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|---|---|---|---|---|---|---|---|---|---|
durom.1953.23 | 1953.23-pc1.jpg | data/raw/images/egyptian/1953 | bracelet made up of nine strings of thin, medium long blue glazed beads. The nine strings are held together by four (bone?) spacers. | bracelets | bracelet | 70faience
| null | Egypt |
|
durom.1953.23 | 1953.23-pc1.jpg | data/raw/images/egyptian/1953 | bracelet made up of nine strings of thin, medium long blue glazed beads. The nine strings are held together by four (bone?) spacers. | bracelets | bracelet | 70faience
| null | Egypt |
|
durom.1953.23 | 1953.23-pc1.jpg | data/raw/images/egyptian/1953 | bracelet made up of nine strings of thin, medium long blue glazed beads. The nine strings are held together by four (bone?) spacers. | bracelets | bracelet | 70faience
| null | Egypt |
|
durom.1953.23 | 1953.23-pc1.jpg | data/raw/images/egyptian/1953 | bracelet made up of nine strings of thin, medium long blue glazed beads. The nine strings are held together by four (bone?) spacers. | bracelets | bracelet | 70faience
| null | Egypt |
|
durom.1953.23 | 1953.23-pc1.jpg | data/raw/images/egyptian/1953 | bracelet made up of nine strings of thin, medium long blue glazed beads. The nine strings are held together by four (bone?) spacers. | bracelets | bracelet | 70faience
| null | Egypt |
|
eg2590 | eg2590-ff.jpg | data/raw/images/egyptian/eg | Back: uninscribed concave side featuring a sticker Gq 38'. (see also EG 2588). _x000D__x000D_
Front: convex side of a pottery sherd inscribed with a Greek text. | Ostraka | ostracon | 122pottery
| Graeco-Roman Period | Egypt |
|
eg2590 | eg2590-ff.jpg | data/raw/images/egyptian/eg | Back: uninscribed concave side featuring a sticker Gq 38'. (see also EG 2588). _x000D__x000D_
Front: convex side of a pottery sherd inscribed with a Greek text. | Ostraka | ostracon | 122pottery
| Graeco-Roman Period | Egypt |
|
eg2590 | eg2590-ff.jpg | data/raw/images/egyptian/eg | Back: uninscribed concave side featuring a sticker Gq 38'. (see also EG 2588). _x000D__x000D_
Front: convex side of a pottery sherd inscribed with a Greek text. | Ostraka | ostracon | 122pottery
| Graeco-Roman Period | Egypt |
|
eg2590 | eg2590-ff.jpg | data/raw/images/egyptian/eg | Back: uninscribed concave side featuring a sticker Gq 38'. (see also EG 2588). _x000D__x000D_
Front: convex side of a pottery sherd inscribed with a Greek text. | Ostraka | ostracon | 122pottery
| Graeco-Roman Period | Egypt |
|
eg2590 | eg2590-ff.jpg | data/raw/images/egyptian/eg | Back: uninscribed concave side featuring a sticker Gq 38'. (see also EG 2588). _x000D__x000D_
Front: convex side of a pottery sherd inscribed with a Greek text. | Ostraka | ostracon | 122pottery
| Graeco-Roman Period | Egypt |
|
durom.1970.106.4 | 1970.106.4 ff.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | 121porcelain
| Meiji Period | Japan (country) |
|
durom.1970.106.4 | 1970.106.4 ff.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | 121porcelain
| Meiji Period | Japan (country) |
|
durom.1970.106.4 | 1970.106.4 ff.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | 121porcelain
| Meiji Period | Japan (country) |
|
durom.1970.106.4 | 1970.106.4 ff.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | 121porcelain
| Meiji Period | Japan (country) |
|
durom.1970.106.4 | 1970.106.4 ff.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | teacups | null | 121porcelain
| Meiji Period | Japan (country) |
|
durom.2013.174 | 2013.174.1-16 ll.jpg | data/raw/images/oriental/2013 | Plastic toy food set, which is the size and type to suit a doll's house all of which are hand-painted. The set consists of a clear plastic bowl with yellow dough to be placed within it (both separate parts), a hash brown and side of green vegetables placed separately on a blue and white plate, two trays of rice (rice comes loose and is only placed within the two trays), two chopsticks, soy sauce and a casserole dish with clear yellow 'casserole' within it and rice. The steamer tray on the top of the dish is loose. There are 3 other sets within this series - all with different themed meals. There is also a cooking booklet with the set that contains images of the other sets in the collection alongside Japanese text, which possibly displays recipes._x000D__x000D_
_x000D__x000D_
_x000D__x000D_
This record consists of the packaging only (all of the other items are in part records), which consists of a red cardboard box with an image of the above food on the front with Japanese text on the upper third along with a large '1' in yellow. On the side is a more detailed description of the plastic food inside with the parallel side showing the other themed sets available too. On the reverse is the company information written mostly in Japanese and some English. | toys | null | 47cardboard
| Heisei Period | Japan (country) |
|
durom.2013.174 | 2013.174.1-16 ll.jpg | data/raw/images/oriental/2013 | Plastic toy food set, which is the size and type to suit a doll's house all of which are hand-painted. The set consists of a clear plastic bowl with yellow dough to be placed within it (both separate parts), a hash brown and side of green vegetables placed separately on a blue and white plate, two trays of rice (rice comes loose and is only placed within the two trays), two chopsticks, soy sauce and a casserole dish with clear yellow 'casserole' within it and rice. The steamer tray on the top of the dish is loose. There are 3 other sets within this series - all with different themed meals. There is also a cooking booklet with the set that contains images of the other sets in the collection alongside Japanese text, which possibly displays recipes._x000D__x000D_
_x000D__x000D_
_x000D__x000D_
This record consists of the packaging only (all of the other items are in part records), which consists of a red cardboard box with an image of the above food on the front with Japanese text on the upper third along with a large '1' in yellow. On the side is a more detailed description of the plastic food inside with the parallel side showing the other themed sets available too. On the reverse is the company information written mostly in Japanese and some English. | toys | null | 47cardboard
| Heisei Period | Japan (country) |
|
durom.2013.174 | 2013.174.1-16 ll.jpg | data/raw/images/oriental/2013 | Plastic toy food set, which is the size and type to suit a doll's house all of which are hand-painted. The set consists of a clear plastic bowl with yellow dough to be placed within it (both separate parts), a hash brown and side of green vegetables placed separately on a blue and white plate, two trays of rice (rice comes loose and is only placed within the two trays), two chopsticks, soy sauce and a casserole dish with clear yellow 'casserole' within it and rice. The steamer tray on the top of the dish is loose. There are 3 other sets within this series - all with different themed meals. There is also a cooking booklet with the set that contains images of the other sets in the collection alongside Japanese text, which possibly displays recipes._x000D__x000D_
_x000D__x000D_
_x000D__x000D_
This record consists of the packaging only (all of the other items are in part records), which consists of a red cardboard box with an image of the above food on the front with Japanese text on the upper third along with a large '1' in yellow. On the side is a more detailed description of the plastic food inside with the parallel side showing the other themed sets available too. On the reverse is the company information written mostly in Japanese and some English. | toys | null | 47cardboard
| Heisei Period | Japan (country) |
|
durom.2013.174 | 2013.174.1-16 ll.jpg | data/raw/images/oriental/2013 | Plastic toy food set, which is the size and type to suit a doll's house all of which are hand-painted. The set consists of a clear plastic bowl with yellow dough to be placed within it (both separate parts), a hash brown and side of green vegetables placed separately on a blue and white plate, two trays of rice (rice comes loose and is only placed within the two trays), two chopsticks, soy sauce and a casserole dish with clear yellow 'casserole' within it and rice. The steamer tray on the top of the dish is loose. There are 3 other sets within this series - all with different themed meals. There is also a cooking booklet with the set that contains images of the other sets in the collection alongside Japanese text, which possibly displays recipes._x000D__x000D_
_x000D__x000D_
_x000D__x000D_
This record consists of the packaging only (all of the other items are in part records), which consists of a red cardboard box with an image of the above food on the front with Japanese text on the upper third along with a large '1' in yellow. On the side is a more detailed description of the plastic food inside with the parallel side showing the other themed sets available too. On the reverse is the company information written mostly in Japanese and some English. | toys | null | 47cardboard
| Heisei Period | Japan (country) |
|
durom.2013.174 | 2013.174.1-16 ll.jpg | data/raw/images/oriental/2013 | Plastic toy food set, which is the size and type to suit a doll's house all of which are hand-painted. The set consists of a clear plastic bowl with yellow dough to be placed within it (both separate parts), a hash brown and side of green vegetables placed separately on a blue and white plate, two trays of rice (rice comes loose and is only placed within the two trays), two chopsticks, soy sauce and a casserole dish with clear yellow 'casserole' within it and rice. The steamer tray on the top of the dish is loose. There are 3 other sets within this series - all with different themed meals. There is also a cooking booklet with the set that contains images of the other sets in the collection alongside Japanese text, which possibly displays recipes._x000D__x000D_
_x000D__x000D_
_x000D__x000D_
This record consists of the packaging only (all of the other items are in part records), which consists of a red cardboard box with an image of the above food on the front with Japanese text on the upper third along with a large '1' in yellow. On the side is a more detailed description of the plastic food inside with the parallel side showing the other themed sets available too. On the reverse is the company information written mostly in Japanese and some English. | toys | null | 47cardboard
| Heisei Period | Japan (country) |
|
durom.2013.338 | 2013.338 ff.jpg | data/raw/images/oriental/2013 | Red lacquer ware plover (type of bird). The elegant, stylised shaping of this piece in the form of a resting plover, chidori, echoes its title as recorded on its storage box - kokoro no katachi, or heart-shaped. A fine line of gold makie decoration defines the wings, sweeping back to the tail, whose gentle rise is marked with a black lacquer flash. The organic dry lacquer form, at first sight simply elegant, reveals itself to be a series of complex, undulating shapes to capture and reflect the slightest light source. The item has a flat base with the painted on artist mark of Inoue Emiko. The item comes wrapped in a silk cloth with embroidered hearts on it, which is within a wooden presentation box decorated with Japanese text on the lid. The box is then tied together with purple string | statuettes | null | 88lacquer
| Heisei Period | Japan (country) |
|
durom.2013.338 | 2013.338 ff.jpg | data/raw/images/oriental/2013 | Red lacquer ware plover (type of bird). The elegant, stylised shaping of this piece in the form of a resting plover, chidori, echoes its title as recorded on its storage box - kokoro no katachi, or heart-shaped. A fine line of gold makie decoration defines the wings, sweeping back to the tail, whose gentle rise is marked with a black lacquer flash. The organic dry lacquer form, at first sight simply elegant, reveals itself to be a series of complex, undulating shapes to capture and reflect the slightest light source. The item has a flat base with the painted on artist mark of Inoue Emiko. The item comes wrapped in a silk cloth with embroidered hearts on it, which is within a wooden presentation box decorated with Japanese text on the lid. The box is then tied together with purple string | statuettes | null | 88lacquer
| Heisei Period | Japan (country) |
|
durom.2013.338 | 2013.338 ff.jpg | data/raw/images/oriental/2013 | Red lacquer ware plover (type of bird). The elegant, stylised shaping of this piece in the form of a resting plover, chidori, echoes its title as recorded on its storage box - kokoro no katachi, or heart-shaped. A fine line of gold makie decoration defines the wings, sweeping back to the tail, whose gentle rise is marked with a black lacquer flash. The organic dry lacquer form, at first sight simply elegant, reveals itself to be a series of complex, undulating shapes to capture and reflect the slightest light source. The item has a flat base with the painted on artist mark of Inoue Emiko. The item comes wrapped in a silk cloth with embroidered hearts on it, which is within a wooden presentation box decorated with Japanese text on the lid. The box is then tied together with purple string | statuettes | null | 88lacquer
| Heisei Period | Japan (country) |
|
durom.2013.338 | 2013.338 ff.jpg | data/raw/images/oriental/2013 | Red lacquer ware plover (type of bird). The elegant, stylised shaping of this piece in the form of a resting plover, chidori, echoes its title as recorded on its storage box - kokoro no katachi, or heart-shaped. A fine line of gold makie decoration defines the wings, sweeping back to the tail, whose gentle rise is marked with a black lacquer flash. The organic dry lacquer form, at first sight simply elegant, reveals itself to be a series of complex, undulating shapes to capture and reflect the slightest light source. The item has a flat base with the painted on artist mark of Inoue Emiko. The item comes wrapped in a silk cloth with embroidered hearts on it, which is within a wooden presentation box decorated with Japanese text on the lid. The box is then tied together with purple string | statuettes | null | 88lacquer
| Heisei Period | Japan (country) |
|
durom.2013.338 | 2013.338 ff.jpg | data/raw/images/oriental/2013 | Red lacquer ware plover (type of bird). The elegant, stylised shaping of this piece in the form of a resting plover, chidori, echoes its title as recorded on its storage box - kokoro no katachi, or heart-shaped. A fine line of gold makie decoration defines the wings, sweeping back to the tail, whose gentle rise is marked with a black lacquer flash. The organic dry lacquer form, at first sight simply elegant, reveals itself to be a series of complex, undulating shapes to capture and reflect the slightest light source. The item has a flat base with the painted on artist mark of Inoue Emiko. The item comes wrapped in a silk cloth with embroidered hearts on it, which is within a wooden presentation box decorated with Japanese text on the lid. The box is then tied together with purple string | statuettes | null | 88lacquer
| Heisei Period | Japan (country) |
|
durom.1977.105.111 | 1977.105.111.jpg | data/raw/images/oriental/1977 | Lantern slide showing a girl wearing Kimono sitting on the Japanese cushion (Zabuton) playing a flute (Fue). | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1977.105.111 | 1977.105.111.jpg | data/raw/images/oriental/1977 | Lantern slide showing a girl wearing Kimono sitting on the Japanese cushion (Zabuton) playing a flute (Fue). | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1977.105.111 | 1977.105.111.jpg | data/raw/images/oriental/1977 | Lantern slide showing a girl wearing Kimono sitting on the Japanese cushion (Zabuton) playing a flute (Fue). | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1977.105.111 | 1977.105.111.jpg | data/raw/images/oriental/1977 | Lantern slide showing a girl wearing Kimono sitting on the Japanese cushion (Zabuton) playing a flute (Fue). | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1977.105.111 | 1977.105.111.jpg | data/raw/images/oriental/1977 | Lantern slide showing a girl wearing Kimono sitting on the Japanese cushion (Zabuton) playing a flute (Fue). | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1960.1920 | durom.1960.1920-tt.jpg | data/raw/images/oriental/1960 | snuff bottle carved on one side with gourd, representing wisdom. With snuff spoon attached to stopper, on carved wooden stand. Snuff spoon is made of bone and wood. Stopper is coloured black, red and cream. | snuff bottles | null | 141soapstone
| Qing | China |
|
durom.1960.1920 | durom.1960.1920-tt.jpg | data/raw/images/oriental/1960 | snuff bottle carved on one side with gourd, representing wisdom. With snuff spoon attached to stopper, on carved wooden stand. Snuff spoon is made of bone and wood. Stopper is coloured black, red and cream. | snuff bottles | null | 141soapstone
| Qing | China |
|
durom.1960.1920 | durom.1960.1920-tt.jpg | data/raw/images/oriental/1960 | snuff bottle carved on one side with gourd, representing wisdom. With snuff spoon attached to stopper, on carved wooden stand. Snuff spoon is made of bone and wood. Stopper is coloured black, red and cream. | snuff bottles | null | 141soapstone
| Qing | China |
|
durom.1960.1920 | durom.1960.1920-tt.jpg | data/raw/images/oriental/1960 | snuff bottle carved on one side with gourd, representing wisdom. With snuff spoon attached to stopper, on carved wooden stand. Snuff spoon is made of bone and wood. Stopper is coloured black, red and cream. | snuff bottles | null | 141soapstone
| Qing | China |
|
durom.1960.1920 | durom.1960.1920-tt.jpg | data/raw/images/oriental/1960 | snuff bottle carved on one side with gourd, representing wisdom. With snuff spoon attached to stopper, on carved wooden stand. Snuff spoon is made of bone and wood. Stopper is coloured black, red and cream. | snuff bottles | null | 141soapstone
| Qing | China |
|
durom.1964.391 | durom.1964.391-rr.jpg | data/raw/images/oriental/1964 | Rim and wall fragment of hemispherical bowl, grey stone. | bowls | null | 145stone
| Neolithic Period | Jericho |
|
durom.1964.391 | durom.1964.391-rr.jpg | data/raw/images/oriental/1964 | Rim and wall fragment of hemispherical bowl, grey stone. | bowls | null | 145stone
| Neolithic Period | Jericho |
|
durom.1964.391 | durom.1964.391-rr.jpg | data/raw/images/oriental/1964 | Rim and wall fragment of hemispherical bowl, grey stone. | bowls | null | 145stone
| Neolithic Period | Jericho |
|
durom.1964.391 | durom.1964.391-rr.jpg | data/raw/images/oriental/1964 | Rim and wall fragment of hemispherical bowl, grey stone. | bowls | null | 145stone
| Neolithic Period | Jericho |
|
durom.1964.391 | durom.1964.391-rr.jpg | data/raw/images/oriental/1964 | Rim and wall fragment of hemispherical bowl, grey stone. | bowls | null | 145stone
| Neolithic Period | Jericho |
|
durom.1970.27 | durom.1970.27-ff.jpg | data/raw/images/oriental/1970 | Pot with a squat globular body, a fairly small circular hole to act as a spout, and a single handle with decorative relief at the top. Greyish (probably) stoneware glazed very pale green except for the base. | pots | null | 122pottery
| null | Vietnam |
|
durom.1970.27 | durom.1970.27-ff.jpg | data/raw/images/oriental/1970 | Pot with a squat globular body, a fairly small circular hole to act as a spout, and a single handle with decorative relief at the top. Greyish (probably) stoneware glazed very pale green except for the base. | pots | null | 122pottery
| null | Vietnam |
|
durom.1970.27 | durom.1970.27-ff.jpg | data/raw/images/oriental/1970 | Pot with a squat globular body, a fairly small circular hole to act as a spout, and a single handle with decorative relief at the top. Greyish (probably) stoneware glazed very pale green except for the base. | pots | null | 122pottery
| null | Vietnam |
|
durom.1970.27 | durom.1970.27-ff.jpg | data/raw/images/oriental/1970 | Pot with a squat globular body, a fairly small circular hole to act as a spout, and a single handle with decorative relief at the top. Greyish (probably) stoneware glazed very pale green except for the base. | pots | null | 122pottery
| null | Vietnam |
|
durom.1970.27 | durom.1970.27-ff.jpg | data/raw/images/oriental/1970 | Pot with a squat globular body, a fairly small circular hole to act as a spout, and a single handle with decorative relief at the top. Greyish (probably) stoneware glazed very pale green except for the base. | pots | null | 122pottery
| null | Vietnam |
|
durom.2001.69.2 | 2001.69.2-rr.jpg | data/raw/images/oriental/2001 | Painted ivory chess piece from Madras (Indian woman) | chessmen | null | 84ivory
| null | India |
|
durom.2001.69.2 | 2001.69.2-rr.jpg | data/raw/images/oriental/2001 | Painted ivory chess piece from Madras (Indian woman) | chessmen | null | 84ivory
| null | India |
|
durom.2001.69.2 | 2001.69.2-rr.jpg | data/raw/images/oriental/2001 | Painted ivory chess piece from Madras (Indian woman) | chessmen | null | 84ivory
| null | India |
|
durom.2001.69.2 | 2001.69.2-rr.jpg | data/raw/images/oriental/2001 | Painted ivory chess piece from Madras (Indian woman) | chessmen | null | 84ivory
| null | India |
|
durom.2001.69.2 | 2001.69.2-rr.jpg | data/raw/images/oriental/2001 | Painted ivory chess piece from Madras (Indian woman) | chessmen | null | 84ivory
| null | India |
|
durma.2020.3.143 | durma.2020.3.143-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy pin or tack, possibly dating to the Roman period, part of the Piercebridge River Assemblage. The pin has a spherical head from which extends an oval-section stem. The stem appears to be broken. The pin or tack measures 28mm in length. The head has a diameter of 9mm and the stem a diameter of 3mm.It is possible that this is a decorative tack or stud from furniture rather than being an item of personal adornment. | pins | null | 60copper alloy
| Roman | null |
|
durma.2020.3.143 | durma.2020.3.143-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy pin or tack, possibly dating to the Roman period, part of the Piercebridge River Assemblage. The pin has a spherical head from which extends an oval-section stem. The stem appears to be broken. The pin or tack measures 28mm in length. The head has a diameter of 9mm and the stem a diameter of 3mm.It is possible that this is a decorative tack or stud from furniture rather than being an item of personal adornment. | pins | null | 60copper alloy
| Roman | null |
|
durma.2020.3.143 | durma.2020.3.143-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy pin or tack, possibly dating to the Roman period, part of the Piercebridge River Assemblage. The pin has a spherical head from which extends an oval-section stem. The stem appears to be broken. The pin or tack measures 28mm in length. The head has a diameter of 9mm and the stem a diameter of 3mm.It is possible that this is a decorative tack or stud from furniture rather than being an item of personal adornment. | pins | null | 60copper alloy
| Roman | null |
|
durma.2020.3.143 | durma.2020.3.143-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy pin or tack, possibly dating to the Roman period, part of the Piercebridge River Assemblage. The pin has a spherical head from which extends an oval-section stem. The stem appears to be broken. The pin or tack measures 28mm in length. The head has a diameter of 9mm and the stem a diameter of 3mm.It is possible that this is a decorative tack or stud from furniture rather than being an item of personal adornment. | pins | null | 60copper alloy
| Roman | null |
|
durma.2020.3.143 | durma.2020.3.143-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy pin or tack, possibly dating to the Roman period, part of the Piercebridge River Assemblage. The pin has a spherical head from which extends an oval-section stem. The stem appears to be broken. The pin or tack measures 28mm in length. The head has a diameter of 9mm and the stem a diameter of 3mm.It is possible that this is a decorative tack or stud from furniture rather than being an item of personal adornment. | pins | null | 60copper alloy
| Roman | null |
|
eg2366 | eg2366-n756-bb.jpg | data/raw/images/egyptian/eg | kohl pot consisting of a double cylinder on a flat base. There is a small hole in the rim top for the lid pivot, the lid has now gone. There is a small metal ring inserted low down between the two cylinders to hold the kohl stick (?). The kohl pot has an associated small wooden kohl stick with bulbous end. | Kohl Pot | kohl pot | 26Steatite/Soap Stone
| New Kingdom | Egypt |
|
eg2366 | eg2366-n756-bb.jpg | data/raw/images/egyptian/eg | kohl pot consisting of a double cylinder on a flat base. There is a small hole in the rim top for the lid pivot, the lid has now gone. There is a small metal ring inserted low down between the two cylinders to hold the kohl stick (?). The kohl pot has an associated small wooden kohl stick with bulbous end. | Kohl Pot | kohl pot | 26Steatite/Soap Stone
| New Kingdom | Egypt |
|
eg2366 | eg2366-n756-bb.jpg | data/raw/images/egyptian/eg | kohl pot consisting of a double cylinder on a flat base. There is a small hole in the rim top for the lid pivot, the lid has now gone. There is a small metal ring inserted low down between the two cylinders to hold the kohl stick (?). The kohl pot has an associated small wooden kohl stick with bulbous end. | Kohl Pot | kohl pot | 26Steatite/Soap Stone
| New Kingdom | Egypt |
|
eg2366 | eg2366-n756-bb.jpg | data/raw/images/egyptian/eg | kohl pot consisting of a double cylinder on a flat base. There is a small hole in the rim top for the lid pivot, the lid has now gone. There is a small metal ring inserted low down between the two cylinders to hold the kohl stick (?). The kohl pot has an associated small wooden kohl stick with bulbous end. | Kohl Pot | kohl pot | 26Steatite/Soap Stone
| New Kingdom | Egypt |
|
eg2366 | eg2366-n756-bb.jpg | data/raw/images/egyptian/eg | kohl pot consisting of a double cylinder on a flat base. There is a small hole in the rim top for the lid pivot, the lid has now gone. There is a small metal ring inserted low down between the two cylinders to hold the kohl stick (?). The kohl pot has an associated small wooden kohl stick with bulbous end. | Kohl Pot | kohl pot | 26Steatite/Soap Stone
| New Kingdom | Egypt |
|
durom.2014.117 | 2014.117 d3.jpg | data/raw/images/oriental/2014 | Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed | bowls | null | 152terracotta
| Indus Valley Civilisation | Pakistan |
|
durom.2014.117 | 2014.117 d3.jpg | data/raw/images/oriental/2014 | Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed | bowls | null | 152terracotta
| Indus Valley Civilisation | Pakistan |
|
durom.2014.117 | 2014.117 d3.jpg | data/raw/images/oriental/2014 | Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed | bowls | null | 152terracotta
| Indus Valley Civilisation | Pakistan |
|
durom.2014.117 | 2014.117 d3.jpg | data/raw/images/oriental/2014 | Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed | bowls | null | 152terracotta
| Indus Valley Civilisation | Pakistan |
|
durom.2014.117 | 2014.117 d3.jpg | data/raw/images/oriental/2014 | Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed | bowls | null | 152terracotta
| Indus Valley Civilisation | Pakistan |
|
durom.1960.2506 | durom.1960.2506-d3.jpg | data/raw/images/oriental/1960 | cockeral, standing | figures | null | 85jade
| null | China |
|
durom.1960.2506 | durom.1960.2506-d3.jpg | data/raw/images/oriental/1960 | cockeral, standing | figures | null | 85jade
| null | China |
|
durom.1960.2506 | durom.1960.2506-d3.jpg | data/raw/images/oriental/1960 | cockeral, standing | figures | null | 85jade
| null | China |
|
durom.1960.2506 | durom.1960.2506-d3.jpg | data/raw/images/oriental/1960 | cockeral, standing | figures | null | 85jade
| null | China |
|
durom.1960.2506 | durom.1960.2506-d3.jpg | data/raw/images/oriental/1960 | cockeral, standing | figures | null | 85jade
| null | China |
|
durom.1960.1201 | 1960.1201-tt.jpg | data/raw/images/oriental/1960 | Bronze censer on three legs and has a long L shaped handle, the cover decorated with openwork scroll patterns. The form and design are typical late Eastern Zhou period to Han dynasty style. See [Association] and [Notes] | censers | 青铜熏炉 | 44bronze
| Han dynasty | China |
|
durom.1960.1201 | 1960.1201-tt.jpg | data/raw/images/oriental/1960 | Bronze censer on three legs and has a long L shaped handle, the cover decorated with openwork scroll patterns. The form and design are typical late Eastern Zhou period to Han dynasty style. See [Association] and [Notes] | censers | 青铜熏炉 | 44bronze
| Han dynasty | China |
|
durom.1960.1201 | 1960.1201-tt.jpg | data/raw/images/oriental/1960 | Bronze censer on three legs and has a long L shaped handle, the cover decorated with openwork scroll patterns. The form and design are typical late Eastern Zhou period to Han dynasty style. See [Association] and [Notes] | censers | 青铜熏炉 | 44bronze
| Han dynasty | China |
|
durom.1960.1201 | 1960.1201-tt.jpg | data/raw/images/oriental/1960 | Bronze censer on three legs and has a long L shaped handle, the cover decorated with openwork scroll patterns. The form and design are typical late Eastern Zhou period to Han dynasty style. See [Association] and [Notes] | censers | 青铜熏炉 | 44bronze
| Han dynasty | China |
|
durom.1960.1201 | 1960.1201-tt.jpg | data/raw/images/oriental/1960 | Bronze censer on three legs and has a long L shaped handle, the cover decorated with openwork scroll patterns. The form and design are typical late Eastern Zhou period to Han dynasty style. See [Association] and [Notes] | censers | 青铜熏炉 | 44bronze
| Han dynasty | China |
|
durom.2015.39 | durom.2015.39-rr.jpg | data/raw/images/oriental/2015 | Clay toy. This example of Russian folk handicraft of moulded painted clay figures depicts a horse. The figure is moulded in proportional manner. The horse figure stands on four widely spread (especially in the back) long legs. It has a long neck and broad long tail. The toy is painted in grey with white dot pattern of circles possibly imitating dapple grey coat colour of horse. The horsehair on a crest and tail are painted in white. The harness bands on the head are also white. The inside of the muzzle is painted in red. The ears had been snapped off (especially left ear)._x000D__x000D_
This clay toy could be probably classified as Kargopol toy. Kargopol toy (Russian: Каргопольская игрушка). Kargopol toys are moulded painted clay figures of people and animals. This is one of the old Russian folk handicrafts, which is common in and around the town of Kargopol in Arkhangelsk Oblast, North Russia. According to historical sources seasonal pottery of red clay in the villages around Kargopolsk developed around late 19th/beginning 20th century. Craftsmen were making toys out of the clay remnants. | toys | null | 56clay
| 21st century | Russia |
|
durom.2015.39 | durom.2015.39-rr.jpg | data/raw/images/oriental/2015 | Clay toy. This example of Russian folk handicraft of moulded painted clay figures depicts a horse. The figure is moulded in proportional manner. The horse figure stands on four widely spread (especially in the back) long legs. It has a long neck and broad long tail. The toy is painted in grey with white dot pattern of circles possibly imitating dapple grey coat colour of horse. The horsehair on a crest and tail are painted in white. The harness bands on the head are also white. The inside of the muzzle is painted in red. The ears had been snapped off (especially left ear)._x000D__x000D_
This clay toy could be probably classified as Kargopol toy. Kargopol toy (Russian: Каргопольская игрушка). Kargopol toys are moulded painted clay figures of people and animals. This is one of the old Russian folk handicrafts, which is common in and around the town of Kargopol in Arkhangelsk Oblast, North Russia. According to historical sources seasonal pottery of red clay in the villages around Kargopolsk developed around late 19th/beginning 20th century. Craftsmen were making toys out of the clay remnants. | toys | null | 56clay
| 21st century | Russia |
|
durom.2015.39 | durom.2015.39-rr.jpg | data/raw/images/oriental/2015 | Clay toy. This example of Russian folk handicraft of moulded painted clay figures depicts a horse. The figure is moulded in proportional manner. The horse figure stands on four widely spread (especially in the back) long legs. It has a long neck and broad long tail. The toy is painted in grey with white dot pattern of circles possibly imitating dapple grey coat colour of horse. The horsehair on a crest and tail are painted in white. The harness bands on the head are also white. The inside of the muzzle is painted in red. The ears had been snapped off (especially left ear)._x000D__x000D_
This clay toy could be probably classified as Kargopol toy. Kargopol toy (Russian: Каргопольская игрушка). Kargopol toys are moulded painted clay figures of people and animals. This is one of the old Russian folk handicrafts, which is common in and around the town of Kargopol in Arkhangelsk Oblast, North Russia. According to historical sources seasonal pottery of red clay in the villages around Kargopolsk developed around late 19th/beginning 20th century. Craftsmen were making toys out of the clay remnants. | toys | null | 56clay
| 21st century | Russia |
|
durom.2015.39 | durom.2015.39-rr.jpg | data/raw/images/oriental/2015 | Clay toy. This example of Russian folk handicraft of moulded painted clay figures depicts a horse. The figure is moulded in proportional manner. The horse figure stands on four widely spread (especially in the back) long legs. It has a long neck and broad long tail. The toy is painted in grey with white dot pattern of circles possibly imitating dapple grey coat colour of horse. The horsehair on a crest and tail are painted in white. The harness bands on the head are also white. The inside of the muzzle is painted in red. The ears had been snapped off (especially left ear)._x000D__x000D_
This clay toy could be probably classified as Kargopol toy. Kargopol toy (Russian: Каргопольская игрушка). Kargopol toys are moulded painted clay figures of people and animals. This is one of the old Russian folk handicrafts, which is common in and around the town of Kargopol in Arkhangelsk Oblast, North Russia. According to historical sources seasonal pottery of red clay in the villages around Kargopolsk developed around late 19th/beginning 20th century. Craftsmen were making toys out of the clay remnants. | toys | null | 56clay
| 21st century | Russia |
|
durom.2015.39 | durom.2015.39-rr.jpg | data/raw/images/oriental/2015 | Clay toy. This example of Russian folk handicraft of moulded painted clay figures depicts a horse. The figure is moulded in proportional manner. The horse figure stands on four widely spread (especially in the back) long legs. It has a long neck and broad long tail. The toy is painted in grey with white dot pattern of circles possibly imitating dapple grey coat colour of horse. The horsehair on a crest and tail are painted in white. The harness bands on the head are also white. The inside of the muzzle is painted in red. The ears had been snapped off (especially left ear)._x000D__x000D_
This clay toy could be probably classified as Kargopol toy. Kargopol toy (Russian: Каргопольская игрушка). Kargopol toys are moulded painted clay figures of people and animals. This is one of the old Russian folk handicrafts, which is common in and around the town of Kargopol in Arkhangelsk Oblast, North Russia. According to historical sources seasonal pottery of red clay in the villages around Kargopolsk developed around late 19th/beginning 20th century. Craftsmen were making toys out of the clay remnants. | toys | null | 56clay
| 21st century | Russia |
|
durom.1971.30 | 1971.30.1-d08.jpg | data/raw/images/oriental/1971 | Inlaid Japanese box. Lacquered black with inlaid decoration, probably mother of pearl, depicting birds, a pine tree, flowers. Has an internal tray divided into compartments, 2 of which have removable lids, and 1 contains a wood and silk box. | Box | null | 161wood
| null | Japan (country) |
|
durom.1971.30 | 1971.30.1-d08.jpg | data/raw/images/oriental/1971 | Inlaid Japanese box. Lacquered black with inlaid decoration, probably mother of pearl, depicting birds, a pine tree, flowers. Has an internal tray divided into compartments, 2 of which have removable lids, and 1 contains a wood and silk box. | Box | null | 161wood
| null | Japan (country) |
|
durom.1971.30 | 1971.30.1-d08.jpg | data/raw/images/oriental/1971 | Inlaid Japanese box. Lacquered black with inlaid decoration, probably mother of pearl, depicting birds, a pine tree, flowers. Has an internal tray divided into compartments, 2 of which have removable lids, and 1 contains a wood and silk box. | Box | null | 161wood
| null | Japan (country) |
|
durom.1971.30 | 1971.30.1-d08.jpg | data/raw/images/oriental/1971 | Inlaid Japanese box. Lacquered black with inlaid decoration, probably mother of pearl, depicting birds, a pine tree, flowers. Has an internal tray divided into compartments, 2 of which have removable lids, and 1 contains a wood and silk box. | Box | null | 161wood
| null | Japan (country) |
|
durom.1971.30 | 1971.30.1-d08.jpg | data/raw/images/oriental/1971 | Inlaid Japanese box. Lacquered black with inlaid decoration, probably mother of pearl, depicting birds, a pine tree, flowers. Has an internal tray divided into compartments, 2 of which have removable lids, and 1 contains a wood and silk box. | Box | null | 161wood
| null | Japan (country) |
|
durma.2020.3.862 | durma.2020.3.862.1-tt.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy miniature object in the form of a spear, dating to the Roman period, part of the Piercebridge River Assemblage. The spear comprises a circular-section stem which flattens and widens to form a lozengiform blade. The third of the stem closest to the blade is decorated with a series of diagonal notches. The spear measures 139mm in length. The stem measures 2mm in diameter. The blade has a maximum width of 5mm. It weighs 33.9g as it is encased in corrosion products. Spears in copper-alloy are known from several temple sites in Roman Britain, including Wood Eaton, Oxfordshire, Lydney Park, Gloucestershire and Great Walsingham, Norfolk. Their identification as 'votive miniatures' is debated and may be accessories for figurines of deities. For example, a 98mm long bronze spear from the spring sanctuary at Ihn, Saarland, Germany has been identified as a fragment of a statuette (Kiernan 2009, 99-101; Miron 1994, 60, Cat. No. 49, Pl. 66.8). One silver example and 12 miniature iron spears have also been found at Uley in Gloucestershire. Most were recovered from late Roman contexts (Kiernan 2009, 100-102). It has been suggested that the iron examples with twisted stems may in fact be meat skewers (Kiernan 2009, 104)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/652378 | miniatures | null | 60copper alloy
| Roman | null |
|
durma.2020.3.862 | durma.2020.3.862.1-tt.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy miniature object in the form of a spear, dating to the Roman period, part of the Piercebridge River Assemblage. The spear comprises a circular-section stem which flattens and widens to form a lozengiform blade. The third of the stem closest to the blade is decorated with a series of diagonal notches. The spear measures 139mm in length. The stem measures 2mm in diameter. The blade has a maximum width of 5mm. It weighs 33.9g as it is encased in corrosion products. Spears in copper-alloy are known from several temple sites in Roman Britain, including Wood Eaton, Oxfordshire, Lydney Park, Gloucestershire and Great Walsingham, Norfolk. Their identification as 'votive miniatures' is debated and may be accessories for figurines of deities. For example, a 98mm long bronze spear from the spring sanctuary at Ihn, Saarland, Germany has been identified as a fragment of a statuette (Kiernan 2009, 99-101; Miron 1994, 60, Cat. No. 49, Pl. 66.8). One silver example and 12 miniature iron spears have also been found at Uley in Gloucestershire. Most were recovered from late Roman contexts (Kiernan 2009, 100-102). It has been suggested that the iron examples with twisted stems may in fact be meat skewers (Kiernan 2009, 104)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/652378 | miniatures | null | 60copper alloy
| Roman | null |
|
durma.2020.3.862 | durma.2020.3.862.1-tt.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy miniature object in the form of a spear, dating to the Roman period, part of the Piercebridge River Assemblage. The spear comprises a circular-section stem which flattens and widens to form a lozengiform blade. The third of the stem closest to the blade is decorated with a series of diagonal notches. The spear measures 139mm in length. The stem measures 2mm in diameter. The blade has a maximum width of 5mm. It weighs 33.9g as it is encased in corrosion products. Spears in copper-alloy are known from several temple sites in Roman Britain, including Wood Eaton, Oxfordshire, Lydney Park, Gloucestershire and Great Walsingham, Norfolk. Their identification as 'votive miniatures' is debated and may be accessories for figurines of deities. For example, a 98mm long bronze spear from the spring sanctuary at Ihn, Saarland, Germany has been identified as a fragment of a statuette (Kiernan 2009, 99-101; Miron 1994, 60, Cat. No. 49, Pl. 66.8). One silver example and 12 miniature iron spears have also been found at Uley in Gloucestershire. Most were recovered from late Roman contexts (Kiernan 2009, 100-102). It has been suggested that the iron examples with twisted stems may in fact be meat skewers (Kiernan 2009, 104)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/652378 | miniatures | null | 60copper alloy
| Roman | null |
|
durma.2020.3.862 | durma.2020.3.862.1-tt.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy miniature object in the form of a spear, dating to the Roman period, part of the Piercebridge River Assemblage. The spear comprises a circular-section stem which flattens and widens to form a lozengiform blade. The third of the stem closest to the blade is decorated with a series of diagonal notches. The spear measures 139mm in length. The stem measures 2mm in diameter. The blade has a maximum width of 5mm. It weighs 33.9g as it is encased in corrosion products. Spears in copper-alloy are known from several temple sites in Roman Britain, including Wood Eaton, Oxfordshire, Lydney Park, Gloucestershire and Great Walsingham, Norfolk. Their identification as 'votive miniatures' is debated and may be accessories for figurines of deities. For example, a 98mm long bronze spear from the spring sanctuary at Ihn, Saarland, Germany has been identified as a fragment of a statuette (Kiernan 2009, 99-101; Miron 1994, 60, Cat. No. 49, Pl. 66.8). One silver example and 12 miniature iron spears have also been found at Uley in Gloucestershire. Most were recovered from late Roman contexts (Kiernan 2009, 100-102). It has been suggested that the iron examples with twisted stems may in fact be meat skewers (Kiernan 2009, 104)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/652378 | miniatures | null | 60copper alloy
| Roman | null |
|
durma.2020.3.862 | durma.2020.3.862.1-tt.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy miniature object in the form of a spear, dating to the Roman period, part of the Piercebridge River Assemblage. The spear comprises a circular-section stem which flattens and widens to form a lozengiform blade. The third of the stem closest to the blade is decorated with a series of diagonal notches. The spear measures 139mm in length. The stem measures 2mm in diameter. The blade has a maximum width of 5mm. It weighs 33.9g as it is encased in corrosion products. Spears in copper-alloy are known from several temple sites in Roman Britain, including Wood Eaton, Oxfordshire, Lydney Park, Gloucestershire and Great Walsingham, Norfolk. Their identification as 'votive miniatures' is debated and may be accessories for figurines of deities. For example, a 98mm long bronze spear from the spring sanctuary at Ihn, Saarland, Germany has been identified as a fragment of a statuette (Kiernan 2009, 99-101; Miron 1994, 60, Cat. No. 49, Pl. 66.8). One silver example and 12 miniature iron spears have also been found at Uley in Gloucestershire. Most were recovered from late Roman contexts (Kiernan 2009, 100-102). It has been suggested that the iron examples with twisted stems may in fact be meat skewers (Kiernan 2009, 104)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/652378 | miniatures | null | 60copper alloy
| Roman | null |
|
eg1605 | eg1605-d9.jpg | data/raw/images/egyptian/eg | Isis holding Infant Harpocrates. Seated on her lap. She wears crown of ureaus and sun disc. He has sidelock. Quite detailed for size. Seated on throne | Human Figurine | isis and horus figurine | 145stone
| Late Period | Egypt |
|
eg1605 | eg1605-d9.jpg | data/raw/images/egyptian/eg | Isis holding Infant Harpocrates. Seated on her lap. She wears crown of ureaus and sun disc. He has sidelock. Quite detailed for size. Seated on throne | Human Figurine | isis and horus figurine | 145stone
| Late Period | Egypt |
|
eg1605 | eg1605-d9.jpg | data/raw/images/egyptian/eg | Isis holding Infant Harpocrates. Seated on her lap. She wears crown of ureaus and sun disc. He has sidelock. Quite detailed for size. Seated on throne | Human Figurine | isis and horus figurine | 145stone
| Late Period | Egypt |
|
eg1605 | eg1605-d9.jpg | data/raw/images/egyptian/eg | Isis holding Infant Harpocrates. Seated on her lap. She wears crown of ureaus and sun disc. He has sidelock. Quite detailed for size. Seated on throne | Human Figurine | isis and horus figurine | 145stone
| Late Period | Egypt |
|
eg1605 | eg1605-d9.jpg | data/raw/images/egyptian/eg | Isis holding Infant Harpocrates. Seated on her lap. She wears crown of ureaus and sun disc. He has sidelock. Quite detailed for size. Seated on throne | Human Figurine | isis and horus figurine | 145stone
| Late Period | Egypt |
|
durom.1962.258 | 1962.258j.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | 109paper
| 19th century | Rajasthan State |
|
durom.1962.258 | 1962.258j.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | 109paper
| 19th century | Rajasthan State |
|
durom.1962.258 | 1962.258j.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | 109paper
| 19th century | Rajasthan State |
|
durom.1962.258 | 1962.258j.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | 109paper
| 19th century | Rajasthan State |
|
durom.1962.258 | 1962.258j.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | 109paper
| 19th century | Rajasthan State |
Subsets and Splits