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On rehearsing, Davidson related: “I had a tape recorder and I would read the scene and turn it off when the character I was supposed to be talked. I ran lines that way. The major way that I knew it was working was because the crew was laughing, and I was laughing, we were cracking up all the time.”[6]
Susan Banks
1001
Due to the sixteen-hour work days (including Saturdays) Davidson spent on the Days set led to her developing digestive problems and insomnia. "They worked me to death. I was at the end of my contract, I was going to leave after the first year I played Susan. And they asked me to stay an additional year to finish off the storyline, so I did."[7][6]
Susan Banks
1002
The gruel from playing upwards of five characters led to Davidson’s departure from the show. Post-Days, head writer James E. Reilly called Davidson personally to apologize for working her ‘into the ground.’ He told her that he couldn't help it; he felt inspired by her. “That’s OK. You know I volunteered to play both characters!” Davidson responded.[5]
Susan Banks
1003
In 2011, Days was unable to obtain Davidson, who was working on The Young and the Restless at the time, to reprise the role of Susan. A recast was made with actress Brynn Thayer filling in. Thayer was asked to research the character by watching old clips of Davidson as Susan on YouTube. The show decided to show only the back of Thayer’s head as Susan, who takes a phone call from Salem.[8]
Susan Banks
1004
Per Davidson’s agreement in 2012 to return to the soap, a stipulation was included in her contract: Lisa Williams, who acted as her double in her mid-90s Days stint, would be re-hired if need be. Davidson returned to the soap under the assumption that she would be portraying Susan Banks, with just a little bit of Kristen DiMera.[9] Ultimately, Banks would never reappear. However, in September 2013, a tribute of sorts was made to the late James E. Reilly when Kristen, who needs to go undercover, uses Susan’s teeth as a disguise.[10] Davidson had taken Susan’s teeth with her before leaving the soap in 1998.[11]
Susan Banks
1005
Prior to her 2014 return, Davidson was alerted that her storyline would include Susan Banks. "They told me, but they also knew that I was up for it." Lisa Williams returned as Davidson's double.[12] Davidson reprised her role in November 2017.[13]
Susan Banks
1006
In 2017, head writer Ron Carlivati discussed the decision behind having Susan Banks being responsible for Will Horton's disappearance and resurrection, stating: "When we went to explore who might have a motivation to initiate Will's disappearance or Will's death, Susan came to mind, and we came up with a story that would require [Eileen Davidson] involved." Carlivati admitted his reluctance to this decision, due to Davidson's commitment to The Young and the Restless, even considering a recast for the role, however, deemed that "trickier".[14] Davidson announced that her scenes became a collaborative effort as Carlivati was unfamiliar with Susan and was relying on others to fill him in – "But who better than, you know, the person that played her? [...] [Ron] was very open to hearing my input, and when I thought that it was maybe too broad, he would let me change it or cut it or whatever I needed to do. It’s easy to write Susan broad, and it's easy to play her broad. So it's always, like, trying to pull it back, but also showing the flavor of her personality."[15]
Susan Banks
1007
While James E. Reilly created the character, Davidson was the driving force behind the character’s personality. “Susan was supposed to be insecure from a small town, not very worldly, basically kind of ignorant. She had an innocence. I based a lot of it on innocence, not necessarily ignorance. But she was very intelligent in a certain way. She was good at getting what she wanted.” Davidson would have a lot of input into all of the characters she portrayed, including wardrobe and hairstyles. Reilly added Susan's obsession with Elvis Presley.[16]
Susan Banks
1008
On Susan’s voice, Davidson states: "For the voice, I just went up a couple of octaves and threw in a Southern accent. It was easy." Besides the characters Kristen and Susan Banks, Davidson would go on to play an assortment of Susan's family members: Sister Mary Moira (a nun), Thomas Banks, and Penelope Kent.[17]
Susan Banks
1009
In August 1996, Kristen is hospitalized after an explosion kills her mother and she miscarries her child.[18][19] Stefano soon reappears in Salem and hires Kristen's lookalike Susan Banks to carry a child that Kristen would raise as her and John's. With the help of her father and Peter, Kristen fakes her pregnancy. When Susan goes into labor, Kristen disguised as a nurse is forced to watch as John marries Susan, believing she is really Kristen. Kristen gets custody of the child long enough to name him John Black, Jr. and Susan soon returns to claim her child and husband. Kristen enlists Vivian Alamain (Louise Sorel) and Ivan in keeping Susan locked in a secret room but Marlena puts the pieces together and Kristen is forced to lock her away.[20][21] When Susan discovers the truth, sick of Kristen's manipulations she locks Kristen inside the room and attempts to marry John until Laura Horton (Jamie Lyn Bauer) confronts her at the wedding. After being rejected by John due to her scheming, Kristen's failed attempt to kill Marlena lands her in jail. After being released on bail, she attempts suicide after hearing about John and Marlena's engagement. She then reveals Marlena's presumed dead husband, Roman Brady (now Josh Taylor); John and Kristen then pretend to marry to keep Roman becoming suspicious.[22] When John and Stefano ruin her attempt to get back Susan's son, Elvis (a.k.a. John, Jr.), she reveals that Roman and Marlena have been seeing one another.[20][23]
Susan Banks
1010
Kristen's attempt to force Susan into giving the child back ends with the death of Susan's identical sister, Penelope Kent. Fearing she'll be charged with murder, Kristen pretends to be Susan and is forced to marry Susan's boyfriend, Edmund Crumb (Adam Caine).[24] In the meantime, "Susan" and Edmund go on a honeymoon and Laura is arrested for Kristen's murder.[20] Edmund admits to Kristen's "murder" and they soon run into the real Susan who explains that Kristen sold her into a harem; it is then revealed that the dead person was Susan's other sibling, Penelope Kent. To get revenge against Kristen, Susan exchanges her freedom for Kristen to be sold to the harem.[25][26]
Susan Banks
1011
In December 2011, Bo (Peter Reckell) and Hope (Kristian Alfonso) come across an ornament owned by Alice Horton. Tucked inside it they find a letter written by Susan asking Alice for help with Elvis who was sick and needed a doctor. The letter is to be extended to Stefano. Bo finds Susan's phone number in England and Hope decides to call her. Hope inquires the significance of the letter to Susan (Brynn Thayer) who becomes nervous that Elvis is in trouble. Susan inadvertently reveals that Alice helped Elvis, and Stefano visited her after Elvis was better. Realizing that she's said too much, Susan pretends that the phone line has a bad connection and hangs up.[27]
Susan Banks
1012
Susan turns up on the DiMera Mansion doorstep. She's come to visit EJ. She's had a premonition that he's in grave danger. She attempts to convince him to return to England with her. Susan also doesn't think that Sami (Alison Sweeney) is the right woman for him to be with; she sees her as nothing but trouble. She reveals why she allowed Stefano, who she says is evil, raise him: she and Edmund couldn't provide the life that he could. Susan refers to EJ and her "first born," suggesting that she's had more children after him.
Susan Banks
1013
Susan is left alone in the mansion and decides to pay John a visit in the hospital. She goes to open the door to leave and is greeted by Kristen who is standing there. The two trade barbs; Susan rushes out after Kristen gets Stefano on the phone. Susan visits an unconscious John in the hospital. She talks about their almost wedding and before going, leaves a photo from the nuptials.
Susan Banks
1014
The hunt for Will Horton (Chandler Massey) leads Sami, John and Marlena to a house in Memphis occupied by Roger, an Elvis impersonator and Susan Banks. While toting a rifle and standing in a bedroom whose walls are adorned with the initials "EJ", Susan reveals that she paid Dr. Wilhelm Rolf to revive Will as part of a revenge plot against Sami. Susan holds Sami responsible for EJ's death; it's caused her to spiral out of control as well as ended her marriage to Edmund. Susan is adamant that Rolf's revival didn’t work. However, Will, identifying himself as EJ, is found alive and working in a bar in Memphis. Friends and family try desperately to convince him that he's been brainwashed by his "mother" Susan and to return to Salem. When Roger confirms that Susan isn't Will's biological mother, Susan suffers a mental breakdown and is hospitalized. Will decides to return to Salem to learn about his former life.
Susan Banks
1015
Davidson's performance earned her her first Daytime Emmy Award nomination in the category of Outstanding Lead Actress in a Drama Series in 1998.[28]
Susan Banks
1016
"Everywhere" is a song by British-American rock band Fleetwood Mac from their fourteenth studio album Tango in the Night (1987), written by Fleetwood Mac member Christine McVie, who also performs lead vocals on the song. "Everywhere" was released as the fourth single from Tango in the Night on November 28, 1987 in the United States, where it reached number 14 on the Billboard Hot 100 chart and number-one on the Adult Contemporary chart, remaining there for three weeks.[1] "Everywhere" was released in the United Kingdom on 21 March 1988 and reached number four. It also reached number 45 in Australia.
Everywhere (Fleetwood Mac song)
1017
A 12" single was also issued and featured an extended dance version and dub version. "Everywhere" also marked the first CD single release by the band in most territories.[citation needed] All formats included the B-side "When I See You Again", a song taken from the Tango in the Night album; the 12" format featured an extended mix of "Everywhere" and the CD single contained bonus tracks "Rhiannon" and "Say You Love Me" from Fleetwood Mac's tenth studio album Fleetwood Mac (1975).
Everywhere (Fleetwood Mac song)
1018
After featuring in an advert for UK mobile phone provider 3,[2] "Everywhere" re-entered the UK Singles Chart and peaked at number 15 in March 2013. As a result of this newfound success, the song was featured on the compilation album Now That's What I Call Music! 84 in March 2013.[3]
Everywhere (Fleetwood Mac song)
1019
The music video of the song is a visual depiction of the poem The Highwayman by Alfred Noyes. There are two versions of the video; one features the story with members of the band appearing throughout, while the other does not feature the band at all.
Everywhere (Fleetwood Mac song)
1020
UK 12" single (Warner Bros. Records W8143T)
Everywhere (Fleetwood Mac song)
1021
A slow cooker, also known as a crock-pot (after a trademark owned by Sunbeam Products but sometimes used generically in Australia, South Africa, Canada, New Zealand, the United Kingdom and the United States), is a countertop electrical cooking appliance used to simmer at a lower temperature than other cooking methods, such as baking, boiling, and frying.[1] This facilitates unattended cooking for many hours of dishes that would otherwise be boiled: pot roast, soups, stews and other dishes (including beverages, desserts and dips). A wide variety of dishes can be prepared in slow cookers, including ones typically made quickly, such as cocoa and bread.
Slow cooker
1022
The Naxon Utilities Corporation of Chicago, under the leadership of Irving Naxon, developed the Naxon Beanery All-Purpose Cooker. Naxon was inspired by a story his Jewish grandmother told about how back in her native Lithuanian town, her mother made a stew called cholent, which took several hours to cook in an oven.[2][3] A 1950 advertisement shows a slow cooker called the "Simmer Crock" made by the Industrial Radiant Heat Corp. of Gladstone, NJ.[4] The Rival Company bought Naxon in 1970 and reintroduced it under the name "Crock-Pot" in 1971. Slow cookers achieved popularity in the US during the 1970s, when many women began to work outside the home. They could start dinner cooking in the morning before going to work and finish preparing the meal in the evening when they came home. In 1974, Rival introduced removable stoneware inserts, making the appliance easier to clean. The brand now belongs to Sunbeam Products, a subsidiary of Jarden Corporation. Other brands of this appliance include Cuisinart, GE, Hamilton Beach, KitchenAid, Magic Chef, West Bend Housewares, and the now defunct American Electric Corporation.
Slow cooker
1023
A basic slow cooker consists of a lidded round or oval cooking pot made of glazed ceramic or porcelain, surrounded by a housing, usually metal, containing an electric heating element. The lid itself is often made of glass, and seated in a groove in the pot edge; condensed vapor collects in the groove and provides a low-pressure seal to the atmosphere. The contents of a crock pot are effectively at atmospheric pressure, despite the water vapor generated inside the pot. A slow cooker is quite different from a pressure cooker and presents no danger of an abrupt pressure release.
Slow cooker
1024
The "crock," or ceramic pot, itself acts as both a cooking container and a heat reservoir. Slow cookers come in capacities from 500 mL (17 US fl oz) to 7 L (7.4 US qt). Because the heating elements are generally located at the bottom and often also partway up the sides, most slow cookers have a minimum recommended liquid level to avoid uncontrolled heating.
Slow cooker
1025
Many slow cookers have two or more heat settings (e.g., low, medium, high, and sometimes a "keep warm" setting); some have continuously variable power. Most slow cookers have no temperature control and deliver a constant heat to the contents. The temperature of the contents rises until it reaches boiling point, at which point the energy goes into gently boiling the liquid closest to the hot surface. At a lower setting, it may just simmer at a temperature below the boiling point.
Slow cooker
1026
To use a slow cooker, the cook places raw food and a liquid, such as stock, water, or wine, in the slow cooker. Some recipes call for pre-heated liquid. The cook puts the lid on the slow cooker and turns it on. Some cookers automatically switch from cooking to warming (maintaining the temperature at 71–74 °C (160–165 °F) after a fixed time or after the internal temperature of the food, as determined by a probe, reaches a specified value.
Slow cooker
1027
Heating element heats the contents to a steady temperature in the 79–93 °C (174–199 °F) range. The contents are enclosed by the crock and the lid, and attain an essentially constant temperature. The vapor that is produced at this temperature condenses on the bottom of the lid and returns as liquid, into which some water-soluble vitamins are leached.[5]
Slow cooker
1028
The liquid transfers heat from the pot walls to its contents, and also distributes flavors. The slow cooker's lid is essential to prevent the warm vapor from escaping, taking heat with it and cooling the contents.
Slow cooker
1029
Basic cookers, which have only high, medium, low, or keep warm settings, must be turned on and off manually. More advanced cookers have computerized timing devices that let a cook program the cooker to perform multiple operations (e.g., two hours high, followed by two hours low, followed by warm) and to delay the start of cooking.
Slow cooker
1030
Because food cooked in a slow cooker stays warm for a long time after it is switched off, people can use the slow cookers to take food elsewhere to eat without reheating. Some slow cookers have lids that seal to prevent their contents from spilling during transport.
Slow cooker
1031
Recipes intended for other cooking methods must be modified for slow cookers. Quantities of liquids may need adjustment, as there is a little evaporation, but there should be enough liquid to cover the food. Many published recipes for slow cookers are designed primarily for convenience and use few ingredients, and often use prepared sauces or seasonings. The long, moist cooking is particularly suitable for tough and cheap cuts of meat including pork shoulder, beef chuck and brisket. For many slow-cooked dishes, these cuts give better results than more expensive ones. They are also often used to cook while no one is there to care for it, meaning the cook can fill the pot with its ingredients and come back several hours later to a ready meal.[6]
Slow cooker
1032
Cheaper cuts of meat with connective tissue and lean muscle fibers are suitable for stewing, and produce tastier stews than those using expensive cuts,[7] as long slow cooking softens connective tissue without toughening the muscle. Slow cooking leaves gelatinized tissue in the meat, so that it may be advantageous to start with a richer liquid.
Slow cooker
1033
The low temperature of slow-cooking makes it almost impossible to burn even food that has been cooked too long. However, some meats and most vegetables become nearly tasteless or "raggy" if over-cooked.
Slow cooker
1034
Food can be set to slow-cook before leaving for the day so it is ready on return. Many homeowners with rooftop solar panels switch to slow cooking because it draws under 1 kW of power and can therefore be powered entirely by 1-2 kW panels during the day.[8] Some models include timers or thermostats that bring food to a given temperature and then lower it. With a timerless cooker it is possible to use an external timer to stop cooking after a set time, or both to start and stop.
Slow cooker
1035
Cooking the meal in a single pot reduces water waste resulting from cleaning multiple dishes, and the low cooking temperature and glazed pot make cleaning easier than conventional high-heat pots.
Slow cooker
1036
Some vitamins and other trace nutrients are lost, particularly from vegetables, partially by enzyme action during cooking and partially due to heat degradation.[citation needed] When vegetables are cooked at higher temperatures these enzymes are rapidly denatured and have less time to act during cooking. Since slow cookers work at temperatures well below boiling point and do not rapidly denature enzymes, vegetables tend to lose trace nutrients.[citation needed] Blanched vegetables, having been exposed to very hot water, have already had these enzymes rendered largely ineffective, so a blanching or sauteing pre-cook stage leaves more vitamins intact.[9] This is often a smaller nutrient loss than over-boiling and can be lessened to an extent by not removing the lid until the food is done.
Slow cooker
1037
Slow cookers do not provide sufficient heat to compensate for loss of moisture and heat due to frequent removal of the lid, e.g., to add and remove food in perpetual stews, (pot au feu, olla podrida). Added ingredients must be given time to cook before the food can be eaten.
Slow cooker
1038
Because of the longer cooking time, there is greater danger with slow cookers of having an extended power outage during cooking without the cook's knowledge; for example, the power may go out for several hours while the cook is away at work in places with unreliable power supply.
Slow cooker
1039
Slow cookers are less dangerous than ovens or stove tops due to their lower operating temperatures and closed lids. However, they still contain a large amount of foods and liquids at temperatures close to boiling, and they can cause serious scalds if spilled.
Slow cooker
1040
Raw kidney beans, and, to a lesser extent, some other such beans as broad beans or fava beans, contain the toxin phytohemagglutinin. Boiling destroys this toxin, but the far lower temperature of a slow cooker does not. This means that dry beans must be boiled at 100 °C (212 °F) for at least 30 minutes prior to slow cooking,[10] or, alternatively, they must be soaked in water overnight, after which the water must be discarded, and the beans must then be boiled for at least 10 minutes. Even a few beans can be toxic, and beans can be as much as five times more toxic if cooked at 80 °C (176 °F) than if eaten raw,[11] so adequate pre-boiling is vital, and indeed crucial, to avoid phytohemagglutinin poisoning.
Slow cooker
1041
The Royal Society for the Protection of Birds (RSPB) is a charitable organisation registered in England and Wales[3] and in Scotland.[4] It was founded as the Plumage League in 1889 by Emily Williamson. It works to promote conservation and protection of birds and the wider environment through public awareness campaigns, petitions and through the operation of nature reserves throughout the United Kingdom.[5]
Royal Society for the Protection of Birds
1042
The RSPB has over 1,300 employees, 18,000 volunteers and more than a million members (including 195,000 youth members), making it the largest wildlife conservation charity in Europe.[6] The RSPB has many local groups and maintains 200 nature reserves.[7]
Royal Society for the Protection of Birds
1043
The Plumage League[8] was founded in 1889 by Emily Williamson at her house in Didsbury, Manchester, (now in Fletcher Moss Botanical Garden),[9] as a protest group campaigning against the use of great crested grebe and kittiwake skins and feathers in fur clothing. The group gained popularity and eventually amalgamated with the Fur and Feather League in Croydon to form the Society for the Protection of Birds.[10] The Society gained its Royal Charter in 1904.[11]
Royal Society for the Protection of Birds
1044
The original members of the RSPB were all women who campaigned against the fashion of the time for women to wear exotic feathers in hats, and to this end the Society had two simple rules:[10]
Royal Society for the Protection of Birds
1045
At the time of founding, the trade in plumage for use in hats was very large: in the first quarter of 1884, almost 7,000 bird-of-paradise skins were being imported to Britain, along with 400,000 birds from West India and Brazil, and 360,000 million birds from East India.[12]
Royal Society for the Protection of Birds
1046
The Society attracted support from some women of high social standing who belonged to the social classes that popularised the wearing of feathered hats, including the Duchess of Portland (who became the Society's first President) and the Ranee of Sarawak. As the organisation began to attract the support of many other influential figures, both male and female, such as the ornithologist Professor Alfred Newton, it gained in popularity and attracted many new members. The society received a Royal Charter in 1904[10] from Edward VII, just 15 years after its founding, and was instrumental in petitioning the Parliament of the United Kingdom to introduce laws banning the use of plumage in clothing.[9]
Royal Society for the Protection of Birds
1047
At the time that the Society was founded in Britain, similar societies were also founded in other European countries.[13][which?] In 1961, the society acquired The Lodge in Sandy, Bedfordshire as its new headquarters.[9]
Royal Society for the Protection of Birds
1048
Today, the RSPB works with both the civil service and the Government to advise Government policies on conservation and environmentalism.[14] It is one of several organisations that determine the official conservation status list for all birds found in the UK.
Royal Society for the Protection of Birds
1049
The RSPB does not run bird hospitals nor offer animal rescue services.[15]
Royal Society for the Protection of Birds
1050
The RSPB maintains over 200 reserves throughout the United Kingdom,[7] covering a wide range of habitats, from estuaries and mudflats to forests and urban habitats.[16] The reserves often have bird hides provided for birdwatchers and many provide visitor centres, which include information about the wildlife that can be seen there.[17]
Royal Society for the Protection of Birds
1051
The RSPB confers awards, including the President's Award, for volunteers who make a notable contribution to the work of the society.
Royal Society for the Protection of Birds
1052
According to the RSPB:
Royal Society for the Protection of Birds
1053
The RSPB Medal is the Society's most prestigious award. It is presented to an individual in recognition of wild bird protection and countryside conservation. It is usually awarded annually to one or occasionally two people.[18]
Royal Society for the Protection of Birds
1054
The RSPB has published a members-only magazine for over a century.
Royal Society for the Protection of Birds
1055
Bird Notes and News (ISSN 0406-3392) was first published in April 1903.
Royal Society for the Protection of Birds
1056
The title changed to Bird Notes in 1947. In the 1950s, there were four copies per year (one for each season, published on the 1st of each third month, March, June, September and December). Each volume covered two years, spread over three calendar years. For example, volume XXV (25), number one was dated Winter 1951, and number eight in the same volume was dated Autumn 1953.
Royal Society for the Protection of Birds
1057
From the mid-1950s, many of the covers were by Charles Tunnicliffe. Two of the originals are on long-term loan to the Tunnicliffe gallery at Oriel Ynys Môn, but in 1995 the RSPB sold 114 at a Sotheby's auction, raising £210,000, the most expensive being a picture of a partridge which sold for £6,440.[19]
Royal Society for the Protection of Birds
1058
From January 1964 (vol. 31, no. 1), publication increased to six per year, (issued in the odd-numbered months, January, March and so on, but dated "January–February", "March–April", etc.). Volumes again covered two years, so vol. 30, covering 1962–63, therefore included nine issues, ending with the "Winter 1963–64" edition instead of eight. The final edition, vol. 31 no. 12, was published in late 1965.
Royal Society for the Protection of Birds
1059
Bird Notes' successor Birds (ISSN 1367-983X) replaced it immediately, with volume 1, number 1 being the January–February 1966 edition. Issues were published quarterly, numbered so that a new volume started every other year.
Royal Society for the Protection of Birds
1060
The Autumn 2013 edition, dated August–October 2013, being vol. 25 no. 7, was the last.[20]
Royal Society for the Protection of Birds
1061
In Winter 2013 Birds was replaced by a new magazine, Nature's Home. The editor was Mark Ward. The magazine had an ABC-certified circulation of 600,885.[21]
Royal Society for the Protection of Birds
1062
The RSPB has two separate groups for children and teenagers: Wildlife Explorers (founded in 1943 as the Junior Bird Recorders' Club; from 1965–2000 the Young Ornithologists Club or YOC[9]) and RSPB Phoenix. Wildlife Explorers is targeted at children aged between 8 and 12, although it also has some younger members,[22] and has two different magazines: Wild Times for the under 8s and Bird Life for those over 8. RSPB Phoenix is aimed at teenagers, and produces Wingbeat magazine, although members also receive Bird Life magazine.[23] The RSPB is a member of The National Council for Voluntary Youth Services.[24]
Royal Society for the Protection of Birds
1063
RSPB organises bird record data collection in annual collective birdwatching days in Britain. RSPB claims this is the "world's biggest wildlife survey" and helps that society to get a better knowledge on bird population trends in Britain.[25] That activity was launched in 1979 as an activity for kids, although from 2001 is a survey open to adults too. In 2011 over 600,000 people took part, being only 37% RSPB's members. The usual date for this birdwatching collective activity is the January's last weekend. From the start of this annual survey records for sparrows show a decline of 60%, while starling population's decline is about 80% from 1979 to 2012.[25]
Royal Society for the Protection of Birds
1064
BirdTrack is an online citizen science website, operated by the British Trust for Ornithology (BTO) on behalf of a partnership of the BTO, the RSPB, BirdWatch Ireland, the Scottish Ornithologists' Club and the Welsh Ornithological Society (Welsh: Cymdeithas Adaryddol Cymru).[26][27]
Royal Society for the Protection of Birds
1065
The RSPB is funded primarily by its members; in 2006, over 50% of the society's £88 million income came from subscriptions, donations and legacies, worth a total of £53.669 million.[1] As a registered charity, the organisation is entitled to gift aid worth an extra £0.28 on every £1.00 donated by income tax payers.[28] It also receives contractual payments from clean energy utilities and financiers of renewable energy solutions, when its members sign up as clients.[29] The bulk of the income (£63.757 million in 2006) is spent on conservation projects, maintenance of the reserves and on education projects, with the rest going on fundraising efforts and reducing the pension deficit, worth £19.8 million in 2006.
Royal Society for the Protection of Birds
1066
The RSPB was forced by an article in The Daily Mail on 2 November 2014 to withdraw claims that it "was spending 90 per cent of its income on conservation" by the UK Advertising Standards Authority, which said that the true figure was closer to 26%. The Charity Commission investigated the claims, and contacted the RSPB to get it to clarify its web statement. The RSPB complied, with the clarification that 90% of its net income (after expenses, not gross income as received) was spent on conservation, and that conservation activities were diverse, not limited to spending on its own nature reserves. This was accepted by the Charity Commission.[30]
Royal Society for the Protection of Birds
1067
Over time, the organisation's chief officers have been given different titles.[9][31]
Royal Society for the Protection of Birds
1068
The RSPB is a member of Wildlife and Countryside Link.[34] The RSPB is the UK Partner of BirdLife International[35] and manages the South Atlantic Invasive Species Project on behalf of the partner governments.
Royal Society for the Protection of Birds
1069
"Theme from A Summer Place" is a song with lyrics by Mack Discant and music by Max Steiner, written for the 1959 film A Summer Place, which starred Sandra Dee and Troy Donahue. It was recorded for the film as an instrumental by Hugo Winterhalter. Originally known as the "Molly and Johnny Theme", the piece is not the main title theme of the film, but a secondary love theme for the characters played by Dee and Donahue.
Theme from A Summer Place
1070
Following its initial film appearance, the theme has been recorded by many artists in both instrumental and vocal versions, and has also appeared in a number of subsequent films and television programs. The best-known cover version of the theme is an instrumental version by Percy Faith and his orchestra that was a Number One hit for nine weeks on the Billboard Hot 100 chart in 1960.[1]
Theme from A Summer Place
1071
Percy Faith recorded the most popular version of the theme, an instrumental orchestral arrangement, at the Columbia 30th Street Studio in New York City.[2] It was released in September 1959 as a single on Columbia Records, credited to "Percy Faith and his Orchestra," prior to the November 1959 release of the film A Summer Place.[1]
Theme from A Summer Place
1072
The single was not an immediate hit and did not enter the Billboard Hot 100 singles chart until mid-January 1960, finally reaching #1 six weeks later on February 22, 1960.[1] It went on to set an at-the-time record of nine consecutive weeks at #1,[1] a record which would not be broken until 1977, when "You Light Up My Life" spent ten weeks at #1. (Elvis Presley's double-sided hit "Don't Be Cruel/ Hound Dog" remained at #1 for 11 weeks in 1956 prior to the 1958 creation of the Hot 100 chart; The Beatles' "Hey Jude" tied, but did not break, the nine-week record in 1968.)[3] It remains the longest-running #1 instrumental in the history of the chart. Billboard ranked Faith's version as the Number One song for 1960.[4]
Theme from A Summer Place
1073
The Faith version reached #2 in the UK. It was also a #1 hit in Italy under the title "Scandalo Al Sole."
Theme from A Summer Place
1074
Faith won a Grammy Award for Record of the Year in 1961 for his recording. This was the first movie theme and the first instrumental to win a Record of the Year Grammy.
Theme from A Summer Place
1075
Faith re-recorded the song twice: first, in 1969, as a female choral version, then, in 1976, as a disco version[3] titled "Summer Place '76."
Theme from A Summer Place
1076
In 2008, Faith's original version was ranked at #18 on Billboard's top 100 songs during the first 50 years of the Hot 100 chart.[5] The Billboard Book of Number One Hits called it "the most successful instrumental single of the rock era."
Theme from A Summer Place
1077
"Theme from A Summer Place" has been covered by a number of artists in addition to Percy Faith, in both non-vocal instrumental versions, and with one or more vocalists either singing the Discant lyrics or a wordless melody line. The theme has also been referenced, sampled, or otherwise adapted into several other songs.
Theme from A Summer Place
1078
Most vocal versions of the theme have featured the Discant lyrics. However, some featured wordless vocals by singers who voiced the melody line.
Theme from A Summer Place
1079
"Theme from A Summer Place" is frequently used as period background or soundtrack music in films and television programs set between 1959 and the mid-1960s. The theme has also become a ubiquitous representation of "peaceful music" and has been employed frequently in films, television shows and other popular culture to suggest peacefulness or in situations where inoffensive music is common (e.g. as stereotypical "elevator music"). It is also used for intentionally stereotypical comic effect when a show cuts away from a scene deemed to be too violent to display and shows peaceful images instead.[6]
Theme from A Summer Place
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More recently, the song's peaceful and relaxed theme has taken on a darker significance as it has been used to convey an eerie sense of false security in horror productions, such as the TV miniseries Rose Red (2002), and the films Final Destination 3 (2006), Dark Shadows (2012) and Beautiful Creatures (2013).
Theme from A Summer Place
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Jennifer Tallulah "Jenny" Humphrey is one of the characters in both the Gossip Girl and The It Girl series of novels by Cecily von Ziegesar. She is portrayed by Taylor Momsen in the Gossip Girl television adaptation on The CW.[1]
Jenny Humphrey
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Jennifer Humphrey is the daughter of Rufus Humphrey, an editor of Beat poets who has never been published himself, and Jeanette Humphrey, who ran off with a European aristocrat. She has an older brother, Dan Humphrey, an aspiring writer. Jenny is a student at the Constance Billard School for Girls, a small, elite, all-girls school on the Upper East Side that Serena van der Woodsen and Blair Waldorf also attend. In the book series, Jenny is described as a short, well-endowed brunette, but the television show depicts her as tall, skinny and blonde.
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In the Gossip Girl prequel It Had To Be You, Jenny is noted for having a rather flat chest until she begins taking breast enlargement supplements, which are the cause of her DD cup size.
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Jenny is the protagonist of the book series The It Girl, which shows her new life after she gets expelled from Constance Billard and starts at Waverly Academy in upstate New York. In The It Girl, Jenny tries to reinvent herself as a "popular and sophisticated city girl" and leave behind the person she was at Constance. When Jenny arrives at Waverly, she finds the students even more attractive, athletic, and intimidating than she had imagined. Jenny then meets her two new exceptionally beautiful and popular roommates: lithe and blonde Southern girl Callie Vernon, and red-headed, green-eyed, sophisticated New Jerseyan Brett Messerschmidt. She quickly learns that she has replaced their old best friend, the extremely attractive and notorious Tinsley Carmichael. Jenny can't help but feel that sleeping in such a lucky bed must rub off.
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Jenny Humphrey is introduced in Season 1. A pretty, blonde freshman at Constance Billard,[2] she tries desperately to fit in with Blair's clique, but Blair makes it difficult for her, subjecting Jenny to the rules of high school hierarchy. A possible friendship ends when Blair discovers Nate's lingering feelings for Serena and Jenny's interest in Nate, entailing further cruelty to Jenny. When Blair's affair with Chuck Bass is exposed, Nate approaches Jenny and Blair's affair is made public. Blair's friends shun her for her hypocrisy and establish Jenny as the new Queen Bee of Constance Billard.[3] Despite being one of the school It Girls, she is driven to prove herself. Lacking self-confidence because she is not as rich as the other girls, she sells her sewing machine and barters an expensive dress she stole from one of her friends. When Blair throws her a surprise birthday party, the other girls discover that Jenny stole the dress, bringing Blair's scheme to fruition. Jenny retaliates by bringing Nate with her to Blair's victory party and winning the girls to her side.[4] Jenny and Blair then struggle for the position of Queen Bee. Jenny thinks she's found true love with Asher Hornsby, but their romance is short-lived when she discovers that he is gay. He convinces her to say that she lost her virginity to him in order to dispel the rumors that he is gay, promising that as long as she pretends it's true, he'll give her privileges that the Upper East Side can offer. But Blair and Eric out Asher at his own party, and Jenny confesses that she lied about having sex with him. Blair's clique abandons her once again, and she later finds Blair to tell her that she's won as it's "not worth it".[5] In the season finale, Jenny receives an internship at Blair's mother Eleanor's company.
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At the beginning of season 2, Jenny spends her summer working hard as a new intern for Eleanor Waldorf Designs. She apologizes to Eric for her behavior the previous season. He forgives her and invites her to the White Party in the Hamptons, where he introduces her to Tinsley Mortimer and she proves her worth to one of Eleanor's supervisors.[6]
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Eleanor fires Jenny after a critical remark about one of her dresses, but during a citywide blackout, Eleanor realizes her talent and hires Jenny. After constant harassment by Blair’s minions, Jenny decides to skip school to pursue a future in fashion.
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Blair and Serena have another fight about Serena's growing popularity, and Jenny is dragged into it during Eleanor's fashion show. When she changes the seating arrangement Blair had planned, Blair retaliates by telling Rufus that Jenny has been skipping school, and he confronts her. Blair attempts to sabotage Jenny’s work in the show but Jenny improvises, proposing that Serena and the socialites walk the runway. In an effort to ruin Serena, Blair switches the final dress with one that Jenny made, drawing Eleanor's ire. The dress is a huge hit with the audience and the fashion show is a big success. Jenny realizes Blair's frustrations with her friendship with Serena, commenting that they have worked hard for what they’ve wanted and Serena just glides through. Eleanor later praises Jenny for her work.[7]
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Rufus eventually agrees to Jenny being home-schooled after seeing how committed and good at her job she is. At work, Jenny befriends Agnes Andrews (Willa Holland), a model who convinces her to start her own fashion line. Realizing that working for Eleanor won't help her develop as a designer and that Eleanor has begun to take advantage of her talents, Jenny leaves.[8] Jenny also begins a short relationship with Nate when they share a passionate kiss after he rescues her from being taken advantage of by an older photographer. Jenny and Rufus argue over her quitting Eleanor’s and Jenny moves out of the Humphreys' apartment and moves in with Agnes, who suggests that they plan a guerrilla fashion show at the charity gala honoring Lily and Bart.[9] The show is a big success but Vanessa witnesses her kissing Nate, thereby straining their friendship. Rufus tries to get her arrested but is stopped by Lily. Agnes's fiery temper and their growing disagreements over the clothing line make it hard for them to close a business deal. Jenny steals Agnes’s contact list, attempting to make a deal by herself. Upon learning of Jenny’s betrayal, Agnes burns all her dresses and kicks her out of her apartment, leaving her with nothing.[10]
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Upon learning that she is too young to start her own business, she attempts to file for emancipation, but Rufus refuses. On Thanksgiving, Lily finds the papers after discovering that Jenny has been hiding in their apartment with Eric, and warns Rufus. Rufus and Jenny reconcile after a little persuasion from Eleanor and she returns home.[11] During the Snowflake Ball, Jenny learns that Vanessa and Nate are back together even though Vanessa was aware of Nate's feelings for her. Nate breaks up with her after she helps to humiliate Vanessa at the ball. Jenny returns to Constance and is forced to contend with Blair’s minions.
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During the season finale and Serena’s hunt for Gossip Girl, Jenny decides to compete to be the next Queen Bee after Blair leaves. She almost drops out, but Blair gives her a touching speech about keeping her eye on the prize. In the end Blair chooses Jenny and crowns her queen of Constance.[12]
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After Jenny fails to bring about egalitarianism at Constance, she resolves to rule as Queen Bee with her own group of minions.[13] With her new position and wealth, Jenny’s social-climbing persona resurfaces and she begins to erase her former Brooklyn self, throwing away her homemade clothes and sewing machine. Worried that Jenny is turning into a typical Queen Bee, Eric and Jonathon attempt an intervention, but are humiliated by Jenny and her clique.[14] Eric teams up with Blair to take down Jenny at the Cotillion Ball by sabotaging her escort. The plan backfires, and Jenny instead secures Nate to escort her, winning her the respect of the Queens at every prep school on the Upper East Side. As a consequence of Eric’s scheming, Jonathan breaks up with him and a rift emerges in Jenny and Eric’s relationship.[15]
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Chuck introduces her to Damien Dalgaard, son of the Belgian ambassador, who deals drugs.[16] Liking his wild lifestyle, Jenny strikes up a relationship with him and helps him supply drugs to his customers while sharing in some of the profit, even stealing some of Lily’s “headache pills”.[17] Lily and Rufus find out about the drugs, which Damien covers up with a story about his father.[18] Against Rufus’s will, Jenny continues her relationship with Damien, who seems interested in taking it further. Jenny, who is a virgin, backs out at the last minute, causing Damien to break up with her, leaving her to face her family.[19]
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At Rufus’s suggestion, Eleanor reemploys Jenny to help out with her upcoming fashion show. Jenny is happy to be back, but is shocked to learn that one of the models she’ll be working with is Agnes, who, after the show finishes, takes revenge on Jenny by drugging her and leaving her in a bar to be taken advantage of. Nate rescues Jenny before anything happens to her. Because of this, Jenny’s feelings for Nate reawaken and she aspires to win him over.[20] She tries to kiss him but he resists her advances because he sees her only as a friend and because he is dating Serena. Jenny attempts to sabotage Serena and Nate’s relationship by lying to Serena and implying to Nate that she is having an affair with Carter Baizen. Jenny’s attempts fail, and her relationship with both is left tenuous after Nate kicks her out of his apartment.
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At a gala event where Serena’s recently returned father William Van Der Woodsen is making a speech, a former client of Damien’s approaches Jenny, angrily telling her the drugs she sold her (Lily’s cancer medication) gave her a yeast infection. Rufus overhears this and grounds Jenny to the Humphrey apartment in Brooklyn.[21] During her punishment, Jenny researches Lily’s medicine and tells Chuck there is something very wrong with the medication Serena’s father is prescribing her. It is discovered that William has lied to Lily about her condition and been giving her drugs that make her sick in a plot to win her back from Rufus. Seeing an opportunity to break up Rufus and Lily and return her family to the way it was before, Jenny attempts to sabotage Blair, Chuck, and Nate’s plan to unveil William’s deception. When William is about to be held accountable, she quickly runs to William and warns him, telling him the police are coming to get him, and urges him to escape. Back at the van der Woodsen penthouse she reveals that she warned William and says she wishes her family could go back to normal: "When I lived in Brooklyn, I may have had to ride the subway to school, and make my own clothes, but at least our family was happy". Rufus says the only thing that needs to return to normal is Jenny. Eric is hurt by Jenny's attempt to leave the family, and says that if she wants out, no one is forcing her to stay.[22]
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Jenny hits rock bottom after sending Gossip Girl a picture of Dan and Serena in bed together, jeopardizing Dan and Nate’s friendship, Dan and Vanessa's relationship, and breaking up Nate and Serena’s relationship. Blair confronts Jenny, telling her, “Nate loves Serena, Dan loves Vanessa — God knows why — and Chuck loves me. But you, Jenny? No one loves you except your daddy. And after what you pulled yesterday, who knows if that's even true anymore?”[23] Emotionally distressed, Jenny goes to Nate’s apartment but instead finds Chuck devastated over his break-up with Blair and in her state of vulnerability, Jenny loses her virginity to Chuck. Afterward, Blair arrives willing to take Chuck back and Jenny sneaks out. She breaks down in tears to Eric, telling him that everyone hates her and that she slept with Chuck. Eric tells Dan, who confronts Chuck just as he is about to propose to Blair. Jenny, in tears, leaves with Rufus and Lily. A week later, she says her goodbyes to her family and leaves to finish high school with her mother in Hudson.[24]
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Jenny has been living in Hudson with her mother since May. Blair finds Jenny preparing for an interview with Tim Gunn, and grants her a special day pass. When Chuck steals Jenny's portfolio, she is forced to visit The Empire Hotel, where Blair had forbidden her to go. This results in Blair and Jenny scheming against each other, and Jenny eventually telling Gossip Girl that she lost her virginity to Chuck, not Damien Dalgaard. While Jenny is left feeling victorious, a defeated Blair blames Chuck. Jenny ultimately realises the damage of her return and decides to leave for good, telling Blair and Chuck that their vindictive games against each other will soon destroy them both.
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Juliet and Vanessa Skype Jenny, asking for help to take down Serena. Jenny doesn't want to go back to her old tricks but also feels Serena is to blame for everything that happened last year and can never take blame for anything, so she agrees to help with the scheme. But when Serena ends up in the hospital after being drugged by Juliet, Jenny tells Juliet that she is going to come clean with everyone about their scheme. Juliet warns her that she will be going down alone. When Jenny appears at the hospital, Vanessa has already pinned the entire scheme on her; unable to defend herself, she leaves, showing up at Blair's later that night, telling her that Juliet was behind everything and that she and Vanessa were merely accomplices. To prove her story, she hands Blair Juliet's masquerade mask and earns Blair's forgiveness. After confessing to Blair, she says she would love to help her take down Juliet, but she should return to Hudson rather than become involved in another scheme.
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In the premiere episode of season 5, "Yes, Then Zero," Rufus reveals that Jenny moved to London to attend Central Saint Martins.
Jenny Humphrey