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perhaps it's cliche to call the film 'refreshing , ' but it is . 'drumline' shows a level of young , black manhood that is funny , touching , smart and complicated .
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it does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity .
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the limited sets and small confined and dark spaces also are homages to a classic low-budget film noir movie .
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the movie is well done , but slow .
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[a] wonderfully loopy tale of love , longing , and voting .
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the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile , and in the way the ivan character accepts the news of his illness so quickly but still finds himself unable to react .
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the last scenes of the film are anguished , bitter and truthful . mr . koshashvili is a director to watch .
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predictable storyline and by-the-book scripting is all but washed away by sumptuous ocean visuals and the cinematic stylings of director john stockwell .
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antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories but , with few exceptions , it rarely stoops to cheap manipulation or corny conventions to do it .
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one feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism .
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it challenges , this nervy oddity , like modern art should .
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whenever you think you've figured out late marriage , it throws you for a loop .
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the pianist is polanski's best film .
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it is a testament of quiet endurance , of common concern , of reconciled survival .
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this orange has some juice , but it's far from fresh-squeezed .
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a sensitive , modest comic tragedy that works as both character study and symbolic examination of the huge economic changes sweeping modern china .
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highly engaging .
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high crimes knows the mistakes that bad movies make and is determined not to make them , and maybe that is nobility of a sort .
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cusack's just brilliant in this .
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knows how to make our imagination wonder .
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jae-eun jeong's take care of my cat brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema .
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the overall fabric is hypnotic , and mr . mattei fosters moments of spontaneous intimacy .
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evokes a palpable sense of disconnection , made all the more poignant by the incessant use of cell phones .
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malcolm mcdowell is cool . paul bettany is cool . paul bettany playing malcolm mcdowell ? cool .
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a touching , sophisticated film that almost seems like a documentary in the way it captures an italian immigrant family on the brink of major changes .
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. . . a trashy little bit of fluff stuffed with enjoyable performances and a bewildering sense of self-importance
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an inventive , absorbing movie that's as hard to classify as it is hard to resist .
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it made me want to get made-up and go see this movie with my sisters . i thought the relationships were wonderful , the comedy was funny , and the love 'real' .
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( caine ) proves once again he hasn't lost his touch , bringing off a superb performance in an admittedly middling film .
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bogdanovich puts history in perspective and , via kirsten dunst's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .
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this breezy caper movie becomes a soulful , incisive meditation on the way we were , and the way we are .
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a captivating new film .
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those who aren't put off by the film's austerity will find it more than capable of rewarding them .
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it's a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties .
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reveals how important our special talents can be when put in service of of others . it also shows how deeply felt emotions can draw people together across the walls that might otherwise separate them .
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with the same sort of good-natured fun found in films like tremors , eight legged freaks is prime escapist fare .
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a sharp , amusing study of the cult of celebrity .
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the sentimental cliches mar an otherwise excellent film . a powerful performance from mel gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16 .
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a graceful , moving tribute to the courage of new york's finest and a nicely understated expression of the grief shared by the nation at their sacrifice .
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a coming-of-age tale from new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply felt performances across the board .
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made to be jaglomized is the cannes film festival , the annual riviera spree of flesh , buzz , blab and money . the charming result is festival in cannes .
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if you're looking for something new and hoping for something entertaining , you're in luck .
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a hugely rewarding experience that's every bit as enlightening , insightful and entertaining as grant's two best films -- four weddings and a funeral and bridget jones's diary .
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a rip-roaring comedy action fest that'll put hairs on your chest .
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if there's no art here , it's still a good yarn -- which is nothing to sneeze at these days .
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simultaneously heart-breaking and very funny , the last kiss is really all about performances .
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there is a subversive element to this disney cartoon , providing unexpected fizzability .
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an unforgettable look at morality , family , and social expectation through the prism of that omnibus tradition called marriage .
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an enjoyable , if occasionally flawed , experiment .
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miyazaki is one of world cinema's most wondrously gifted artists and storytellers .
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if ayurveda can help us return to a sane regimen of eating , sleeping and stress-reducing contemplation , it is clearly a good thing .
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meeting , even exceeding expectations , it's the best sequel since the empire strikes back . . . a majestic achievement , an epic of astonishing grandeur and surprising emotional depth .
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leigh is one of the rare directors who feels acting is the heart and soul of cinema . he allows his cast members to make creative contributions to the story and dialogue . this method almost never fails him , and it works superbly here .
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poetry in motion captured on film . while it can be a bit repetitive , overall it's an entertaining and informative documentary .
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directing with a sure and measured hand , [haneke] steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology .
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the entire movie establishes a wonderfully creepy mood .
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i found the ring moderately absorbing , largely for its elegantly colorful look and sound .
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the filmmakers want nothing else than to show us a good time , and in their cheap , b movie way , they succeed .
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amari has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances .
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rabbit-proof fence will probably make you angry . but it will just as likely make you weep , and it will do so in a way that doesn't make you feel like a sucker .
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both heartbreaking and heartwarming . . . just a simple fable done in an artless sytle , but it's tremendously moving .
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this masterfully calibrated psychological thriller thrives on its taut performances and creepy atmosphere even if the screenplay falls somewhat short .
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the film's sense of imagery gives it a terrible strength , but it's propelled by the acting .
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the pianist [is] a supremely hopeful cautionary tale of war's madness remembered that we , today , can prevent its tragic waste of life . here is a divine monument to a single man's struggle to regain his life , his dignity and his music .
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strange it is , but delightfully so .
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elegant , mannered and teasing .
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an average coming-of-age tale elevated by the wholesome twist of a pesky mother interfering during her son's discovery of his homosexuality .
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the ingenuity that parker displays in freshening the play is almost in a class with that of wilde himself .
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decasia is what has happened already to so many silent movies , newsreels and the like . the unexpected thing is that its dying , in this shower of black-and-white psychedelia , is quite beautiful .
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a droll , bitchy frolic which pokes fun at the price of popularity and small-town pretension in the lone star state .
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with each of her three protagonists , miller eloquently captures the moment when a woman's life , out of a deep-seated , emotional need , is about to turn onto a different path .
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ryan gosling . . . is at 22 a powerful young actor .
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a minor work yet there's no denying the potency of miller's strange , fleeting brew of hopeful perseverance and hopeless closure .
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as an introduction to the man's theories and influence , derrida is all but useless ; as a portrait of the artist as an endlessly inquisitive old man , however , it's invaluable .
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the film is a verbal duel between two gifted performers .
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imperfect ? yes , but also intriguing and honorable , a worthwhile addition to a distinguished film legacy .
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you'll get the enjoyable basic minimum . but not a whit more .
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what a great way to spend 4 units of your day .
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the movie is hardly a masterpiece , but it does mark ms . bullock's best work in some time .
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as simple and innocent a movie as you can imagine . this is a movie you can trust .
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passionate , irrational , long-suffering but cruel as a tarantula , helga figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats .
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" it's all about the image . "
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feral and uncomfortable .
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vividly conveys the passion , creativity , and fearlessness of one of mexico's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all .
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hollywood ending is not show-stoppingly hilarious , but scathingly witty nonetheless .
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maybe thomas wolfe was right : you can't go home again .
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a compelling yarn , but not quite a ripping one .
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on the granger movie gauge of 1 to 10 , the powerpuff girls is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience .
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the film has several strong performances .
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i've never bought from telemarketers , but i bought this movie .
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perfectly pitched between comedy and tragedy , hope and despair , about schmidt instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .
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the funny thing is , i didn't mind all this contrived nonsense a bit .
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[shyamalan] turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count .
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a sexy , peculiar and always entertaining costume drama set in renaissance spain , and the fact that it's based on true events somehow makes it all the more compelling .
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an entertaining documentary that freshly considers arguments the bard's immortal plays were written by somebody else .
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a highly spirited , imaginative kid's movie that broaches neo-augustinian theology : is god stuck in heaven because he's afraid of his best-known creation ?
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call it magic realism or surrealism , but miss wonton floats beyond reality with a certain degree of wit and dignity .
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raimi and his team couldn't have done any better in bringing the story of spider-man to the big screen .
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the director explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut .
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well-acted , well-directed and , for all its moodiness , not too pretentious .
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