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there's so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles .
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the search for redemption makes for a touching love story , mainly because blanchett and ribisi compellingly tap into a spiritual aspect of their characters' suffering .
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a fast paced and suspenseful argentinian thriller about the shadow side of play .
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a film of ideas and wry comic mayhem .
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at its worst the screenplay is callow , but at its best it is a young artist's thoughtful consideration of fatherhood .
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a worthwhile documentary , whether you're into rap or not , even if it may still leave you wanting more answers as the credits roll .
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fessenden's narrative is just as much about the ownership and redefinition of myth as it is about a domestic unit finding their way to joy .
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that the film opens with maggots crawling on a dead dog is not an out of place metaphor .
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stanley kwan has directed not only one of the best gay love stories ever made , but one of the best love stories of any stripe .
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the concert footage is stirring , the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers .
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norton holds the film together .
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[there's] quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin .
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you won't have any trouble getting kids to eat up these veggies .
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a creaky staircase gothic .
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enjoyably dumb , sweet , and intermittently hilarious -- if you've a taste for the quirky , steal a glimpse .
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a movie that sends you out of the theater feeling like you've actually spent time living in another community .
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light-years ahead of paint-by-number american blockbusters like pearl harbor , at least artistically .
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a fascinating documentary about the long and eventful spiritual journey of the guru who helped launch the new age .
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isabelle huppert excels as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol's most intense psychological mysteries .
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perhaps not since nelson eddy crooned his indian love call to jeanette macdonald has there been a movie so unabashedly canadian , not afraid to risk american scorn or disinterest .
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wedding feels a bit anachronistic . still , not every low-budget movie must be quirky or bleak , and a happy ending is no cinematic sin .
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it's still a comic book , but maguire makes it a comic book with soul .
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brings to a spectacular completion one of the most complex , generous and subversive artworks of the last decade .
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an amusing and unexpectedly insightful examination of sexual jealousy , resentment and the fine line between passion and pretence .
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a fascinating , bombshell documentary that should shame americans , regardless of whether or not ultimate blame finally lies with kissinger . should be required viewing for civics classes and would-be public servants alike .
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adaptation's success in engaging the audience in the travails of creating a screenplay is extraordinary .
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a polished and vastly entertaining caper film that puts the sting back into the con .
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it's no surprise that as a director washington demands and receives excellent performances , from himself and from newcomer derek luke .
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. . . while each moment of this broken character study is rich in emotional texture , the journey doesn't really go anywhere .
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the film gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection .
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it's an often-cute film but either needs more substance to fill the time or some judicious editing .
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this may be burns's strongest film since the brothers mcmullen .
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what makes this film special is serry's ability to take what is essentially a contained family conflict and put it into a much larger historical context .
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it's quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer .
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it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and the actors are humanly engaged .
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though not for everyone , the guys is a somber trip worth taking .
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will warm your heart without making you feel guilty about it .
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a sly female empowerment movie , although not in a way anyone would expect .
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you really have to salute writer-director haneke ( he adapted elfriede jelinek's novel ) for making a film that isn't nearly as graphic but much more powerful , brutally shocking and difficult to watch .
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it's a wonderful , sobering , heart-felt drama .
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runs on the pure adrenalin of pacino's performance .
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the paradiso's rusted-out ruin and ultimate collapse during the film's final ( restored ) third…emotionally belittle a cinema classic . sometimes shorter is better .
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phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene's prose , and it's there on the screen in their version of the quiet american .
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the film just might turn on many people to opera , in general , an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life .
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as a vehicle to savour binoche's skill , the film is well worthwhile .
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. . . wise and elegiac . . .
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the huskies are beautiful , the border collie is funny and the overall feeling is genial and decent .
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whatever complaints i might have , i'd take [its] earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor's club any time .
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mastering its formidable arithmetic of cameras and souls , group articulates a flood of emotion .
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a pretty decent kid-pleasing , tolerable-to-adults lark of a movie .
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even during the climactic hourlong cricket match , boredom never takes hold .
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combine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why didn't hollywood think of this sooner ?
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like kubrick , soderbergh isn't afraid to try any genre and to do it his own way .
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nothing can detract from the affection of that moral favorite : friends will be friends through thick and thin .
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if the film has a problem , its shortness disappoints : you want the story to go on and on .
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unlike most anime , whose most ardent fans outside japan seem to be introverted young men with fantasy fetishes , metropolis never seems hopelessly juvenile .
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the plot twists give i am trying to break your heart an attraction it desperately needed .
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the most brilliant and brutal uk crime film since jack carter went back to newcastle , the first half of gangster no . 1 drips with style and , at times , blood .
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like its new england characters , most of whom wander about in thick clouds of denial , the movie eventually gets around to its real emotional business , striking deep chords of sadness .
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the bai brothers have taken an small slice of history and opened it up for all of us to understand , and they've told a nice little story in the process .
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flamboyant in some movies and artfully restrained in others , 65-year-old jack nicholson could be looking at his 12th oscar nomination by proving that he's now , more than ever , choosing his roles with the precision of the insurance actuary .
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. . . is there a deeper , more direct connection between these women , one that spans time and reveals meaning ? you bet there is and it's what makes this rather convoluted journey worth taking .
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the most amazing super-sized dosage of goofball stunts any " jackass " fan could want .
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real women may have many agendas , but it also will win you over , in a big way .
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young everlyn sampi , as the courageous molly craig , simply radiates star-power potential in this remarkable and memorable film .
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surprisingly powerful and universal .
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apart from its own considerable achievement , metropolis confirms tezuka's status as both the primary visual influence on the animé tradition and its defining philosophical conscience .
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i'll put it this way : if you're in the mood for a melodrama narrated by talking fish , this is the movie for you .
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morvern callar confirms lynne ramsay as an important , original talent in international cinema .
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well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process .
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a plethora of engaging diatribes on the meaning of 'home , ' delivered in grand passion by the members of the various households .
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it's technically sumptuous but also almost wildly alive .
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this film puts wang at the forefront of china's sixth generation of film makers .
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it's refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original .
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wiseman is patient and uncompromising , letting his camera observe and record the lives of women torn apart by a legacy of abuse .
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there's none of the happily-ever -after spangle of monsoon wedding in late marriage -- and that's part of what makes dover kosashvili's outstanding feature debut so potent .
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an ingenious and often harrowing look at damaged people and how families can offer either despair or consolation .
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arguably the best script that besson has written in years .
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it's no lie -- big fat liar is a real charmer .
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invigorating , surreal , and resonant with a rainbow of emotion .
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director alfonso cuaron gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films .
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pray has really done his subject justice .
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an unexpectedly sweet story of sisterhood .
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maintains your sympathy for this otherwise challenging soul by letting you share her one-room world for a while .
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a subtle , humorous , illuminating study of politics , power and social mobility .
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even if you have no interest in the gang-infested , east-vs . -west coast rap wars , this modern mob music drama never fails to fascinate .
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nair's attention to detail creates an impeccable sense of place , while thurman and lewis give what can easily be considered career-best performances .
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berry's saucy , full-bodied performance gives this aging series a much needed kick , making " die another day " one of the most entertaining bonds in years
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red dragon is less baroque and showy than hannibal , and less emotionally affecting than silence . but , like silence , it's a movie that gets under your skin .
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caviezel embodies the transformation of his character completely .
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a creepy , intermittently powerful study of a self-destructive man . . . about as unsettling to watch as an exploratory medical procedure or an autopsy .
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pacino and williams seem to keep upping the ante on each other , just as their characters do in the film . what results is the best performance from either in years .
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the cast is top-notch and i predict there will be plenty of female audience members drooling over michael idemoto as michael .
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béart and berling are both superb , while huppert . . . is magnificent .
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all the actors are good in pauline & paulette but van der groen , described as 'belgium's national treasure , ' is especially terrific as pauline .
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miyazaki has created such a vibrant , colorful world , it's almost impossible not to be swept away by the sheer beauty of his images .
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muccino seems to be exploring the idea of why human beings long for what they don't have , and how this gets us in trouble . but even while his characters are acting horribly , he is always sympathetic .
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whether or not you buy mr . broomfield's findings , the film acquires an undeniable entertainment value as the slight , pale mr . broomfield continues to force himself on people and into situations that would make lesser men run for cover .
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ozpetek joins the ranks of those gay filmmakers who have used the emigre experience to explore same-sex culture in ways that elude the more nationally settled .
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an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller .
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