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I had never heard of this movie, but it appeared on cable and when I saw the cast, I figured "how bad could it be?". I thought it was terrific. Nothing of great dramatic or historical significance, of course, but who cares? Denzel is his usual infinitely watchable self, Val Kilmer is quirky with yet another interesting dialect and Adam Goldberg is fantastic. All three are smooth, assured and entertaining. A lot of posters and reviewers talked about how "unbelievable" the science fiction aspect of the plot was, but that never bothers me. Once I figure out what I'm supposed to suspend my disbelief about, I just do so and enjoy what the filmmakers are doing. I actually found this particular sci-fi plot quite intriguing and really liked having to try to follow its twists and turns through the action. As has been said before, this is definitely a Sci Fi/ Film Noir/Action/Romance. How many of those have you come across? Highly recommended. Big fun and smart besides. | -1no label
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Though I did not begin to read the "Classics" in literature until I was 47, it's never too late. Jane Eyre is a favorite for many reasons, mainly because there isn't a part of the book I liked less, only parts I enjoyed more. The 1983 TV mini-series with Zelah Clarke and Timothy Dalton was everything I hoped it would be. I saw it as a full length movie in 2006. Dalton's 'Mr. Rochester' was very good but I absolutely loved Zelah's 'Jane Eyre'. Relecting on another 'Classics' movie I saw recently, I was disappointed in the production, direction and dialogue. It was only faithful to the avarice and arrogance of Hollywood. Artistic license to the great works in literature is nothing short of plagiarism. Using the title after such license is fraud. Leave it to the Brits to get this one right (among others). You won't be able to reread the book without reliving the movie with it's proper context and spirit. Well done BBC. | 1pos
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This movie is one of my favorites. I think it is under-appreciated and if it were up to me I would have produced a sequel by now. There were scenes in this movie that were so funny that I find myself quoting them on a regular basis. There were also some important political messages that were delivered with a great amount of skill and intelligence. Bullworth's two campaign directors were genius. Their dialog was great and their physical comedy was masterful. Halle Berry was of course at her top form and seemed very comfortable with the role. There were so many classic scenes that it is difficult to limit myself to just a few.I would like to see a sequel. | -1no label
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] |
"Planet Of The Apes" an awesome, classic movie... "Beneath The Planet Of The Apes" a little slower paced.. but some of the scenes with the mind controlling bomb worshipers are very interesting. "Escape From The Planet Of The Apes" In my opinion the best of the 5, cute, funny, tragic.. excellence. Then this came along, a mindless, boring movie. I understand the nessecity of this movie to continue the storyline, but this one gets real boring real fast. The Apes revolt from their masters in an elaborate war scene that seems to last forever in a 60's "future" town. This one can be skipped. (Coincidently, The next and last installment "Battle For The Planet Of The Apes" is well worth watching, and I'd recommend it and all the other apes movies over this one) | -1no label
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What's written on the poster is: "At birth he was given 6 years to live... At 34 he takes the journey of a lifetime." Ami is an American-born Israeli who was diagnosed with Muscular Dystrophy disease at the age of one. At age of 34, after the love toward his 22 years old care-giver didn't go well, he decided to come to the US to face the doctor who said that he would have only 6 years to live. He wanted to show the doctor that he is still alive, and weights 39 pounds. Why? Your guess is as good as mine, even I have seen this film. Obviously it's courageous to live when all he can move is his left index finger, but why does he have so much anger toward the doctor who diagnosed his disease 34 years ago? His doctor just told his mom that based on the medical history, people with his disease won't live long. What's the point of him showing up at old doctor's door for? Why is tracking down this old doctor in the US is a journey of his lifetime? There are so many things we might be interested in Ami's life: how can he make those animations with the movement of only one finger? How can he go through daily lives while totally depending on others? How did he out lived his doctor's prediction? How does he deal emotionally when other people look at him like looking at a strange creature? The movie told us none of that. Instead, the filmmaker got a van and set up a trip to let Ami to show up at his old doctor's door in order to show him that he is still alive. I thought it was a joke. | 0neg
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] |
I must say that this is one of the best films I've seen in my life. It proves a great movie does not need to involve violence and sex... Plus, it makes you appreciate all the gifts you've got in your life. If Hollywood (and by these I mean the movie business) had more films like this one, it would have a nice positive impact on our poor and damaged society. Maybe it doesn't have outstanding special effects, or a main-role actor or actress who deserves an Academy Award, but the plot it's so great, that makes you analyze your own situation and feel thankful for what you have and realize you're missing a lot of nice simple great things of life... and it even makes you want to be a better person! Totally recommended for the whole family! | -1no label
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This film differentiates itself from the run-of-the-mill "wonder of the human body" documentaries by bravely, if bizarrely, opting to elicit disgust in the viewer. In one scene, the camera closes in on a gigantic 50-foot zit as a teenager squeezes pus and fluid out of it. In another, the camera is semisubmerged in a swamp of half digested food and stomach acid as parts of a pasta salad drop in from the esophagus and plop into the goo. In a final tour de force, the camera takes the viewer on a harrowing ride through a forest of...teenage armpit hair. Unfortunately, I'm not making any of this up. See this film if you must, but: bring your vomit bag, and don't have pasta salad beforehand. | 0neg
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After a snowstorm, the roads are blocked and the highway patrolman Jason (Adam Beach) comes to the diner of his friend Fritz (Jurgen Prochnow) and advises his clients that they will only be able to follow their trips on the next day. Among the weird strangers, Jason meets his former sweetheart Nancy (Rose McGowan), who has just left her husband in Los Angeles. Along the night, without any communication with his base, Jason faces distressful and suspicious situations with the clients, and finds some corpses, indicating that among them there is a killer. "The Last Stop" could be an average thriller, but the screenplay is simply awful. Most of the characters are despicable persons and the motives of the surprising serial killer are never disclosed, and the viewers have no further explanation why the killer decided to kill the guests. My vote is four. Title (Brazil): "Encurralados" ("Trapped") | 0neg
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] |
This movie scared the crap out of me! I have to admit that I spent most of the film watching through my fingers but what I saw was really scary. I screamed out loud two or three times during the show. Film-making-wise my favorite aspects were the sound and photography. The sound was particularly great and the setting was really creepy beautiful. I read somewhere that it's some weird husband and wife team that made it. For some reason that makes this even stranger for me. If you enjoy the jumps and jitters of scary movies than this one is for you! Very suspenseful and a great movie to rent with a bunch of friends who love to watch movies curled up on a sofa screaming like little girls! | 1pos
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] |
I love Paranormal, Supernatural, Haunted, and/or whatever you want to call it. Do I believe in any of it for real. No. These guys are really entertaining but for all of the wrong reasons. I would love to go on one of these haunted missions because I could debunk everything right then and there. So could just about every non-believer in this stuff. Will I still be entertained by other entertainment containing these elements? Absolutely I will! Will ever convert to any of this ridiculous stuff, not in a million years. I wish I could believe and be spooked by chairs moving or water be turned on or whatever they say happens. Notice that none of these people are exactly educated, and if they were ALL of it could be explained. Still can be good stuff if you believe in it, but if not you'll be laughing at these people bumping around in the dark, scaring each other over nothing. There is reason why there is absolutely zero credible evidence of anything spooky going on, it's because there isn't. | -1no label
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] |
..IT'S THIS ONE! Very cool premise, right off the bat. Has an excellent first scene, gotta give credit where credit's due. Has solid characters and a decent enough script for a ghost story but here are the things that bothered me: Whenever the ghosts appeared, which I really liked by the way; how it was done, how it looked...the only thing was the ghost's relationship. Because of the way things went down in the first scene you'd think their dynamic would be different. Things slowed down a little too much in the middle I felt, and the crab/spider scene was just not good. BUT then the ending is actually very good! Sure, 'The Grudge' basically told the same story with a polished lens but no samurai's and that's what I liked about this movie comparatively. Please, someone one with a tempered style remake this movie. Fans of 'Silent Rage' would absolutely love this movie. | 0neg
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] |
From this movie, it is easy to see how the director made it out of Holland and landed in mainstream Hollywood. He takes a very serious subject, extreme poverty and how it leads to social uprising, and adds his personal light touches that almost make you forget the political subtext. The "finger shadow" scene before the rape was a touch of cinematic genius that I almost missed the first time around. The ultimate lesson seems to me to be, of course, that we are all whores, it just depends on how much we can afford to spend on clothes. One question, if she was so poor, how did she keep her roots died blonde? | -1no label
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] |
Attraction is a melodramatic sleeper that never picks up. An obsessed ex boyfriend freaks out his old girl with stalking
so what. This film is not exciting, entertaining, nor even interesting in the least. This movie is not scary; it even goes so far as to mention how harmless this stalker really is. So what exactly is Attraction? A waste of time. The characters are pathetic, all of them, and poorly acted to boot. This is one of those films in which you will catch yourself repeatedly looking at the wall instead of the screen out of sheer boredom. The worst part is that the whole time I was waiting for something cool to happen, but this film never picks up. Overall Attraction took away an hour and a half of my life that I want back. This movie sucks. | -1no label
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] |
I'll be quick to address the matters of the film here: It was a very engaging story about the destructive qualities about all-consuming passions; a young Italian woman who cannot emotionally connect with her jailed political-radical fiancé (due in part to her apolitical attitudes and freewheeling approach to life) finds solace and passion in a new young lover whom she embarks on an explicitly sexual relationship with. The anxieties, rage, tenderness and passions that swirl around in the atmosphere of the story equal the dispassionate quiet that seems to engulf the two leads. It lends the film an unsettling mood that permeates through all the political strife that is otherwise lost on the viewer (unless you have a deep knowledge of Italian politics during the 80's). I found the film compelling...what ruined it somewhat is a gratuitous oral sex scene that the actress performs on the male lead...it isn't simulated and leaves little to the imagination. There are other scenes of sex in the film, which I do feel were necessary because they outline the madness and loneliness that the characters live in. But the oral sex scene, I feel, derails the focus on the actual story. It was smooth sailing up until that point and once the infamous sex scene appears (which caused much hoopla back in its day), it's like hitting a roadblock. It's jarring and unnecessary and I am in the camp that believes that the film would not have been harmed any if the scene had been removed from it. And what's unfortunate is that this particular scene may deter people from watching this intriguing film, which I believe is worth a viewing because there is so much going on underneath the surface, emotions and further turmoils layered in the subtext. Overall: Wonderful film hampered by a much not-needed sex scene. | 1pos
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] |
Frank Sinatra plays a no-goodnik ex-soldier and frustrated writer, hard-living and hard-drinking, who returns to his Midwestern hometown and reunites with his estranged brother (Arthur Kennedy), now the town big-shot with a disinterested wife and headstrong daughter. Frank gets involved with gambler Dean Martin, uneducated flooze Shirley MacLaine, and has some run-ins with the law, but what he really wants to do is write and settle down with a good woman. Over-simplified drama verging on soap opera, with a role for MacLaine that is by turns overly 'colorful' and embarrassingly sentimental (her drunken belting on "After You've Gone" is however the film's highlight, and is expertly handled). Director Vincente Minnelli oversees it in straight-forward fashion, but he's in surprisingly glum spirits and most of the big scenes are flat or dense. The picture looks incredibly handsome in widescreen, with a nice eye for detail and composition, but the story and these characters are stuck in the dregs. ** from **** | 0neg
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] |
We read mixed reviews about Umrao Jaan...one is always apprehensive when going to see a remake of such a classic...not sure what to expect..I found the whole tone of the movie to be so morbid and Grey. Sure it is the story of pain but it is not told with grace. THe problem with the movie is definitely the way in which it is told. In most of the scenes the character of Umarao is shown crying weeping or fearful ..quite the opposite of a courtesan's character which is about presentation entertainment. Good scenes fail to make an impact. And the choreography is terrible too...merchant has done a terrible job no grace!!! All in all don't waste your time on this movie | -1no label
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] |
This movie is not so good as I thought it would be. There is no story whatsoever, no characters and some dialog would have been nice. The gore effects are good and it gets quite bloody at times but nothing over the top. It starts with an autopsy on a man and when that is over the scene with the girl starts. The music is a classic score and fits the movie very well. They should have made a 90 minutes version in which they could have had some time for character development so we can feel sorry for the person on the autopsy table. And some more info about the morticians would have made this movie far scarier than it is. Don't expect a scary movie but a nice, gory special effects reel. | 0neg
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] |
I understand that a lot of people feel that this wasn't as good as the first movie, but personally I think it's as good, if not better than the first one. The cast seem a lot more comfortable with each other and their characters, which make their characters seem a lot warmer and welcoming. I also like that this film concentrates a little more on the importance of characters such as Martha, Kelsi, and Zeke. In my eyes, they're just as important as the main six, and I can't imagine the movie without any of them. As with the first movie, the singing and dancing are flawless and perfect. My only problem is that there isn't a song that is as amazing and climatic as Breaking Free. The equivalent in this movie would be Everyday, but it's nowhere near as powerful. Nevertheless, an amazing film that you'd be a fool to miss, no matter what age you are (take it from a 19-year-old!) | -1no label
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] |
I am a HUGE fan of all 4 of the main actors in this film. They have all made films that are high on my list of favorites. My expectations for this film were, therefore, VERY high. All of these actors are capable of elevating mundane roles and films into something special. Unfortunately none of them can do so in this film. The comments of rhoda-1 are most illuminating. Changing the motivations of the characters in the original Somerset Maugham play results in a very unsatisfying movie. (I would love to see the original play!) The situation in this film is the same as My Favorite Wife (and the mediocre remake, Move Over Darling) - except the male and female roles have been reversed. But there the similarity ends. In My Favorite Wife, Cary Grant wants to restore his first marriage to Irene Dunne. Ditto in the remake with Rock Hudson and Doris Day. Both Grant and Hudson are motivated by the desire to let the second wife down easily. By contrast, in Too Many Husbands, the normally lovable Jean Arthur plays a character who at first seems torn between her two husbands, but increasingly seems to just bask in the egocentric pleasure of having two men pursue her. This motivation completely undermines the sympathy I initially had for her. By contrast, I am completely sympathetic with the erstwhile husband and wife in the other two films. In addition, while there is some clever dialog in Too Many Husbands, it is too scant. Most of the time the characters are just sophomoric. Jean Arthur reverts to a flirty schoolgirl leading-on two schoolboys. Unfortunately both Fred MacMurray and Melyn Douglas behave accordingly. The furniture-jumping scene is painful to watch. Nothing of this juvenile nature happens in My Favorite Wife (or Move Over Darling). This one trick pony becomes all the more annoying when the end arrives without any resolution. It is as if the viewer has simply been watching the beginning of a perpetual competition between two high school boys pursuing the same girl. Basically this film is disappointing because Jean Arthur becomes pretty unsympathetic, the 3 characters in the love triangle are all sophomoric in the extreme, and there is no resolution at the end of the film. I absolutely love both romantic comedies and screwball comedies. Too Many Husbands is an insult to both. It is ANTI-romantic and not screwball but sophomoric, slapstick silliness. What a total waste of incredible talent. | -1no label
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] |
Nagra comes from conservative Indian family that isn't exactly into girls playing competitive soccer. But our attractive young star CAN play some serious soccer. Rhys-Meyers coaches Nagra and encourages her to perform, while Knightley is supportive teammate and friend. When sis' wedding is scheduled for the same day as the ultimate soccer match, what's a girl to do? Similar in its own unique way to BFGW as Nagra tries to push the envelope on traditional family ways. Here it's dad (well-played by Kher) who can see both sides of the issue. Docked an entire point for a hokey late sexual preference non-crisis, if they needed filler they could have gone elsewhere. Nice final wrap up to the whole deal. | 1pos
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] |
What a waste of great acting talent. This is a shame because with Catherine Deneuve, Mathieu Amalric, Emmanuelle Devos, Chiara Mastroianni, and Melvil Poupaud (not to mention others less well known in America) that's a lot of acting talent to waste. This film by Arnaud Desplech was a terrible disappointment. After having enjoyed his "Kings and Queens" and this film left me completely bored and frustrated to the point where I actually left before the movie ended. The movie wandered around its central storyline (involving Catherine Deneuve's illness) getting sidetracked by every peripheral storyline and supporting character that appeared on screen. The movie also gave us too little character development to understand why the different characters disliked each other so much (this was a story of family dysfunction) so that the dearth of coherent narrative became even more critical. Finally, the soundtrack (which ranged from hip hop to Bach to Mendelhson's Midsummer Night's Dream) was at odds with the emotional temperature of the movie and further obscured any emotion the viewer should have been feeling at the time. The photography (the director often began scenes with a mainly dark screen, where our only sight is through a small opening, making feel as if we are watching through a peephole, that then expands) was also pretentious and inscrutable. | 0neg
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] |
i actually thought that this movie wasn't that bad. when i heard that a Cinderella 3 was coming out, i was like..when did they ever make a Cinderella 2. so i did some online searching, and i found the Cinderella 2 summary and it somewhat rang a bell. but i guess if Cinderella 2 was any good i would have remembered it. but Cinderella 3 like i said really isn't that bad. i love the whole plot to the movie, makes you really think what would have happened if Cinderella never got her fairy tale prince and all. some of my favorite parts was when the prince jumps out the window, i just love his facial expressions and how he does it, it looks like hes trying to fly. lol. well yea, if you have kids or anything, you should at least give this movie a chance, maybe you might like it yourself | -1no label
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] |
Strange things happen to Americans Will (Greg Evigan), Maura (Alexandra Paul) and their young daughter Aubrey (Briana Evigan, Greg's real life daughter) when they move into a large, newly inherited house in Ireland. Crusty corpses are found in the cellar, a turkey squirts blood, furniture moves and the ghosts of a dead child and a cackling old lady show up to scare the little girl. Paranormal investigators are eventually called in to banish the evil spirits, but Maura becomes possessed anyway and chases everyone around with a meat cleaver. This film is full of cliches, but there's a standout performance from Alexandra Paul... too bad it doesn't belong in this movie (nor any other I can think of off hand)! She can barely keep a straight face and her over-emoting and hysterical screaming tantrums are a joy to behold. In any case, she's a lot more interesting to watch than anything else in this movie. Score: 3 out of 10 | 0neg
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The make -or-break of a love story for me is whether or not I like the characters and also if they click with each other. Matt is pretty unlikeable: aloof, braggart, seemingly lazy, and a misogynist. He's been hurt badly by his dysfunctional mom and this makes him a little easier to take. I guess I liked the details of his dysfunction--he was believable. He overcompensates by bragging that he'l nail Amy. He acts so cool around Amy that he strikes out twice. When they do talk he can't show her who he really is. She empathizes and then stonewalls him at just the right moments. She seems so mature and strong that the traits of hers that come out later didn't seem to fit. (For me.) I found her to be incredibly sexy and pretty, . . . girl next door pretty, I call it. So I was going to like this movie unless it really screwed up. Funny things happen with the coach, but Matt's relationship with the other coach was inspiring. The football scenes at the end were perplexing. Matt doesn't carry the ball but seems to be a blocking back. Folks, he isn't the right size! He's fifty pounds too light for that position. But I thought his acting was skilled. I measure that by the way I wanted to wring his neck a couple of times during his scenes with Meredith Monroe. The film was all right. Meredith M was better than all right. | 1pos
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] |
Firstly let me say that I am an avid Horror Fan. I collect and love lots of different horror movies from the Italian gore to the more psychological to the plain funny as in Evil Dead. Now, Desecration. What category does this fall into? It maybe has its own unique category. If so, It would be close to the bottom of the pile...where movies you will only ever watch once and still regret doing so, live. To describe the general gist of this movie is quite simple. forget unbelievable surrealism, forget cerebral and beautiful haunting imagery. Try 'a collection of stereotypical horror movie clichés that are thrown together without ANY real sense of structure, meaning and above all no message and no story is forthcoming'. Even some of these people here praising the movie have admitted it seemed to be going nowhere at times or didn't make any sense. Of the other reviews there is one that stands out and praises this movie as if it is the best movie ever made.... It isn't hard to guess that the reviewer is a keen user of cannabis-Deduced by the nickname, If I am wrong shoot me! - and if I were to view this movie under the influence, I too would probably say 'Wow' 'amazing' 'freaky' etc etc etc. In the grim harshness of reality though (!?), this movie is a total TURKEY. If you are considering buying this trash...be warned, there are better things to spend your money on. Like a new Can opener or something. If you want a cheap alternative to this movie, get a collection of older movie trailers, put them on back to back so it lasts an hour or so, then sit and watch it whilst flicking different coloured lights on and off now and then with some old led Zep or pink floyd music on in the background- playing backwards of course. 0 out of 10 | -1no label
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] |
I saw this movie at NY New Directors/New Films. Was skeptic at the beginning. I haven't seeing "Saturday", another movie by Matías Bize. The plot is simple. Two strangers having sex in the motel. They introduce themselves only afterwords. They start talking, telling truth and lies. Slowly they start revealing their true past. As one can notice they start flirting and seducing each other. When spiritual connections between two of them establish viewer realized that under different circumstances it would be a happy couple. However they will go their own ways... Excellent dialogs. Way above ordinary play of Blanca Lewin and Gonzalo Valenzuela | -1no label
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] |
Pulling in 2.6 million viewers, one has to wonder what everyone's opinions on the storyline/plot is. Reading the run down over at lifetime, I was led to believe that this would be an edge-of-your-seat thriller about a single mother being stalked and finally confronting the stalker. Sadly I was mistaken. While the main plot is interesting enough - Single mother run off road one night, then is stalked by same guy, the reasoning behind the stalking left nothing but a really bad taste in my mouth. Laura Leighton plays the victim, and she does it well. Whether it was all those years on Melrose Place or not, she does well in this movie, playing a mother who would do anything to protect her son from harm, and she's looking pretty good too these days. Leighton is really the only good thing about this movie. I think many people will identify with the main character, after discovering why the stalker is stalking, it will be a view-only-once type of movie. | 1pos
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] |
I remember this movie when i was 13 (seems a lot of reviews are saying the same thing AGE 13!) with a group of school buddies. We all wanted to see Billy Crystal in his first movie, and fell for the typical commercial ads telling us this was a great comedy. We suffered through about 45 minutes of it, and all agreed to leave the theater. It was grotesque & tasteless, and a far cry from the ability Billy Crystal had to make us laugh, we were not laughing. I stumbled upon this review by accident, and decided to register just to tell the rest of the world what a rot-gut waste of film this was, now if you rent this, you deserve what you get, YOU'VE BEEN WARNED!! | 0neg
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] |
"Gypsy" is possibly the greatest musical ever written, so it's too bad that it's film version was such a disappointment. To make up for that, we have this re-make which, if not flawless, is an enjoyable and well done adaption of the musical. The script is completely accurate, all the songs included, and the staging remains close to the original Jerome Robbins' staging. Bette Midler is a deft choice for Rose, her singing and personality Merman-esquire, and her acting splendid. Peter Reigert is a fine Herby, if not a great singer, and Cynthia Gibb is a straight forward, natural Louise. In truth, a live taping of the 1989 revival with Tyne Daly might have been a better idea, if only because "Gypsy" is simply more exciting on stage, But this film is a fine translation of a great musical. | 1pos
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] |
It has been some years since I saw this, but remember it and would like to see it again. It kind of became a "therapy" for me with a personal experience of my own. A thirty-five year old man laments over a high-school baseball game in which he "missed the ball" and his team lost. He thinks about it 20 years later, "if only I'd hit that ball" and how his life would be better because of it. Then, he gets a chance to find out....and gets a little more than he bargained for. It reminds me so much of when I was in high school, I twice tried out for our drill/dance team and didn't make it. This team was the closest thing to a sorority in my school. If you were on it, you were "all that." I didn't try out till my last two years of HS and after the second time, I took it really hard. I'd hit and bruised my leg badly just before tryouts and wore tights to cover the bruise, and that caused me to not make it. That was in 1987. Through the years, even now sometimes, I think "If only I hadn't hit my leg I would've never worn those stupid tights." Now I don't sit and think my life would be any better or even any different had I made it, but seeing this movie made me realize that we never really know how different things may be by changing one little thing way back in the past. Who knows, it could have changed the course of events to the point that I wouldn't have met my son's father. I would recommend this movie to anyone who has that one moment in the past they wish they could change. Be careful what you wish for!!! | 1pos
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] |
This was Elisha Cuthbert's best performance. It amazes me that she even bothers with films like "The girl next door". She is so much better than that. Cant wait for the upcoming "Captivity" in which she plays the lead role as a young women chained to a guy in a cellar as the kidnapper plays with their minds. Back to this movie...see it just for Elisha. The basic boy meets girl with a twist. the boy has a ghost in his house and he and his gal pal try to help it move on.. Tragedies in their past is what brings the two together. The ghost is what makes the story interesting even though Katherine(Elisha) is the only person in town who "believes" him. Both have bitter guardians living at home which are very well acted. See the movie...don't want to spoil the story | -1no label
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] |
Little girl Emily loses her mother and so she and her father move to a new house to start again. Things are fine till little Emily finds an imaginary friend called Charley and then all hell breaks loose. This is the scariest psychological/horror film since Psycho and at times i was shaking all over. Little Dakota Fanning ,who plays Emily,is absolutely awesome in this film and i will be watching her career closely in the future and though this is the sort of role Robert DE Niro,the dad,could play in his sleep,he still puts in a great though slightly muted performance. This film has everything,imaginary friends,murdered pets ,suspicious deaths and enough nail biting horror to keep you awake for a fortnight. Next time your child tells you of imaginary friend then you might want to think twice because you never know...........8/10 | -1no label
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] |
First and foremost, I find it incredible that back in 1995 this film got an 18 cert in the U.K, and films like Straw Dogs or the Texas Chainsaw Massacre were still being refused. I saw this film in 1995. It is a film I would never choose to watch today, but as a 15 year old I was curious about its content, and was constantly in search of shocking horror films. This is not a horror film. It is not a documentary. It is a collage of gross video footage of people having their lives ended in brutal fashion. The people behind the cameras are probably as sick as the people conducting the executions. Maybe some of the people who were executed had been fairly tried and found guilty of terrible crimes, but this is not explained in the 'film'. And even if it was, would it really make any difference? I have read some of the other comments on this film, and find it laughable that people have praised its content, and have even suggested it be used for educational purposes! This film tries to justify itself as exposing mans inhumanity to man. No, this film is for shock value only, and I suspect that most people who seek it out are naïve thrill seekers, or just plain sick. I was a member of the former group! If you want sick blood and guts, get your kicks from a horror film, and when you leave the cinema you can be safe in the knowledge that you have just been shocked and exhilarated by the skill and genius of a special effects and make up team. | -1no label
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] |
the movie is great, like every other international project that includes strong impressions. three of them (israel, bosnia and egypt) should've been cut out. especially bosnian clip, which is pathetic beyond all reason, and doesn't contain a single original thought or element on it's own. everything else is really great, unrecognizable for most of americans, known for the rest of the world. unfortunately, clips speak about misery of the people all over the world. and, as i see it, there are so many of those who won't give a damn about it... top 5: 1. loach 2. penn 3. inarritu 4. lalouche 5. imamura | 1pos
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] |
First, i'm a fan of stop motion because I grew up on Gumby and i have also experienced using it. It is some of the most time consuming film work I have ever used. It calls for more patience than I have, so the film was short. Second, the show is actually funny. It has it's moments of stupidity, but it is well done, has a low-budget look to it, though it is a very expensive show, and will spoof off of many shows no one under...oh, about 25 will get. I happen to get it because I grew up watching mostly re-runs of these shows. I recommend it to most people, but some won't like it. It is sort of edgy with it's humor, so you might be offended. But it did start with a TV-14 rating, and then shocked me with it's TV-MA rating. But, at times it does deserve it. Great show. ten out of ten | -1no label
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] |
Contender for the worst film ever made! I saw this movie for the first time at the recommendation of a friend. He warned me it would be painful to watch, but I had no idea how painful it would turn out to be. This film (the English version I saw is entitled "Battle of the Last Panzer") is intended as a WWII epic depicting the struggle of a German tank crew, caught behind enemy lines, trying to get themselves and their vehicle back to German-held territory. Other than that, I will make no attempt to describe the insanely fragmented and incoherent plot - you simply have to see it for yourselves! Everything about this movie is just plain bad -- the plot, the dialog, the setting, the special effects, the equipment and uniforms, and the acting. The star of the show is the Lieutenant in command of the crew (capital letters indicate emphasis): "Any attempt at disobedience, or talk of desertion ... will be punished by DEATH!" "As the Fuehrer said ... Those who are not with us ... are AGAINST us!" "You have one minute, no more, to throw down your arms and get out of sight! After that minute, I'll advance -- RAPID FIRE!" The film is supposed to be set in France, after the D-Day invasion. But in place of the lush green fields of Normandy, the landscape is arid and looks like Sicily or the south of Spain. The uniforms are the best! "Americans" wearing Italian uniforms, complete with Italian rank and helmets. The weapons they are carrying are modern G3 assault rifles. The "Germans" are no better - they are carrying Italian-made Baretta submachineguns and pistols! Last but not least, their "Tiger" tank is an old US M-48 tank. Writing these comments is proving to be almost as painful as watching the film. However, it's a must see. If you want a real shock, watch it right after "Saving Private Ryan" or "Band of Brothers" and you'll find out just how bad bad can be! | -1no label
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This movie is a great movie, however it is, as most movie highly predictable. The greatest highlight of the movie of course is the star character Amanda Bynes, who is absolutely gorgeous and hilarious. She is one of very few people in this world who can use all 53 muscles in her face to make the most strangest and gut-busting faces ever made. It's good for the kids, and contains upper male nudity and suggestive nudity towards the end. All in all, they did a good job updating an old classic, and deserves to rest on the movie stand along with O and 10 Things I Hate About You. The other actors also do a swell job, in many of their first time debuts. | 1pos
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Funny women Posey and Kudrow star in this popular indie film about office temps in the city and the none-too-bright future they have in this increasingly paranoid and indifferent job field (if it can even be considered one.) A lot of cute office shtick in the beginning (though nothing you haven't seen done better in "Clerks" and "Office Space"), but the climatic story of the office-snitch is what killed it for me. Completely cliché and predictable. If you don't know who it is the moment the drama starts you have seen very few movies in your day and the character herself (no I won't spoil) is a tried and true trite stereotype that is more plot device than any character at all. Still both an amusing and somber look at this joke of a job "opportunity" that awaits many a young woman. The cast is very good, I wish the story would have been better written. I disagree with the critics, "Party Girl" was a much better showcase for Parker Posey. That film had me laughing from start to finish and without rolling clichés in the plot. | -1no label
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We have to remember that the 50's were practically a blank slate when it came to movies. Hollywood was in transition from patriotic war movies, noir, two reel oaters, etc to movies with a message. We had Blackboard Jungle, On the Waterfront and so on. Some folks might think that was an improvement. I don't. Who was the mogul who said: If you want to send a message, call Western Union? He was right. These psychological thrillers are less entertainment than some kind of remote therapy. This one is a pip. It's about three sisters trying to wrest control of their dead father's estate. One of them, maybe the only one worth redemption enlists the aid of the company pilot to help her keep the rest of the family at bay. He's initially in it for the bucks, but eventually falls for her. Meanwhile the rest of the family schemes to sabotage the romance. The results are predictable. You get a little bit of everything in this movie. Sexual tension between the sisters. A little subtle masochism. Hereditary insanity - if there is such a thing. We never get to meet the parents, but they must really have been screwed up The cast is practically unknown. One or two of the actors sound vaguely familiar. The acting is so bad it's hard to believe. It was released under the United Artists umbrella by a company called Bel-Air Productions. It was shot in and around LA mostly at night and probably without permits. The end was so bizarre that I thought it was a joke. It was as if they ran out of money and the producer decided to wrap it up in the middle of a scene. I can't explain it - not even to myself - but I gave this pile of trash an 8/10. I'm familiar with the term "It's so bad it's good", but I don't think I ever ran into the phenomenon before. Well, maybe "Hot Rods to Hell", but this one certainly fits. You might want to try this if you love movies that seem like they were made in somebody's basement. | 1pos
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] |
I remember seeing this when it first out, in a theater, and thinking ... why? It was on cable a few nights ago and I watched it again. You know those shows on TV about bad drivers running from the cops? The only reason to pay attention is that at any moment you're going to see something incredibly stupid. That's what this movie is like, only in slow motion. If God were truly merciful, he would have destroyed all the copies of this movie before it made the theaters, and long before cable. (tiny spoiler) ...... Did Kirk Douglas appear in it, it just to see Farrah with no clothes? | -1no label
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] |
The Bridge At Remagen contains some of the most preposterous war time screenplay I've ever seen. Aside from the acting, which is wooden, no tank commander attacks with his tanks parked in nice neat rows, up the middle of roads, and with troops bunched all together with their arms not at the ready. The constant suicidal behavior set off my "tilt switch" so often I found it impossible to enjoy the movie. Apparently the screen writers and director have never been through actual warfare and never bothered to bring in an expert who had. This movie is the very antithesis of the excellent detail in Saving Private Ryan. Unless you are under 7 years old, I recommend watching something else. GB | 0neg
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] |
I thought that this was a spectacular movie, with a good cast. The plot was cleverly put together, and the responses from the characters were quite realistic, making this movie an exciting and thrilling ride (too bad about the give away scene about 3 quarters of the way through.) The film starts with with the "putting together" of a group of ten people, all driven to the same hotel, by a wild storm, that has flooded all the surrounding roads. As time goes by the group of people are being murdered, one person at a time. As you could expect in a situation like this, fingers are pointing all over the place, but who is the real murderer? Ten People, One Hotel, One murderer, No Escape! This film is one to watch! | -1no label
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been watching the progress of this movie since i first found out about it on the view askew web board and knew i needed to see it.... after watching the trailer i knew it was going to be one of the greatest movies id be allowed to see by the evil gnomes who choose my movies very carefully.. the type of movie this is really isn't done enough and the quality of the writing will amaze you... its tough writing a review for something while not saying too much about it but i really hate to spoil movies for other people, as i hate having them spoiled for me... let me just say to you.... awesome frickin' awesome check out Kisses and Caroms, you surely will not be disappointed... | -1no label
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The acting is fine. The cast is great. The script is lame, lame, lame. And did say it was lame? If the writers could exploit any ethnic stereotype in shameless fashion, they did. This story about culture clash and crime could have been told intelligently without resorting to over-the-top, sniggering, Hollywood-style bigotry. How could anybody take seriously a crime drama where two of the young mafia types' last names are Isabella and Rosselini? The only thing worthwhile to me was looking at all the Chicago exteriors and spotting the errors in geography. It is kind of fun to see a young Ben Stiller as a baby mafioso. I am relieved that this movie didn't wreck Adam Baldwin's or Liam Neeson's careers. | -1no label
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] |
This movie was yet another waste of time... Why oh why do I keep renting crap like this?... someone please tell me... *sigh* Oh well. back to the movie at hand: Cube Zero is probably worth it if you REALLY REALLY enjoyed the first movie, (like I did), and just want to check out what's up in the last (hopefully) movie scraped together just to keep some poor actors and screenwriters employed, then of course this is the movie for you. But if you are looking for a good movie with good acting and a fantastic plot... *evil grin* then this movie is definitely for you :-D.... OK I'm lying... At best this movie sucks. OK, I have to admit that certain elements to it was cool.. well.. coolish... and I laughed quite a few times, prolly at the wrong things, but nevertheless I was amused. :-) But all in all the few things that barely makes the "ok" category isn't enough to make this movie worth it at all.. Unless you count "Manos - Hand of Fate" one of the top ten movies EVER! | 0neg
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] |
I should have never watched this movie. The style of filming may be considered artsy to some, but it is considered migraine-inducing to me. I think it may have had an interesting plot, but since I couldn't watch it for long stretches at a time I missed a lot. The flickering pictures and stop motion filming branded my brain. I stopped watching mid way through and won't be back for a second try. I suppose if I were home alone in my own lighthouse some dark and stormy evening, this might be just the ticket... PS Not sure if the lighthouse/ film style thing can be considered a spoiler, but I don't want to be blacklisted on my first review ;) | 0neg
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] |
While we Americans(I say we, since I'm American even though I'm landed in Canada) tend to think of Monty Python when we think of British humor, there's also a satirical type of humor that seems to be unique to Britain. It can get rather dry, so dry that it's simply not funny(like the novel LUCKY JIM), but when it works, it's great to watch, and it works here. A friend of mine said while the book may have been a parody of Dickens, this film can be seen as a parody of Merchant/Ivory, and I think he's right. A couple of people who have commented have compared Flora Poste to Emma, and I'll have to admit that never occurred to me, but it seems apt. I see I'm getting literary here. Well, yes, this movie is literary(after all, Flora aspires to be a writer), but never in a condescending or precious way. Instead, it's funny and witty(which went out in American humor a long time ago), full of great characters and flawless performances. Huge kudos, of course, go out to Kate Beckinsale, who had little to do as Hero in MUCH ADO ABOUT NOTHING, but shows herself to be quite a comedienne here. But the supporting cast, including Joanna Lumley as Flora's friend Mary Smiling, Sheila Burrell as Aunt Ada Doom, Ian McKellen as Amos, and Rufus Sewell as Seth(also Stephen Fry and Eileen Atkins) are all perfect as well. One more thing; "There'll always be Starkadders at Cold Comfort Farm!" | -1no label
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] |
This film is a self-conscious, derivative mistake with both writer (O'Connor) and director (Nettheim) displaying self-indulgence without the quality usually associated with such behaviour. This was a movie desperately uttering the dialogue of countless pop culture movies seen from Kevin Smith, Justin Kerrigan, and even Quentin Tarrantino to a lesser degree. Why clone? And why do it so badly? I think Anthony O'Connor needs to try and create characters that are fleshed out and interesting - not just saying 'clever' things. The dialogue was, in a word, try-hard. The only thing that came out of anyone's mouth were the writer's words. He needs to develop. To do more with the characters, instead of showing his smugness. He needs to show us he can create interesting characters. Ones that express *authentic* feelings about themes in the film: getting over love, friendship, alienation, obsession... with some true insights - not shallow punchlines in the guise of enlightenment. An immature effort all round. Good for showing amongst the makers' friends as a laugh - not in a cinema, please! | -1no label
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] |
Like many it seems I dreamt of seeing The Dark is Rising on the big screen. Such depth, such scope. With such a true adaptation of the narnia classic already achieved I couldn't wait to view the trailer.... Oh dear oh dear oh dear. Is this really based on Susan Coopers book? What I remember as a powerful novel, full of magic, good versus evil and suspense bears no resemblance to the movie. What a waste of time and effort. I can't believe for one moment that Susan Cooper has authorised this movie which is supposed to be based on her book. I just hope that people new to this series will want to read the books if the first taste they have is this abysmal looking film. It seems the studio which produced this film have come up with the golden goose egg of formulas for those too stupid to appreciate the myths and legends in the book. Of course they would change his name from Jack to Jaqueline and get rid of the bean stalk for a rocket to the stars. Oh and not to forgot replacing the giant with a basketball player. But hey all in the name of making a quick buck..... | -1no label
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] |
Hilarious and low-budget comedy at it's best. This set of unique individual sketches with extensive self-referential humor is reminiscent of a really raunchy Kids in the Hall. Be prepared for some of the most random and recitation worthy lines, filled with ethnic slurs and awful language. Sex toys included! There should be more comedy like this around today. This collection of sketches on one DVD will warrant many viewings and reviewings in order to appreciate some of the parts. If you enjoyed The State and/or Wet Hot American Summer, get ready for some more glory. If you are even considering this for younger audiences I would say that every child on earth should see this. | 1pos
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] |
I was not expecting much of this movie. Unfortunately, I was not disappointed. This movie started out with a bad script. And the direction was very poor. I have read the English adaptation of the original play by Giradoux and I have seen the musical "Dear World" based on the stage play. Too many characters were added to the screenplay, and too much dialog was removed. The director wasn't sure whether it was a drama or a comedy or a tragedy or a farce. Or maybe he thought it was all of the above. I watched it with someone who did not know the story and she was totally lost. Hopefully this will not make it onto DVD. I can't imagine any company wasting the money on such a project. | -1no label
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] |
The Patriot is a well thought out, well produced film, that will draw the viewer into the story directly, and keep them involved to the very end. Granted, it is not in the same vein as Under Siege, et. al., but this is definitely the trademark film of what might be described as Seagal's second era of films. Not so much Action movies with a nod to a story thrown in for good measure, but a good story, matched with a point, and injected with some of Seagal's unimitable action sequences. Is this the kind of film that hardcore action junkies will enjoy? Probably not. But for those of us who not only like our action, but also can appreciate a well told story, this is a big step forward for Seagal. It's almost like the transformation Clint Eastwood made as he tried to step out from underneath the shadow of his "Dirty Harry" series. Either man, had he continued in the singular direction they were headed, would have forever been keyholed in in specific role and guaranteed the brevity of their careers... | 1pos
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] |
Tonino Ricci is certainly one of the worst Italian film-makers, also responsible of the terrible post-atomic romp "Rush". This one is a drwaback to "monster on campus" time : an infected scientist turns into a pizza-faced monster and terrorises (?) some bare-breasted starlets. A dubious hero tries to stop the contamination before the army nukes the whole town. In fact, the "bomber" is actually a (very) obvious model kit in front of some lava lamp impressions ! Ricci's no Argento or even Lenzi, but nobody could have done a masterpiece on such a no-budget. He did. Now, you take the same premise and turns it into a mega-bucks turkey like "Virus", and nobody is the merrier. | -1no label
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] |
"Young Sherlock Holmes" has the potential to be an interesting film but unfortunately seems to be marred in contrived cliches. I did not find any of the characters to be particularly interesting, nor did I appreciate its stereotypical and racist demonizing of middle Eastern culture - as if Egyptian women really behave or look like that! At times, I thought I was watching a series of bad Monty Python sketches. All in all, the acting was reasonably good (except for the scenery chewing villains) and the costumes were great, but I had a hard time staying awake while watching this film. The ending was particularly inane...obviously designed to lead into a sequel, which thankfully never came about. Strictly a movie for little kids or for people who like watching dated special effects. | -1no label
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] |
I'm a movie buff and watch movies all the way through even if they aren't that good just to see the complete story. Festival was recently screened on Channel 4's new free movie channel (Film 4 UK) I'm a fan of Stephen Mangan from watching Green Wing so I thought I'd record it and watch it later - I erased the movie from my DVD recorder half way through it was that bad and struggled to make it that far! The story (if you can call it that) is bland, the characters are bland (with the exception of Chris O'Dowd's who plays a good part) Mangan's character is completely unlikeable and totally unfunny considering he is supposed to be playing a successful comedian. And yes, there is that infamous scene where Mangan displays a (prosthitic) erection, which is shocking and can only have been included for shock value as it doesn't provide any laughs at all. You have probably gathered that I didn't like this movie much, and you would be correct. I don't know if it improved in the second half as it got deleted after an hour.. This is not a great example of British film making, so if you happen to chance upon it while flicking through the channels - you have been warned! | -1no label
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] |
By the time the Hellraiser franchise was reaching it's forth film the premise was wearing a bit thin. Dr. Paul Merchant (Bruce Ramsey) is a scientist in the future, whom while prisoner regales his captor of the story of how his ancestors (all played by Ramsey) had first built the evil Lament Configuration puzzle-box that sets evil upon the world and how his bloodline had subsequent dealing with said box. The film is a awash with lack of continuity in regards to the other films and lack of coherency in this one. Yes, this could be due to a combination of rewrites, massive cuts in the original version of the film, or what have you. But I'm reviewing the film as is, and not what it was or could have been. And as it is now it's a mess. Sure the franchise will go on indefinitely with direct to DVD sequels, but this one was pretty much a death-nail to it's chances of getting a new one released theatrically ever again. My Grade: D- | 0neg
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] |
'Northfork' is what is wrong with indie films. For all of their hard-edged commentary and attacking big subjects studios won't, this is the sacrifice we make. For nearly two hours I was subjected to the torture and pain of a film that starts by wandering like a blind man in a new place and ends without covering any new ground and thankfully dies. There are parallel stories that detail a dying town and a dying boy. Two men dressed in black (one of them James Woods) must coerce the remaining inhabitants of Northfork to leave before a dam opens up and floods the town. The other story has a boy returned to the priest (Nick Nolte) that gave him to the parents. He is dying and is visited, I guess, by angels. Among them Anthony Edwards with bizarre spectacles and Daryl Hannah in a bizarre costume reminding me of the pirate shirt from Seinfeld. Though this is the "plot," it is not what the film is about. The film is about nothing. It does nothing, says nothing, goes nowhere, and has nothing interesting to show. Perhaps by design, more likely an after-effect of the pretentious, surreal, David Lynch wannabe - we're an important artsy film can't you see - style of direction. The entire movie is filtered through a gray, bleak backdrop that, I suppose, fits a film about death. Instead, it simply makes the film that much harder to watch. If you want to see a film about men in black, see either 'Men in Black' films, neither too impressive but compared to 'Northfork' they are lifted to 'Citizen Kane' status. If you want to see a film about a boy dying watch 'Lorenzo's Oil.' If you want to see a film that has the destruction of a town through water watch 'O Brother, Where Art Thou?' If you want to watch a film better than 'Northfork,' there are hundreds. If you want to watch a film that is worse, there are only a handful. 0* out of **** | 0neg
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] |
A few people on this page have compared SECRETS to a sort of Aussie 60s version of THE BREAKFAST CLUB but I have to steadfastly disagree . THE BREAKFAST CLUB was one of those productions that Hollywood used to churn out in the mid 1980s in order to sell a few records . SECRETS has an entirely different feel to it , in many ways it feels neither like a cynical marketing excersise nor a feature film but more like a theater play , and even though I haven`t bothered to check I`m probably right in saying SECRETS started life off as a play . Check out the character of Randolf who starts off by speaking in a scouse accent then when he gets found out reverts to an Australian accent . This type of deliberate internal logic gaffe is not uncommon in stage plays since it gives actors the chance to show off a bit and of course the story is entirely low concept just like you`d expect from a stage play . This is a very uncinematic movie and the director seems to be lost in what to do with the characters . Check out the early scenes where Didi sits alone drawing . She`s been down the basement with Danny but neither of them have said two words to one another . Very difficult to believe . But I guess the selling point to this movie is more to do with the music of The Beatles rather than character interaction but the music featured here is of the band`s early stuff and I much prefer their later material As a strange footnote last year Paul McCartney`s daughter Stella was married on the island of Bute where I live . We had some really big name celebs like Madonna and Gyneth Paltrow over for the wedding and the local population were totally star struck just like the characters in this film . Quite pathetic really | -1no label
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] |
'Had Ned Kelly been born later he probably would have won a Victoria Cross at Gallipolli'. such was Ned's Bravery. In Australia and especially country Victoria the name Ned Kelly can be said and immediately recognised. In Greta he is still a Hero, the life Blood of the Town of Jerilderie depends on the tourism he created, but in Mansfield they still haven't forgotten that the three policeman that he 'murdered' were from there. Many of the buildings he visited in his life are still standing. From the Old Melbourne Gaol where he was hanged, to the Post office he held up in Jerilderie. A cell he was once held in in Greta is on display in Benella and the site of Ann Jones' Hotel, the station and even the logs where he was captured in Glenrowan can be visited. Evidence of all the events in the movie (except for his love interest) can be found all over Victoria, in police records and even in the Sash that Ned was awarded with for rescuing Dick Shelton from drowning. None of this is wrong, and whats left out would further justify Neds actions. The Horse that Ned 'stole' was actually stolen by Wild Wright (the man who Ned boxes with after getting out of jail). Ned was already in prison when the horse was reported stolen so he couldn't have stolen it. The Jerilderie Letter is more than what has been stated before. It is not self justification it is Ned's biography, an outline of what he stood for and who he was protecting. So go ahead and read it, watch the movie and then make up your mind about what Ned stood for. | 1pos
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] |
One of the most famous of all Bugs Bunnies, in which our hero believes he's a shoo-in for a Best Actor Oscar. Behind the comedy is a laceratingly cruel satire. The film opens with a traditional Voice of God introduction to the Oscars, as our narrator shows us the Hollywood sights before showing us the hotel where the event will take place, the crowds awaiting their favourite stars. Already Hollywood, the entity, the myth is reduced to a series of recognisable signs - the Hollywood Bowl, the Troccadero, the Chinese Restaurant etc.; the stars who exist only as their popular image, cemented in a ghostly pair of feet on some footpath. Bugs is convinced that he will win because he can do impressions of all the stars. This is a stunningly versatile monologue as Bugs mocks everyone from Jimmy Cagney to Bing Crosby, but surely it's an insolence to think that mere mimicry can be as worthy as a great performance? But Bugs' point is precisely this - the Awards pretentiously think that they are rewarding high art, when these great actors are locked in stereotype and received image. They are the sums of their persona. Bugs IS greater than them because he can do an impression of Cagney AND Crosby; they can only do impressions of themselves. A list of Oscar winners from the period proves Bugs unerringly right (MRS. MINIVER, according to Oscar, is a far greater film than CITIZEN KANE.) As a further treat we are shown a clip from Bugs' LITTLE HAIWATHA, in which a bathing Bugs realises that he is about to become rabbit-meat for a placid Indian/Elmer Fudd. This remarkable clip, stunningly self-reflexive about Hollywood ideology and racism, reveals Bugs' true worth, but for the Academy to reward him would be to admit their own worthlessness and fraudulence. So they stone him. He is awarded, however, the first Raspberry, moulded in his own image, which comes to life and kisses him. This is Hollywood's ultimate insult, but it's eventual proof of Bugs' superiority, his versatility, his embracing of fragmentation and metamorphosis at the expense of rigid, conservative, stereotypical, wholeness. As animation, the short isn't as fleet-footed, violent or versatile as the great Tex Avery masterpieces, but there's a belligerent gaudiness of colour that suits the subject admirably. | -1no label
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] |
I have a feeling that most people are going to either really like or really dislike IZO. It is another of Miike's "stranger" offerings as it isn't a cut-and-dry narrative film. It leaves a lot open and allows the audience to create their own impression to exactly what or who Izo is. Some viewers will find this annoying - others may find it refreshing. I personally like a little more narrative in my films - but IZO is a very intriguing and beautifully shot film. I'll spare any of my own interpretation as to what the film is about - and keep it to the most basic of "facts"... Izo is a vengeful spirit who skips from place-to-place and era-to-era killing pretty much everyone in his path. That's about it. There are several other side-plots and other goings-on...but that's about all you'll need to know going into the film. Some very cool and stylish swordplay battles - reminiscent of a newer style of more traditional Japanese samurai films. Every battle that Izo encounters in his "travels" is interesting and stylish in its own way - and there's very little "down-time", as the action comes fast and frantic. The storyline and motivation of the film may be a little to vague to appeal to some viewers - but like other strange Miike entries such as GOZU and VISITOR Q - IZO is more of an "experience" than a "story". Worth a look for those that don't mind a more open-ended storyline...8/10 | -1no label
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] |
I am sorry to say this but if these comments will save someone a few bucks then good. You would be better off buying soup. I actually know some of the folks in one of the vignettes and while they did a great job with what they were given I must say the first segment was truly - not good. Uninspired, unoriginal, guys is rubber masks and so on. Come on. I suppose there are some folks who will love the "camp" aspect of this but Roger Corman did better stuff, and probably with less money. I like Corman but his time has passed by now, please, for heavens sake, move the genre forward or leave it to others. I was truly happy to see Ms. Kidder acting again and doing a decent job. I was wondering if any self respecting agent should allow her to be part of any production with such low goals/values as this one but, she does pretty good, again, given what she was allowed to work with. Look, I'm no expert and have dabbled in making shorts and so on. I like the scary stuff but this was not it. To slap the sub title on this as being from the "Master of Horror"? Really? Where is the horror? Buckets of blood are not scary, mental scares stick with you - "White Noise" stays in your skull, "High Tension" stays in your head, "Cigarette Burns" has staying power. This will hopefully fade away. Again, it pains me to say all this but save your dimes kiddies and buy some pop-rocks, or better yet, an old MiniDV camera and make your own films. Congrats to Bo and everyone involved for getting this far but really, is this on par with other films that have been commercially released? If it was made for the love of the genre, kudos. If it was made hoping to make a million dollars, sorry. If it was made as a stepping stone and learning experience, that's great. What's next? On the positive side, you can see a definite ramping up of quality from the beginning to the end. I don't doubt that in time this team could do something great. Better stories, NO rubber face masks and better sound and I'll be right in line to see it. Keep at it. We're watching. S. | -1no label
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] |
This episode had potential. The basic premise of a woman living next door to an empty apartment (but a phone that constantly rings) is somewhat interesting. And when she explores the noise, there is genuine tension and fear. But stupid script writing ruins any promise the episode had. First of all, the woman readily admits to seeing things that would send most of us running in the other direction (e.g. "It's funny that the door slammed shut even though there is no wind;" "This door has serious damage to it that wasn't here a minute ago;" "The door opened by itself, without me touching it;" etc.). Given these supernatural phenomena, plus the fact that a woman committed suicide in the room, wouldn't she take some precaution before entering it? Maybe she could investigate in the day time. Or maybe she could investigate the apartment with somebody else. Or maybe she could TURN ON THE LIGHTS!!! Also, while in the haunted apartment, she decides to make numerous phone calls to the operator and gets into an argument over who has the power to disconnect the phone, and then they begin discussing the details of the suicide. JUST UNPLUG THE PHONE! The phone company doesn't need to be involved. Walk up to the phone and unplug it. Case closed. Finally, showing the phone scamper across the floor like it's alive was just comical. If the director wanted the woman to get strangled by the phone card, he could've done it in a way that didn't look cartoony. Brave Little Toaster anyone? | 0neg
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] |
WARNING: SPOILERS!!!!! This movie is awful. Any Canadian who watches it and likes it should have their heads examined. Don't give me that "it's just goofy political satire" crap. The fact is, they start insulting Canada before they consider a cold war with Canada (i.e. the hockey game: "What's with the flag, is that some kind of weed?") Aside from the meaningless anti-Canadian jokes, the jokes are pretty dumb. The only part which cracked a smile from me was when they were (trying) to sing "Born in the USA." Bottom line, don't waste your time with this highly offensive claptrap. This should have never been marketed as John Candy's final movie. By the way, he was Canadian. | -1no label
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] |
The film opens with this hot chick stripping down completely nude and starting to take a bath. I thought, "Oh boy, here we go." A few seconds later she hears something outside. She says, "Who's there?" and runs outside the room (scantily clad, mind you) to see who it is. She's chased outside by a homicidal maniac and runs through the woods, her robe falling off and revealing more pointless nudity. Finally she lures the monster into a circle of gunfire from a SWAT team who finally manage to kill Jason (apparently repetitive gunshots make him implode on impact). Then this balding man pats the half-naked girl -- who is now revealed to be a brainy cop -- on the back and says something like, "Good work, Sergeant, we'll get a promotion for you!" Meanwhile she's standing around naked with only a robe. For a moment I thought to myself, "This is either going to be the worst movie ever made, or a clever parody of its predecessors." I mean, either the whole nudity part with the female cop was just there for the sake of nudity, or it was a parody of the fact that every "Friday the 13th" movie has at least one scene of gratuitous female flesh. Unfortunately my first assumption was correct. This is an awful movie. It only gets worse and worse as time goes on. It's entertaining, sure, in a so-bad-it's-hilarious kind of way. The characters are all clichéd to the point of nausea and the killing scenes are so standard it's like doing a paint-by-numbers, it's already mapped out for you ahead of time. This isn't the worst film ever but it's certainly a very bad, cheesy, poorly acted, amateurish title in the "Jason" series and the fact that it was indeed NOT the last "Friday the 13th" film is rather ironic in itself. | -1no label
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] |
I first saw this movie on cable about 5 years ago and I could not stop laughing. Everything about this movie seemed to click, the storyline, the characters, the setting. As far as film is concerned I wouldn't call this a great movie but for what it is supposed to be it is fantastic. It gets it's meaning across. The cast is maybe as good as any ever put together in a comedy movie. Corben Berbson, Fred Gwynne, Ruben Blades, and Ed O'Neil are hilarious. For this who haven't seen it, I will give you a brief synopsis: Four Criminals meet up in a small town in Montana after receiving a letter from their friend about a bank heist. However when their friend is arrested by two cops who chased him from New Jersey, they try to figure out whats going on and all hell breaks loose. The film is truly a great bank caper comedy and is sort of like a poor mans version of Oceans Eleven, only with four criminals who can't stand each other, and in Montana rather than Las Vegas. All in all if like to laugh I would strongly encourage you to see this movie. | 1pos
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] |
You cannot make a movie that is nothing more than a two-hour shoot-out. It just doesn't work. Apart from the fact that the 'shock' of the fight wears off after a while, having a battle scene that takes up 75% of the film's run-time leaves no room for character development - and hence you could not give a monkeys who lives or who dies. This was the same problem with 'We Were Soldiers', where all of the storyline was condensed into the first 30 minutes, freeing the remaining screen-time to be dedicated to nothing but non-stop gratuitous violence. You need to even out the action scenes with advancements in the plot to give the story any meaning and to keep your audience's attention. What's even worse is that the battles aren't even that impressive. Certainly the visuals, sound and editing were better in both 'We Were Soldiers' and 'Saving Private Ryan' (a film made some years ago now). There are obviously certain historic issues that need to be addressed, but when a movie is this dull anyway, who cares? Any film that has me fighting to stay awake on a Friday night must have something seriously wrong with it. 3/10 | -1no label
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] |
First off, I absolutely loved this movie. As a Billy Crystal fan, I must say that I was expecting more comedic situations than I actually got. However, it was nice to see him in a role with more depth and emotion. His portrayal of talent agent Sammy was brilliantly performed and uniquely him. In addition, Gheorghe Muresan (as Maximus) was superb in his first film role. When Sammy goes to Romania to visit his client on location he has his world turned upside down. He never expected that he would accidentally find the one person who could change his life. Sammy and Max's journey is unique and moving, and even humorous at times. Plus, the location in Czech Republic where parts of the film were shot, was absolutely beautiful. I have to say, this dramatic comedy had me feeling a variety of emotions. I thought it was excellent and I would recommend it to anyone and everyone. | 1pos
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] |
This is, without any doubt, the WORST movie involving airplanes in the entire history of movies, and also one of the WORST movies, period. Good thing I was alternating between this movie and "Corrina, Corrina" on TV, I thought the latter was by far more interesting. But the point is: the guys not only directly copy Air Force One and Executive Decision, but also don't know anything about aviation. I mean how on Earth is there supposed to be this little trap at the belly of the 747, right on spot? How is there supposed to be this elevator that goes straight to the cargo section? Why on Earth is that plane bearing the livery of the inaugural 747 flight from Boeing? They were too cheap to take shots of a plane themselves, so they took footage from Boeing. Why is that "TERRAIN - PULL UP" or "TOO LOW - GEAR" alarm ringing when the aircraft is flying at cruising altitude? One last thing: the realistic ending of the movie would have been the 747 crashing and burning in Santa Monica and having half the population of Los Angeles killed either with the fire or the chemical toxin, because it is impossible to land a plane that easily (and so nicely aligned with the runway)! Overall, this movie is the worst of all, the acting is awful, the plot is awful, it made me think: "How lower can you sink?" | -1no label
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] |
I loved it so much that I bought the DVD and the novel at the same time. The chemistry between the actors (including little Arthur) is amazing and thrilling. It could have used a bit more screen time for the yummy Frederick Lawrence (played by James Purefoy). And Gilbert Markham was amazingly "on it" from the very start of the movie. The one who most thrilled me via surprising shock and awe and wonder was Rupert Graves as Arthur Huntingdon. I adore him in Forsyte Saga, and all else I've seen him in. But he outdoes himself here as Arthur. In my wildest dreams I could not have pictured him playing a demented psycho such as Arthur Huntingdon. But he does. And I love it. And I love him. | 1pos
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] |
Before all of the present day knucklehead mash of mindless teenage movies, this intelligent, Oscar nominated (for best picture) film shows the last night of summer retreat for a group of young people in a small northern California town, one of whom is about to head back east to attend college. Richard Dreyfuss provides the intelligence, Ron Howard the aloof personality, Paul LeMat the muscle, and Charles Martin Smith the comic relief as the four main players in director George Lucas' first major breakthrough in movies before his adventure with the 'Star Wars' films began in 1977. 'American Graffiti' and 'Star Wars' are the only truly great films that Lucas has been involved with and 'American Graffiti' is shot like a documentary, edited with care, written with charm and performed with excellence by a cast that will always be remembered for this film that helped them launch careers that would take them to the top of their profession. | -1no label
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] |
magellan33 said: "You can only do so much when the two stars of the show can only be seen by one fellow cast member." I assume, then, that you never heard of "Topper". Which, in addition to the two stars who could only be seen by one member of the cast, had a dog, ditto. This was the kind of program that had "Not Gonna Make It" written allover it from the first episode - it was like an arcade video game where you actually have to read the instructions to play; no-one (well, very few of us, apparently) wants to watch a comedy program that has a basic premise that actually requires *thought* to grasp. | 1pos
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] |
It starts off with Anita Ekberg being attacked by an escaped lunatic. She survives but is institutionalized. A Dr. Greene (Harry Townes) becomes obsessed with her. Next thing we know she's playing a "stripper" called Yolanda. Crime reporter Bill Sweeney (Philip Carey) falls for her and Greene doesn't like that. Also there's a murderer around and it seems Yolanda may be his next victim...If that sounds disjointed you should see the movie! Hopelessly confusing and extremely dull piece of work. Ekberg is certainly gorgeous but no actress. Also her "stripping" has her not taking off anything! Then there's Gypsy Rose Lee as the owner of the "strip" club. At one point she gets on stage and sings (and "dances") to "Put the Blame on Mame"! Rita Hayworth has nothing to fear. There's also a hint of lesbianism (very daring for 1958) and a constantly barking dog named Devil! I'm probably making this sound more fun than it is. It's slow, confusing and dull with bad acting (except for Carey) and pointless musical numbers in the club to pad out the movie. This might be worth watching if you're an Ekberg fan or you want to see Gypsy Rose Lee--but it's rough going. A 1 all the way. | -1no label
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] |
It was a hot summer afternoon and I was happy to stay in and watch this John Ritter movie when I saw it featured in the TV guide, but it turned out worth not to be watching at all, unless you are planning on doing a thesis about the 70's "Me Generation", the I-want-it-all and the I-want-to-have-sex-with-anyone-and-everyone lifestyle, or maybe you're interested in 70's disco costumes and puffy super-sprayed mullet hairstyles. but maybe you can tolerate it if you drink as much as the characters do. Hoo boy, what made me ever think those times were FUN! I turned it off halfway through and I don't even wonder if the pitiful protagonist played by Ritter got to live happily ever after - he certainly didn't deserve to. | -1no label
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] |
I had the chance to see the North American Premiere of Alien Evolution and I was quite impressed by it. As a fan of this franchise and thinking that I knew everything about it, I have learned many things while watching it. It's a lovely documentary to see because it talks a lot about what the actors, directors, producers of each films think about all four movies. It's a must-see for every movie-goers especially for the first thirty minutes, I would say, because everyone who was involved in the 1979 classic "Alien" give their point of view (and H.R. Giger as well) on the creature and the sets where the story took place. It is great! Also, there is some actors from the first three movies who appear to say their impression about all kinds of things. Ridley Scott, H.R. Giger and Sigourney Weaver had many good things to tell us about. My only disappointment, I think, would be that Alien Resurrection was a little bit ignored in this 1 hour and a half long documentary. The only persons interviewed who were in this 4th installment were the director, Jean-Pierre Jeunet, and of course Sigourney Weaver. It made me a little bit sad because Alien Resurrection is my favorite of them all but Alien Evolution was so well done and what the people had to say was so interesting that I still give it a perfect 10 on 10 because it was excellent! *I wish we could put 11... | -1no label
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] |
Man, what the hell were the people who made this film on? And more importantly where can I get some? The opening scene sets the tone for the film: a woman writhing naked in a circle of fire, transforming into a werewolf. And this is no Rick Baker 'American werewolf' transformation, folks. We're talking some of the worst makeup ever captured on film here. I can just imagine some stoned Italian spreading glue on naked Annik Borel (who plays Daniela, the film's protagoness (is that a word?)), and asking her to roll in fur. That's how bad it is. From here on in it doesn't get much better. Minutes are wasted as the scenery chewing male actors waffle on about Daniela and her condition or something (I can't remember, but the dialogue is so bad if you don't laugh at it you'll cry). The funny thing is Daniela isn't even a werewolf, she's a psycho who goes mental whenever there is a man around (understandable, as she was raped as a child) so she thinks she becomes a werewolf like her ancestor (the opening scene). She can't help but tear out the throat of every man she meets, and she only wants to be loved! Things start looking up for Daniela as she meets and falls in love with a buff stuntman who doesn't trigger her 'episodes'. Check out the montage here, one of the cheesiest you'll ever see (laughing and hugging after diving headfirst through a window). Daniela's luck doesn't hold out as the film takes a brutal turn, she is suddenly viciously beaten and raped by a group of thugs who kill the stuntman. Reminiscent of "I spit on your grave", Daniela extracts bloody vengeance on her rapists. This is 100 minutes of my life I will never get back. But hey, that's the game you play when you're a film geek. | 0neg
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] |
I saw "Double Harness" for the first time yesterday. At first, I was expecting what I call the usual 30's drama, with lots of tuxedos and evening dresses and maybe some weak humor. But what I found was Ann Harding, a beautiful and very talented actress. Her understated delivery and honest portrayal made me want to see more films with her in a starring role. As one reviewer has pointed out, William Powell was on his way to "Thin Man" fame, but what became of Ann? She easily could've gone toe to toe with the other great ladies of film from that time, but we see little of her today. She is a delight to watch. Thanks to TCM for showing "Double Harness" to keep Ann's memory alive and well. | -1no label
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] |
This film had a lot of good things going for it. Based on Ray Bradbury's novel, with the equally talented Richard Matheson doing the screenplay. A top notch cast including Rock Hudson, Roddy McDowell and Darren McGavin. So where did it go wrong. Well, first, the cheap special effects. I think they went with this because this was the post-Star Wars Science Fiction craze, but Star Wars had so raised the bar on special effects, that the tired models on wires method just wasn't going to satisfy anymore. Second, Bradbury's novel is a collection of short stories strung together with a common thread. Some of the stories were published previously, and Bradbury included them in an overall book. Matheson decided to play up recurring characters in order to give the story more of a narrative, including Hudson's character. Overall, it doesn't work. Bradbury's ornate writing doesn't translate well to the screen despite the best efforts of Matheson and the actors. | -1no label
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] |
tom lives an unscrupulous life working for the real estate business. He and his colleagues use the nastiest means to oust the occupants. fighting, tearing the room into pieces, putting snake (or rats?) through the door slit - the beginning of the film is full of violent happenings in the dark. There isn't the faintest sign that this electro lover approaching his 30s can be a talented pianist. his life is changed when he meets an old colleague of his mother who reminds him that his mom was a brilliant concert pianist. he is invited for an audition and since then his life is filled with his passionate pursuit of his dream. he has lessons every day with a Chinese pianist miao lin. the Chinese girl can hardly speak any french, nor is she very expressive of her emotions. it is quite intriguing to observe how they interact in the film. the efforts he spends on the preparation has changed him. when he goes back to his real estate job, the beat of his heart "stops" as he comes to see how spiteful a life he has had. it is wise to leave it like this without further description. this makes the ending more enigmatic. two days after watching the film i am still pondering what was meant by the glance at the end, what kind of emotions tom must have & why he does not kill the Russian guy. Romain Duris is a brilliant actor. most scenes were emotionally intense and very well-acted. i am excited to see how he listens to and plays music. not only are the piano pieces pleasing, the techno also thrills (trance is great!). i like it so much the way it portrays the dark side of his life at the beginning. a hard but realistic film which deserves one's mental efforts. | -1no label
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] |
For me this is Ealing Studio's most perfect film - as fresh and relevant half a century later as it was the day it was released. As a satire on economic notions of 'growth' and the commercial need for in-built obsolescence, it could scarcely be more up-to-the-minute. And of what other film can it be said that the hero literally wears the plot? Oddly, there are parallels with Jurassic Park, in which messing with the environment will literally turn round and bite you. But Spielberg shied away from the book's brilliant central conceit to tack on some nonsense about 'children'. Hmmm. In The Man In The White Suit, Alec Guiness plays an idealistic young scientist who comes up with a cloth that never gets dirty and never wears out. Suddenly workers and capital at the northern English mill where he is working are united as never before in protection of their livelihoods. Of course, being Ealing, it's a comedy, but it needn't have been. The complex interplay of vested (should that be suited?) interests plays out beautifully, as one by one all parties realize that 'progress' is a threat, and that disposability and waste are what keep the looms turning. But, yes, this is a comedy - albeit a pointed one - and amid the political ironies are delicious performances, and some good old-fashioned knock-about laughs. Nonetheless, it's the biting satire that endures - dazzling and white. | 1pos
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] |
...is Sean Bean. How did an actor of his caliber allow himself to get trapped in this mess? My God, this is bad! The writing is something out of an afternoon soapie (though even those shows have enough pride not to hand out this many clichés, usually). Most of the acting--except Bean, whose professionalism apparently extends even to trash like this--is almost comically lousy. The only name I recognize (other than Sean Bean) is Amanda Donahoe, whose performance is so cheap it makes her crappy work on "LA Law" look like an Academy Award winner. None of the other actors deliver anything more than dull-eyed recitations of their bad lines, which makes me wonder: Are these actors all this bad, really, or are they this bad only because the script sucks so completely? All I can say here is that if you're a Sean Bean completist, as I am, you'll want to watch this--and then check it off your list. Be shocked that he ever agreed to be connected to such dreck. If you're not a Bean freak--avoid, avoid, avoid, because minus Bean, this has absolutely NOTHING to recommend it. | -1no label
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] |
Frank Tashlin's 'Porky's Railroad' is one of the lesser black and white Porky Pig cartoons. Tashlin directed many of the finest of these early Porkys but sometimes the script would let him down. This is very much the case in the interminably dull 'Porky's Railroad', although Tashlin makes a few odd choices himself. The cartoon opens with a lot of on screen captions and Tashlin accompanies them with some weird use of slow-motion. There follows a string of crummy gags (broken up by a rather lovely aerial view sequence) before the main storyline kicks in, with Porky taking part in a race with a more powerful train. This feeble plot, despite a surprisingly sad ending, throws up few moments of interest and, despite some unusual camera angles and a gallant attempt to inject some pace, Tashlin never manages to make 'Porky's Railroad' come to life. The result is a pedestrian pig picture, one of several lacklustre cartoons with the generic title 'Porky's...fill in occupation'! | -1no label
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] |
Duncan Roy's writing and direction is really, and regularly, below par. Actually it sort of stinks. AKA is almost as bad as his recent (horrible, self-serving) remake of Dorian Gray - absurd, contorted dialogue among the 'upper class' characters, at once idiotic and pretentious, amateurish, stilted to its core. Characterisiation and script - and sometimes the acting - is creaky like a school play...but worse, there's a sort of peacock self-certainty about the direction which is just soul destroying when the director clearly hasn't grasped...he's just no good. Diana Quick must be cringing with embarrassment. DR you should just get out of film...seriously. | 0neg
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] |
of all the times that i've watched scrapple (some 100) in all kinds of venues (at 3 in the morning on a couch with other bar stragglers, at new york film festivals), nothing compared to seeing it in its hometown at mountain film festival, with a hometown crowd as they whooped and yelped at all the local references, ski town tributes and cameo performances (all of which still has appeal to broader less tuned-in audiences). it was like a screening of rocky horror picture show with the same level of participation and more; singing, line-readings, cat calls, wolf whistles, salutes (to Charlie Fowler and Bill Fandel). ten years down the road -- and still going strong -- scrapple has endured as a classic, and judging from last week's screening, it continues to mark a time, not only in skitown history, but as a way of life still worth celebrating. | -1no label
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] |
Each of the three love stories would have been worthy of a movie to itself. The second, with Leslie Caron, must rate at least a 7 for anyone who enjoys her, but her work in Lili outshines everything else she has done. The third, with Pier Angeli and Kirk Douglas was a treat even for a viewer who does not usually like Kirk Douglas. It rates a 9 on the basis of the marvelous sequences as he teaches Pier Angeli the art of high wire performance. But it is the first, which deserves 11 out of 10, which makes this film a "must see." I know of no other film in which great orchestral music has been treated with such respect and insight. There are long, uninterrupted sequences of the marvelous Moira Shearer dancing to one of Rachmaninoff's fabulous Variations on a Theme of Paganini. The combination is superlative ballet, and superlative interpretation of a great orchestral work of the late romantic school. As icing on the cake, James Mason is the audience of one as she dances, an irascible impresario who is, quite understandably, overwhelmed by the magic of Shearer's performance. The story ends too soon. At full length, with three times the dancing, and a better love story between Shearer and Mason, it would be a movie I might expect to see in Heaven. It makes the whole film easily worth a 9. | -1no label
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] |
The question you have to ask yourself after sitting through this turgid piece of utterly uninspired cinema is "why did they bother?" Nothing more than a series of clichéd set pieces and more ham than a spit-roasted hog. Even The League of Gentlemen's usually excellent Steve Pemberton notches up a performance as excruciating as Lenny Henry doing Frank Spencer. Maybe I'm getting carried away, after all it is for kids, but even when compared to the Elizabeth Taylor Lassie films this just doesn't cut it. A lazy effort all round. The dog out performs everyone, including Peter O'Toole. Save your money and wait until it's released on DVD. It'll just about look OK on the small screen, maybe. | -1no label
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] |
Wow, this film had a huge impact on me, it moved me,. It is an amazing story about a girl in Cambodia who is sold into the sex trade. I can not stop thinking about the fate of the little girl named Holly. The setting of the film is realistic, The film was an eye opener, I can not imagine anyone walking away from it with out wanting to help make a change with this horrifying problem that exsists. The content of the film was very very moving. It was one of the best films that I have seen this year. The girl who plays Holly does a fantastic job with her character. Ron Livinston gives a fantastic performance. The film moved me to tears, It tells an important message that needs to be heard worldwide. Everyone should go see this film. I think this film will make a difference, I loved it! | 1pos
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] |
Inspired by a true story, this movie took place in Argentina and Uruguay in 1965 when a couple of gay lovers involved in a money robbery and then hunted down by swarms of cops. In the end, they both burnt the money they had robbed and died together. They were right or wrong? That depends on you but honestly, this movie is one of the best of its category with amazing acting by both main actors (Leonardo Sbaraglia as Nene and Eduardo Noriega as Angel) plus extraordinarily good cinematography. Many people may say that this movie is full of violence, sex and nudity but they all must agree that the love story it contains is so much beautiful that touch everyone's hearts. Their relationship was challenged by that wrong decisions, betrayal and jealousy but they both finally found somebody to share each other's life and death. No matter if you are gay or straight, liberal or conservative, you will all enjoy every second of this incredibly well-made movie. No man will regret that he chose to see this masterpiece. Marcelo Pineyro, Leonardo Sbaraglia, Eduardo Noriega should have won many more awards than they already did. I don't know if it has ever been on screen in the US,; if yes, it should be nominated for the best actors, best director and best cinematography categories, if not, the academy members must be ashamed of themselves. | -1no label
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] |
Looking at some of the negative posts, you really have to wonder what some people do for fun.... I was lucky enough to see the film during its all-too-brief theatrical run. The audience laughed its heads off. I'm watching a tape of it as I type and it's still dang funny! It's also got a sweet side, with unexpected turns of genuine pathos. The late, great Royal Dano is especially effective as the lonely, down-on-his-luck farmer Wrenchmuller. Ariana Richards and J.J. Anderson are great as the lead kids. And the actors in the Martian suits, although limited to mime, do a great job Another thing to look for is the background details. The film is full of homages, pastiches, and references to other SF and fantasy films. Take a look at the Martian costumes next time. One of them is wearing a Marty McFly costume, another is a Ghostbuster, a third is in a House Atreides uniform, and a fourth is wearing a Last Starfighter flightsuit. | 1pos
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I have waited a long time for someone to film a faithful version of H.G. Wells' classic novel, "War Of The Worlds". Timothy Hines has finally done it! I just couldn't believe how good it was! From the acting, to the costuming, the out-of-this world special effects, I just can't say enough!It was wonderful! Dramatic, intense, full of first-rate performances by a top-notch cast! It's got to be seen to be believed. I sure didn't. And I've read all those negative comments by the others, and can't believe what they were saying. We must've been watching a different movie, huh? And those real bad comments by that vepsaian guy, guy whoever he is, well, he just doesn't know what he's talking about. Keep up the good work, mr. Hines. | 1pos
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] |
Larry Bishop is 60-years old, dirty and not good-looking YET in this movie he's like a drug towards the women in their twenty's. A lot of movies have been claimed to be sexist but if any movie deserves that title it's this one. I can't even count how many boobs there were shown in this movie, probably more then hours Larry Bishop spend writing the script. The script is ridiculous, Bishop and his gang argue, bike, party, have sex, kill people and the next day they argue, bike, party, have sex, kill people and the third day, well you get the idea. I like ERIC BALFOUR and considering what he had to work with, he did pretty good as Comanche. Unfortunately this movie is about Larry Bishop's character Pistolero who is so one-dimensional it's not even funny. He's also a horrible actor, and apparently he never intended to do the lead himself but everybody he asked said no so what was he to do? Once he realized he was gonna do the lead himself, he probably did a re-write of the script so that he could touch up more ladies. Although visually it's kind of good-looking, at least the biker-scenes and Eric Balfour isn't half-bad this movie is just a big mess. I hope to never see Larry Bishop in front of the camera again. | 0neg
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] |
First of all, ignore the comment about how South Park should make fun of Republicans. Everyone is doing that now, why should South Park blindly follow what the rest of the media is doing? And what the Republicans are doing is more serious and less funny than Al Gore and his global warming hysteria. But all that aside, this episode is just plain funny. Al Gore's portrayal has to be one of the best caricatures of a politician I've ever seen, it was original, and it was based on peoples opinions of the man. I don't want to give anything away, but it had me rolling on the floor. There are also has some of the best Cartman/Kyle moments ever. All in all I'd say that this is one of the best episodes the show has ever had, and I would highly recommend it to anybody. | 1pos
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After seven years and seventeen pictures at Warner Brothers, Doris Day moved to MGM to star in a dramatic musical based on the life of 30s singing star, Ruth Etting. The film was called "Love Me or Leave Me" and would co-star James Cagney. Shot in CinemaScope and Technicolor, it was a lavish film. Doris Day gave the performance of her career and matched the great James Cagney in the acting department. The critics were raving loud and clear and rumors of Oscars for Miss Day and Cagney were often discussed. The story concerned a young singing hopeful, Ruth Etting, in 20s Chicago who meets a tough gangster, Martin Snyder, who strong-arms her to fame. First in nightclubs, then radio, the Zigfield Follies in New York and finally, Hollywood films. James Cagney attacked the role of Snyder with frightening realism. His experience as an actor culminated in an explosive performance and garnered him a Best Actor Oscar nomination. Doris Day, the first actress to get billing over Cagney in over 30 years, deserved a nomination, but lost out to Eleanor Parker in "Interrupted Melody", also at MGM. She was remarkable throughout most of the film. There were times when she lost character and broke into her "girl next door" personality but those mistakes were few, however, and I'm sure when Miss Day sees the film today, she could kick herself. She is the showcase of the film, however, and delivers, vocally, some beautiful music. In addition to the Etting standards, two new songs were added. "I'll Never Stop Loving You", which became a big record hit for Miss Day and an Oscar nominee for Best Song, and "Never Look Back", a gorgeous ballad done with a full orchestra. Her big extravagant Follies number, "Shaking the Blues Away" was typical MGM and a far cry from anything she did at Warner Brothers. Cameron Mitchell as Johnny Alderman, the musical director who loves Etting, Harry Bellaver, Robert Keith and Tom Tully were all first rate. Even Veda Ann Borg in a walk-on, was fun. I loved this picture and recommend it highly. You won't see Doris Day used to better advantage than here. She and Cagney were excellent together, and memorable. | -1no label
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] |
Honestly, I am a fan of Sword and Sandle films. Unfortunately, this did nothing for me. Although the DVD I picked up promised "breathtaking action scenes", the lovey-dovey romance took over most of the film, and the most exciting battle scenes were relegated to the the tail end of the whole movie. Phillipedes is a good example of a "perfect hero". He has very few character flaws, other than being seemingly obsessed with a woman supposedly not meant for him. The main women all swoon or fight over him. His acting was unimpressive, and he is much too perfect to really be an enjoyable character. Theocrates is the classic villain. He quite plainly spends most of his time trying to stir up evil feelings against Phillipedes and abusing others. He was obviously engaged to Andromeda at the beginning, thus setting up 2 different love triangles. He dies a horrible death at the end of this movie, like every villain at the time. Andromeda, I'll give her, is very beautiful, but is just the classic blonde. Obsessed with Phillipedes, she shows no real strength of character. She is simply an attractive goddess with few other attributes. Her name, as in the Ethiopian princess, is meant to give an air of extreme beauty, which is her only outstanding trait. Characters like Karis took away from the plot. She was just there to prolong the movie and draw out the story, making it more difficult to follow. The dark-haired, cold hearted beauty, she obviously could never compare to the sunny-haired, bright-eyed blonde she is competing with. Worst of all was the filmography. The whole movie was in a terrible state. The version I watched was dark, grainy, and in poor shape in general. The colors seemed very fake and out of place, even for a late '50s film. Predictable plot, standardized characters, and fake sets? This was clearly not an action movie. It should instead have been labeled as a love story in the simpler days of our world. | -1no label
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] |
Despite some humorous banter and a decent supporting cast, I can't really recommend this movie. The leads aren't very likable and I didn't particularly care if they got together in the end. I certainly didn't like the *way* they got together, with Bette Davis giving up her career to be the supportive wife & luggage-carrier for world-traveler Robert Montgomery. It's depressing to see films like this where strong, intelligent women are brought down so low, forced to beg the men who wronged *them* to take them back. Of course it's always the woman who has to change *her* ways, and turn off her brain. Ugh. Even the minor female characters are regretful spinsters, emphasizing this film's awful message - that all women really want to get married, and having a career is a poor substitute. By the way, I took an instant dislike to Montgomery when I first saw him in "Mr. And Mrs. Smith", and his performance in "June Bride" did nothing to alter my opinion. Did he *always* play a smug, sexist jerk who thinks he's God's gift to women (despite looking like a friggin' frog)? So irritating to watch. | -1no label
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] |
The first 10 minutes of the movie makes fun of sequels and pg-13 movies. These are the 2 reasons the movie is so bad. They constantly reference a movie called "Get Leo" which is the movie-in-a-movie version of get shorty. Every time they do this, you will be really angry. Travolta isn't very cool, neither is Keitel. However, The Rock and Vince Vaughn are hilarious. They aren't the kind of funny you would expect to see in an Elmore Leonard movie though. If you haven't seen get shorty, you will probably like be cool. If you liked get shorty, you will leave the theater wanting to kill the director and screenwriter. Wait for the DVD. | 0neg
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] |
Jason Lee does well to give this doggy movie fleeting promise, but it's not enough to distinguish it from any other bland family comedy This live-action, CG-enhanced adventure sees a shamed police dog (Jason Lee) transformed into a super-dog via an accident in the lab of scheming scientist Dr. Simon Barsinister (Peter Dinklage). Underdog sets about saving the city while attempting to keep his identity secret - a challenge given that he can both talk and fly. The odd gag raises a smile, but Underdog's human sidekicks (James Belushi and Alex Neuberger as father and son) are as dull as the predictable storyline. One for kids too young to have seen Superman. Or Spider-Man. Or even Shaggy Dog
| 0neg
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] |
This story is about a rich, arrogant, spoiled nephew who is a potential beneficiary of his billionaire uncle's estate. Jason Stevens hasn't worked a day in his life and just expects to have life fed to him a a silver platter. But, he finds that in order to to collect his inheritance he will need to successfully complete 12 monthly 'assignments' leading to what his uncle calls the "Ultimate Gift." The journey that Jason takes will surely make this one of the most heart warming and memorable films you will ever see. My 13 year old son was almost in tears while watching this. It's a movie for young and old alike. Touching performances by Abigail Breslin (Little Miss Sunshine) and other seasoned actors such as Drew Fuller, James Garner, Brian Dennehy, and Lee Merriwether will hopefully take this movie to the Oscars! | -1no label
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] |
Having set the sitcom world alight with 'Father Ted' Arthur Matthews and Graham Linehan's next creation was a forgotten gem for the BBC called 'Hippies' Although created by the pair- the six scripts were written by Arthur Matthews alone. Set in London in 1969- Ray Purbs, a hippy, is the editor of an anarchist magazine. His friends are his flat-mate, the very laid back and cannabis smoking Alex, his 'girlfriend' is feminist Jill and the none too bright Hugo. Simon Pegg was superb as Ray, but he is superb in everything he is in. This sitcom had a feel of 'Citizen Smith' about it. Ray was very much like Wolfie Smith, trying to beat society, but failing miserably. At last this sitcom is going to be released on DVD in March, I can't wait to buy it. As it was on in 1999 and has yet been repeated on terrestrial television- my memories aren't too good of the sitcom, yet I remember two episodes really clearly, the first being the opener 'Protesting Hippies' which I thought was a great start- where Ray goes on a protest against sandpaper and the other episode was 'Hippy Dippy Hippies' which I think was episode 4, again quite a clear memory about the Police. Sadly, the sitcom got a negative reaction from viewers (I can't think why). The BBC commissioned another series, but Arthur Matthews decided against it because of the negative reaction. Oh well, I can't wait for the DVD. Best Episode: Hippy Dippy Hippies- Series 1 episode 4. | 1pos
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] |
Thinking that old Bollywood movies are filled with too much dialogue and/or extensive action sequences, I wasn't too thrilled watching this movie. Surprisingly this movie does not have neither, and is an excellent movie. The plot is nice and original. The movie is excellent in screenplay and editing. The action sequences are well done especially for a 70's film. The casting in the movie is excellent. The star of the movie is Amitabh Bachchan. Though I expected him to be the down point because he was playing a Christian, he pulls it off with lots of confidence which proves he is a legend in Bollywood. The second star was without a doubt Vinod Khanna. He fits his character so perfectly, I don't think Vinod was being anyone but himself. Rishi Kapoor was good as well, but against the two other stars he pales in comparison. However, his comedy scenes with Neetu Singh's father are memorable. The female star is definitely Parveen Bhabi. She looks amazing and also has loads of confidence. Second is Neetu Singh. She looks pretty, but adds lots of comedy and needs to come back to movies. Shabana Aazmi isn't in many scenes, but she looks beautiful and adds lots of charm. The songs fit the movie well. My favorite is Parda Hai Parda, but Rishi Kapoor is too jumpy in the song. Otherwise the rest of the songs are terrific, and the movie is deserved to be watch. | -1no label
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