it. "
] | task269-6634b833f66c4f009cdeb1611078aabb |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: At the beach today the sun was blinding.
Initial Context: I could not believe that I forgot sunglasses.
Original Ending: My eyes could hardly see in front of me. By the time I headed back to the car, I learned by lesson. I learned to never forgot to bring them again.
Counterfactual Context: I pulled out my sunglasses and put them on.
Output:
| [
"My eyes could clearly see in front of me. By the time I headed back to the car, I'd had a great time. I still never forget to bring them. "
] | task269-a68472f6858f40fc9e924c1fcb7b444d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The man juggled 6 wine glasses at once.
Initial Context: Spectators were impressed and told him to try more.
Original Ending: He then added a seventh wine glass and was struggling. The crowd cheered him on, which impacted his concentration. The man flinched and then it began to rain wine glasses on everyone.
Counterfactual Context: Spectators were impressed, but he did not have more wine glasses to add.
Output:
| [
"He then a got rid of the sixth wine glass and was struggling. The crowd cheered him on, which impacted his concentration. The man flinched and then it began to rain wine glasses on everyone. "
] | task269-b71ff0c5f3e54778933b2abe2eec5bb8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Vera ordered a product that promised a face lift without surgery.
Initial Context: When the package arrived, Vera saw it was only a roll of sticky tape.
Original Ending: She followed the directions, using the tape to pull her skin tight. Liking the effect, Vera went out wearing the tape. She was laughing with pals when the tape dislodged and her face fell.
Counterfactual Context: When the package arrived, Vera saw it was only a pill.
Output:
| [
"She followed the directions, using the pills to pull her skin tight. She didn't like the effect, so Vera went out wearing a tape to pull her skin tight. She was laughing with pals when the tape dislodged and her face fell. "
] | task269-d25038e62292431ba0d33e7130a38bf5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Cody wanted to make the world a better place and give blood.
Initial Context: She didn't like the juice and cookies they tried to give her.
Original Ending: She was feeling really weak, but she still didn't eat. She jumped up on a table to sit down, and ended up passing out. She never gave blood again.
Counterfactual Context: She drank the juice and ate the cookies they gave her.
Output:
| [
"She was still feeling really weak. She jumped up on a table to sit down, and ended up passing out. She never gave blood again. "
] | task269-ccbd832b961c415f86a70be1cd6bd890 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Glenda picked up a hitchhiker on her way home from work.
Initial Context: The Hitch-Hiker tries to persuade Glenda to drive across the country.
Original Ending: Glenda contemplates his offer. She thinks of all of the responsibilities at home. Glenda lets the hiker out at the next crossing.
Counterfactual Context: She gave him a short ride.
Output:
| [
"Glenda contemplates his situation. She thinks of all of the responsibilities at home. Glenda lets the hiker out at the next crossing. "
] | task269-25595fe441b44a289e0fbb09986f6007 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kelsi was getting married.
Initial Context: She needed that perfect dress.
Original Ending: She decided to drive to the shop to look. She liked the first one she tried on. She immediately bought it.
Counterfactual Context: She planned to wear her mother's wedding dress.
Output:
| [
"She decided to drive to her mother's to look at it. She liked it once she tried it on. She immediately told her mother she loved it. "
] | task269-cc28d6cf8de745998a43c99e0755c4eb |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I cleaned out my garage today.
Initial Context: I was surprised to find boxes of old albums.
Original Ending: They were from my teenage years. Going through them brought back so many memories. I boxed them back up and decided to keep them.
Counterfactual Context: I was surprised to find boxes of old baby clothes.
Output:
| [
"They were my daughter's. Going through them made me emotional. I boxed them back up and decided to keep them. "
] | task269-b972521e6ab2459c8126a444e58d2602 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Johnny was in high school.
Initial Context: The high school dance was coming up and Johnny didn't have a date.
Original Ending: Johnny really wanted to ask Elizabeth to the dance. Elizabeth was already going with Mike. Johnny reluctantly asked Rachel to the dance instead.
Counterfactual Context: The high school dance was coming up and Johnny wasn't allowed to go.
Output:
| [
"Johnny really wanted to ask Elizabeth to the dance. He begged his parents to give him a chance to go, but they said no. He asked Elizabeth anyways and disobeyed his parents by going to the dance. "
] | task269-5d78fc66468e4f6e9f9a53df72c95ffe |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bob convinced his wife Peg to let him have a rec room.
Initial Context: He saved up for a pool table, a bar and a poker table.
Original Ending: Soon, the guys came over every week to enjoy the rec room. Bob found himself losing at pool and poker and getting hangovers. Bob surprised Peg by turning the rec room into her craft room.
Counterfactual Context: He saved up for a foosball table, and a television.
Output:
| [
"Soon, the guys came over every week to enjoy the rec room. Bob found himself losing at foosball and getting eye strain. Bob surprised Peg by turning the rec room into her craft room. "
] | task269-224ec1b653124076a651a8f9b12b2dd8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Misty made a customer his latte.
Initial Context: The customer said it was too hot.
Original Ending: Misty re-made the drink. The customer appreciated the extra care taken. The customer tipped Misty five dollars.
Counterfactual Context: She made a flower design on the top that impressed him very much.
Output:
| [
"Misty took her time making the drink beautiful. The customer appreciated the extra care taken. The customer tipped Misty dollars. "
] | task269-229c23ac5c1f4ca597f8aa2d1f2a747f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: While in high school, Matt wanted to be a doctor.
Initial Context: But he saw advertisements about joining the marines.
Original Ending: And there were recruitment officers at his school. Matt was talked into joining the military. But luckily, he was never seriously injured.
Counterfactual Context: But he saw advertisements about joining the Peace Corps.
Output:
| [
"And there were recruitment representatives at his school. Matt was talked into joining the Peace Corps. But sadly, he was seriously injured when a snake attacked him. "
] | task269-058810e9772042c6b90ea497e676ddd7 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Gina was at the park and a loose dog was watching her.
Initial Context: She decided to slowly back up, and walk home.
Original Ending: She watched the dog to make sure he didn't move. She turned around and began walking home. Eventually she turned to see the dog was following not far behind.
Counterfactual Context: She walked over to the dog and scooped it up.
Output:
| [
"She held the dog to make sure he didn't move. She turned around and began walking home. Eventually she turned to see the dog's owner was following not far behind. "
] | task269-eee9f6faa9b04ef08ef081f81868bfc4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Riley had always wanted to be able to do a handstand.
Initial Context: However, he found it very challenging.
Original Ending: He decided to practice handstands every day after work. Finally he was able to do one. Riley was proud to be able to do a handstand.
Counterfactual Context: However, he found it very challenging and will never perform a handstand.
Output:
| [
"He decided to practice handstands every day after work. He never was able to do one. Riley was proud of his effort even though he never did a handstand. "
] | task269-051e94211de74028a625eb1698f44e2b |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Eddy loved to catch eels.
Initial Context: One day, he caught over 100 eels in an afternoon.
Original Ending: He went to the zoo to donate the eels. The zoo accepted and thanked him for the eels. Eddy drove home feeling good about his donation.
Counterfactual Context: He always releases them back into the ocean.
Output:
| [
"He went to the beach to release his days catch. The release was easy and he felt the eels appreciated it. Eddy drove home feeling good about his fishing style. "
] | task269-29ef4f3e446248ee9d261c21a95908d6 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Janet tripped during her physical education class.
Initial Context: However, she decided to continue jogging.
Original Ending: After she stopped, the teacher called her. He asked if she noticed her leg. When she looked down, it was bleeding.
Counterfactual Context: She kept running and ignored the pain.
Output:
| [
"After she stopped, the teacher called her. He asked if she noticed her leg. When she looked down, it was bleeding. "
] | task269-cb782574dcf9431a8336284a6b01afd5 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Christmas is my favorite holiday.
Initial Context: My parents have always made Christmas a big event.
Original Ending: Even as an adult, I have childlike excitement. We open presents and eat too much food. Then we watch old Christmas movies and nap.
Counterfactual Context: I've always wished that I had a family to share this joyous holiday with.
Output:
| [
"Even as an adult, I long to have childlike excitement. I want to open presents and eat too much food. Then maybe watch old Christmas movies and nap. "
] | task269-7eb1629df4d3442194bc218011ffa00a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I had a big test the other day.
Initial Context: The night before the test my friends went to go see a movie.
Original Ending: I should've stayed and studied but I went with them instead. I got a terrible grade on my test. I should've stayed in and studied.
Counterfactual Context: I studied all night and did well.
Output:
| [
"I stayed and studied even though I really wanted to go with them instead. I got a perfect grade on my test. I'm glad I stayed in and studied. "
] | task269-0b295e7d7a824a3dbcb1d92b7de02c2f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Earl saw a large safe at a garage sale.
Initial Context: The owner gave it to him for free because he couldn't open it.
Original Ending: Earn began took it home and tried to open it. He banged on the safe with a hammer for hours. He was very tired at the end of this but the safe was still closed.
Counterfactual Context: The owner gave it to him for free with the combination and it easily opened.
Output:
| [
"Earl was took it home and was excited to see what was inside. He looked through its contents for hours. He was very tired at the end of this but satisfied. "
] | task269-48c30f151e90499495dc7bf3072de89a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jeff went back to his apartment.
Initial Context: Inside his apartment, there were some nihilists.
Original Ending: The nihilists told Jeff that they had kidnapped his friend Bunny. Jeff's friend Maude said the nihilists were lying. Jeff had to talk to Jackie to find out if they were lying or not.
Counterfactual Context: When he arrived he noticed that his door had been kicked in.
Output:
| [
"Jeff saw that someone had kidnapped his friend Bunny. Jeff called the police. The police had to talk to Jeff to find out if he was lying. "
] | task269-e1dddce3e9b442648696ac11cd009209 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ivy ran into the store one morning.
Initial Context: Coming out, she saw something awful.
Original Ending: She had locked her keys in her car - and it was running! Ivy hurried into the store to call the auto club for help. They arrived soon and opened the doors for her.
Counterfactual Context: She came out of the store and drove away.
Output:
| [
"When she got home, she locked her keys in her car - and it was still running! Ivy hurried to her neighbor's house to call the auto club for help. They arrived soon and opened the doors for her. "
] | task269-c7461870b8104940aa94f42bbb68b49c |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The automated robotic cleaner was cleaning the floor.
Initial Context: Fluffy always looked forward to playing with the Roomba.
Original Ending: He played dodge with the Roomba, making its sensors go haywire. The roomba finally gave up its battery charge and went to recharge. Fluffy felt victorious yet again and went back to sleep.
Counterfactual Context: Fluffy always ran and hid from roomba.
Output:
| [
"One day Fluffy got some courage and played dodge with the Roomba, making its sensors go haywire. The roomba finally gave up its battery charge and went to recharge. Fluffy felt victorious yet again and went back to sleep. "
] | task269-be3d586b9b044dc897dac2d34b0f8f51 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Molly was planning on making a soup.
Initial Context: She was using her grandma's recipe.
Original Ending: One of the measurements was sort of confusing. Molly called her grandma to ask about it. Her grandma gave her the correct number.
Counterfactual Context: Her favorite soup was Alfredo chicken and broccoli.
Output:
| [
"One of the measurements was sort of confusing. It was her Grandma's recipe, so she called her to ask about it. Her grandma gave her the correct number. "
] | task269-6ca8b1b09abf4c7eae98e98489ec5142 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tiffany wanted to grow her hair long.
Initial Context: She decided to take better care of her hair.
Original Ending: Tiffany went one year without heat styling her hair. When the year was over she straightened her hair. Tiffany was so excited to see how long her hair had grown.
Counterfactual Context: But it was very brittle and not cared for.
Output:
| [
"Tiffany had gone one year without using conditioner on her hair. She decide now she needed to use conditioner. Tiffany was so excited to see how her hair grew now. "
] | task269-08b88504fd394147872c738f29e4172f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Hector loved to text on his phone while he was walking.
Initial Context: His friends and family told him never to text and walk.
Original Ending: However, Hector ignored their advice. One day Hector dropped his phone while he was texting and walking. Hector felt deep regret and sadness that he hadn't listened.
Counterfactual Context: His friends and family did so too.
Output:
| [
"However, Hector should have ignored their example. One day Hector dropped his phone while he was texting and walking. Hector felt deep regret and sadness that he hadn't been wiser. "
] | task269-9524117092ad4f07bd7bc1a78d47f9dc |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: It was Julia's friend's birthday.
Initial Context: She wanted to make her some pancakes.
Original Ending: She spent all morning preparing them. When they were done, she tasted them. Unfortunately they came out horrible.
Counterfactual Context: She wanted to make her a card.
Output:
| [
"She spent all morning making the card. When she was done, she gave her friend the card. Fortunately her friend loved it. "
] | task269-57353438a60d483bb5561f8e5bb1ff3b |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: John was an avid reader.
Initial Context: He decided to buy many books online.
Original Ending: He asked friends for recommendations. He searched the internet for the best works of literature. He bought many great books and added them to his collection.
Counterfactual Context: He decided to buy books, and could only afford one.
Output:
| [
"He asked friends for recommendations. He searched the internet for the best works of literature. He chose a great book and added it to his collection. "
] | task269-357f03a947df42e0b99c10b853a5a369 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Pia is a beginning gardener who decides to plant basil in August.
Initial Context: In a few weeks, her basil plants are growing healthily.
Original Ending: But one day, the temperature dropped dramatically. She wakes up to her basil plants frosted over. She learns that basil needs to be planted earlier in the year.
Counterfactual Context: In a few weeks, her basil plants are dead.
Output:
| [
"The temperature had dropped dramatically. They were dead because they had frosted over. She learns that basil needs to be planted earlier in the year. "
] | task269-59fb7f21fe524b11b8ce9156928a4273 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kim wanted to see Home Alone in the theater.
Initial Context: Her mother said she couldn't take her to the theater.
Original Ending: Kim asked her mother if she could go with her friend Beth. Her mother hesitated, then agreed. Kim called Beth excitedly to giver her the news.
Counterfactual Context: Her mother said she wasn't allowed to see it.
Output:
| [
"Kim then begged her mother if she could go with her friend Beth. Her mother hesitated, then changed her mind and agreed. Kim called Beth excitedly to giver her the news. "
] | task269-db3fc69955064b09bf94cdd145f8bd32 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Julie wants to find a way to volunteer.
Initial Context: She learns of a local group that plants trees on weekends.
Original Ending: She joins the group and spends a weekend afternoon planting trees. She feels great about doing something good for the environment. Julie is happy that she found a way to volunteer.
Counterfactual Context: She learns of a local group that sells basketballs on weekends.
Output:
| [
"She joins the group and spends a weekend afternoon selling basketballs. She feels great about doing something good for the community. Julie is happy that she found a way to volunteer. "
] | task269-07dac9fa6fa242bf967ccdc44a0f10da |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bob had a terrible case of stuttering.
Initial Context: He decided to get help.
Original Ending: He hired a speech therapist. He worked hard to improve his stuttering. After many years, he no longer stuttered!
Counterfactual Context: He decided to do nothing and to let everyone else worry about it.
Output:
| [
"People said he should hire a speech therapist. He fought hard to defend his stuttering. After many years, he decided he was too old to get help anyway. "
] | task269-8588b8811a1449c58359e73b4403af1f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ronny the butcher liked to cut meat.
Initial Context: He swung his cleaver all day at hanging meat.
Original Ending: As he swung, he wondered what it would be like if the meat was moving. Then he heard a person call his name. He brought them their fresh cut prime rib, and then went back to work.
Counterfactual Context: He wiped down the worktable with bleach.
Output:
| [
"As he wiped, he wondered what it would be like if the meat was moving. Then he heard a person call his name. He brought them their fresh cut prime rib, and then went back to work. "
] | task269-ea8c67ac10e945319c9058d38f620dee |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sally felt very shy when the neighbors came over.
Initial Context: Sally tried to hide whenever the neighbors came.
Original Ending: Sally's uncle used to make fun of her. Once her uncle dragged her out in front of the neighbors. After meeting the neighbors, Sally didn't feel so bad.
Counterfactual Context: She soon overcame her shyness and looked forward to their visits.
Output:
| [
"Sally's uncle used to make fun of her before. Once her uncle dragged her out in front of the neighbors. After meeting the neighbors, Sally didn't feel so bad. "
] | task269-1de0c639ddc4430fb51a8f4933ba2a26 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sue was so excited about finally getting a new phone.
Initial Context: Hers had been broken for weeks.
Original Ending: When she finally saved up enough money she ordered one. It came to her house and she opened the box. To Sue's surprise, the new phone was shattered.
Counterfactual Context: Hers had been broken for weeks, that's why her dad gave her a new phone.
Output:
| [
"When she finally saved up enough money she ordered a protective case for it. It came to her house and she opened the box and put her new phone in the case. To Sue's surprise, she dropped it and the new phone was shattered. "
] | task269-b4f584c6d42844139d204f6185308233 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I wanted to be a chef.
Initial Context: I studied hard in school.
Original Ending: I enrolled in a culinary college. I went to class every day and studied hard. Then I moved to France to continue my education to become a chef.
Counterfactual Context: I didn't think one needs college to become a chef.
Output:
| [
"But I enrolled in a culinary college anyway. I went to class every day and studied hard. Then I moved to France to continue my education to become a chef. "
] | task269-e821c58e2e464165b7469fe5ec3ffbf0 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sue was listening to music in her room.
Initial Context: All of a sudden, she got a call from a recruiter.
Original Ending: The recruiter was willing to offer her a job. The job included a $50,000 relocation package. Sue accepted the job the very next day.
Counterfactual Context: She didn't hear her phone ring.
Output:
| [
"She missed a call from a job recruiter. He wanted to offer her a job including a $50,000 relocation package. Sue made sure to check her phone from then on. "
] | task269-3776fbbaed5b406f9c1dbcd2ff5a851d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jill had set a goal for herself in the seventh grade.
Initial Context: She maintained the highest grades ever since then.
Original Ending: She was determined to be valedictorian. When she became a senior, she still had that goal. At graduation, she met her goal and presented her speech.
Counterfactual Context: Jill wanted to join the volleyball team.
Output:
| [
"She was determined to be MVP. When she became a senior, she still had that goal. At the last tournament, she met her goal and presented a speech. "
] | task269-a200be3530e54d8c854962db950e1b98 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Timmy was about to return his library books.
Initial Context: He went over the list of books and noticed he was missing one.
Original Ending: The book was a novel that was a hardcover. He searched everywhere in his house. Finally he remembered he left the book at a friend's house.
Counterfactual Context: He went over the list of books and returned them all.
Output:
| [
"The books were a series that were hardcover. He searched everywhere in his house before he returned them. Finally he remembered he left the book at a friend's house. "
] | task269-30263b91ac154c44aa29fa4195d66f98 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Lorelai lived in a gold house.
Initial Context: Every night, she was awoken by robbers attempting to steal her home.
Original Ending: Bits and pieces disappeared each night, until she only had a roof. Lorelai sold her roof and made a fortune. She decided her next home would be made of wood instead.
Counterfactual Context: It was too heavy to steal.
Output:
| [
"But small bits and pieces disappeared each night, until she only had a roof. Lorelai sold her roof and made a fortune. She decided her next home would be made of wood instead. "
] | task269-b0f4e7b174be4832a5fd0173167bdacb |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bob went to the barber for a trim before prom.
Initial Context: He just needed to shave his hairline in the back to finish up.
Original Ending: As he was doing it the barber sneezed. The razor went up the back of Bob's head. He had an almost bald streak down the center of his head!
Counterfactual Context: He just needed to trim his hairline with scissors.
Output:
| [
"As he was doing it the barber sneezed. The scissors shifted toward Bob's head. He had an almost bald streak in the center of his head! "
] | task269-3310067fd1cb45169bb3680858b3bfae |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Mason liked hacking computers.
Initial Context: He challenged himself and hacked harder targets every day.
Original Ending: One day, he hacked the government by mistake. Afraid for his life, he tried to run away. But he was caught and spent many years afterward in prison.
Counterfactual Context: He wasnt allowed one in high school and gave it up.
Output:
| [
"One day, he started working for the government. Rekindling his love of hacking, he leaked secret documents. But he was caught and spent many years afterward in prison. "
] | task269-dea3a253e6b04b0b970b652825fc700f |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kim and her friend wanted to go to Times Square while in NYC.
Initial Context: Kim thought it would be best to go at night to see the lights.
Original Ending: Kim and her friend decided to go to the Tkts booth. They hadn't realized how late it was. They were unable to get tickets for that evening.
Counterfactual Context: Kim thought it would be best to go during the day when it was warm.
Output:
| [
"Kim and her friend decided to go to the Tkts booth. They hadn't realized how early in the morning it was. They had to wait to get tickets for that day. "
] | task269-a0c85ca1c7ed4a9a8379defc79c14c59 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The class watched the giant animal move across the field.
Initial Context: There was a huge bison right on the other side of the fence!
Original Ending: They watched him walk by and head down the hill. The class learned about how Native Americans used the bison. They felt very educated on Native American history.
Counterfactual Context: Too bad it wasn't a bison on the other side of the fence.
Output:
| [
"It was a moose instead, and they watched him walk by and head down the hill. The class learned about how Native Americans used the moose. They felt very educated on Native American history. "
] | task269-f8914fb97c244bdca22278a448fc18fc |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Chris has always wanted to learn sign language.
Initial Context: There are a few people at Chris's job who are hearing impaired.
Original Ending: Normally Chris writes down when he communicates with them. However over the summer Chris took on online course on sign language. Now he communicates with his coworkers faster and perfectly!
Counterfactual Context: There are a few people at Chris's job who are vision impaired.
Output:
| [
"Normally Chris talks when he communicates with them. However over the summer Chris took an online course on Braille. Now when he communicates with his coworkers faster and perfectly! "
] | task269-5ea12459f52549e4a17154f4b303ace1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bill was an older widower who owned a grocery store.
Initial Context: One day, Bill hired a beautiful young woman named Heidi.
Original Ending: Bill could not stop himself from asking Heidi out on a date. Heidi turned Bill down flat, so he fired her. Heidi won a sexual harassment lawsuit against Bill for $20,000.
Counterfactual Context: He was dating a man.
Output:
| [
"Bill could not stop himself from asking Hal out on a date. Hal turned Bill down flat, so he fired him. Hal won a sexual harassment lawsuit against Bill for $20,000. "
] | task269-3782eabeb1dc46789c397c567871cd61 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Tim was hit by a car while crossing the street.
Initial Context: Then the car sped off!
Original Ending: Luckily, a witness had seen it all. The cops tracked down the driver that hit Tim. She was arrested and thrown in jail.
Counterfactual Context: The the car stopped to help.
Output:
| [
"There was also a witness who had seen it all. The cops spoke to the driver that hit Tim. She was arrested and thrown in jail. "
] | task269-7cb7f4d96a964ab7a0dfee43a31331fc |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jon loved to spend every summer at the beach with his grandparents.
Initial Context: This summer was special in that he was able to take surfing lessons.
Original Ending: On his first trip out on the water, his instructor spotted a shark. Quickly, they ran out of the water, but not before the shark attacked. It took a bite out of the surfboard, but noone was hurt.
Counterfactual Context: It was a lakehouse.
Output:
| [
"On his first trip out on the water on a raft, they noticed an alligator. Quickly, they ran out of the water, but not before the alligator attacked. It took a bite out of the raft , but no one was hurt. "
] | task269-85a519366e544efbb48c86744123c969 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Katy wanted to join the marines.
Initial Context: Her mom laughed at her because she was a woman.
Original Ending: Katy knew that women could do anything men could do. Katy trained hard and went to Marines Boot Camp. She scored first in her class and was the top Marine in her division!
Counterfactual Context: Her mom reminded her that she couldn't serve because of her epilepsy.
Output:
| [
"Katy knew that she would find success elsewhere. Katy trained hard and became a trainer. She scored first in her class and was the top trainer at the gym. "
] | task269-665b133b02ce48bb9f814482e3e88974 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Penny loved to collect pennies.
Initial Context: She picked them up everywhere she went.
Original Ending: One day she needed to pay a fine for parking. She decided to pay with her huge amount of pennies! She had to use a cart to wheel in the thousands of pennies!
Counterfactual Context: She would never spend them so she could save them.
Output:
| [
"One day she needed to pay a fine for parking. She decided to pay with her huge amount of pennies! She had to use a cart to wheel in the thousands of pennies! "
] | task269-b4a33842c32f45ad894dc8ecff5360df |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: My dog loved to eat grass.
Initial Context: Therefore, I could never take him outside on his own.
Original Ending: I was getting tired of supervising him while he was outside. I decided to buy him a muzzle. Now, he could play outside without eating grass.
Counterfactual Context: I stopped taking it outside.
Output:
| [
"I was getting tired of supervising him while he was outside. I decided to buy him a crate. Now, he could play inside without eating grass. "
] | task269-6ab228bb08e94116b2b56e460a9a2cb1 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ellie and Joe went to the casino on their anniversary.
Initial Context: Joe played the slots while Ellie went to the restroom.
Original Ending: Suddenly, Joe heard a loud ringing noise. Joe had won five thousand dollars! Joe was excited to tell Ellie as she returned.
Counterfactual Context: Ellie played the slots while Joe went to the restroom.
Output:
| [
"Suddenly, Ellie heard a loud ringing noise. Ellie had won five thousand dollars! Ellie was excited to tell Joe as he returned. "
] | task269-065d0840fe67441381957e9660dad47e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Abraham went to the thrift store.
Initial Context: He was searching for a leather coat.
Original Ending: He found out for a good price but abraham is kind of cheap. He tried to haggle with the worker. The worker wasn't having it and kicked him out.
Counterfactual Context: He was donating a leather coat.
Output:
| [
"He left the coat on the counter of the store. He insulted the worker. The worker wasn't having it and kicked him out. "
] | task269-2c0055c12b9647adb44d997e5b42e219 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Kim saw that the local store was having a sale.
Initial Context: She got dressed and made a list.
Original Ending: She was hoping it wouldn't be busy. When she got there the shelves were empty. She left feeling frustrated and went home empty-handed.
Counterfactual Context: She decided not to go since it'll probably be too busy.
Output:
| [
"She was hoping there would still be items left the next day. When she got there the shelves were empty. She left feeling frustrated and went home empty-handed. "
] | task269-2ab079f4659b4b88ae0a1cd1bcd45517 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Adam was not feeling well.
Initial Context: He had a horrible headache for many days in a row.
Original Ending: His doctor prescribed a migraine medication. Adam felt better very soon. He was thrilled to finally have some relief.
Counterfactual Context: He had a horrible headache for many days in a row and will never feel better.
Output:
| [
"His doctor prescribed a migraine medication. Adam felt better very soon. He was thrilled to finally have some relief, even after he claimed he would never feel better. "
] | task269-2965cf4952214e3998317c6e5daa63e4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Jeremy is a skinny guy.
Initial Context: He looked at all these images of hot guys.
Original Ending: He decided to lift weights. He did it for 2 weeks straight. He ended up giving up.
Counterfactual Context: He looked at all these images of skinny guys.
Output:
| [
"He decided to lift weights because he didn't want to be like them anymore. He did it for 2 weeks straight. He ended up giving up. "
] | task269-90acd2f87f59459d8b2165afcfe8158d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: I met my first love online.
Initial Context: We talked for months, planning to meet.
Original Ending: However, he lied about his age. He was really 44 and I was 18. I don't date liar, so we broke up, and I never heard from him again.
Counterfactual Context: We stopped talking one day and canceled meet up plans.
Output:
| [
"However, he decided to show up suddenly. He was really trying to stalk me. I don't date creepy people, so I called the police, and I never heard from him again. "
] | task269-73ef68eaccdd4c3b940503be695f91cc |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Ivan wanted to see if he could get enough helium balloons to fly.
Initial Context: The first store he went to had 500 balloons on sale for $400.
Original Ending: He picked out a couple different colors and started filling them. Ivan tied the balloons to himself and said farewell to the earth. Even though he only made it 3' off the ground, he felt free.
Counterfactual Context: The only store he went to had 1 balloon for sale for $1.
Output:
| [
"He bought the one balloon. Ivan tied the balloon to himself and said farewell to the earth. Though, he never made it off the ground. "
] | task269-f8ecb78aa2134ddda379c7eb22b235a8 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bill's mailman insists on throwing his packages around.
Initial Context: No matter how many times Bill talks to him it does no good.
Original Ending: So finally Bill calls the local Postmaster Bill's mailman gets fired. Bill has no issues after that.
Counterfactual Context: Eventually we confront him and find out that he's terrified of our dog.
Output:
| [
"So finally Bill agrees to lock the dog in the backyard when the mailman comes. Bill's mailman is thankful. Bill has no issues after that. "
] | task269-daca7f497e4545f9b33da7b77729cd08 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Sid did hours research for a science project.
Initial Context: He worked tirelessly building his model rocket in the garage.
Original Ending: Upon completion, his model was by far the greatest in the class! One day, Sid's brother came into the garage with a candle. He tripped over a wire and Sid's whole project went up in flames!
Counterfactual Context: He worked tirelessly making his report.
Output:
| [
"Upon completion, his report was the best in the class! One day, Sid's brother came into the garage with a candle. He tripped over a wire and Sid's whole report went up in flames! "
] | task269-7cdda7c3e6b248b4954ba2ce0fb6cbf4 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: After lunch, my stomach started to growl.
Initial Context: It was also grumbling.
Original Ending: Since the pain was intolerable, I decided to go the school's clinic. The doctor checked on me. I found out that I just had a minor stomach ache.
Counterfactual Context: I didn't eat lunch due to not having enough money to buy something.
Output:
| [
"Since the pain was intolerable, I decided to ask my friend to share his lunch. He agreed. My stomach felt better soon after. "
] | task269-db96a1972a1e4693ba9664831d0fd060 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Wally needed help on his project but was very prideful.
Initial Context: He refused to ask anyone for help even though he needed it.
Original Ending: He searched the internet and found inspiration for his project. He got straight to work afterwards and finally completed it. When he turned it in the day after he unfortunately got a C.
Counterfactual Context: He decided to swallow his pride and asked his sister for help.
Output:
| [
"She searched the internet and helped him find inspiration for his project. He got straight to work afterwards and finally completed it. When he turned it in the day after he got an A. "
] | task269-dc6c8ca179a448ca8325998cb05f161a |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: May knows her 21-year-old daughter is immature.
Initial Context: But sometimes she's just stupid, according to May.
Original Ending: One late night she insisted on baking a coffee cake. She put the cake in the oven, went to her room and fell asleep. The smell of coffee cake on fire made May scream!
Counterfactual Context: And sometimes she is funny, according to May.
Output:
| [
"One late night she insisted on baking a coffee cake. She put the cake in the oven, went to her room and fell asleep. The smell of coffee cake on fire made May laugh. "
] | task269-b0c9e084d7764ae081229c30f5ac9d21 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Fred woke up late.
Initial Context: He just missed his bus.
Original Ending: He then went to his mom's room. His mom then drives him to school. He makes it to first class on time.
Counterfactual Context: He got on the bus just in time.
Output:
| [
"He called his mom. He told her he made it to the bus on time. He is able to make it to first class on time. "
] | task269-0d223340182a4c1c9623beed7177c122 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Daniel has spent months unemployed.
Initial Context: He is too lazy to get a new job, but sometimes he worries about money.
Original Ending: He usually likes to go to a local bar at night to forget his problems. The bartender there is always nice to Daniel. Although he still has no job, being at the bar makes him feel better.
Counterfactual Context: He is very excited and very eager to get a new job.
Output:
| [
"He usually likes to go to the library during the day to send out his applications. The librarian there is always nice to Daniel. Although he still has no job, being at the library makes him feel better. "
] | task269-b121cfb5a3544f91acba66183ab9bb99 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Carl saved up some money from thirty years working in the oil fields.
Initial Context: He decided to put his money towards gold bars.
Original Ending: The price of gold fell and it seemed like he made the wrong decision. Carl was patient and the price of gold gained in price. Carl now looks like he made a smart decision.
Counterfactual Context: He decided to buy himself a new car with the money.
Output:
| [
"The price of the model he bought fell and it seemed like he made the wrong decision. Carl was patient and the price of his car went up again. Carl now looks like he made a smart decision. "
] | task269-21ec9d6e52784e3697c56d8578433c8e |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Two gymnasts, Ed and Steve, were having a handstand contest.
Initial Context: Neither of them showed any strain after a few minutes.
Original Ending: Ed began to taunt Steve to psych him out. Steve has low self-esteem so it began to work. Steve fell over shortly after and felt sad.
Counterfactual Context: Ed started to lose his balance and fell over.
Output:
| [
"Ed didn't want Steve to fall over too by taunting him to psych him out. Steve has low self-esteem so it began to work. Steve fell over shortly after and felt sad even though he won. "
] | task269-e7ed045cc0d84f98ad0b9e87b37ef4aa |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Josh wanted to get into gardening.
Initial Context: He learned everything he could about the topic.
Original Ending: Josh dedicated a half acre plot of land to his new garden. He planted several different crops. His new garden flourished.
Counterfactual Context: He loved floral plants and greenery.
Output:
| [
"Josh dedicated a half acre plot of land to his new garden and floral plants. He planted several different plants. His new garden flourished. "
] | task269-e2bbc737faac4da283a1cf7a4fb8615d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Bobby loved to cook for his wife.
Initial Context: His wife loved his cooking.
Original Ending: On Friday night, Billy cooked something his wife didn't like. She told him she liked it anyways. He never knew she didn't like it.
Counterfactual Context: His wife hated his cooking.
Output:
| [
"On Friday night, Billy cooked something his wife didn't like. She told him she hated it. He knew she didn't like it. "
] | task269-86fe52b085004bcf96d9539b7b46a75d |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: Glen's car just broke down.
Initial Context: He needs to get a new car now.
Original Ending: He takes $7000 out of his savings account. He buys a used car for cash. Glen has a new car now with no monthly payments.
Counterfactual Context: He fixed it using his savings.
Output:
| [
"He took $7000 out of his savings account to pay for it. He didn't need to buy a new car. He still has no monthly payments. "
] | task269-b2c2736149a441c683f8dd8f6dcaf9f0 |
Definition: Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.
Positive Example 1 -
Input: Premise: Susie was sitting on her barstool.
Initial Context: She kept kicking the counter with her feet.
Original Ending: Suddenly, her kick sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Counterfactual Context: She kept herself steady with her feet.
Output: Suddenly, an earthquake sent her falling backwards. The chair hit the ground with a thud and broke. Susie hurt her head and was really scared.
Positive Example 2 -
Input: Premise: Celeste rode her motorcycle across the woods.
Initial Context: When she almost arrived at the intersection, a moose appeared.
Original Ending: She didn't have enough time to brake and drove towards the moose. They were both knocked out. She eventually got up and called the police.
Counterfactual Context: When she almost arrived at the intersection, a deer appeared.
Output: She didn't have enough time to brake and drove towards the deer, They were both knocked out. She eventually got up and called the police.
Negative Example 1 -
Input: Premise: Adrielle couldn't wait for her birthday party.
Initial Context: All her friends were invited and were going to come.
Original Ending: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Counterfactual Context: All her friends were invited but no one will come.
Output: She counted down the days until the Saturday of her party. When she woke up Saturday morning, she felt sick. She had to cancel the party.
Negative Example 2 -
Input: Premise: I got a taxi cab late at night to the city.
Initial Context: I was dressed really sharply.
Original Ending: When I walked in the club people stared. I danced all night and made lots of friends. I went home with several phone numbers.
Counterfactual Context: I was injured and needed to be dropped off by the cab at the hospital.
Output: He found a small cat in the park one day. He gave it some dried fish and pet it as it purred. Now, sometimes on his walks, the cat follows Ike around.
Now complete the following example -
Input: Premise: The man started his generator.
Initial Context: He plugged in all of his devices.
Original Ending: He turned on the television and the air conditioner. A fuse blew out in the generator. The man sat in the silence without his devices.
Counterfactual Context: He only plugged in his fridge.
Output:
| [
"He didn't dare turn on the television and the air conditioner. He knew if he did, a fuse would blow out in the generator. And he would have to sit in the silence without a working fridge. "
] | task269-045f03bb3c404ba6b4a19b1f2a457533 |