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it's a satisfying summer blockbuster and worth a look .
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boomers and their kids will have a barrie good time .
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real women have curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros .
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ultimately , " mib ii " succeeds due to its rapid-fire delivery and enough inspired levity that it can't be dismissed as mindless .
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stage director sam mendes showcases tom hanks as a depression era hit-man in this dark tale of revenge .
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sitting in the third row of the imax cinema at sydney's darling harbour , but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking and hovering over some of the most not
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the real charm of this trifle is the deadpan comic face of its star , jean reno , who resembles sly stallone in a hot sake half-sleep .
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what's so fun about this silly , outrageous , ingenious thriller is the director's talent . watching a brian depalma movie is like watching an alfred hitchcock movie after drinking twelve beers .
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strip it of all its excess debris , and you'd have a 90-minute , four-star movie . as it is , it's too long and unfocused .
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an immensely entertaining look at some of the unsung heroes of 20th century pop music .
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this familiar rise-and-fall tale is long on glamour and short on larger moralistic consequences , though it's told with sharp ears and eyes for the tenor of the times .
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this beautifully animated epic is never dull .
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brian tufano's handsome widescreen photography and paul grabowsky's excellent music turn this fairly parochial melodrama into something really rather special .
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it makes compelling , provocative and prescient viewing .
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a thoroughly entertaining comedy that uses grant's own twist of acidity to prevent itself from succumbing to its own bathos .
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using a stock plot , about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater .
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what eric schaeffer has accomplished with never again may not , strictly speaking , qualify as revolutionary . but it's defiantly and delightfully against the grain .
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the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational , and everything meshes in this elegant entertainment .
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a positively thrilling combination of ethnography and all the intrigue , betrayal , deceit and murder of a shakespearean tragedy or a juicy soap opera .
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mr . clooney , mr . kaufman and all their collaborators are entitled to take a deep bow for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster .
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definitely funny stuff , but it's more of the 'laughing at' variety than the 'laughing with . '
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easily the most thoughtful fictional examination of the root causes of anti-semitism ever seen on screen .
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a gripping drama .
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a real winner -- smart , funny , subtle , and resonant .
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family portrait of need , neurosis and nervy negativity is a rare treat that shows the promise of digital filmmaking .
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the pitch must have read like a discarded house beautiful spread .
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uplifting as only a document of the worst possibilities of mankind can be , and among the best films of the year .
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director david jacobson gives dahmer a consideration that the murderer never game his victims .
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the film has a terrific look and salma hayek has a feel for the character at all stages of her life .
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a decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies .
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the performances are remarkable .
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it's burns' visuals , characters and his punchy dialogue , not his plot , that carry waydowntown .
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as literary desecrations go , this makes for perfectly acceptable , occasionally very enjoyable children's entertainment . you'll forget about it by monday , though , and if they're old enough to have developed some taste , so will your kids .
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while i can't say it's on par with the first one , stuart little 2 is a light , fun cheese puff of a movie .
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strange , funny , twisted , brilliant and macabre .
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a genuinely moving and wisely unsentimental drama .
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heaven is a haunting dramatization of a couple's moral ascension .
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the mothman prophecies is best when illustrating the demons bedevilling the modern masculine journey .
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'stock up on silver bullets for director neil marshall's intense freight train of a film . '
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plays out with a dogged and eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel .
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an entertaining british hybrid of comedy , caper thrills and quirky romance .
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alain choquart's camera barely stops moving , portraying both the turmoil of the time and giving conduct a perpetual sense of urgency , which , for a film that takes nearly three hours to unspool , is both funny and irritating .
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mostly martha could have used a little trimming -- 10 or 15 minutes could be cut and no one would notice -- but it's a pleasurable trifle . the only pain you'll feel as the credits roll is your stomach grumbling for some tasty grub .
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hardly an objective documentary , but it's great cinematic polemic . . . love moore or loathe him , you've got to admire . . . the intensity with which he's willing to express his convictions .
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the mark of a respectable summer blockbuster is one of two things : unadulterated thrills or genuine laughs .
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the film is visually dazzling , the depicted events dramatic , funny and poignant .
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a directorial tour de force by bernard rose , ivans xtc . is one of this year's very best pictures .
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what makes the movie work — to an admittedly limited extent — is the commitment of two genuinely engaging performers . weaver and lapaglia are both excellent , in the kind of low-key way that allows us to forget that they are actually movie folk .
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even the digressions are funny .
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mr . spielberg and his company just want you to enjoy yourselves without feeling conned . and they succeed merrily at their noble endeavor .
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melodrama with a message .
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en sí mismo el rey león es un espectáculo digno de contemplarse en cine , dvd o en su soberbio montaje teatral ; pero el hacerlo en la pantalla imax es una experiencia colosal .
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a perfectly pleasant if slightly pokey comedy .
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coppola's directorial debut is an incredibly layered and stylistic film that , despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema .
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at the end , when the now computerized yoda finally reveals his martial artistry , the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside .
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wang xiaoshuai directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men .
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it's hard to imagine anybody ever being " in the mood " to view a movie as harrowing and painful as the grey zone , but it's equally hard to imagine anybody being able to tear their eyes away from the screen once it's started .
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bogdanovich taps deep into the hearst mystique , entertainingly reenacting a historic scandal .
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a moving tale of love and destruction in unexpected places , unexamined lives .
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clooney directs this film always keeping the balance between the fantastic and the believable . . .
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beautifully produced .
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smart and taut .
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even if you don't understand what on earth is going on , this is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why .
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. . . a lesson in prehistoric hilarity .
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a fantastically vital movie that manages to invest real humor , sensuality , and sympathy into a story about two adolescent boys .
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lawrence plumbs personal tragedy and also the human comedy .
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though a capable thriller , somewhere along the way k-19 jettisoned some crucial drama .
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just about the surest bet for an all-around good time at the movies this summer .
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it would be disingenuous to call reno a great film , but you can say that about most of the flicks moving in and out of the multiplex . this is a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn .
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os universos de chuck barris e charlie kaufman são complementares . e igualmente fascinantes .
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there is a certain sense of experimentation and improvisation to this film that may not always work , but it is nevertheless compelling .
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the four feathers has rewards , from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes .
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a delicious , quirky movie with a terrific screenplay and fanciful direction by michael gondry .
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this story still seems timely and important . and there's an element of heartbreak to watching it now , with older and wiser eyes , because we know what will happen after greene's story ends .
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the bodily function jokes are about what you'd expect , but there are rich veins of funny stuff in this movie .
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the performances are amiable and committed , and the comedy more often than not hits the bullseye .
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this time , the hype is quieter , and while the movie is slightly less successful than the first , it's still a rollicking good time for the most part .
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there's plenty to enjoy -- in no small part thanks to lau .
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with a romantic comedy plotline straight from the ages , this cinderella story doesn't have a single surprise up its sleeve . but it does somehow manage to get you under its spell .
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though few will argue that it ranks with the best of herzog's works , invincible shows he's back in form , with an astoundingly rich film .
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" catch me " feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark .
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by no means a great movie , but it is a refreshingly forthright one .
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the casting of raymond j . barry as the 'assassin' greatly enhances the quality of neil burger's impressive fake documentary .
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despite besson's high-profile name being wasabi's big selling point , there is no doubt that krawczyk deserves a huge amount of the credit for the film's thoroughly winning tone .
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this documentary is a dazzling , remarkably unpretentious reminder of what [evans] had , lost , and got back .
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a thoughtful movie , a movie that is concerned with souls and risk and schemes and the consequences of one's actions .
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as satisfyingly odd and intriguing a tale as it was a century and a half ago . . . has a delightfully dour , deadpan tone and stylistic consistency .
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methodical , measured , and gently tedious in its comedy , secret ballot is a purposefully reductive movie -- which may be why it's so successful at lodging itself in the brain .
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a witty , trenchant , wildly unsentimental but flawed look at the ins and outs of modern moviemaking .
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for most of the distance the picture provides a satisfyingly unsettling ride into the dark places of our national psyche .
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by the standards of knucklehead swill , the hot chick is pretty damned funny .
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one of the most gloriously unsubtle and adrenalized extreme shockers since the evil dead .
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[reaches] wholly believable and heart-wrenching depths of despair .
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an absorbing and unsettling psychological drama .
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this movie may not have the highest production values you've ever seen , but it's the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep .
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though it's not very well shot or composed or edited , the score is too insistent and the dialogue is frequently overwrought and crudely literal , the film shatters you in waves .
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the entire cast is extraordinarily good .
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yakusho , as always , is wonderful as the long-faced sad sack . . . and his chemistry with shimizu is very believable .
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the film delivers what it promises : a look at the " wild ride " that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans .
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young hanks and fisk , who vaguely resemble their celebrity parents , bring fresh good looks and an ease in front of the camera to the work .
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