text
stringlengths 5
292
| label
int64 0
1
| augment
stringclasses 2
values |
|---|---|---|
a agitate , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | pwws |
a stimulate , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | pwws |
a stirring , comic and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | pwws |
a stirring , funny and finally send re-imagining of beauty and the beast and 1930s horror films | 1 | pwws |
a stirring , funny and finally ship re-imagining of beauty and the beast and 1930s horror films | 1 | pwws |
a stirring , funny and finally transmit re-imagining of beauty and the beast and 1930s horror films | 1 | pwws |
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror film | 1 | pwws |
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | clean |
apparently reassembled from the cutting-room floor of any collapse daytime soap . | 0 | pwws |
apparently reassembled from the cutting-room floor of any contribute daytime soap . | 0 | pwws |
apparently reassembled from the cutting-room floor of any given daytime max . | 0 | pwws |
apparently reassembled from the cutting-room floor of any hold daytime soap . | 0 | pwws |
apparently reassembled from the cutting-room floor of any sacrifice daytime soap . | 0 | pwws |
apparently reassembled from the cutting-room floor of any tending daytime soap . | 0 | pwws |
apparently reassembled from the cutting-room storey of any given daytime soap . | 0 | pwws |
apparently reassembled from the cutting-room floor of any given daytime soap . | 0 | clean |
they assume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they Trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy tog . | 0 | pwws |
they presume their audience wo n't baby-sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic woman in skimpy robe . | 0 | pwws |
they presume their audience wo n't model motionless for a sociology lesson , however entertainingly present , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | pwws |
they presume their audience wo n't pose still for a sociology lesson , however entertainingly award , so they lope out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | pwws |
they presume their audience wo n't sit however for a sociology lesson , notwithstanding entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy garment . | 0 | pwws |
they presume their audience wo n't sit notwithstanding for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic womanhood in skimpy habilitate . | 0 | pwws |
they presume their audience wo n't sit tranquillise for a sociology lesson , however entertainingly demonstrate , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy invest . | 0 | pwws |
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | clean |
this is a visually arresting rumination on love , memory , history and the war between art and commerce . | 1 | pwws |
this is a visually bedaze rumination on love , memory , history and the war between art and commerce . | 1 | pwws |
this is a visually daze rumination on love , memory , history and the war between art and commerce . | 1 | pwws |
this is a visually sandbag rumination on love , memory , history and the war between art and commerce . | 1 | pwws |
this is a visually stunning rumination on beloved , memory , history and the war between art and commerce . | 1 | pwws |
this is a visually stunning rumination on jazz , memory , history and the war between art and commerce . | 1 | pwws |
this is a visually stunning rumination on love , memory , history and the war between artwork and commerce . | 1 | pwws |
this is a visually stunning rumination on love , memory , history and the war between art and commerce . | 1 | clean |
jonathan Parker 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | pwws |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie cinema . | 1 | pwws |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie film . | 1 | pwws |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie pic . | 1 | pwws |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie shoot . | 1 | pwws |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie take . | 1 | pwws |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomy films . | 1 | pwws |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | clean |
campanella come the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | pwws |
campanella convey the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | pwws |
campanella gets the tone just good -- funny in the middle of sad in the middle of hopeful . | 1 | pwws |
campanella gets the tone just right -- funny in the middle of sad in the middle of aspirant . | 1 | pwws |
campanella gets the tone just right -- funny in the middle of sad in the middle of wannabe . | 1 | pwws |
campanella induce the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | pwws |
campanella obtain the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | pwws |
campanella gets the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | clean |
a fan film that for the uninitiate plays better on video with the sound turned down . | 0 | pwws |
a fan film that for the uninitiated plays amend on video with the sound turned down . | 0 | pwws |
a fan film that for the uninitiated plays better on video with the sound rick down . | 0 | pwws |
a fan film that for the uninitiated plays better on video with the sound sour down . | 0 | pwws |
a fan film that for the uninitiated plays easily on video with the sound turned down . | 0 | pwws |
a fan film that for the uninitiated plays secure on video with the sound turned down . | 0 | pwws |
a fan film that for the uninitiated plays wagerer on video with the sound turned down . | 0 | pwws |
a fan film that for the uninitiated plays better on video with the sound turned down . | 0 | clean |
béart and berling are both brilliant , while huppert ... is magnificent . | 1 | pwws |
béart and berling are both superb , while huppert ... is brilliant . | 1 | pwws |
béart and berling are both superb , while huppert ... is glorious . | 1 | pwws |
béart and berling are both superb , while huppert ... is magnificent . | 1 | pwws |
béart and berling are both superb , while huppert ... is splendid . | 1 | pwws |
béart and berling are both superb , while huppert ... is magnificent . | 1 | clean |
a little less extreme than in the past , with farsighted exposition sequences between them , and with fewer gags to breach the tedium . | 0 | pwws |
a little less extreme than in the past , with farsighted exposition sequences between them , and with fewer gags to suspension the tedium . | 0 | pwws |
a little less extreme than in the past , with longer expo sequences between them , and with fewer gags to breakout the tedium . | 0 | pwws |
a little less extreme than in the past , with longer exposition sequences between them , and with fewer heave to intermit the tedium . | 0 | pwws |
a little less extreme than in the past , with longer exposition sequences between them , and with fewer retch to unwrap the tedium . | 0 | pwws |
a little less extreme than in the past , with tenacious exposition sequences between them , and with fewer gags to reveal the tedium . | 0 | pwws |
a niggling less extreme than in the past , with longer exposition sequences between them , and with fewer gags to intermission the tedium . | 0 | pwws |
a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium . | 0 | clean |
the film is rigorously routine . | 0 | pwws |
the film is strictly function . | 0 | pwws |
the film is strictly procedure . | 0 | pwws |
the film is strictly subprogram . | 0 | pwws |
the film is strictly subroutine . | 0 | pwws |
the film is strictly workaday . | 0 | pwws |
the shoot is strictly routine . | 0 | pwws |
the film is strictly routine . | 0 | clean |
a lyrical metaphor for cultural and personal self-discovery and a picaresque consider of a little-remembered world . | 1 | pwws |
a lyrical metaphor for cultural and personal self-discovery and a picaresque eyeshot of a little-remembered world . | 1 | pwws |
a lyrical metaphor for cultural and personal self-discovery and a picaresque perspective of a little-remembered world . | 1 | pwws |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered domain . | 1 | pwws |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered earth . | 1 | pwws |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered mankind . | 1 | pwws |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered universe . | 1 | pwws |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world . | 1 | clean |
the most repugnant adaptation of a Hellenic text since roland joffé and demi moore 's the scarlet letter . | 0 | pwws |
the most repugnant adaptation of a classic schoolbook since roland joffé and demi moore 's the scarlet letter . | 0 | pwws |
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the reddish letter . | 0 | pwws |
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the ruddy letter . | 0 | pwws |
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet missive . | 0 | pwws |
the most repugnant adaptation of a classic textbook since roland joffé and demi moore 's the scarlet letter . | 0 | pwws |
the most repugnant adaption of a classic text since roland joffé and demi moore 's the scarlet letter . | 0 | pwws |
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter . | 0 | clean |
for something as splendid-looking as this exceptional film , the viewer expects something special but instead go -lrb- sci-fi -rrb- rehash . | 0 | pwws |
for something as splendid-looking as this finical film , the viewer expects something special but instead mother -lrb- sci-fi -rrb- rehash . | 0 | pwws |
for something as splendid-looking as this particular film , the spectator expects something special but instead mother -lrb- sci-fi -rrb- rehash . | 0 | pwws |
for something as splendid-looking as this particular film , the witness expects something special but instead arrest -lrb- sci-fi -rrb- rehash . | 0 | pwws |
for something as splendid-looking as this particular flick , the viewer expects something special but instead convey -lrb- sci-fi -rrb- rehash . | 0 | pwws |
for something as splendid-looking as this particular movie , the viewer expects something special but instead contract -lrb- sci-fi -rrb- rehash . | 0 | pwws |
End of preview. Expand
in Dataset Viewer.
README.md exists but content is empty.
- Downloads last month
- 36