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cratylus
CRATYLUS
Yes.
cratylus
SOCRATES
The better painters execute their works, I mean their figures, better, and the worse execute them worse; and of builders also, the better sort build fairer houses, and the worse build them worse.
cratylus
CRATYLUS
True.
cratylus
SOCRATES
And among legislators, there are some who do their work better and some worse?
cratylus
CRATYLUS
No; there I do not agree with you.
cratylus
SOCRATES
Then you do not think that some laws are better and others worse?
cratylus
CRATYLUS
No, indeed.
cratylus
SOCRATES
Or that one name is better than another?
cratylus
CRATYLUS
Certainly not.
cratylus
SOCRATES
Then all names are rightly imposed?
cratylus
CRATYLUS
Yes, if they are names at all.
cratylus
SOCRATES
Well, what do you say to the name of our friend Hermogenes, which was mentioned before:—assuming that he has nothing of the nature of Hermes in him, shall we say that this is a wrong name, or not his name at all?
cratylus
CRATYLUS
I should reply that Hermogenes is not his name at all, but only appears to be his, and is really the name of somebody else, who has the nature which corresponds to it.
cratylus
SOCRATES
And if a man were to call him Hermogenes, would he not be even speaking falsely? For there may be a doubt whether you can call him Hermogenes, if he is not.
cratylus
CRATYLUS
What do you mean?
cratylus
SOCRATES
Are you maintaining that falsehood is impossible? For if this is your meaning I should answer, that there have been plenty of liars in all ages.
cratylus
CRATYLUS
Why, Socrates, how can a man say that which is not?—say something and yet say nothing? For is not falsehood saying the thing which is not?
cratylus
SOCRATES
Your argument, friend, is too subtle for a man of my age. But I should like to know whether you are one of those philosophers who think that falsehood may be spoken but not said?
cratylus
CRATYLUS
Neither spoken nor said.
cratylus
SOCRATES
Nor uttered nor addressed? For example: If a person, saluting you in a foreign country, were to take your hand and say: “Hail, Athenian stranger, Hermogenes, son of Smicrion”—these words, whether spoken, said, uttered, or addressed, would have no application to you but only to our friend Hermogenes, or perhaps to nobody at all?
cratylus
CRATYLUS
In my opinion, Socrates, the speaker would only be talking nonsense.
cratylus
SOCRATES
Well, but that will be quite enough for me, if you will tell me whether the nonsense would be true or false, or partly true and partly false:—which is all that I want to know.
cratylus
CRATYLUS
I should say that he would be putting himself in motion to no purpose; and that his words would be an unmeaning sound like the noise of hammering at a brazen pot.
cratylus
SOCRATES
But let us see, Cratylus, whether we cannot find a meeting-point, for you would admit that the name is not the same with the thing named?
cratylus
CRATYLUS
I should.
cratylus
SOCRATES
And would you further acknowledge that the name is an imitation of the thing?
cratylus
CRATYLUS
Certainly.
cratylus
SOCRATES
And you would say that pictures are also imitations of things, but in another way?
cratylus
CRATYLUS
Yes.
cratylus
SOCRATES
I believe you may be right, but I do not rightly understand you. Please to say, then, whether both sorts of imitation (I mean both pictures or words) are not equally attributable and applicable to the things of which they are the imitation.
cratylus
CRATYLUS
They are.
cratylus
SOCRATES
First look at the matter thus: you may attribute the likeness of the man to the man, and of the woman to the woman; and so on?
cratylus
CRATYLUS
Certainly.
cratylus
SOCRATES
And conversely you may attribute the likeness of the man to the woman, and of the woman to the man?
cratylus
CRATYLUS
Very true.
cratylus
SOCRATES
And are both modes of assigning them right, or only the first?
cratylus
CRATYLUS
Only the first.
cratylus
SOCRATES
That is to say, the mode of assignment which attributes to each that which belongs to them and is like them?
cratylus
CRATYLUS
That is my view.
cratylus
SOCRATES
Now then, as I am desirous that we being friends should have a good understanding about the argument, let me state my view to you: the first mode of assignment, whether applied to figures or to names, I call right, and when applied to names only, true as well as right; and the other mode of giving and assigning the name which is unlike, I call wrong, and in the case of names, false as well as wrong.
cratylus
CRATYLUS
That may be true, Socrates, in the case of pictures; they may be wrongly assigned; but not in the case of names—they must be always right.
cratylus
SOCRATES
Why, what is the difference? May I not go to a man and say to him, “This is your picture,” showing him his own likeness, or perhaps the likeness of a woman; and when I say “show,” I mean bring before the sense of sight.
cratylus
CRATYLUS
Certainly.
cratylus
SOCRATES
And may I not go to him again, and say, “This is your name”?—for the name, like the picture, is an imitation. May I not say to him—“This is your name”? and may I not then bring to his sense of hearing the imitation of himself, when I say, “This is a man”; or of a female of the human species, when I say, “This is a woman,” as the case may be? Is not all that quite possible?
cratylus
CRATYLUS
I would fain agree with you, Socrates; and therefore I say, Granted.
cratylus
SOCRATES
That is very good of you, if I am right, which need hardly be disputed at present. But if I can assign names as well as pictures to objects, the right assignment of them we may call truth, and the wrong assignment of them falsehood. Now if there be such a wrong assignment of names, there may also be a wrong or inappropriate assignment of verbs; and if of names and verbs then of the sentences, which are made up of them. What do you say, Cratylus?
cratylus
CRATYLUS
I agree; and think that what you say is very true.
cratylus
SOCRATES
And further, primitive nouns may be compared to pictures, and in pictures you may either give all the appropriate colours and figures, or you may not give them all—some may be wanting; or there may be too many or too much of them—may there not?
cratylus
CRATYLUS
Very true.
cratylus
SOCRATES
And he who gives all gives a perfect picture or figure; and he who takes away or adds also gives a picture or figure, but not a good one.
cratylus
CRATYLUS
Yes.
cratylus
SOCRATES
In like manner, he who by syllables and letters imitates the nature of things, if he gives all that is appropriate will produce a good image, or in other words a name; but if he subtracts or perhaps adds a little, he will make an image but not a good one; whence I infer that some names are well and others ill made.
cratylus
CRATYLUS
That is true.
cratylus
SOCRATES
Then the artist of names may be sometimes good, or he may be bad?
cratylus
CRATYLUS
Yes.
cratylus
SOCRATES
And this artist of names is called the legislator?
cratylus
CRATYLUS
Yes.
cratylus
SOCRATES
Then like other artists the legislator may be good or he may be bad; it must surely be so if our former admissions hold good?
cratylus
CRATYLUS
Very true, Socrates; but the case of language, you see, is different; for when by the help of grammar we assign the letters alpha or beta, or any other letters to a certain name, then, if we add, or subtract, or misplace a letter, the name which is written is not only written wrongly, but not written at all; and in any of these cases becomes other than a name.
cratylus
SOCRATES
But I doubt whether your view is altogether correct, Cratylus.
cratylus
CRATYLUS
How so?
cratylus
SOCRATES
I believe that what you say may be true about numbers, which must be just what they are, or not be at all; for example, the number ten at once becomes other than ten if a unit be added or subtracted, and so of any other number: but this does not apply to that which is qualitative or to anything which is represented under an image. I should say rather that the image, if expressing in every point the entire reality, would no longer be an image. Let us suppose the existence of two objects: one of them shall be Cratylus, and the other the image of Cratylus; and we will suppose, further, that some God makes not only a representation such as a painter would make of your outward form and colour, but also creates an inward organization like yours, having the same warmth and softness; and into this infuses motion, and soul, and mind, such as you have, and in a word copies all your qualities, and places them by you in another form; would you say that this was Cratylus and the image of Cratylus, or that there were two Cratyluses?
cratylus
CRATYLUS
I should say that there were two Cratyluses.
cratylus
SOCRATES
Then you see, my friend, that we must find some other principle of truth in images, and also in names; and not insist that an image is no longer an image when something is added or subtracted. Do you not perceive that images are very far from having qualities which are the exact counterpart of the realities which they represent?
cratylus
CRATYLUS
Yes, I see.
cratylus
SOCRATES
But then how ridiculous would be the effect of names on things, if they were exactly the same with them! For they would be the doubles of them, and no one would be able to determine which were the names and which were the realities.
cratylus
CRATYLUS
Quite true.
cratylus
SOCRATES
Then fear not, but have the courage to admit that one name may be correctly and another incorrectly given; and do not insist that the name shall be exactly the same with the thing; but allow the occasional substitution of a wrong letter, and if of a letter also of a noun in a sentence, and if of a noun in a sentence also of a sentence which is not appropriate to the matter, and acknowledge that the thing may be named, and described, so long as the general character of the thing which you are describing is retained; and this, as you will remember, was remarked by Hermogenes and myself in the particular instance of the names of the letters.
cratylus
CRATYLUS
Yes, I remember.
cratylus
SOCRATES
Good; and when the general character is preserved, even if some of the proper letters are wanting, still the thing is signified;—well, if all the letters are given; not well, when only a few of them are given. I think that we had better admit this, lest we be punished like travellers in Aegina who wander about the street late at night: and be likewise told by truth herself that we have arrived too late; or if not, you must find out some new notion of correctness of names, and no longer maintain that a name is the expression of a thing in letters or syllables; for if you say both, you will be inconsistent with yourself.
cratylus
CRATYLUS
I quite acknowledge, Socrates, what you say to be very reasonable.
cratylus
SOCRATES
Then as we are agreed thus far, let us ask ourselves whether a name rightly imposed ought not to have the proper letters.
cratylus
CRATYLUS
Yes.
cratylus
SOCRATES
And the proper letters are those which are like the things?
cratylus
CRATYLUS
Yes.
cratylus
SOCRATES
Enough then of names which are rightly given. And in names which are incorrectly given, the greater part may be supposed to be made up of proper and similar letters, or there would be no likeness; but there will be likewise a part which is improper and spoils the beauty and formation of the word: you would admit that?
cratylus
CRATYLUS
There would be no use, Socrates, in my quarrelling with you, since I cannot be satisfied that a name which is incorrectly given is a name at all.
cratylus
SOCRATES
Do you admit a name to be the representation of a thing?
cratylus
CRATYLUS
Yes, I do.
cratylus
SOCRATES
But do you not allow that some nouns are primitive, and some derived?
cratylus
CRATYLUS
Yes, I do.
cratylus
SOCRATES
Then if you admit that primitive or first nouns are representations of things, is there any better way of framing representations than by assimilating them to the objects as much as you can; or do you prefer the notion of Hermogenes and of many others, who say that names are conventional, and have a meaning to those who have agreed about them, and who have previous knowledge of the things intended by them, and that convention is the only principle; and whether you abide by our present convention, or make a new and opposite one, according to which you call small great and great small—that, they would say, makes no difference, if you are only agreed. Which of these two notions do you prefer?
cratylus
CRATYLUS
Representation by likeness, Socrates, is infinitely better than representation by any chance sign.
cratylus
SOCRATES
Very good: but if the name is to be like the thing, the letters out of which the first names are composed must also be like things. Returning to the image of the picture, I would ask, How could any one ever compose a picture which would be like anything at all, if there were not pigments in nature which resembled the things imitated, and out of which the picture is composed?
cratylus
CRATYLUS
Impossible.
cratylus
SOCRATES
No more could names ever resemble any actually existing thing, unless the original elements of which they are compounded bore some degree of resemblance to the objects of which the names are the imitation: And the original elements are letters?
cratylus
CRATYLUS
Yes.
cratylus
SOCRATES
Let me now invite you to consider what Hermogenes and I were saying about sounds. Do you agree with me that the letter rho is expressive of rapidity, motion, and hardness? Were we right or wrong in saying so?
cratylus
CRATYLUS
I should say that you were right.
cratylus
SOCRATES
And that lamda was expressive of smoothness, and softness, and the like?
cratylus
CRATYLUS
There again you were right.
cratylus
SOCRATES
And yet, as you are aware, that which is called by us sklerotes, is by the Eretrians called skleroter.
cratylus
CRATYLUS
Very true.
cratylus
SOCRATES
But are the letters rho and sigma equivalents; and is there the same significance to them in the termination rho, which there is to us in sigma, or is there no significance to one of us?
cratylus
CRATYLUS
Nay, surely there is a significance to both of us.
cratylus
SOCRATES
In as far as they are like, or in as far as they are unlike?
cratylus
CRATYLUS
In as far as they are like.
cratylus
SOCRATES
Are they altogether alike?
cratylus
CRATYLUS
Yes; for the purpose of expressing motion.
cratylus
SOCRATES
And what do you say of the insertion of the lamda? for that is expressive not of hardness but of softness.