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a stirring , funny and finally transporting re-imaginig of beauty and the beast and 1930s horror films
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a stirring , funny and finally transporting re-imagining of beaut and the beast and 1930s horror films
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a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s dread films
| 1 |
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a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror filｍs
| 1 |
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a stirring , funny and finally transporting re-imagining of beauty and the beast and 193Os horror films
| 1 |
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a stirring , funny and finally transporting re-imɑgining of beauty and the beast and 1930s horror films
| 1 |
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a stirring , funոy and finally transporting re-imagining of beauty and the beast and 1930s horror films
| 1 |
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a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
| 1 |
clean
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apparently reassembled from the cutting -room floor of any given daytime soap .
| 0 |
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apparently reassembled from the cutting-room fl oor of any given daytime soap .
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apparently reassembled from the cutting-room floor of any conferred daytime soap .
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apparently reassembled from the cutting-room floor of any gien daytime soap .
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apparently reassembled from the cutting-room soil of any given daytime soap .
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apparently reassembled from the cutting-rooｍ floor of any given daytime soap .
| 0 |
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apparently relaying from the cutting-room floor of any given daytime soap .
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apparently reassembled from the cutting-room floor of any given daytime soap .
| 0 |
clean
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they presume their audience wo n't sit still for a scoiology lesson , however eոtertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuris𝚝ic women in skimpy clothes .
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they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and future woｍen in skimpy clotհes .
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they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyеd monsters and fut uristic women in skimpy clothes .
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they presume their audience wo n't sit still for a sociology lesson , however entertɑiningly presented , so they trot out the conventional science-fiction el ements of bug-eyed monsters and futuristic women in skimpy clothes .
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they presume their audience wo n't sit still for a sociology lesson , hoԝever entertainingly presented , so they trot out the coոventional science-fіction elements of bug-eyed monsters and futuristic women in skimpy clothes .
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they presume their audience wo n't sit still for a sоciology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic wom en in skimpy clothes .
| 0 |
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they presume their audiences wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the covnentional science-fiction elements of bug-eyeԁ monsters and futuristic women in skimpy clothes .
| 0 |
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they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
| 0 |
clean
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this is a visually stunning rumination on adore , memory , history and the war between art and commerce .
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this is a visually stunning rumination on love , memory , history and the war between art and trading .
| 1 |
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this is a visually stunning rumination on love , memory , history and the war between artistry and commerce .
| 1 |
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this is a visually stunning rumination on love , memory , history and the wartime between art and commerce .
| 1 |
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this is a visually stunning rumination on love , memory , hіstory and the war between art and commerce .
| 1 |
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this is a ѵisually stunning rumination on love , memory , history and the war between art and commerce .
| 1 |
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this is a visually stunning rumination on love , memory , history and the war between art and commerce .
| 1 |
clean
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anoie films .
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-office aomie films .
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-offiϲe anomie films .
| 1 |
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-offіce anomie films .
| 1 |
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jonathan parker 's bartleby should have been the be-all˗end-all of the modern-office anomie films .
| 1 |
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jonathan parker 's bartⅼeby should have been the be-all-end-all of the modern-office anomie films .
| 1 |
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jonathan par𝒌er 's bartleby should have been the be-all-end-all of the modern-office anomie films .
| 1 |
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jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films .
| 1 |
clean
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campanella get the tone just right -- funny in the middle of sad in the middle of hopeful .
| 1 |
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campanella gets the tone just proper -- funny in the middle of sad in the middle of hopeful .
| 1 |
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campanella gets the tone just r ight -- funny in the middle of sad in the middle of hopeful .
| 1 |
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campanella gets the tone just right -- funny in the middle of sad in the middle of hоpeful .
| 1 |
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campanella gets the tone just right -- funny in the middle of unfortunate in the middle of hopeful .
| 1 |
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campanella gets the tone just right -- funny in the middⅼe of sad in the middle of hopeful .
| 1 |
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campanella gets the tone just rіght -- funny in the middle of sad in the middle of hopeful .
| 1 |
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campanella gets the tone just right -- funny in the middle of sad in the middle of hopeful .
| 1 |
clean
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a fan cinema that for the uninitiated plays better on video with the sound turned down .
| 0 |
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a fan film that for the uninitiated contributes better on video with the sound turned down .
| 0 |
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a fan film that for the uninitiated plays better on video with the sonar turned down .
| 0 |
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a fan film that for the uninitiated plays be𝚝ter on video with the sound turned down .
| 0 |
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a fan film that for the uninitiated plays bеtter on video with the sound turned down .
| 0 |
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a fan film that for the uninіtiated plays better on video with the sound turned down .
| 0 |
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a fan fіlm that for the uninitiated plays better on video with the sound turned down .
| 0 |
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a fan film that for the uninitiated plays better on video with the sound turned down .
| 0 |
clean
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béart and berling are both suerb , while huppert ... is magnificent .
| 1 |
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béart and berling are both superb , while hu ppert ... is magnificent .
| 1 |
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béart and berling are both superb , while huppert ... is magnіficent .
| 1 |
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béart and berling are both superb , while hupper𝚝 ... is magnificent .
| 1 |
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béart and berling are both ѕuperb , while huppert ... is magnificent .
| 1 |
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béart and beⲅling are both superb , while huppert ... is magnificent .
| 1 |
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béart and bеrling are both superb , while huppert ... is magnificent .
| 1 |
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béart and berling are both superb , while huppert ... is magnificent .
| 1 |
clean
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a little less extreme than in the past , with langer exposition chronology between them , and with fewer gags to break the tedium .
| 0 |
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a little less extreme than in the past , with longer exposition sequences between them , and with 𝚏ewer gags to break the humdrum .
| 0 |
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a little less extreme than in the past , with longer еxposition sequences between them , and with fewer gags to break the 𝚝edium .
| 0 |
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a little less extreme than in the past , with longer еxposition sequences between them , and with fewer gags to brea𝒌 the tedium .
| 0 |
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a little leѕs extreme than in the past , with longer exposition sequences between them , and with fe wer gags to break the tedium .
| 0 |
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a little lss extreme than in the past , with longer exposition sequences between them , and with feԝer gags to break the tedium .
| 0 |
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a petite less extreme than in the past , with langer exposition sequences between them , and with fewer gags to break the tedium .
| 0 |
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a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium .
| 0 |
clean
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the film is srtictly routine .
| 0 |
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the film is stric tly routine .
| 0 |
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the film is strictly ordinary .
| 0 |
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the film is strictly routiոe .
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the film is s𝚝rictly routine .
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the film is tightly routine .
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the flim is strictly routine .
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the film is strictly routine .
| 0 |
clean
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a lyrical analogy for cultural and personal self-discovery and a picaresque view of a little-remembered world .
| 1 |
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a lyrical metaphor for cultural and personal self-dis covery and a picaresque view of a little-remembered world .
| 1 |
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-rememberеd world .
| 1 |
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a lyrical metaphor for cultural and personal self-discovery and a pіcaresque view of a little-remembered world .
| 1 |
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a lyrical metaphor for cultural and personal self-disϲovery and a picaresque view of a little-remembered world .
| 1 |
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a lyrical metaphor for cultural and personal sel𝚏-discovery and a picaresque view of a little-remembered world .
| 1 |
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a lyrical metaphor for cսltural and personal self-discovery and a picaresque view of a little-remembered world .
| 1 |
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a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world .
| 1 |
clean
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the most repugnant adaptation of a classic t ext since roland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a classic text sin ce roland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a classic text since roland joffé and demi moore 's the ѕcarlet letter .
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the most repugnant adaptation of a classic text snice roland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a classic text then roland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a classic tеxt since roland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnaոt adaptation of a classic text since roland joffé and demi moore 's the scarlet letter .
| 0 |
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the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter .
| 0 |
clean
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for something as splendid-looking as this particular film , the viewer e xpects something special but instead gets -lrb- sci-fi -rrb- rehash .
| 0 |
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for something as splendid-looking as this particular film , the viewer epxects something special but instead gеts -lrb- sci-fi -rrb- rehash .
| 0 |
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for something as splendid-looking as this particular film , the viewer expects something special but insetad gеts -lrb- sci-fi -rrb- rehash .
| 0 |
textbugger
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for something as splendid-looking as this particular film , the viewer expects something special but instead gets -lrb- sci- fi -rrb- rehash .
| 0 |
textbugger
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for something as splendid-looking as this particular film , the viewer expects somethіng special but instead gets -lrb- scі-fi -rrb- rehash .
| 0 |
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