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*"Rhythm may be neutralized by an application of the Art of Polarization." - The Kybalion.* |
As we have explained in previous chapters, the Hermetists hold that the Principle of Rhythm manifests on the Mental Plane as well as on the Physical Plane, and that the bewildering succession of moods, feelings, emotions, and other mental states, are due to the backward and forward swing of the mental pendulum, which carries us from one extreme of feeling to the other. The Hermetists also teach that the Law of Neutralization enables one, to a great extent, to overcome the operation of Rhythm in consciousness. As we have explained, there is a Higher Plane of Consciousness, as well as the ordinary Lower Plane, and the Master by rising mentally to the Higher Plane causes the swing of the mental pendulum to manifest on the Lower Plane, and he, dwelling on his Higher Plane, escapes the consciousness of the swing backward. This is effected by polarizing on the Higher Self, and thus raising the mental vibrations of the Ego above those of the ordinary plane of consciousness. It is akin to rising above a thing and allowing it to pass beneath you. The advanced Hermetist polarizes himself at the Positive Pole of his Being-the "I Am" pole rather than the pole of personality and by "refusing" and "denying" the operation of Rhythm, raises himself above its plane of consciousness, and standing firm in his Statement of Being he allows the pendulum to swing back on the Lower Plane without changing his Polarity. This is accomplished by all individuals who have attained any degree of self-mastery, whether they understand the law or not. Such persons simply "refuse" to allow themselves to be swung back by the pendulum of mood and emotion, and by steadfastly affirming the superiority they remain polarized on the Positive pole. The Master, of course, attains a far greater degree of proficiency, because he understands the law which he is overcoming by a higher law, and by the use of his Will he attains a degree of Poise and Mental Steadfastness almost impossible of belief on the part of those who allow themselves to be swung backward and forward by the mental pendulum of moods and feelings. |
Remember always, however, that you do not really destroy the Principle of Rhythm, for that is indestructible. You simply overcome one law by counterbalancing it with another and thus maintain an equilibrium. The laws of balance and counterbalance are in operation on the mental as well as on the physical planes, and an understanding of these laws enables one to seem to overthrow laws, whereas he is merely exerting a counterbalance. |
*"Nothing escapes the Principle of Cause and Effect, but there are many Planes of Causation, and one may use the laws of the higher to overcome the laws of the lower." - The Kybalion.* |
By an understanding of the practice of Polarization, the Hermetists rise to a higher plane of Causation and thus counterbalance the laws of the lower planes of Causation. By rising above the plane of ordinary Causes they become themselves, in a degree, Causes instead of being merely Caused. By being able to master their own moods and feelings, and by being able to neutralize Rhythm, as we have already explained, they are able to escape a great part of the operations of Cause and Effect on the ordinary plane. The masses of people are carried along, obedient to their environment; the wills and desires of others stronger than themselves; the effects of inherited tendencies; the suggestions of those about them; and other outward causes; which tend to move them about on the chess-board of life like mere pawns. By rising above these influencing causes, the advanced Hermetists seek a higher plane of mental action, and by dominating their moods, emotions, impulses and feelings, they create for themselves new characters, qualities and powers, by which they overcome their ordinary environment, and thus become practically players instead of mere Pawns. Such people help to play the game of life understandingly, instead of being moved about this way and that way by stronger influences and powers and wills. They use the Principle of Cause and Effect, instead of being used by it. Of course, even the highest are subject to the Principle as it manifests on the higher planes, but on the lower planes of activity, they are Masters instead of Slaves. As The Kybalion says: |
*"The wise ones serve on the higher, but rule on the lower. They obey the laws coming from above them, But on their own plane, and those below them they rule and give orders. And, yet, in so doing, they form a part of the Principle, instead of opposing it. The wise man falls in with the Law, and by understanding its movements he operates it instead of being its blind slave. Just as does the skilled swimmer turn this way and that way, going and coming as he will, instead of being as the log which is carried here and there - so is the wise man as compared to the ordinary man - and yet both swimmer and log; wise man and fool, are subject to Law. He who understands this is well on the road to Mastery." - The Kybalion.* |
In conclusion let us again call your attention to the Hermetic Axiom: |
*"True Hermetic Transmutation is a Mental Art." - The Kybalion.* |
In the above axiom, the Hermetists teach that the great work of influencing one's environment is accomplished by Mental Power. The Universe being wholly mental, it follows that it may be ruled only by Mentality. And in this truth is to be found an explanation of all the phenomena and manifestations of the various mental powers which are attracting so much attention and study in these earlier years of the Twentieth Century. Back of and under the teachings of the various cults and schools, remains ever constant the Principle of the Mental Substance of the Universe. If the Universe be Mental in its substantial nature, then it follows that Mental Transmutation must change the conditions and phenomena of the Universe. If the Universe is Mental, then Mind must be the highest power affecting its phenomena. If this be understood then all the so-called "miracles" and "wonder-workings" are seen plainly for what they are. |
*"THE ALL is MIND; The Universe is Mental." - The Kybalion.* |
# EMERALD TABLET OF HERMES TRISMEGISTUS |
## Contents |
- History Of The Tablet |
- Translations |
- Textual Remarks |
- Commentaries |
- General |
- A Commentary Of Ibn Umail |
## History Of The Tablet |
History of the Tablet (largely summarised from Needham 1980, & Holmyard 1957) |
The Tablet probably first appeared in the West in editions of the psuedo-Aristotlean Secretum Secretorum which was actually a translation of the Kitab Sirr al-Asar, a book of advice to kings which was translated into latin by Johannes Hispalensis c. 1140 and by Philip of Tripoli c.1243. Other translations of the Tablet may have been made during the same period by Plato of Tivoli and Hugh of Santalla, perhaps from different sources. |
The date of the Kitab Sirr al-Asar is uncertain, though c.800 has been suggested and it is not clear when the tablet became part of this work. |
Holmyard was the first to find another early arabic version (Ruska found a 12th centruy recension claiming to have been dictated by Sergius of Nablus) in the Kitab Ustuqus al-Uss al-Thani (Second Book of the Elements of Foundation) attributed to Jabir. Shortly after Ruska found another version appended to the Kitab Sirr al-Khaliqa wa San'at al-Tabi'a (Book of the Secret of Creation and the Art of Nature), which is also known as the Kitab Balaniyus al-Hakim fi'l-'Ilal (book of Balinas the wise on the Causes). It has been proposed that this book was written may have been written as early as 650, and was definitely finished by the Caliphate of al-Ma'mun (813-33). |
Scholars have seen similarities between this book and the Syriac Book of |
Treasures written by Job of Odessa (9th century) and more interestingly the Greek writings of the bishop Nemesius of Emesa in Syria from the mid fourth century. However though this suggests a possible Syriac source, none of these writings contain the tablet. |
Balinas is usually identified with Apollonius of Tyna, but there is little evidence to connect him with the Kitab Balabiyus, and even if there was, the story implies that Balinas found the tablet rather than wrote it, and the recent discoveries of the dead sea scrolls and the nag hamamdi texts suggest that hiding texts in caves is not impossible, even if we did not have the pyramids before us. |
Ruska has suggested an origin further east, and Needham has proposed an origin in China. |
Holmyard, Davis and Anon all consider that this Tablet may be one of the earliest of all alchemical works we have that survives. |
It should be remarked that apparently the Greeks and Egyptians used the term translated as 'emerald' for emeralds, green granites, "and perhaps green jasper". In medieval times the emerald table of the Gothic kings of Spain, and the Sacro catino-a dish said to have belonged to the Queen of Sheba, to have been used at the last supper, and to be made of emerald, were made of green glass [Steele and Singer: 488]. |
## Translations |
From Jabir ibn Hayyan. |
0) Balinas mentions the engraving on the table in the hand of Hermes, which says: |
1) Truth! Certainty! That in which there is no doubt! |
2) That which is above is from that which is below, and that which is below is from that which is above, working the miracles of one. |
3) As all things were from one. |
4) Its father is the Sun and its mother the Moon. |
5) The Earth carried it in her belly, and the Wind nourished it in her belly, |
7) as Earth which shall become Fire. |
7a) Feed the Earth from that which is subtle, with the greatest power. |
8) It ascends from the earth to the heaven and becomes ruler over that which is above and that which is below. |
14) And I have already explained the meaning of the whole of this in two of these books of mine. |
[Holmyard 1923: 562.] |
Another Arabic Version (from the German of Ruska, translated by 'Anonymous'). |
0) Here is that which the priest Sagijus of Nabulus has dictated concerning the entrance of Balinas into the hidden chamber... After my entrance into the chamber, where the talisman was set up, I came up to an old man sitting on a golden throne, who was holding an emerald table in one hand. And behold the following - in Syriac, the primordial language-was written thereon: |
1) Here (is) a true explanation, concerning which there can be no doubt. |
2) It attests: The above from the below, and the below from the above -the work of the miracle of the One. |
3) And things have been from this primal substance through a single act. How wonderful is this work! It is the main (principle) of the world and is its maintainer. |
4) Its father is the sun and its mother the moon; the |
5) wind has borne it in its body, and the earth has nourished it. |
6) the father of talismen and the protector of miracles |
6a) whose powers are perfect, and whose lights are confirmed (?), |
7) a fire that becomes earth. |
7a) Separate the earth from the fire, so you will attain the subtle as more inherent than the gross, with care and sagacity. |
8) It rises from earth to heaven, so as to draw the lights of the heights to itself, and descends to the earth; thus within it are the forces of the above and the below; |
9) because the light of lights within it, thus does the darkness flee before it. |
10) The force of forces, which overcomes every subtle thing and penetrates into everything gross. |
11) The structure of the microcosm is in accordance with the structure of the macrocosm. |
12) And accordingly proceed the knowledgeable. |
13) And to this aspired Hermes, who was threefold graced with wisdom. |
14) And this is his last book, which he concealed in the chamber. |
[Anon 1985: 24-5] |
Twelfth Century Latin |
0) When I entered into the cave, I received the tablet zaradi, which was inscribed, from between the hands of Hermes, in which I discovered these words: |
1) True, without falsehood, certain, most certain. |
2) What is above is like what is below, and what is below is like that which is above. To make the miracle of the one thing. |
3) And as all things were made from contemplation of one, so all things were born from one adaptation. |
4) Its father is the Sun, its mother is the Moon. |
5) The wind carried it in its womb, the earth breast fed it. |
6) It is the father of all 'works of wonder' (Telesmi) in the world. |
6a) Its power is complete (integra). |
7) If cast to (turned towards-versa fuerit) earth, |
7a) it will separate earth from fire, the subtile from the gross. |