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900 |
Jennifer Jason Leigh and Mare Winningham are a good match portraying vastly different siblings, but only Winningham is able to bring something convincing or substantial to her role. Leigh, playing bar-band singer and alcoholic Sadie Flood, constantly leans on older sis Georgia, an acclaimed folk singer in the Joni Mitchell mold. Perhaps due to her double duties as co-producer on the film, Leigh seems to have boxed herself into a corner: she isn't credible as a singer and, even if this is intentional, gives herself far too much screen-time at the microphone. Probably hoping for a tour-de-force, Leigh is wire-drawn and nervous and jagged; however, we simply do not see any talent within this character (Leigh is obviously a solid actress, but she makes decisions here that wall us off from her). If Sadie had even the slightest bit of charisma or appeal, we might be able to buy into the concept that she gets the (small) breaks that she does. As it is, the likelihood of her ever getting up on stage is slim. Director Ulu Grosbard crafts a few intense dramatic sequences, and the editing at the finale juxtaposes Sadie's bar performance with Georgia's sold-out arena show--both singing the same song--and it's a sadly nuanced moment...but really, what's the point? *1/2 from ****
| 2 |
full_train
|
901 |
Except for the Brady Variety Hour, this was some of the hokiest television I've seen in a while. The video production qualities weren't too bad, but the overall look and feel were unmistakeably early 80's. And Marie Osmond looks like she did battle with the Avon Lady.. and lost big time. WAY too much eyeliner.<br /><br />It was kind of embarrassing to watch veterans Danny Kaye and Eric Severeid take part in this. Even more interesting was watching Alex Haley talk about the African Pavillion in World Showcase that would be opening 'in about a year.'<br /><br />As of this writing it is 17 years later and it hasn't opened yet (Unless you count Disney's Animal Kingdom.) All in all though, for all the shortcomings, this still an interesting visual piece of Disney history.
| 2 |
full_train
|
902 |
This is the biggest load of crap that I have seen in a long time. The last time I hated a movie so much was whilst watching "28 Days later" and "Magnolia". There is absolutely no point to this movie, except to see some really sick and twisted sex/rape scenes, Gillian Anderson relieving herself on the side of the road, and every single sentence of dialog having to use the "F" word at least a couple of times in it. It has extremely cheap acting and is very low budget. My friend and I eventually turned off the movie after about half an hour. We had tried to give it a chance, but nothing could save this crud. DO NOT WATCH IT!!!
| 0 |
full_train
|
903 |
I went into this with my hopes up, by twenty minutes into the movie I couldn't have been more let down. Despite thinking that this would be another horribly bad remake, I kept my hopes high that maybe...just maybe someone would get it right this time around. Sadly, Prom Night is about on the same quality level as the recent April Fools Day remake, bad script, bad direction, cheesy overdone acting and generally bad horror.<br /><br />From beginning to end it's boring, repetitive and worthy of about a dozen eye rolls. We've seen it all before and we've seen it done a million times better then this. If you go to see Prom Night in the theater (I'd say wait for the DVD or PPV), get ready for the audience to laugh, because laugh they will. The laughs aren't at points in the movie that are supposed to be funny, they are in response to key "thrilling" moments in the film that are so poorly done you feel as if your watching the newest installment of Scary Movie. Seriously, was this supposed to be a remake or a spoof? The film makers missed the mark so badly here, that a large number of the audience in the theater I attended walked out about halfway through the movie. Which in retrospect, I wish I had done. Not me though, I had to torture myself and stick with it hoping it would get better. Needless to say It didn't. The "horror" scenes are a joke, not even so much because of the acting but because of the direction, the script, the "special effects" and the camera work. The movie manages to look as if they spent a fortune to produce it, but still came out of it with a micro budget movie. I halfway expected to see dollar store tags on some of the props and kept thinking I would spot a porn star in the cast somewhere. <br /><br />This movies scary alright, if this is the future of big budget horror then the horror genre is doomed.
| 0 |
full_train
|
904 |
I haven't been able to decide if this movie is so bad it's good, or, to quote Enid Coleslaw, "so bad it's gone past good and back to bad again." No matter, it forced me look much the same way a pile of weird coloured vomit might, and it offers up a number of scenes that you won't forget even if you want to. There's a sneering young Ray Liotta telling a pigtailed Pia that her creative writing trophy looks like a penis. A bit later, there's Ray again, molesting Pia, not with the appropriately shaped trophy but a garden hose. There's a firm chinned Pia telling her domineering Mom that she wants to go to bed with Ray's geezer father, Walter. There's the actress in the graveyard scene yowling the best line ever written by Pia or anyone else: "WWWWHHHYYYYYYY!" There's that garden hose again, as Walter waves it Pia's face and roars "Is this more to your liking!?" There's Pia and her date so turned on by closeups of each other masticating salad that they start tearing each other's clothes off. There's Pia showering but forgetting to remove her dress. Perhaps best of all, there's Pia's typewriter, but instead of keys there are the miniature talking heads of those who have tormented her the most (afterwards, I was afraid to open my laptop). And finally there's Pia at "The Awards" exposing Hollywood for the cesspool it is, spitting out the second best line ever, "I guess I'm not the only one who has ever had to **** her way to the top." I see I have already spent more time commenting on "The Lonely Lady" than I have on far better pictures, so I'll quit. Be forewarned, though, that once you start watching you probably won't be able to take your eyes off the screen until two hours of your life have vanished forever.
| 0 |
full_train
|
905 |
An interesting idea for a film, both showing the last dragon on earth and showing the struggle he and someone evil have together. When he was younger, Einon got stabbed in the heart, so Bowen (Dennis Quaid) took him to the dark lord who gave him half his heart. Now grown up Einon (David Thewlis) is now the selfish and evil king. Meanwhile, Bowen is using a new friend Draco the Dragon (voiced by Sir Sean Connery) to get rewards for "killing" dragons. But because Einon has half of Draco's hear, they both feel the pain in one of them is hurt, or killed. Also starring Pete Postlethwaite as Gilbert of Glockenspur, Jason Isaacs as Lord Felton, Julie Christie as Queen Aislinn and John Gielgud as King Arthur. It was nominated for the Oscar for Best Visual Effects. Worth watching!
| 2 |
full_train
|
906 |
Perhaps the worst thing about Carlos Mencia's comedy is that every joke needs to be followed with an insult at the people in the crowd that aren't laughing. If there's anybody who's insecure, it's a comedian who won't shut up about his audience.<br /><br />Then again, perhaps the worst thing about Carlos Mencia's comedy is that he doesn't get off his free speech high horse. If you want to be funny, just make a joke, don't explain all the reasons why you're saving the American way with your failed attempts at generating laughter.<br /><br />Hmm... actually... the worst thing about Carlos Mencia's comedy is that it substitues meanspirited jabs at ethnicities for legitimate humor. Avoid this like the plague.
| 0 |
full_train
|
907 |
This film comes as the ultimate disappointment in Tsai Ming-Liang for me. It oozes laziness from its every frame. So I'm not going to analyse it thoroughly either. But some observations:<br /><br />1. If the premise is drought, why we get to see city landscapes with blooming green trees? I wonder if that was supposed to mean something in the metaphorical context of the film (in which thirst notifies the craving for intimacy, and watermelon the trivial substitute, sex). Or it is only a matter of lousy film-making, not giving a damn about being coherent.<br /><br />2. We don't get to know what had happened to the porn actress, why she is unconscious or, presumably, dead. It seems a question of no importance as long as the message of supreme alienation is successfully (=bombastically) delivered, but in retrospect, her inert body proves to be a cheap dramaturgical gimmick, a pretext just as gratuitous and exploitative as the activity it is employed in.<br /><br />3. Nothing is expressed in this movie that Antonioni hadn't expressed better 40 years ago and without needlessly humiliating his actors.<br /><br />4. The musical numbers (recycled from 'The Hole') felt like a secondary-schooler's idea of artistic counterpointing, executed on that very secondary-school level of skill. If that was the point, the point sucked.
| 0 |
full_train
|
908 |
I purchased this film on the cheap in a sale, having read the back of the DVD case and assuming that either way I can't lose, it if was rubbish then no loss, if it was any good then bargain...<br /><br />Then I watched it...<br /><br />I am normally a fan of Christopher Walken, but in this film he commanded very little screen presence, seeming not to do a whole lot, even the death of his friend near the beginning which sparks off the "action" in the plot seems to affect him very little, and his eventual revenge is just boring and undramatic.<br /><br />Normally a film which has themes as grand as revolution and revenge are able to capture the audience and snare them into feeling something for the characters, however watching this film felt more like seeing a series of confused, and almost random events that loosely tied together towards it's eventual conclusion...<br /><br />At this point I wept...<br /><br />I thought this film was the most horribly painful piece of viewing I have ever been subjected to, the scene where the pilot sacrifices himself by refusing to jump out the explosive laden truck due to not wanting to kill any civilians is not so much tragically sad as it is unnervingly horrible and painful, although not quite as bad as the emergency surgery on the wounded girl. The acting was poor all round, the script and story was weak, the "action" was even weaker, and the "visuals" were but bluntly not all that visual. To summarise there are films which are good, films that are bad, films that are so bad they are good, films that are terrible...<br /><br />And then on a whole new level is "McBain"
| 0 |
full_train
|
909 |
It looks to me as if the creators of "The Class Of Nuke 'Em High" wanted it to become a "cult" film, but it ends up as any old high school B-movie, only tackier. The satire feels totally overshadowed by the extremely steretyped characters. It's very un-funny, even for a turkey.
| 0 |
full_train
|
910 |
I rarely write a negative review for this site, but this time felt complied to. Night Listener is without doubt one of the dullest films I have ever seen.<br /><br />There was nothing happening in this film what so ever - I didn't care for any of the characters, didn't buy in to the whole mystery type plot, didn't care how it ended....nothing.<br /><br />There is no comedy, no action, no thrills, no suspense, nothing. The highlights include (no spoilers - there's nothing to spoil): a man climbing through a window, a dog barking outside a hotel room, a car going over some rough ground and a truck beeping it's horn.<br /><br />I really enjoyed "One Hour Photo" and hoped for a similar eerie role from Williams, but alas was sorely let down. What's more disappointing is that I'm sure there is a good film in there somewhere - the idea was interesting and I should have felt sympathy for the characters, but it just didn't work for me.<br /><br />I might even have given it 1/10 but that score is reserved for the remake of The Producers
| 0 |
full_train
|
911 |
OK, don't let my summary fool you. This movie SUCKS HARD. But the worst movie ever? This movie was terrible in ways people shouldn't have to rack their brains to describe. But it is in no way worse than Manos: the hands of fate, hobgobblins, horrors of spider island, or a small handful of movies. As a review the movie sucks, it's terrible. Don't see it with out MST or you may develop health problems. But there are worse movies.
| 0 |
full_train
|
912 |
All I can say is, before watching the movie I did not have a hint indication who Annemarie Schwarzenbach was or what was her life story..and I have to confess that the movie was hardly a help to reach these data.. and even it was not successful to persuade me to do some research by typing few words on google website; however, all I can say is that the actress Jeanette Hain was great with her mute facial expression she really played well and showed a deep depression mental status, as it is in real.<br /><br />After all , based on the script the movie has happened in turkey and Tehran as well as Afghanistan.. but believe me I am familiar with the area , it was all about an Arabic desert in morocco.. Turkish people and persian people are completely different in face and culture as well as in language which is not arabic..<br /><br />I suppose for making a film like this- documentary type- a thorough research about all these minor elements is mandatory..
| 0 |
full_train
|
913 |
I'm a fan of both Shakespeare and MST3K, so I waited anxiously to see this episode. I'll comment on the movie first, then the MST3K episode. The recipe for this movie: take talented actors, rich and beautiful Shakespeare material, and a $1.25 budget. Mix well, then drain of all life and movement, until dull and lifeless. Serve cold in a big, plain stone cauldron. Movie, I give 3 out of 10, because the actors at least deserve a little bit of credit. Okay, now the MST3K episode. I'll admit it, the first time I saw it, I fell asleep halfway through. I understand that was the reaction of several other veiwers as well. However, when I watched it a second time, I realized that there was a whole host of intelligent references and good lines I missed the first time around. The trick with this episode is: listen carefully! It takes a couple of viewings to catch each line. Give it a second chance, and You'll see what I mean. MST3K Episode: 7 1/2 out of 10.
| 2 |
full_train
|
914 |
Journey to the Center of the Earth is the story of some tourists of Hawaii, three of them siblings, and one of them a young British nanny babysitting a dog. When the siblings accidentally drive off in their jeep with the basket of dog biscuits, the nanny follows them (it might've just been safer to purchase more) all the way to the cave the siblings intended to explore (I guess). For some reason, they actually go in the cave and then, when the place starts caving in, they try to get out to no avail, except for the six-year-old sister who they tell to go get help. Meanwhile, the more they move around in the cave, the more they continue to plummet further and further towards the earths cavernous core. And behold, it is here where they find the City of Atlantis and its bizarre alien habitants who are living under the oppressive rule of one alien that doesn't want them asking to many questions about the worlds external to their own.<br /><br />I see that Rusty Lemorande, the named director of the film has provided comments on this film, in which he explains that part of latter half of this film is actually the sequel to Alien in L.A. Well, whatever it was, it was an amazingly cheap movie that I would rank only slightly higher than City Limits (a 1988 sci-fi film also made on a non-existent budget) because at the least ending of this dreadful piece of mostly incoherent film-making that cuts corners where it can aims for some humor and amusement in the last 20 minutes when we finally see what life is like in the alien world at the center of the Earth. I also give it a two star rating rather than one because it was at times, funny, even if only in its subtleties. For example, the aliens asks the British girl if she's an alien and she explains that the Ministry should be sending her work visa shortly. Or when the alien girl finds Bryan and explains that he is in the city of Altantis and he mistakes this for Atlantic City, New Jersey. Little things like that make the idiocy of the first hour or so tolerable. Imagine how great the film could've been though if they had 1) actually intended to make it, and 2) actually had money to make it.<br /><br />I do like how in the end, no one wonders what happened to the little sister who was sent away in the beginning to get help. She'd just be wandering around the Hawaiian caves and not too far from the erupting volcano, mind you.
| 0 |
full_train
|
915 |
This movie may seem scary on commercials, but the actual movie was a reason to vomit. This is a below below average, (even lower than that) and has no plot. I mean every house can make you feel scared and sure, a dead Japanese woman would scare the poop out of you, but so what? Make a movie that would appeal to watchers and not just show images of scared people and some hair (dead Japanese woman). Can you say "horrible rip-off of Samara (The Ring)"? Don't get me started with the "dead child". Not even that scary! So what? He has a cat and he can imitate it, big freaking deal! Just bury the poor zombies and save some lives that have the potential of being harmed by the Grudge! 1/10! Yuck! >.<
| 0 |
full_train
|
916 |
I have been a huge Lynn Peterson fan ever since her breakthrough role in the 1988 blockbuster movie "Far North", and even though I loved her in her one other film "Slow" (2004) where she plays "Francis", this is by far and away her strongest role.<br /><br />Lynn, as I'm sure you all know (or should), plays the critical role of "Driver".<br /><br />Unfortunately, other than Lynn's amazing performance, I'm afraid this movie doesn't really have much going for it.<br /><br />Oh wait - there was one other thing - the amazing creativity of the editing to remove profanity for TV viewers. Memorable lines like: "You son-of-a-gun!", "You son-of-a-witch!", "Shoot!", and "Well, Forget You!"<br /><br />O.K. Bye.<br /><br />P.S.: Does anyone know where I can get another Lynn Peterson poster?
| 0 |
full_train
|
917 |
Some moron who read or saw some reference to angels coming to Earth, decided to disregard what he'd heard about the offspring of humans and angels being larger than normal humans. Reinventing them as mythical giants that were 40 feet tall, is beyond ridiculous. There was some historical references to housing and furniture in parts of the world, that were much larger than would be needed for standard humans. These were supposedly built on a scale that would lend itself to a 10 to 14 foot human, somewhat supporting the "David and Goliath" tale from the bible. There is no mention in any historical references to buildings or artifacts that would support the idea of a 40 foot tall being. If I was rating this movie on my own scale, it would have been a negative value instead of a one...
| 0 |
full_train
|
918 |
Okay this is stupid,they say their not making another Nightmare film,that this is the "last" one...And what do they do?They go on making another one,not that the next one (part7) was BAD,but why do they play us. Anyway this movie made no sense what-so ever,it was extremelly dull,the characters were highly one dimensional,Freddy was another joker,which is very stupid for such a good series.The plot is very,very bad,and this is even worse than part 2 and 5. I didnt get the movie,its a stupid tale in 3-d,pointless!Id say. I hated this film so much i still rmember all the parts i didnt like which was basically the whole film.This is SO different than the prequels,it tries,and tries,but this one tried the hardest,and got slapped back on the face.Again there were hadly any death scenes,although they were different,they sucked bigtime. How can they have gone this far?Didnt they see they made the biggest mistakes at parts 2 and 5?Yet they make this?Its all bout the money,DO NOT SEE THIS SAD EXCUSE FOR A NIGHTMARE SERIES.<br /><br />I GAVE A NIGHTMARE ON ELM STREET SIX (6) 3 out of 10.<br /><br />GOOD POINTS OF MOVIE: Had potential with plot.<br /><br />BAD POINTS OF FILM: Terrible acting/lack of deaths/Too funny to be classified as horror/very confusing.
| 2 |
full_train
|
919 |
Remade today, this film would be a very creepy, very disturbing dark comedy. Stalking, obsession, and a web of lies and manipulations are given a 1948 gloss of aren't-they-cute harmlessness. Drake plays the stalker, an unabashed user of people, alternately pathetic and manipulative, Grant plays the stalking victim, alternately angry and oblivious.<br /><br />Vastly disturbing; I haven't been able to look at classic romances with the same suspension of disbelief since.<br /><br />
| 2 |
full_train
|
920 |
I have seen over 1000 movies and this one stands out as one of the worst movies that I have ever seen. It is a shame that they had to associate this garbage to The Angels 1963 song "My Boyfriend's Back." If you have to make a choice between watching this movie and painful dental work, I would suggest the dental work.
| 0 |
full_train
|
921 |
VERY dull, obvious, tedious Exorcist rip-off featuring a Doberman with red eyes - that's the extent of the special effects in this made-for-tv cheapie. Richard Crenna is about as animate as a chew toy. Very 70's dress & music only add to the torture. Should put you to sleep almost as fast as "The Corpse Vanishes", or "The Blue Hand". Practically worthless. MooCow says eaghhh what a stinky dog! :=8P
| 0 |
full_train
|
922 |
Cool idea... botched writing, botched directing, botched editing, botched acting. Sorta makes me wish I could play God and strike everyone involved in making this film with several bolts of lightning.
| 0 |
full_train
|
923 |
Sorry Fulci fans, but I could not get through this one. The soundtrack was about as annoying as they come, the acting was puerile, the story has been done and done, and the direction was non-existent. <br /><br />Massacre honestly looked like a children's film project. But I've seen some of those, and they actually look better than this did! It appears to have been so underfunded they couldn't afford ... ANYTHING! Not a DoP, not a director, no one who even remotely had a clue what acting was. It was a very poor cinematic experience; one of my worst.<br /><br />This was about the worst suck-fest I've seen, next to Terror Toons which is second only to Killer Klowns from Outer Space. I've nothing else to say about it.<br /><br />It rates a 0.1/10 from...<br /><br />the Fiend :.
| 0 |
full_train
|
924 |
No, this wasn't one of the ten worst films of the 1980's, but it certainly skirts the bottom 100 somewhere. This movie looks like it was put on the shelf for two or three years and then released in 1981. How else would you explain special effects pre-dating "An American Werewolf in London," disco still being considered cool, and Ronald Reagan not being the 40th President of the United States? While we're at it, let's not overlook those 1970's hairstyles in the 1950's and '60's. I've seen more of that here than in "Happy Days" & "Laverne & Shirley" combined.<br /><br />The one woman who elevates this movie to the "so bad, it's good" category was the late, great Elizabeth Hartman, but just barely. Biff plays as Miss Montgomery, the mousey high school teacher who becomes a sexpot, a stereotype that's been done to death and is still being churned out by Hollywood today, but even as a "hot chick" she retains her mousey qualities. Her call for help is evidence of this. She also looks much better as Miss Wimp. "Seven bucks at the beauty parlor, shot to hell." She wasn't kidding.<br /><br />This isn't to say that there aren't any good parts elsewhere, they're just few and far between, and I'm not just saying that because I like Hartman. Incidentally, "Teen Wolf" was better than this. "Teen Wolf Too" was better than this, and that wasn't even so good.<br /><br />
| 2 |
full_train
|
925 |
I occasionally see some of this show because my wife watches it sometimes. I try to enjoy it for it's basic idea which is helping a needy family, but several factors get in the way for me. Every episode follows the same format where many parts seem totally scripted (which they are) and tears flow seemingly on cue. The attempt to manipulate the viewer with a mixture of emotional breakdowns and sad music is a real turn off for me. The fact that everyone who donates something to the house, be it Sears or whoever, has to plug themselves for being generous is also annoying. Probably the biggest problem I have with it all is that what must be huge amounts of money and a small army of workers are combined to build an amazingly over the top home for a single family. Now I know that this amount of money is nothing but a drop in the bucket for Disney/ABC but how much more could be done for more people with the amount they are putting on one house? Instead of focusing on one family and getting them all to cry during the episode why not help 10 families and show highlights? Isn't life difficult enough for the average person? Why do I need help finding things to feel sad about, why not show something truly inspiring without being manipulative? I know what is being done for these families is good, but they are also being used for ratings. You can't tell me they aren't being coached sometimes on the crying. I guess when I see these people moving into a home that most hard working people in the U.S. could not afford for their children it really bothers me. I can't help but think of what could really be done with a small portion of Disney's money. Instead of giving each member of the family a flat screen TV and or personal shower that tells you the water temperature and shoots out of the ceiling why not help more people afford food, clothes, education and medical insurance? I know so we can be entertained and have a good cry. In terms of money, I feel the same about Oprah. I don't think anyone can actually conceive the amount of money she possesses. Yes her recent reality show did good things, but when she gave $30,000 to each losing "contestant" I'm sitting here thinking...that's a years salary for many, many people...if they're lucky. Don't get me started on game shows. So I realize that Extreme Makeover Home Edition is "doing good", but forgive me if I see it as more self serving than giving of itself. Is there anyone out there that feels similar?
| 2 |
full_train
|
926 |
Ursula Andress' naked body is one of those things that make you believe in God. The other two women (especially the one who plays the maid) have great bodies as well. Then why is the higher grade that I can give to a film with such quality and quantity of nudity only 3 out of 10? Because, to get to Ursula's unbelievable body, we have to sit through a movie that is otherwise unfunny and boring (keep in mind that I watched the full 101-minute version, not the 78-minute American one which probably cuts out a lot of the extraneous material). In typical Italian-comedy tradition, most of the characters are exaggerated caricatures (the army freak, the "latin lover", the constant drunk, the naive maid) that are not funny, simply overacted. Final word: watch this, but keep your finger on the fast-forward button, you're gonna need it. (*)
| 2 |
full_train
|
927 |
SPOILERS AHEAD<br /><br />This is one of the worst movies ever made - it's that simple. There is not one redeeming quality about this movie. The first 10 minutes are quite tricky - they actually lead you to believe that this film will be shocking and will have you on the edge of your seat. Instead, you will spend 83 minutes punching yourself while watching stolen and poorly made scenes run without any organization. The lake was ridiculous, looked like an aquarium, and had the same plant in different parts of the lake bed. Characters show their advanced teleportation powers, for example Alex Thomas who falls into the lake (drunk), and then ends up on his boat in an impossible position. Angie Harmon put up a pitiful performance as Kate, made worse by the space-time continuum rupturing dialog that appears to have been written at the last minute by a fifth grader. An example of this would be when she said, "Flashlight!" in such a stupid manner that it shows the threshold of how much a human body can cringe before it snaps in half. Finally, the editing of this movie was by far the most bizarre and horrific that I have ever seen. It was like the cameramen were a bunch of chimps who had been given camcorders by scientists. An example of this would be when we suddenly get a closeup of the headlight on Alex's car. I would bet that there was little to no time spent editing this movie. The ending was absolutely pathetic. The writers were obviously trying to create some sort of mysterious plot line that made the viewer say, "oh yeah!" Instead, we're left to view some dumb painting of a spider that somehow fits into the story line. Unfortunately, there is not one perspective in the millions out there that could save this movie from being a festering piece of crap.<br /><br />I give this a .5 out of 10, the .5 being from the fact that this movie was recorded on film instead of becoming a picture book.
| 0 |
full_train
|
928 |
What the hell was all that about? I saw The Matrix and was amazed. It was the most spectacular movie ever made. What ever possesed the Wachowski brothers to do this film is beyond me.<br /><br />There is no plot, you can't argue with that. Basically all this film was was a load of talking, and don't get me wrong, I have no problem with talky films, but all the talking in The Matrix Reloaded was a pointless load of drivvle. Then there would be a fight sequence which lasted WAY too long, then more pointless drivvle, then another fight scene that lasts too long and it all builds up to the biggest anti-climax ever. A little bearded bloke talking a load of uncomprehensible bull for 20 minutes.<br /><br />Also, Keanu Reeves gives his worst performance yet. I knew he wasn't a good actor but this was beyond a joke. If you watch his films in the order he was in them it would seem he got gradually worse as they went along. God knows what his performance is like in Something's Gotta Give! Keanu Reeves: The only plank of wood ever to become an actor.<br /><br />After the splendor of the first film this came as a massive dissapointment. If you haven't already seen the first film I suggest you watch it, but don't waste your time with this utter pile of turd.<br /><br />
| 2 |
full_train
|
929 |
Susan Seidelman seems to have had a decent career with a few top notch credits under her belt. I'm certainly glad she bounced back from this film which seems to have its admirers. I'm not one of them.<br /><br />I've seen better acting in high school plays than I did in Smithereens. The plot such as it is involved young Susan Berman who is ambitious to make it in the world of music and is willing to do just about anything to get there. She even rejects the sincere advances of a young artist who is living out of his van off the East River played by Brad Rijn.<br /><br />Young Mr. Rijn contributes the worst performance in the film, in fact one of the worst acting jobs I've seen in a long time. No wonder he's not gone anywhere.<br /><br />I will say that Seidelman's eye for the camera is a good one in capturing the familiar East Village locations where the film was mostly shot. But her work with her live performers didn't measure up. I'm not sure she had that much raw material to work with.<br /><br />Look fast and you'll see a very young Christopher Noth before Law and Order and Sex in the City as a street hustler.<br /><br />If you like punk rock, you might sit through this for the soundtrack. I'll stick to Bing Crosby.
| 0 |
full_train
|
930 |
My first attempt at watching this ended in 8 minutes, roughly after the TV report scene, which I couldn't handle. It went approximately like this:<br /><br />Reporter 1: Hmm, there's a pyramid in our skies. Reporter 2: I think it's aliens. *awkward silence* Reporter 1: In other news...<br /><br />A few days later I watched it to the end, and it wasn't as horrible as I've imagined, but there are serious problems with this. About half of the plot can be easily discarded. And the other half should be expanded to explain the background story or something.<br /><br />What use are the detective, the eugenics people, and the monsters which are disposed of momentarily by Horus? More amusing was the monopoly scene. "We're all powerful "Gods", who have lived for aeons, and of all the games in the multiverse we happen to play monopoly." Monopoly? Monopoly?! Even Erich von Dainiken looks coherent, compared to that.<br /><br />The other half is terribly lacking. What did our protagonist do to get himself cryo-frozen? Why was there no big event when he was released at the end? He had those pesky followers, remember? What happened to normal humans? What's the deal with the masked guy? How did the blue-haired girl appear? What's with her eyesight? Etcetera, etcetera.<br /><br />Visually it's OK, more or less, if you disregard the Egyptian Gods looking like walking turds with rotweiller heads.
| 2 |
full_train
|
931 |
I rarely comment on films but I've read the other comments and I cannot believe that there are people applauding this celluloid rubbish. I know there are certain people who have their own agenda but lets take it on merit; poorly acted, badly shot and the story felt as the director was making it up as he was going along. I am not going to focus on the sexual aspect of the film involving little kids as the makers of the film obviously knew what they wanted and what their audience would want. All I can say is it is a terrible film, the content is poor and offensive, the production is amateurish and I am glad they could not make a film like this legally today
| 0 |
full_train
|
932 |
This show had a lot of hype but I didn't know about it until the midseason (season 1). Someone even recommended the show to me. But I decided that if I was going to watch it, I was going to wait until the end of the season so I could watch it in bulk. Due to the show's format, I'm happy I waited. I imagine it would have been fairly annoying have nearly every episode end in the middle of some cliff hanger then have to wait another week to find out what happens in the next second of the story.<br /><br />Somehow, this show has managed to throw in too much sex. Jason will have sex with pretty much anything that moves. Right after he finds out that one woman he had sex with was killed, he's in bed with another woman the next night! Then Tara and Sam get it on, despite each of them knowing that Sam is in love with Sookie. And for some reason, Sookie gets mad when she later finds out about it--even though she's sleeping with a vampire. One of the problems with the show, is that it doesn't do a good job of making you care about the characters. I really didn't care for Jason at all. Along with his endless pursuit of tale, he was rude to the people who actually were concerned for him. After a few episodes, I wouldn't have minded if he got killed somehow. For that reason, I was for the most part uninterested in the murders until Sookie's Grandmother became a victim (since the first two were more closely involved with Jason).<br /><br />Then once Sookie and Bill have sex, the story gets a few more subplots. Tara's mother wants an exorcism, then the exorcist lady tries to convince Tara that she should have one to remove her own demon. I wasn't so much bothered by the whole exorcism thing as I know there are some people who really believe in that stuff. However, they waste little time in showing that is it a farce right after Tara spends about $1300 on exorcisms for her and her mother. At other points, some of the developments happen too fast. Jason continues being a jerk, trying to sell his Grandmother's stuff to buy vampire blood, which apparently is the new crack or something. In his search he finds this girl who will do V (vampire blood) with him. They get high, and within three days fall in love with each other and kidnap a vampire for a constant source of V. Another example is when Bill has to go to a vampire tribunal. He's only gone for two days before Sookie starts to feel abandoned and start to wonder if he thinks "vampire politics" are more important than her.<br /><br />Subtlety is not this show's strong suit. It doesn't take a genius to figure out something is going on with the local dog. Although my assumption wasn't dead on, it wasn't that much of a surprise. But the finale two episodes was where it really got annoying as it just shoved all the developments in your face as if you couldn't possibly figure the out for yourself. When Tara gets into the car accident, the naked lady's face with the pig is clearly shown, and was easily recognizable when she shows up at the jail for the bailout. As if that wasn't enough, they later show the lady again with the pig at her house. Then it's time to wrap up the murder story. At the end of the penultimate episode, it's revealed that Renee is not who he says he is and most likely is the killer. In the final episode, they shove Renee being the killer in your face. Sookie remarks that it's odd that Renee's thoughts don't have an accent. I thought that was fine, as it adds to Renee being a fraud. But the next scene is full of incriminating evidence against Renee. They show that Renee has the tape of Maudette with the vampire and his fiancée finds a tape in one of Renee's boxes about how to fake a Cajun accent. At this point it was just ridiculous. I mean WE GET IT!!! So blah blah blah stuff happens. Bill almost kills himself while failing to save Sookie, who still manages to kill Renee. They start to set up season 2 by leaving unfinished issues. The naked pig lady and Sam have a history, Lafayette has gone missing and might have been killed. Jason is in the process of being brainwashed into being a religious nut by some anti-vampire church--which makes me care about him even less.<br /><br />It's almost surprising to see how many people absolutely love this show. I think I just expected this show to be better. I'm interested in seeing what happens in season 2, but if I watch it, I'll most likely wait for the season completion.
| 2 |
full_train
|
933 |
To call this anything at all would be an insult to everything else. Some expletives might describe it, but still too positively. Normally one ignores this kind of rubbish, but it was so stupid that one can but despair. Would have though that even Americans and commercial TV-stations would have given this piece of s**t a miss. But as the Germans say: Gegen die Dummheit kaempfen die Goetter selbst Vergebens!
| 0 |
full_train
|
934 |
Although nothing can compare to Vampires Vs. Zombies...in any realm of film making i will attempt to judge this movie.<br /><br />Firstly, the special effects were breath-taking. When there was an explosion on the television screen i thought my entire house was going to explode, and when automatic machine guns were fired i thought the shells were landing on the floor right next to me. Simply stunning my friends.<br /><br />But the scene when the Jack Black sound-a-like is giving the worst monologue i have ever heard i nearly killed myself, but don't worry since he was getting blazed in the movie he can pass his awful acting off on "I must be high". Seriously, he must have watched himself mindlessly babbling about non-congruent thoughts that make absolutely no sense and just added that he must be "high" to justify his awful acting. Well if you can say that to excuse terrible acting then if you talked to the writers, directors, executive producers, sponsors you will probably get the same response...seriously.<br /><br />With a production team called "Shock-o-rama" i was shocked i didn't place a sawed-off shotgun in my mouth and ended my life after this shockingly terrible excuse for a movie was played.<br /><br />If you want to see this movie, then you should be murdered <br /><br />Yours Truly,<br /><br />The General
| 0 |
full_train
|
935 |
The Brain (or head) that Wouldn't Die is one of the more thoughtful low budget exploitation films of the early 1960s. It is very difficult to imagine how a script this repulsively sexist could have been written without the intention of self-parody. And the themes that are expressed repeatedly by the female lead, Ginny Leith - a detached head kept alive by machines, I-Vs and clamps - seem to confirm that the film was meant to simultaneously exploit and critique gender stereotypes. Shades of the under-rated Boxing Helena.<br /><br />The genderisms are plentiful, and about as irritating as an army of angry ants. The dialog is hyperbolic, over-dramatic and unbelievable, and the acting is merely OK (but not consistent). Why have I given this film a 4? Because some thought clearly went into it. I am really not sure what point the film was really trying to make, but it seems clear that it strives for an unusually edgy and raw sort of horror (without the blood and guts today's audiences expect).<br /><br />Another unique and interesting aspect of the Brain is that there really are not any heroes in this film, and none of the characters are particularly likable.<br /><br />All considered, this is a fairly painful and disturbing look at early 1960s American pop sexuality, from the viewpoint of a woman kept alive despite her missing body after what should have been a fatal car crash. Her lover is threatening to sew a fresh, high quality, body onto her and force her to continue living with him. She is understandably non-plussed by all of this and forced to befriend a creature who is almost as monstrous as her boyfriend. Oh, there are also some vague references to the 1950s/60s cliché about the evils of science run amok.<br /><br />Recommended for B sci fi buffs and graduate students in gender studies. O/w not recommended.
| 2 |
full_train
|
936 |
I was gifted with this movie as it had such a great premise, the friendship of three women bespoiled by one falling in love with a younger man.<br /><br />Intriguing.<br /><br />NOT! I hasten to add. These women are all drawn in extreme caricature, not very supportive of one another and conspiring and contriving to bring each other down.<br /><br />Anna Chancellor and Imelda Staunton could do no wrong in my book prior to seeing this, but here they are handed a dismal script and told to balance the action between slapstick and screwball, which doesn't work too well when the women are all well known professionals in a very small town.<br /><br />And for intelligent women they spend a whole pile of time bemoaning the lack of men/sex/lust in their lives. I felt much more could have been made of it given a decent script and more tension, the lesbian sub-plot went nowhere and those smoking/drinking women (all 3 in their forties???) were very unrealistic - even in the baby scene - screw the baby, gimme a cigarette! Right.<br /><br />Like I said, a shame of a waste. 4 out of 10.
| 2 |
full_train
|
937 |
John Huston's Wise Blood was a more horrifying misrepresentation of Flannery O'Connor's book than I could have imagined. From the utterly terrible acting performances (and don't you, "Oh that was done on purpose, you just don't get it" me!) to the musical score that was more suited to an episode of Rockford Files, this film was revolting. I viewed it with no ill-will at the outset, and, in fact, expected a pleasant experience. But the misrepresentation of the southern characters, from the ridiculously fraudulent southern drawl to the lilting, comedic way their faith was portrayed, was inexcusable. Right down to it's end, which was completely devoid of any character sentiment, it failed in every place that O'Connor's book shined and resonated. The actors portraying the "southern" policemen may as well have been eating smothered hot-dogs from NYC street stands and quoting Godfather. The one redeeming acting performance was Ned Beatty's lively and dead-on representation of Hoover Shoates, a religious con-artist who hears Moates preaching the Church of Christ Without Christ and sees dollar signs and business opportunities. O'Connor's powerful book is most well-known for it's creepy, religious undercurrent that jibes the seemingly lifeless cadaver of "Faith". Mr. Huston's film is a shameful mockery of the author's intentions, as they are understood by me and most of her fans, if I may be so bold as to say so. While I acknowledge that I can't know exactly what the author wished to convey, I have enough affection for her and her works to desire to remain a fan. If I viewed Wise Blood the way Mr. Huston apparently did, I would have thrown it in the trash. For Flannery's sake, and mine, I forgive you, John Huston. The forgetting....that will take some time.
| 0 |
full_train
|
938 |
I watched this movie on the grounds that Amber Benson rocks and Nick Stahl is generally pretty cool - I figured that any film featuring two actors I like and respect couldn't be all bad. And in that sense, I was right - considering the cringe-making dialogue they were given, both of them perform reasonably well. Not well enough to stop the movie from sucking, you understand, but well enough that I was able to make it through the 75-odd minutes of movie (and that's the main sign of an awful film: when, at 40 minutes through, you're already praying for it to be over).<br /><br />It's hard to know where to start with the problems in "Taboo". The dialogue, as mentioned, is appalling; wooden and completely unnatural. January Jones' acting is unbelievably bad, and since she's the character we spend most of our time following around the house, this is an unforgivable flaw. The plot manages to be so convoluted that it makes no sense while simultaneously being so clichéd as to be completely predictable (literally, not one of the major 'twists' in this film would surprise anyone but a toddler). A few interesting shots aside, the director tries far too hard with far too little success, awkward tracking shots and jittery camera-work distracting from what little element of story there is.<br /><br />Three of this movie's stars are awarded for the fact that it contains Amber Benson, and the last is tossed in on the grounds that one of the jokes made me snigger a little bit. I wouldn't recommend this movie to anyone, ever, under any circumstances. Avoid at all costs.
| 2 |
full_train
|
939 |
An idiotic dentist finds out that his wife has been unfaithful. So, no new story lines here. However, the authors managed to create a stupid, disgusting film. If you enjoy watching kids vomiting, or seeing a dentist imagining that he is pulling all his wife's teeth out in a bloody horror-type, go see (or rent) the film. If not, move on to something else (MY FAIR LADY, anyone?)
| 0 |
full_train
|
940 |
I was excited to view a Cataluña´s film in the Berlin´s competition. But after the presentation I was total disappointed and furious. Too much blood, too much time, too much themes for nothing. The Spanish Civil War, like every war, was horrible. The revenge, a very human behavior, not pretty at all, is shown in uncountable films and plays, as well as the relations between homosexuals and the scepticism in Spain about Catholicism . But what Mr Villaronga try, is a pseudo tragedy that can belongs to the worst of the film´s history. It is really a pity to see Angela Molina in this movie. I advise nobody under no circumstances to go to see this film.
| 0 |
full_train
|
941 |
Pretty disappointing prequel to the first two films, it's got none of the suspense of the first nor the interest of the second. By concentrating on the guys who 'run' the cube, it basically takes away any of the sense of tension inside the cube, as we simply don't care about the characters inside. Much of the film is simply boring, and it only becomes truly terrible with the introduction of the glass-eyed superior and the green-eyed crazy marine. After that, though, it just descends into over-the-top unintentional hilarity. The ending is fitting though, tying it back into the first one in an indirect way. The script is terrible, the acting mediocre at best, and the direction unimpressive. A much lesser follow-up.
| 0 |
full_train
|
942 |
The acting, other reviews notwithstanding, was remarkably well-done. Brad Pitt handles the role of an annoying, obnoxious Austrian climber quite well. Other acting is fine. The story could have been riveting, but somehow, it misses - one never really understands or cares for the characters shown, and so the story, which could have been quite dramatic, fails to draw in this audience.<br /><br />Beautiful scenery and cinematography, a remarkably dramatic true story, important events that shaped the world that we live in - but I could not, try as I might, involve myself in this story. As an unabashed Brad Pitt fan (I consider him one of the top 5 actors of his generation), I expected to *love* this flick - and yet, it left me cold.<br /><br />It could be a failing within myself, but I tend to point toward the creative end of this movie - direction, scriptwriting, production, editing - somehow, they lost me. It's a shame, because it could have been wonderful.<br /><br />Good acting, dramatic story, beautifully shot - it should have been magnificent. It wasn't. Probably worth watching, just to make your own mind up on it - but don't expect too much, and perhaps you won't be as disappointed as I was. Mostly, it bored me.
| 2 |
full_train
|
943 |
This movie was the most horrible movie watching experience i have ever had to endure, and what is worse is the fact that i had to watch it, and didn't have the opportunity to stop it because it was for school! Admittedly, the storyline was decent...but i found the acting terrible! The exception was Marianne Jean-Baptiste, i thought her performance was wonderful. She was the only highlight, without her, i doubt i would have been able to bear watching the film. Every time i hear somebody say "daarling" i cringe! i nearly attacked a customer the other day because they said "it". It made me remember one of the worst one and a half hours of my life!<br /><br />(i apologise if this has offended anybody, i am only expressing my opinion)
| 0 |
full_train
|
944 |
First of all, I have to say I have worked for blockbuster and have seen quite a few movies to the point its tough for me to find something I haven't seen. Taking this into account, I want everyone to know that this movie was by far the worst film ever made, it made me pine for Gigli, My Boss's Daughter, and any other piece of junk you've ever seen. BeLyt must be out of his mind, I've only found one person who liked it and even they couldn't tell me what the movie was about. If you are able to decipher this movie and are able to tell me what it was about you have to either be the writer or a fortune teller because there's any other way a person could figure this crap out.<br /><br />FOR THE LOVE OF G-D STAY AWAY!
| 0 |
full_train
|
945 |
This movie is the worst I've seen in the last 5 years. It is surprising how brilliant actors like two main characters in this movie has accepted to act in such worthless peace of trash. The film is rape/beating and revenge genre. Couple has gone to party and on the way back they hit a deer and he went out to finish it when a jeep full of bad guys comes. He didn't go to their car, instead he has been kicked and well beaten while she tries to run the car engine which betray her and she has been gang raped.Then somehow she is in her fathers house and one of bad guys is her neighbor so she took shotgun and wanted to kill him... So stupid scenario! Bellow Hollywood ! He was against that revenge but "She is raped" "They laugh to her" so she must kill them all... But once inside the house she was satisfied by pushing rifle's top in bad guys anus and went away while he has gone crazy and execute bad guy. Personally I think that director run out of money before finishing this because movie ends before they execute anyone else involved in this gang-rape and beating which is not big surprise because sponsor obviously has seen this and wanted to take back his money. LoL This movie is not even for people who enjoy watching rape because they won't see anything they are looking for... This director should be banned...It is for upsetting that this peace of trash has been made by British cinematography which I personally like and that is the reason I've watched this. Don't do it yourself you have better things to do that watching stupid scenario film ...
| 0 |
full_train
|
946 |
CARRY ON MATRON was released in 1972 and it's becoming clear that the series has reached a natural end with the best entries like CLEO , UP THE KYBER and SCREAMING being from the mid to late 60s <br /><br />In itself MATRON is by no means bad it's just that we've seen it all before with a thin plot ( A bunch of spivs trying to break into a hospital to steal a supply of contraceptive pills which they plan to sell to third world countries ) surrounded by gags of a slightly amusing though unsophisticated nature . I think that's where the problem lies - The gags aren't all that amusing with the unsophisticated nature starting to show its age . Did we need another movie that uses a man dressed up as a woman in order to drive the plot ? Perhaps the worst criticism I can make is that I saw CARRY ON MATRON this afternoon , less that twelve hours ago and I have a problem in trying to remember a very funny line . That's a serious problem for a comedy
| 2 |
full_train
|
947 |
I have been waiting for this movie a long time. Especially because Juhi Chawla is in this, she's a great actress.<br /><br />This movie contains six stories. It's a new concept flew over from Hollywood. So it's not a new item.<br /><br />1. Khamini (priyanka chopra) is a dancer. She wants to get famous and makes up a boyfriend to let news reporters be interested in her. But then Rahul (Salman Khan) appears and he claims to be her boyfriend.<br /><br />Priyanka Chopra is still not a good actress. When she yells, I get annoyed. Salman khan cannot play comic roles. But in his serious parts he is marvelous.<br /><br />2. Vinay (Anil Kapoor) is married to Seema (Juhi Chawla). He gets in a midlife crisis and gets attracted to a much younger woman, with forgetting what he really has in life; his wife and kids.<br /><br />Anil kapoor en Juhi are natural born actors / actresses. They are great. But this story is to thin for them.<br /><br />3. Shiven (Akshaye Khanna) is going to get married to Gia (Ayesha Takia), but he gets cold feet and blows the wedding off.<br /><br />4. Ashutosh (Joh Abraham) is married to Tehzeeb (Vidya Balan). She gets an accident and suffers a memory loss. Now she doesn't know that she loves her husband anymore.<br /><br />5. Raju (Govinda) is a cab driver. He meets Stephani (Shannon Esrechowitz) who is a white woman who is in love with an Indian male but he is about to get married with an Indian woman. Raju has to bring Staphani to that man, but falls in love with her.<br /><br />I never liked Govinda's movies. He is very annoying, not funny. But in this movie I liked him very much, like he has been growing up the last years.<br /><br />6. Oh yes! There is Sohail Khan! He plays Ram Dayal who is just married to Phoolwati (Isha Koppikar). He want to get some serious action with her, but every time her family comes in between.<br /><br />Sohail Khan is not a handsome actor, but he is funny! I like his movies.<br /><br />Now here's the problem. All these stories aren't interesting. To make one story from six not interesting stories does not make the whole movie interesting! Here and there the stories touch each other, but is not significant for the characters.<br /><br />My conclusion; Priyanka cannot act! Loose that woman in the bollywood industry. Sohail Khan should make more movies, this role for him was too small. Salman Khan cannot act comic roles, but real serious movies. That's written on his life as an actor. This movie sucks, and is a waste of a cast of good actors and actresses like Anil Kapoor, Juhi Chawla, Akshaya Khanna and John Abraham.<br /><br />It's just like you have the ability to make a movie with Amitabh Bachchan, and you only let him sing a lullaby.
| 0 |
full_train
|
948 |
I thought this movie seemed like a case study in how not to make a movie for the most part. Since I am a filmmaker, I give it a 2 for consistency.<br /><br />The problems remain from beginning to end with the plot being extremely predictable using bits and pieces of most, if not all, previous successful war stories. The computer generated graphics were too much like viewing a video game at points and there seemed to be no attempt by the director to add some realistic quality to the story. I was interested in the budget to get an idea of what he had to work with, but did not find that information.<br /><br />It seemed like this project pushed the limits of a low budget movie too far resulting in a production that drags the viewer along with the story without their imagination being engaged. The actors weren't bad, but the plot needs more innovation.
| 0 |
full_train
|
949 |
This movie was messed up. A sequel to "John Carpenter's Vampires", this didn't add up right. I'm not sure that I enjoyed this much. It was a little strange. Stick to the first "Vampires", it's a good movie. "Vampires: Los Muetos" wasn't a good attempt of a sequel.<br /><br />4/10
| 2 |
full_train
|
950 |
LL Cool J performed much better in this movie that I expected! He did a fabulous job acting as a "renegade" cop within a "renegade" department. From the very beginning, he does a great job of building viewer empathy for his character and the predicament he's in. He acts as a sort of "gentle giant" -- a person whose rough exterior can scare anybody, yet whose heart is clearly in the right place from the very start -- and he does an amazing job. He was quite clearly the best character in the movie.<br /><br />This was certainly a performance that will not win Morgan Freeman any awards. After starring in powerhouse films like the Shawshank Redemption this film was certainly a step down. His role in Edison simply did not allow him to show his true talents as an actor -- and in terms of the conglomeration of characters placed him sadly on a back burner. There are so many ways his character (Moses Ashford) could have taken a more pivotal role. That he didn't was disappointing and a true let-down. I was hoping to see more from him in this film.<br /><br />Timberlake ought to have stayed in the music industry. His portrayal of a young journalist was poorly acted and unpersuasive. This movie is a typical action movie that (at least initially) bears some resemblance to corrupt police affairs LA has experienced in the past. Being an action movie, it has its share of shoot-em-up scenes, blood, and guts. These scenes are typically unrealistic and painfully predictable. Watching the beginning of the movie there is very little suspense as to what will happen at the end -- think of what you would typically expect in a good-cops/bad-cops conflict -- and it bears little resemblance to a REAL police shoot-out.<br /><br />What irked me most was the way Timberlake's character behaved during shoot-out scenes. He starts out having guns and not using them. Then when he finally gets around to using one he fires it as if he's been firing a gun his whole life. Then he runs out of bullets and doesn't have a gun -- and 30 seconds later, without moving or anything -- suddenly has 2 more fully loaded guns AND extra ammo?! Little plot errors like this really ruined the movie for me.<br /><br />If what you are looking for is a blatantly fictional plot in a fantasy world where everything turns out okay, then you'll probably love this movie. Personally, it doesn't matter to me what KIND of movie it is as long as it is realistic. Make me believe that the story is true. This story was so obviously fictional in so many aspects that I came away feeling unsatisfied.
| 2 |
full_train
|
951 |
Belmondo is a tough cop. He goes after a big-time drug dealer (played by Henry Silva, normally a great villain - see "Sharky's Machine"; but here he is clearly dubbed, and because of that he lacks his usual charisma). He goes to the scuzziest places of Paris and Marseilles, asks for some names, beats up some people, gets the names, goes to more scuzzy places, asks for more names, beats up more people, etc. The whole movie is punch after punch after punch. It seems that the people who made it had no other ambition than to create the French equivalent of "Dirty Harry". Belmondo, who was 50 here, does perform some good stunts at the beginning; apart from those, "Le Marginal" is a violent, episodic, trite, shallow and forgettable cop movie. (*1/2)
| 2 |
full_train
|
952 |
AKA: Mondays In The Sun<br /><br />I have no idea what I just watched. Three men wander aimlessly and drink, grousing about everything and at everyone in their path. This is supposed to be a drama, but what it is, is a total waste of film, without a single redeeming quality.<br /><br />I have read reviews touting the performances herein as "wonderful," "beautiful," and "heroic." I'm afraid I cannot agree, unless these men were supposed to come off as the dumbest most ignorant proto-humans who ever walked.<br /><br />All in all? This was not a movie. It wanders throughout and loses everyone but the audience. I've watched this three times, and cannot for the life of me see what anyone sees in this garbage. There is nothing profound here, whatsoever. It's crap.<br /><br />It rates a ZERO/10 from...<br /><br />the Fiend :.
| 0 |
full_train
|
953 |
This apology for a movie is about absolutely nothing! Rachel Griffiths must have needed the money. The film must have been made on a very low budget, because the lighting was non existent. I made a vow if I ever see Pete Postlesumthingor other I'll commit suicide. I'd be happy to know if there was 1) a plot or 2)a script. My biggest regret is I wasted my time watching this rubbish.
| 0 |
full_train
|
954 |
This God forsaken film is about three dumb millionaires who gather a bunch of people to play a deadly game, and the winner gets a million dollars. First of all, the acting is terrible, and the movie makes absolutely no sense at all. It is not scary in the least bit, it is so stupid that it made me laugh, which is why it earned that 1 star.The movie is not violent at all, but is pretty sleazy and focuses mostly on the women's breasts the whole time, and some of the characters are very annoying and whiny. Plus, the monsters in this movie are so cheesy and fake and not scary that it just makes you want to throw something at the screen. Last, but not least the ending is terrible. I don't want to give it away, in case you actually are strange enough to see this piece of junk. AVOID AT ALL COSTS!!!!!<br /><br />Not Rated (But should be R) for Nudity, Profanity, and Mild Gore.
| 0 |
full_train
|
955 |
This is strictly a review of the pilot episode as it appears on DVD.<br /><br />Television moved out of my life in 1981, so I never followed the series or any part of it - which means that I'm immune to the nostalgic charm that Moonlighting appears to have for most reviewers. <br /><br />(Possible spoiler warning) <br /><br />The pilot of Moonlighting is your basic "caveman meets fluffball" yarn, where a "charming" red-blooded he-man manipulates a misguided woman into realizing what she really wants and needs. The premises that the script's "wit" is based on must have already felt stale around 1950. It also contains some frankly bad writing, as in the scene where Maddie demolishes the furnishings instead of shooting the villain, strictly in order to prove herself the inept female in need of masculine assistance. <br /><br />I often feel that Susan Faludi overreacts in seeing male chauvinist conspiracy in simple entertainment, but in this particular case I'm all with her - Moonlighting has BACKLASH stamped all over it. <br /><br />In one sense, however, this DVD is a must for all serious Bruce Willis fans: in addition to the pilot episode, it contains the screen test that landed Willis the job. Both features show to what amazing extent Willis' acting ability developed between 1985 and 1988/89 (Die Hard 1, In Country). Impressive! <br /><br />Rating (and I _am_ a Bruce Willis fan): 2 out of 10
| 0 |
full_train
|
956 |
Within the first few minutes of this Dutch thriller, we learn that Krabbe is a gay alcoholic writer who sleeps sans underwear, fantasizes about murdering his roommate, tries to steal a magazine from a news stand, and lusts after a studly young man he meets at the train station. And he's the hero of this nonsensical movie that is all dressed up (except for Krabbe in at least one scene too many) but has nowhere to go. The basic plot is very simple but is dragged out to nearly two hours before reaching a pointless conclusion. Verhoeven has a nice visual flair but resorts to scenes of wild hallucinations, overt symbolism, and gratuitous gore when he runs out of ideas.
| 2 |
full_train
|
957 |
First off, the title character is not even the main character of the movie. He is the sidekick of the cult leader. The actor who portrays Igor believed that screaming loud, laughing hysterically, and having a crooked smile while bugging out your eyes would be an excellent way to scare people. Igor also had the annoying habit of yelling (because he never actually just spoke) in a high pitched voice. He would also say idiotic one-liners. For example when the cult leader murders one of his followers with a buzz saw, Igor upon seeing this, yells out "Paul! No Paul! Why'd you do it? I could have cut her clean! So clean!" In another scene Igor tells a victim that she would have to 'get her own tools for surgery because right now, it was his time to operate.' Aside from the bad acting, the ending did not make sense because while the story builds up what little steam it has towards the climax, which is Igor getting a crossbow arrow to the head and the rest of his lunatic buddies being killed, he shows up again two more times to kill the remaining 'good guys'. The movie offers no explanation of this, only telling the viewer that Igor escaped from the mental hospital. What??? Bottom line is do not waste your time watching this movie. I wish I could get back the moments I lost watching this.
| 0 |
full_train
|
958 |
After watching this on the MST3K episode, I have to wonder how many movies this film borrows from. It seems to combine elements of Logans Run, Farenheight 451, Final Sacrifice and at least several others. At one point I was really expecting Cris Makepease to call Lee Majors ROWSDOWER. <br /><br />I wonder if the director has any clue how many holes there are in the plot. like the fact that, even though gas is unavailable, there is plenty of it in abandoned gas stations, and the stations are located close enough together to keep an F1 race car going all the way across the country.
| 0 |
full_train
|
959 |
If you ask me the first one was really better one. Look at Sarah M. G., she is real, mean, cruel girl, look at Amy Adams she is just little fool hanging around. She is nothing! People don't adore her! Second, Sebastian was cute and hot in first movie, now he is "baby face". Story is not that good, and i do not understand. Why didn't they make this one first, it is the beginning. Loosy actors, nothing with story. This is not cruel, this is playing. First one has better actors, better story, and its mean. I think that the music is better in cruel intentions 1 and the music is better in cruel intentions 3. It is not the worst movie I saw, but in compaer with first one its one big, big, big nothing.
| 0 |
full_train
|
960 |
I couldn't watch more than 14 minutes of it. It's a GREAT combination of really bad acting and really bad directing. The shots used are disgusting, they broke the 180 degrees angle all the time. My head hurts try to watch that load of "you know what". Dirt on the "mystery machine" window make you see light from the lighting on the windows...annoying. What else... it's so badly framed all the time it's just make you want to scream at that lady directing there. I only directed short films, but I'm pretty sure I'd be way better than that directing a feature film.... the story is unbelievable, just the long french kissing scene at the beginning tell you that it's gonna be pretty awful. So pretty much, try to avoid this really bad movies at all cost, it'll save you the 5 bucks or so for the rental, and that 1h30 hour of your life you'll never get back...
| 0 |
full_train
|
961 |
I don't know where to begin, so I'll begin with a snippet from the back of the cover of this movie. "Alive combines the tension of Vincenzo Natali's Cube with Kitamura's own Versus." I have not seen Versus, so I can't comment on that, but I think Cube was an excellent movie which I recommend to everyone. However, in this case someone has clearly confused "tension" with "boredom".<br /><br />I'll just go ahead and spoil the entire plot, because besides being one holy Swiss cheese of a plot, it's also moldy cheese, and the movie is not worth spending any time on even if you don't know the plot beforehand, so it doesn't matter. If I have misunderstood the plot, don't hit me - it's probably because I had to struggle to keep my eyelids open.<br /><br />So the American military in Nevada once lost a UFO i the Nambi desert. This apparently makes sense because they're both deserts so surely they're practically the same place. Different continents or not. A monkey broke into the UFO and acquired an alien something which was passed on to a Japanese researcher who had to eat the monkey to survive in the desert. What ever. The alien thing is now passed on to anyone who's "bloodthirsty" enough to kill the current host. The Japanese military wants to use it for military stuff, so they decide to make it pass from the current host (the researcher's daughter) to some other dude. But instead of just picking someone out of the military, which is full of people who are bloodthirsty AND already on the military's side, they decide that it's probably a good idea to pick some criminal out of death row instead. Oh, and the reason they pick this particular criminal from death row is because he was the first person in history to not die from the non-lethal electric shock which is the standard execution method, because everyone dies from the placebo effect when they get electrocuted. I don't know if they do this so they can giggle in the staff room at how everyone dies even though it's not deadly, or if they just want to cut down the electricity bill.<br /><br />Then the movie turns into what The Matrix would have been if it had been really lame, and superfluous fighting bores us to tears for what feels like an hour. And oh wait, now they remember that they already had a dude who was infected with the alien thing, so the entire movie up to this point was actually a totally waste of time and also human lives. Then everyone dies. The end.<br /><br />The only one moment in the movie where I didn't want to go away and sleep or eat a sandwich instead, was when a dude was pinned to a wall by a pipe through his chest, and he's hanging around up there and another dude walks by. The dude hanging on the wall says "I'm in pain, shoot me". And the living dude looks at him, and it's not like he's a mean dude or anything, so he really looks sorrowful and doesn't want the guy on the wall to suffer. So he shoots him.<br /><br />(Rhetorical pause.)<br /><br />In the stomach. "Gee THANKS A FREAKIN' HEAP."
| 2 |
full_train
|
962 |
I've almost forever been against the inclusion of songs in a movie. My belief was that the quality of the film would automatically be improved if only those extremely annoying songs would be axed. However, things have quickly changed after watching that horrible Black (no songs) & this movie, Page 3 (plenty of songs). While Black was weak to an extreme, Page 3 delivers a gripping story with some strong acting & good direction. The songs were almost incidental & blended in almost seamlessly with the film. There certainly weren't any women getting sprayed with water for no apparent reason from mysterious water sources while gyrating wildly on the streets at night.<br /><br />I was pleasantly surprised with the bold and unabashed approach used by the director. There was no glossing over of anything and almost every scene was completely believable.<br /><br />I'd recommend this films for Hindi-speaking people with at least a slight understanding of Mumbai life. The former because the English subtitling was below par and contained many errors which, at times, completely reversed the meaning of the actual statement. The latter because you'll definitely appreciate the accuracy of the depiction once you've lived it yourself.<br /><br />I'd definitely rank this as a work worthy of international recognition. The scenes with the gossiping drivers was a nice touch and it served simultaneously as a source of genuine humour as well as another perspective on the whole mishmash. The movie does fall short in a few places though, where the characters sometimes say the most inexplicable things which detract from the overall direction of the film.<br /><br />I also thought that a couple of the sadder scenes were not done very well. It was a touch amusing to watch, rather than arouse any feelings of sadness & the whole scene tended to come across as a bit foolish. These are minor issues though, because the film, on the whole, is truly a rare treat to watch.<br /><br />Overall, it's a cynical, pessimistic outlook and a refreshing one at that! Actors, not 'heroes' - that's the key. A chance to glimpse believable human beings in an extraordinary setting - everyday life. A behind-the-scenes look at the extent of the depravity and a rare ray of hope for Indian cinema.<br /><br />8/10.
| 2 |
full_train
|
963 |
The film had some likable aspects. Perhaps too many for my taste. It felt as though the writer/director was desperately trying to get us to feel the inner conflict of ALL of its characters. Not once, a few times...but all of the time. <br /><br />This is the job of television, not cinema. <br /><br />The location of the train station was well chosen and I enjoyed Sascha Horler's performance as the pregnant friend. <br /><br />I felt as though Justine Clarke's performance was wan. Her reactions to things felt forced, as though the director were trying to vocalise the themes of the film through her protagonist's expressions. I also can't believe that a director can make the wonderful Daniela Farinacci into an unbelievable presence. <br /><br />I cannot understand the choice of pop music slapped over entire sequences. This is a lazy device, especially where the pop music comes from no place diagetic to the film and/or where the lyrics of the song feel embarrassingly earnest. <br /><br />That said, there is a breezy quality about the film that evokes the Australian heat and local attitude with originality. It does create an atmosphere of heat and sunshine. Especially with the usage of wonderful animation sequences that rescue the film from complete mediocrity, infusing it with passion and hand-crafted charm. <br /><br />I am curious why the dialogue feels so overworked. "Who knows if there's a god? Like some guy sitting there up in the sky telling us what to do" or whatever the line was. <br /><br />Perhaps one of the more embarrassing moments was the friend returning home from cricket with a bunch of flowers to declare to his wife "I'm giving up smoking." <br /><br />An anti-smoking commercial? A TAC ad with some tasteful animation? I had to leave the cinema at the 50 minute mark -- it was all too much.
| 2 |
full_train
|
964 |
I decided to watch this serial after seeing the endless adverts for it on the BBC in the weeks prior to it starting. I watched it despite the fact that I don't like the pretentious kind of stuff that Alan Hollinghurst writes (sorry to his fans but I think we have a case of the emperor's new clothes with this author's work). I admit that the acting is excellent, it is beautifully shot and I was reasonably entertained by it - however- I found that the storyline was extremely thin and after watching all three episodes feel very unsatisfied with this rather empty production. The 'explicit' gay sex that the media droned on about has all been done before on TV - several times - so it was nothing very shocking I'm afraid. Full marks for production values but low ones for storyline/content I'm afraid.
| 0 |
full_train
|
965 |
The Underground Comedy movie is perhaps one of the worst comedies I've ever seen. I should have known it was going to be bad when the box had the phrase "guaranteed to offend" written on it... meaning that the filmmakers were going to focus more on grossing you out than making you laugh.<br /><br />This movie is an amateurish jumble of childish skits, bad characters, and worse jokes... from the pathetic Bat-Man sketch to the painfully unfunny Arnold Shvollenpecker skit, they just aren't funny. The few skits that are a little funny are few and far between - watching Micheal Clark Duncan play a gay virgin, for example - but even they go on too long and get ruined from Vince Offer's ineptness at comedy.<br /><br />Keep The Underground Comedy Movie underground... bury it!
| 0 |
full_train
|
966 |
I made the big mistake of actually watching this whole movie a few nights ago. God I'm still trying to recover. This movie does not even deserve a 1.4 average. IMDb needs to have 0 vote ratings possible for movies that really deserve it like this one. A 1.4 is TOO HIGH.<br /><br />I had heard how awful this movie was, but I really did not think a movie could actually be that bad, especially in this day and era. I figured all of the cheesy god awful movies were only from the 1950s and 1960s. My god was I wrong. Trust me folks, this movie REALLY IS THAT BAD. It is beyond horrible; it is beyond pathetic; it is beyond any type of word that I can think of for it. BATTLEFIELD EARTH looks like Best Picture of the Year compared to this movie. SNAKE ISLAND (which up until now was the worst movie I'd ever seen) looks like it deserves a few Oscars compared to this pathetic effort.<br /><br />I seriously can not believe that the makers of this movie thought this was a legitimate serious effort of producing a Hollywood movie. This has no business being called a movie. In the first 25 seconds of the film, I seriously thought I was watching some high school theater class attempting to make a short movie. Or better yet, I thought it was some Saturday night Live ripoff skit of the real thing. I mean, it looks exactly like that. The acting is horrible; the whole movie almost looks like it was shot with a 20 year old VHS video camera. the special effects.......well good lord Bewitched from back in the day had better special effects than this movie. The scene where he gets shot at the door is beyond laughable and beyond cheesy. I mean seriously, my Intro to Acting class from 4 years ago in college, all of us could have put together a better movie than this. And the worst part of the entire movie, where Arthur is naked in the bathroom. Oh my god I almost thew up right there. I have a strong stomach, but wow that was horrible. Some people should never be naked, and he's one of them. The plot of this movie just seems to go absolutely nowhere. They talk about legal issues that we never hear about again; Ben talks about getting into music that we never hear about again; arthur says he is looking for a job and money for college and the next thing we see is he's running a porn shop. Everything about the movie is just horrible.<br /><br />This really doesn't have much to do with my critique, but just so everyone knows, I am not a gay man. I DO however support gay rights and believe we should all be treated as equals. And I would support any gay person in my church, unlike the cruel priest in this movie, who by the way seems to cuss every other word. (WHERE IS THE F*(#*ing white out?) hahaha But I didn't want anyone to think I hated this movie just because of it being about two gay guys. It has nothing to do with that: This would have been just as horrible of a movie if it was Ben & Jill instead of Ben & Arthur.<br /><br />I just watched this movie to see if it really was as bad as they say. And yes it was even WORSE than I had read. Let this be a warning to everyone: ONLY watch this movie if you want to just sit back and laugh at how pathetic some movies in the 21st century can still be. If you watch this movie and are actually expecting a good movie or some entertainment, I have no sympathy for you whatsoever.<br /><br />On a final thought: How in the world are there 7 movies ranked BELOW this on IMDb? There is no way there are 7 movies out there that are worse than this!
| 0 |
full_train
|
967 |
I love Anthony Hopkins as an actor so I was very interested to see how he would do as a writer/director. I could not have been more disappointed by this move. The movie was so disjointed and the cinematography was so over done to the point I wanted to pull the plug out of the wall. The actors were very good but it was such a waste of talent. Not all actors are cut out to be writers or directors and clearly Mr. Hopkins falls into this category. Of all the movies I have ever seen in my 50 years, this is absolutely the worst movie ever. Please do us all a favor Mr. Hopkins and stick to acting, which you are excellent at, and leave the writing and directing to those who are talented in those areas. If I could give this movie a rating less than one I certainly would.
| 0 |
full_train
|
968 |
Yes, talk about bad sequels. Rick Moranis stars in this awful third sequel to the once-funny-and-entertaining "Honey I Shrunk the Kids". The concept basically plays the same way as the first film, but with the adults instead of the kids being shrunk and the inner house instead of the garden as the universe to explore. If you think this sounds interesting, think again. The movie is boring at best, right down an embarrassment at worst.<br /><br />First of all, the continuity of the series has been completely flushed down the toilet. The only remaining actor of the first movie is apparently Rick Moranis. The actress playing his wife has changed, the actors playing the kids have changed, the ones playing the neighbors have changed... you name it. They try to make us believe this is the same family, but the results are puzzling to say the least.<br /><br />Second, the story is a rehash of the first one, with not one bit of originality. All the few jokes (and there's barely any) and the dangerous situations presented in the movie are just copied straight from "Honey I Shrunk the Kids".<br /><br />Third problem, the special effects. I'm sure this has been done on a smaller budget, but they are pathetic, way way worse than the ones appearing in the rest of the series. You're supposed to admire in awe these tiny figures exploring the huge domestic area, but you'll probably end up cringing most of the time.<br /><br />Fourth problem, to locate the action inside the house is just boring. Only few things happen, and when they happen, they are not thrilling at all. The first movie was amusing because the kids were dealing with nature, the grass, and the bugs that live in it. In this one, the adults (which come up as rather boring, compared to the kids) deal with dust, a cockroach and a cockroach trap. Disgusting.<br /><br />I don't know why the idea of releasing such a trite sequel to the already moribund series appealed Disney's executives, except maybe because they needed to cash in without spending five minutes thinking about something new. I'm warning you: leave this tasteless cash-in garbage where it should stay: getting dust on the shop's shelves.
| 0 |
full_train
|
969 |
Trying to conceive of something as insipid as THE SENTINEL would be pretty difficult. The problems are many. The result is terrible and loaded with plot holes.<br /><br />Michael Douglas stars as Pete Garrison, a Secret Service agent who "took one" for Reagan during the attempt on his life. Years later we find Pete assigned to the Whitehouse Family, mainly as a guard for the First Lady (Kim Basinger, L.A. CONFIDENTIAL). Troubles arise as we see Pete's close involvement with the First Lady, and a sudden threat against the President himself (David Rasche, UNITED 93). When Pete fails a polygraph test, he's singled out as a disgruntled agent by investigator David Breckinridge (Kiefer Sutherland, 24 TV series).<br /><br />As the presidential assassination plot unfolds, Pete finds himself on the run from his own people. His only confidant is the First Lady, and she's reluctant to tell anyone about their affections for one another (which is why Pete failed the polygraph in the first place). But is Pete really innocent? Or is he simply trying to buy time until he can kill the President? If he is innocent, how can he help prevent the assassination attempt while running from the Secret Service? <br /><br />The one, big, overwhelming problem with this film is that there's no justification for the reason behind the presidential threat. Isn't that what the movie's supposed to be about? One would think so! But the audience is never let in on why the assassin(s) want to kill the Prez. Hmm. Someone forget to put that in the script somewhere? <br /><br />And what's with David Breckinridge's (Kiefer's) new partner, Jill Marin (Eva Longoria, CARLITA'S WAY)? Seems that she was put in the film strictly as a piece of a$$-candy. What was her purpose again? Did she do anything other than look nice in tight pants and a low-cut blouse?<br /><br />There are so many problems with the basic premise of The Sentinel as to be laughable. The action is too easily stymied by the "What the...?" responses sure to be uttered by those unfortunate enough to watch the movie.
| 0 |
full_train
|
970 |
When I decided to watch THE BARBARIANS, starring those twin bodybuilders, Peter and David Paul, I thought it couldn't be that bad because the film was directed by Ruggero Deodato, who has a reputation for creating sleazy movies but well made sleazy movies. Well, THE BARBARIANS is remarkably trashy action/adventure movie that wants to be another CONAN THE BARBARIAN, and fails at every level. The look of the film is all wrong. Some scenes were well shot but the tone and the schintzy, tacky "disco" look of the clothes and hair people are adorned with just doesn't make any sense whatsoever, even for a low budget flick like this one.<br /><br />Richard Lynch looks like an old woman with that ridiculous hairdo and costume. He's supposed to be menacing but he comes across as a buffoon. And it's funny to see Eva LaRue Callahan, one of the stars of ALL MY CHILDREN, appear in her first movie, walking around in skimpy fur bikini. I'm sure she wants this dreck to disappear from the face of the earth! The so-called Barbarian twins are okay as the muscle bound heroes but it's almost impossible to construct a proper critique of their acting because their roles are, like everything else in this mess, really ill-conceived. The only way the film tries to differentiate one twin from the other is by having one twin wear a loincloth that covers his ass, while the other twin's loincloth barely covers his muscular butt. I'm not kidding! Don't ask me who's who though.<br /><br />Deodato must have been really desperate to agree to make this film. And his desperation is reflected perfectly in this trashy flick. It's just bad.
| 0 |
full_train
|
971 |
Besides all of the technical mistakes ....<br /><br />How about a female flight attendant who's able to kill, all by herself, 4 out of the 7 terrorists (including ex marines), 2 of whom without even using a gun. Then, she lands the plane perfectly. We're not talking about Sigourney Weaver or Linda Hamilton; we're talking about a regular, frightened, yet very well composed flight attendant. :D How about the leader in charge of the assault/rescue squad, having a full-proof (according to the logic of the script) plan of sleep-gassing everyone and having someone from his team fly the plane. Only he decides at the spur of the moment to change plans and instead lead an attack on the terrorists, guns blazing, not knowing where the terrorists are, or how many, and not securing a position of advantage, so that his whole team gets easily wiped out. Yeah, that's using the old noggin. Only later to decide to use the sleep gas anyway. And it turns out useless for all intensive purposes.<br /><br />Bad as this movie was, though, I couldn't stop myself from watching and wondering, what next? :D I can't help but imagine all the excellent, unemployed script writers thinking to themselves, it's not fair. lol! :D
| 0 |
full_train
|
972 |
Woody Allen, when at his best, has one of the sharpest pens around. He can make an acute observation and wrap it around a punch line like nobody else. However, when he's at his worst his movies can stench of pretentiousness. Unfortunately, "Melinda and Melinda" has this stench from opening to closing. The set up is one of his more intriguing ideas in a while. Four friends sit in a restaurant discussing whether the essence of life is comedy or drama. To help settle the argument, one man relates the beginning of a story and asks the two other men arguing (one a comic playwright, the other a dramatic playwright) whether the story is a comedy or a tragedy. The two men then continue the story and the movie plays out the stories that they weave. Now, when I first heard about this film, my understanding was that they tell the exact same story, the genre (comedy or drama) only changes by how you look at it. Now that would have been interesting. However, the stories only share one main element and a few side elements. They are entirely different stories with major plot differences. The drama is so stiffly scripted and pretentious that it can only really work as self-parody. If this was the point, then it failed because these elements prevent the audience from feeling any emotional investment in any of the characters. The comedy is the story that has moments of success, but they are still short and fleeting. Will Farrell is obviously meant to be the stand-in for Woody, but he could have played this character so much more believably without adding Woody's stutters and hand-ticks. Woody is the best at being Woody. When someone else tries, they're not playing a character, they are modeling a recognizable actor. This type of thing only pulls the audience out of the story.<br /><br />My favorite Woody Allen movies make me leave the theater a little bit lighter in spirit than I walked in. This one made me wish I could get my money back.
| 2 |
full_train
|
973 |
Don't understand how these animated movies keep coming out, and no matter how good (or bad) it is people love it.<br /><br />I saw this movie with my two kids (5,7). They like pretty much anything animated (like most people who rated this film). The theater was almost full, and I looked forward to seeing the movie with its superb cast. To tell the truth I was bored silly. It was unbelievably predictable and just plain unfunny. There were a couple chuckles throughout the film and that was it. Of course they tried time and time again to get the cheap laugh, but just didn't work. My son almost always says to me that he wants the DVD after we see an animated movie, but not on this one. My daughter fell asleep half way through. Also, the kids thought the character animation looked weird. I haven't heard that from them since seeing The Polar Express, which gave my daughter nightmares.<br /><br />Trust me, I'm not the type who looks for the negative in everything. But quality is quality, and like so many animated movies they throw out there, it has very little.
| 2 |
full_train
|
974 |
Roman Polanski has made many, many movies that are unexceptional. His fame bewilders me. Nothing stands out as a high point except Chinatown (I haven't seen 'Knife in the Water' or 'Tess'). Any contribution he's made to film concluded more than twenty years ago; his work is just embarrassing, safe and/or dull (The Pianist, Frantic, Oliver Twist, The Ninth Gate, Pirates).<br /><br />R's Baby must have signified the end of the establishment at the time it came out. It's lux-produced and fairly high concept for a 1968 'horror' movie (never show the baby). But this is just misconceived horror sap. Everything is arty to the point that the plot line becomes hopelessly clear very early (Um, thanks for that finale-destroying title), and on a clear day you can see the twist ending coming for days. It did not sustain my interest. I find that whatever this movie might have been, it is utterly derailed by the 1960's version of what femininity was. Farrow is such a chronic distracted, helpless waif/housewife. Her frailty is oversold... she's irritating in the extreme. There's no real ideas in it... nothing to consider except being the mother of the devil.<br /><br />The Dakota is barely exploited for it eerie potential.
| 0 |
full_train
|
975 |
Who? What? Where? When? Why? The acting was terrible. Very robotic, rehearsed. I have seen all of the actors in this film in better roles. The screenplay was very elementary. By the end of this film, the story line was tied up. And Jeane Claude LaMarre should be tied up, too. So that he never attempts to write/direct another film.
| 0 |
full_train
|
976 |
"Boom" has garnered itself a something of a reputation. With heavyweights Taylor, Burton, Noel Coward, Tennessee Williams and Joseph Losey, one might be tempted to think, how bad could it be? Well, it's a lot worse than you could possibly imagine.<br /><br />The sad and disturbing fact of "Boom" is that is seems to signal the decline and fall of the aforementioned heavyweights. It was only director Joseph Losey who having plummeted the depths with "Modesty Blaise" and "Boom" (some may wish to add "Secret Ceremony"), managed to recuperate and in 1970 create his best work, the wonderful "Go-Between".<br /><br />Saddest of all is the work of Tennesee Williams. From the mid forties until the early sixties, Williams penned a number of plays which have gained classic status, remaining in theater repertory throughout the world, many becoming much praised films. When William's muse deserted him, probably owing to his notorious substance abuse, it deserted him for good. Williams at his best is an actor's dream providing many unforgettable performances. (Were Ava Gardner or Deborah Kerr ever better than in "Night of the Iguana" ? ) Taylor in particular, shone in both "Cat on a Hot Tin Roof" and "Suddenly Last Summer". There is an anecdote in which supposedly Taylor asks John Gielgud whether he would teach her to play Shakespeare, to which he replied "if you will teach me to play Tennessee Williams". Had Gielgud seen "Boom" he would have held his tongue. Taylor simply has never been worse, turning in a cringe inducing performance. Despite her face photographing well, she is decidedly podgy. Besides the physical decline, from this time onwards she would basically lose credibility as a serious actress with a string of completely forgettable (and worse) roles to her credit.<br /><br />Much the same could be said of Burton. Following his short lived theatrical stardom, he won fame and fortune in Hollywood. But the body of his work from this point onwards (1968) would be unremarkable to say the least.<br /><br />Noel Coward had long ceased being a force in the theater where his drawing room comedies had been replaced by the likes of Williams and the British "angry young men". He seems to be enjoying himself camping it up, but barely manages to amuses, that from the man who claimed such a talent.<br /><br />The only cast member who maintains her dignity is young Joanna Shimkus, who in a few years would forego a promising screen career to become Mrs. Sidney Poitier.<br /><br />"Boom" reeks of self indulgence; it's simply out of control. A rather sad pointer to careers gone wrong rather than a camp fun fest as some have suggested.
| 0 |
full_train
|
977 |
OK the plot is, wait you got me there is no true discernible plot here just a string of optically fogged sex scenes, strung together by scenes of photographers taking pictures of pretty ladies (Sometimes a combination of the two) Then a demon comes around kills the men, rapes and kills the women, and waxes poetic about the meaning of life. Moronic special effects, bad acting and bizarre philosophy aside, you get what you expect from a film with a title like this. I guess it would have to be someone's cup of tea, just not mine as I have yet to see a good Kazuo 'Gaira' Komizu directed film.<br /><br />DVD Extras: Subtitled Interview with Director Kazuo Komizu Part 1 (Part 2 is on the Entrails of a Beautiful Woman DVD); and Theatrical Tailer<br /><br />My Grade: F
| 0 |
full_train
|
978 |
I love the episode where Jim becomes the Greenman. It is great! When Jim tosses that little person through the window, the look on his face is priceless. Then when he starts to address the Priest in his wife's behalf only to find out that she has become the Pee-Woman? Great writing and great casting along with great acting makes this a must see. I am attempting to find a certain photo from that episode. I'd like to use it as my avatar on a message board because I think the Greenman is hilarious. Does anyone know where I can download a photo of Jim as the Greenman? Can anyone point me in the right direction to find such a photo?
| 2 |
full_train
|
979 |
Johnathan Frakes is a good actor and, when he's not directing a family film, a fine director. But, he really shouldn't have directed this movie, and the screenplay should've been rejected. The director and writers must understand what the original TV show was really about, as well as who the characters were and how they worked. The original series had many episodes with razor-sharp writing using good dialogue and with situations that American producers would never consider using in children's programming, much less a movie, which made the original series so well received by adults. I mean, the Tracys were college graduates and some of them did even drank alcohol and smoked tobacco! And, there were characters who did get killed, although most were bad guys. If they had written it the way that it was originally done, which isn't dumbing things down with poor dialogue, kindergarten humor, and a weak plot, this Universal/Studio Canal joint venture wouldn't have such bad reviews. <br /><br />This motion picture is almost pure blasphemy. If you've seen the original Supermarionation series, then you'll know what I'm talking about! <br /><br />The first thing that was out of place and annoying were the constant references to Ford Motor Company, even going so far that Lady Penelope was riding around in a disfigured Ford Thunderbird made up to look like FAB-1 instead of using what would've been more appropriate considering Ms. Penelope's station (not to mention being more faithful to the original), a ROLLS-ROYCE FAB-1. She's supposed to be a distinguished member of British society, hence the preference for England's finest make of motorcars in the original series. One other reviewer here indicated that Penelope wouldn't be caught dead in a Ford. He's pretty much right in the context that the idea of her riding in a Ford doesn't work. At least they could have had Penelope ride in a Jaguar made up like FAB 1 since Jaguar is a British car make that is owned by Ford, but NO! They had to use a straight FORD! But the Ford product placement doesn't end there. EVERY single car you may see is a Ford! Even the news flash that is shown on the TV sets in the movie were sponsored by Ford! Ford, Ford, FORD! The predominance of Ford vehicles makes this movie an obvious marketing vehicle for Ford. <br /><br />The original series had a design that was futuristic for the 1960s and still remains ahead of its time even today. But, the futuristic design in the original series worked because there was an effort to make the design look practical and functional. This kind of treatment didn't exist in the movie, where everything is stylized to excess, defeating the sense of functionality and practicality. A lot of things that were done in the design of the movie were done strictly for style, many times with no sense of function to give that style a sense of reason.<br /><br />The original series relied on good acting performances of the voice talent to overcome the limited expressions in the puppets, bringing them to life in the episodes. The brilliant and lively music score by Barry Gray helped even further to connect the audience with the story, the characters, and how everything came together to help achieve the super objective (a little bit of Stanislavski talk). The movie, on the other hand, had some overly grating performances. Anthony Edwards overplayed Brains to a fault, Bill Paxton as Jeff Tracy just didn't work despite decent acting (one of few), there were better choices for the Hood than Ben Kingsley, and many others that I don't care to mention (it would take too long). Quite simply, the puppets were more believable! Second was the overly generic and underwhelming music score by Hans Zimmer, sounding more like a mix between "Days of Thunder" and "Apollo 13." <br /><br />And, of course, the Hood. The Hood in the original series had an ability to communicate with Kyrano through a statue of Kyrano as an outlet for ESP contact. But, that was where his extraordinary capability ended. He's a master of disguise and deception, which allows him to sneak around undetected (for the most part, anyways) to gather information of the Thunderbirds vehicles for his own means. He also uses weapons for his own defense, including pistols, and generally collects information using a film camera, although he tried to steal Thudnerbirds 1 and 2 in the 1960s United Artists release of "Thunderbird 6" (which was the last Thunderbirds show filmed in Supermarionation and was the second Thunderbirds theatrical release). But, while he is a nemesis of International Rescue, the Hood isn't the villain in every Thunderbirds episode and he tends to avoid direct confrontation with International Rescue. In the movie, he's obviously the main villain, but he and his cohorts seem to act more like morons, along with the Hood having extended mind control ability, including the ability to move objects and move himself into flight for brief periods of time. This totally deviates from the Hood as a character in the original series with one that may leave kids laughing and people familiar with the series scratching their heads in confusion or leaving the theater in disgust.<br /><br />There are more criticisms, but the 1000 word limit for IMDb reviews will not allow me to list all of them. So, I will close with the point being made that I didn't enjoy this movie. As a matter of fact, I think it sucks! Having seen the original series and Supermarionation movies (Thunderbirds Are Go, Thunderbird 6), I was hoping for something a lot better than this.<br /><br />The original Supermarionation was a lot more sophisticated and elegant than this live action farce. (And that's saying it nicely.) - Kip Wells
| 0 |
full_train
|
980 |
Poor Michael Madsen; he must be kicking himself to know folks have found out about this horrible flick. I really can't think of anything worse I have ever seen, except amateur porn. It's that bad, and all here; wooden acting, bad script, crappy moral ending, you hate it and it is in this movie.<br /><br />My question is: "Who the Hell put $$$ into this piece of doggy doo? At least we could have seen Michael's sister Virginia nude in a scene, but I don't think even that would save this stinker...<br /><br />For a cool guy that has made some exception movies, I want to know what wacky church sponsored this piece of crapola.
| 0 |
full_train
|
981 |
They made me watch this in school and it was terrible. The movie is outdated. The episodes become confusing because fact is combined with fiction to make the story more interesting.The teachers talked about it as a treat but really it was a painfully boring experience.I have read that very few people who appear in this are actors, but most of them them do what they do in the movie in real life.This accounts for cheesy acting very often. Also, very often the story becomes mildly outrageous and far-fetched. I don't like the way some of the lines were written and wish they had more meaning to them. Though, it was written to be educational, funny, suspenseful, and hip, It ended up being boring, dry, far-fetched, and old. I hope no one takes time to watch this movie because you would be just fine not seeing it.
| 0 |
full_train
|
982 |
I watched this movie last week sometime and had the biggest laugh i've had in a long while. The plot of the film is pretty dumb and convoluted in a badly crafted way. The only plus to be found anywhere in the film are Corey Savier's impressive abs. Alexandra Paul (i think that's her name) is horrendous as the preacher's wife who has a history of depression. Ted McKenzie is gross and his character's a twit on top of it all. And as if the fact that you think she's having sex with her son isn't enough, they throw in needless sax solos at every opportunity! The end and climax of this film is absolutely abysmal and also laughable. I mean who the hell wants to carry the child of a con who tried to make you think he was your son and that you were having an incestuous relationship with him!
| 2 |
full_train
|
983 |
Yes, this movie make me feel real horror, when i realized that i paid for it and spent more than 1 hour of my life trying to watch it. The bald guy just give me the impression of being a psycho - Junkie actor and the girl is the worst actress i ever seen . Believe me if you appreciate your time avoid this movie, i understand a movie requires money to be created and some movies do not have that money but that is no justification for a stupid plot and bad acting. I'm always supporting independent movies, when it deserves the support, but movies like this makes a bad name for this kind of movies. I'm still traumatized. I will not trust in any nice cover anymore.
| 0 |
full_train
|
984 |
Anyone who's watched a few Lifetime Movie Network movies knows that plot credibility is the first thing that gets brushed off the planning table. So, when crazed Lara moves into Patti's home and methodically begins to drive her landlady bonkers, I didn't even blink. When Lara eventually ramps up her activities to threatening poor Patti, and dares her to do anything about it, I just nodded. You see, on Planet LMN, people don't behave the way they do for any particular reason, they just do it to keep the action going. Only on Planet LMN could someone almost have the owner of a home thrown out of their own house by means of their seductive powers!! Poor Patti - she just trusted too much, and Lara went off her medicine, and then there was this big fight at the top of the stairs involving a syringe full of deadly stuff that ends up injected into someone's tummy, and a body bag going out the front door. The horror!<br /><br />But take it from me, this Planet LMN product is a classic. You need to watch it once, just for the great laughs you'll have. On the Improbability Scale, I give this film a 95/100. Make a big batch of popcorn and get some apple slices, too. You'll understand later.
| 2 |
full_train
|
985 |
This has to be the worst, and I mean worst biker movie ever made! And that's saying a lot because the line of stinkers is long and smelly!<br /><br />Now at least we know what happened to Ginger after she was rescued from Gilligan's Island! A frightened looking Tina Louise(she was probably afraid someone would see this mess!)is a stranded motorist who is tormented by the most repulsive motorcycle gang in film history. But, don't worry fans! Batman, I mean Adam West as a hick-town doctor comes to the rescue! Pow! Crush! Boom! Holy Toledo Batman! <br /><br />The only good points of this "bomb" are some cute women, some laughable fight scenes, and the still "sexy" Tina Louise!
| 0 |
full_train
|
986 |
Sly Stallone is hardly the finest actor in the world but compared to his brother, Frank...well, roll out those awards now! Mullet haired, muppet Frank seems to think that every part he plays, calls for him doing the role as an American/Italian Wise-guy refugee from the 'Godfather.' Please, somebody make him an acting offer 'he can refuse!' This film just stinks the place out, even by the terrible overacting in this, Frank still steals the acting dishonours. All the people compensate for their lack of talent by shouting their lines and throwing their arms about, gesticulating wildly in a style that went out of fashion back with silent films.<br /><br />The plot, what there, is, makes no sense as a meteor lands and turns all the women into sex-crazed nymphets but as this is 15 certificate film, that just means they strip to their underwear and make moaning sounds like dogs on heat. What happens in the end, I'm not quite sure as I was losing the will to live long before the film finished.<br /><br />Avoid this like the plague and watch 'Deep Impact' for a reasonable film about a meteor about to hit the earth.<br /><br />N.B. Point of order: when one of the female leads strips down to her underwear, she has her knickers/panties under her suspenders/garter belt, it's knickers over the suspenders to allow women to go to the toilet with less fuss. A trivial point, perhaps, but shows how dumb this film is when they can't even get this right!
| 0 |
full_train
|
987 |
Where can I begin. I heard this movie was coming out and I was very mad. I am a huge fan of the original Carlito's Way and when I heard about this, I thought it would be just like almost all the other sequels that come out in Hollywood. I thought it would be bad. Boy was I wrong, this movie was much worse than I expected. Not saying all sequels are bad, but thats the problem with Hollywood these days, they make too many sequels and remakes and rush them. This was not a theater release, it is a DVD release. Still, in my opinion, there was no reason at all for this to be made. After I heard about this film was in progress, I then later heard Pacino was not in it. That right away killed any chance this movie had of being good. Why did I check this movie out then some of you may ask? Well I had the opportunity to see it so I did. I don't only watch movies that I have high expectations of, I had low expectations on this one obviously. I just wanted to see if it would have anything relevant in it. Now, if any of you reading this are a Carlito's Way fan, you know a lot of the story in the first one has to do with him going to jail.<br /><br />*VERY MINOR SPOILER* I wont ruin anything, because this may actually make you not want to waste 2 hours watching this trash. All I will say is- in the end of Carlito's Way 2, we don't see Carlito go to jail. Now, I don't know about any of you, but I would have thought a prequel to Carlitos Way would show how he ended up in jail. I even had some interest in actually seeing what happened.<br /><br />Now, thats not my only problem with the film. The actor who played Carlito did not do too bad a job, but he could not have saved this film if he tried. There's not even all those little things that should be thrown in there that Carlito's Way fans would like. You don't see any appearance of Kleinfeld or other key characters in the first one, I would have liked to see something like that. What is even worse, is Luis Guzman is in this film, yet he doesn't play the same character he plays in the first film. Big mistake on their part, why cast the same actor for a different character, it made the movie worse than it already was.<br /><br />Bottom line, I am a Carlito's Way fan, this new straight to DVD release is a disgrace. If you are a fan, don't watch this movie coming in with high expectations. This movie did basically nothing for me, and it is definitely one movie I wont be picking up on DVD, or watching ever again.
| 0 |
full_train
|
988 |
I've always liked Fred MacMurray, andalthough her career was tragically cut shortI think Carole Lombard is fun to watch. Pair these two major and attractive stars together, add top supporting players like Jean Dixon, Anthony Quinn, Dorothy Lamour and Charles Butterworth, give them a romantic script, team them with noted director Mitchell Leisen and you get
a mediocre movie experience.<br /><br />Skid Johnson (Fred) and Maggie (Carole) "meet cute" during her visit to the Panama Canal, and spend the next few weeks falling in love. Skid's a great trumpeter, so he embarks on a musical career, which is predictably meteoric in both its rise and fall. During his climb to musical stardom, he neglects Maggie, who later inspires him to start over after he's hit rock bottom. Ah, yes
it's the true Hollywood happy ending, which comes none too soon.<br /><br />Stars and a director of this caliber should guarantee success, but this movie is so predictable and slow-paced that it's difficult to watch at times. The early scenes set in Panama are so draggy that they seem to go on forever, and later an alcoholic Skid just wanders endlessly in New York. Fred and Carole try their best, but the tired script and S-L-O-W direction just don't give them a chance. Even the final scene, in which Maggie encourages Skid to rise from the ashes of alcohol and disappointment, just doesn't ring true.<br /><br />This movie should be seen once to watch some early performances from stars MacMurray and Lombard. However, I guarantee that watching it will seem to take about 48 hours.
| 2 |
full_train
|
989 |
honestly, if anyone has a brain, there's not 1 positive thing<br /><br />to say about this movie what so ever. <br /><br />I lost my $1 renting this. I'd rather laugh at Will Smith saying "If you got a dream, you got to protect it". <br /><br />all the actors must've been bored or had no fame at the time. even Matthew Mc Conahay *however you spell it* was better then all the actors in this movie, when he played a psycho in Texas Chainsaw 4. If you see this movie, and have anything good to say, you IQ, must be extremely low, with such bad taste in movies, it hurts. Thank YOU...and the TRUTH, has been spoken!<br /><br />Save yourself from the misery. <br /><br />Get Devil's Rejects, now that's a classic.
| 0 |
full_train
|
990 |
I just finished a marathon of this series, and it became agonising to watch as it progressed. From the fictionalising of the historical elements, to O'Herlihy's awful accent in later episodes, the show just slumps the further it goes. If you are looking for some low quality production generalised WW2 fluff, then I could recommend season 1, but avoid anything after that, it degenerates into being one step from a soap opera, with increasingly worse story lines and sensibility.<br /><br />The old B&W film is by far the best of any form of entertainment with the Colditz name attached to it, and even that is not what one could hope for.
| 2 |
full_train
|
991 |
Not even worth watching this tacky spoiler ruins everything about 'Annie'. The characters seem almost cheapened by the poorly written storyline and they low quality feeling to the production. It was very clearly made for TV, yet if I found it on my television, I would flick it straight over. The children in the film do an alright job, yet the adults acting is unbelievable and so the movie fails to really draw you in. This film lacked the music/dance numbers thats made the original brilliant and truly does take the shine of the Annie we all love. Johnson, as Annie is at times annoying and over acted..you cannot convince yourself that she truly is Annie. The differences in character appearance continued to irritate me throughout the duration of the film. Sad to say this sequel was a total flop.
| 0 |
full_train
|
992 |
It is a Frank Zappa axiom that "music journalism is people who can't write interviewing people who can't talk for people who can't read." If you ever needed proof that musicians can't talk, this is the film for you. Repeated attempts at profundity stumble over themselves to end up in monosyllabic comments delivered in awestruck voices: "Wow." (Thank you, Idris Muhammed.) This film is pretentious but, while much of the pontificating from Youssou N'Dour and his gang of merry men (and one token woman) grates, the music saves the day.<br /><br />The main idea behind the film (what I take to be the main idea, dredged out of the inarticulate commentary) is interesting. To gather a group of musicians from America and Europe and take them on a journey through the different styles of music that grew up in and out of slavery, back to their roots in the music of West Africa, and a concert in the old slave fort of Gorée off the coast of Senegal. We are treated to gospel, blues, jazz and variations of these, including some fantastic drumming both in New Orleans and Senegal. There's also a good deal of N'Dour's own compositions.<br /><br />Sadly, that's another weakness. It's never entirely clear what N'Dour himself wants to achieve. To some degree, the film appears to be an exercise in self-promotion on N'Dour's part. He wants to play his own music, jazzed up to some degree and performed in the company of a bunch of musicians he admires. He's clearly a little embarrassed by this and early in the film obtains the blessings of the Curator of the Gorée museum.<br /><br />The clash between the different agendas shows through in several other places. For example, somebody obviously felt that it was not possible to tell the story of black music without involving a gospel choir, but N'Dour and most of his mates are Moslems (a point made repeatedly throughout the film). The whole early sequence involving the black Christians is uncomfortable and then they disappear from the story until the close harmony group (the only black Christians who can hold a tone?) turn up in Dakar at the end of the film. (To be fair, they turn up triumphantly and perform the best piece in the film.) If the story of black music needs to nod in the direction of gospel, why not also in the direction of Latin America? Where are the black musical influences from the Caribbean and Brazil? Samba? Reggae? Then there's Europe. Here the black diaspora doesn't seem to have produced any musicians of calibre, since N'Dour chooses to draft in Austrian guitarist and a trumpet player from Luxemburg. Are they in the team just because N'Dour has played with him before? What I personally found most irritating, though, was the long sequence which tried to recreate a kind of 60s beatnik/black power/Nation of Islam cultural happening in the New York home of Amir Baraka (a.k.a. Leroi Jones). Hearing people talk about the importance of "knowing your history", and then in the next breath perpetuating ignorance. Why do so many African-Americans believe that taking an Arabic name is an assertion of their African roots? And why do they think Arabic Islam is so much more admirable than European Christianity? Who do they think established the trade in African slaves in the first place? The film doesn't have much to say about the situation in West Africa today beyond the platitude that "present conditions" are a consequence of all the brightest and best having been shipped away for 300 years. The Senegalese appear to be a poor but happy, musical gifted folk, friendly and welcoming, respectful of their elders (and not above fleecing the visiting Americans in the fish market). Is this ethnic stereotyping or just my imagination? There is no comment on the armed guard that N'Dour and the camera crew seem to need in the opening sequence as they walk through the streets of Dakar.<br /><br />There is also a strong implication in the film that the slaves who were taken from Dakar came from Dakar. The similarity between the folk drumming style of New Orleans and the folk drumming style of Senegal is cited in evidence. The last thing the slaves heard before they were shipped away was the drumming of their homeland, bidding them farewell. Except, of course, that by and large, the slaves shipped from Dakar did not come from Dakar. They were captured or traded from the interior by the coastal Senegalese and sold to merchants of whichever European power currently held the Gorée slave fort. The people of Dakar are not the descendents of Africans who escaped the slave trade, they are just as likely more likely to be descendents of the people who sold their black brethren into slavery and exile.<br /><br />The two agenda's clash again in the final part of the film. There are two separate endings. On the one hand, the concert which N'Dour and Co have been rehearsing and preparing along the way and which they deliver in the courtyard of the Gorée slave fort. The other end comes when the Harmony Harmoneers sing the spiritual "Return to Glory", in the seaward doorway of the slave fort. This is deeply moving, even if it is hard to believe the performance is quite as spontaneous as it appears.<br /><br />This is a film that is flawed. Unclear of the story it is trying to tell and tugged in different directions. Irritating, confusing, beautiful and emotional by turns. Watch it (listen to it) for the music and the feeling, but don't expect enlightenment or intellectual rigour.
| 2 |
full_train
|
993 |
Action, violence, sex and coarse language are the things that the characters do during the whole movie. And everything they do is done without reason. Mark L. Lester is (un)known for his violent (without reason)movies (Commando, The Base). The story is weird but stupid. The actors play their stupid characters very well...I'm not telling they are stupid but I mean they are very bad actors. It's another low-budget unknown B series action movie. If you saw something like Operation Delta Force, Drive, The Patriot, Sanctuary or something like these bad movies from the same kind than Misbegotten...don't rent it...and, by the way, don't rent any of the movies I mentioned....I give it 1and a half out of5.
| 0 |
full_train
|
994 |
Sheesh! What a dreadful movie. Dodgy camera work, a script with more corn than Kellogg's, and acting so hammy you could open a pig farm with it. <br /><br />To cap it all, it doesn't know which audience to aim at - we have Cornel Wilde - or is that Corny Wilde? - getting on his soap box about the hazards of smoking any time someone lights a cigarette, dear oh dear, and in another awkward scene we have the baddie, Lobo, forcing his, ahem, if you will, 'male friend' to do a striptease dressed in a bikini. Try explaining that one to the kids...<br /><br />Throw in an overly contrived Treasure Island-cum-Jaws type storyline, and the result is a film so unintentionally funny, it's enjoyable - I shouldn't expect a Special Edition DVD any time soon, though.
| 0 |
full_train
|
995 |
Am not familiar with the trilogy but came upon this film last night on Showtime. The film looked very well done with the set design and the cinematography, but the screenplay was stilted and wooden. The acting was fairly bad- thought the two female leads were serviceable. You never really believed anything the supporting actors said though. There were the stereotypes- bible-thumping Reverend without a hint of nuance, authoritative Captain, hot-headed soldier, etc. I am sorry to say that based on these deficiencies I clocked it straight away as Canadian without knowing it to be such-the Telefilm Canada end credits gave it away. I know I'm a horrible person.<br /><br />Maybe I missed something in the beginning but the hostility towards the girls is never explained. Here they are besieged in a fort by werewolves and the men are wasting time and energy brutalizing two young women for no reason. FOCUS people. There's a bit more of a pressing situation beyond your walls than whether or not these girls are lesbians-that's just my inference for the hostility directed towards them. If they can aim and fire a gun you might as well make nice with them. The question of their "immortal soul" can be resolved later.<br /><br />Also, I guess this relates to the rest of the trilogy, these girls are supposed to be the protagonists? One of them murdered the Indian guy at the end that saved one of their lives. I guess one is just a victim of her condition who can't be necessarily blamed for her actions, but the other is just a murderer who doesn't deserve her happy ending.
| 2 |
full_train
|
996 |
At first look of the plot tagline I figured it could have been a decent film. Could I have ever been more wrong? The beginning of the film makes it look like a bunch of freaks got together and decided to make a low budget film. For the first 10 minutes you don't notice the cheesy acting, horrible sound and god-awful special effects, but then it gets worse. Just about 20 minutes into it I was asking myself, "What was the plot again?" I could only ask that question when I wasn't busted out laughing from the sheer lameness of this film. The main actor has one setting for emotions and he sticks to it throughout the entire film, even though he was supposed to go through love and hate and everything in-between. The flashback scene almost made me vomit because it made me re-live one extra minute of footage from earlier in the movie. Now we hit the middle of the film where they are obviously trying to rip off Morpheus from "The Matrix," although he is doing just a horrible job. The actor's talking about "Star Wars" and fortune cookie phrases is almost unbearable. Now at the end of the movie you don't realize that it's the end of the movie because you actually think the plot is finally developing. The "Morpheus" character dies, the ONLY good thing about the movie. He utters a couple words and the credits roll. What is this? No plot, bad acting, cheesy everything, it couldn't get any worse. Please, if you value human decency, DO NOT WATCH THIS MOVIE!
| 0 |
full_train
|
997 |
Thanks for killing the franchise with this turkey, John Carpenter and Tommy Lee Wallace. This movie sucks on so many levels it's pathetic. The first VAMPIRES was fun, but this low budget retread makes me yawn.<br /><br />Jon Bon Jovi (the poor man's Kevin Bacon) drives around Mexico with a surfboard housing a hidden compartment holding his vampire killing gear ala Antonio Banderas's guitar case in DESPERADO. He picks up some lame "hunters" along the way (including an annoyingly feminist infected girl who takes pills to keep from turning into a vampire), and they set out to stop some female master vampire who is given no backstory and so we could care less about her or her quest (to walk in the sunlight by stealing the Black Cross and performing a ritual to allow her to do so). If you've seen the first VAMPIRES, you've already seen this, and done much better.<br /><br />John Carpenter has been responsible for a lot of bad movies lately. Frankly, I think he's past his prime and incapable of making another horror classic. The only decent film he's done since THEY LIVE (1987) is VAMPIRES. Everything else is complete crap, right up until the unbelievably cheap looking and retarded GHOSTS OF MARS... and now this waste of celluloid. Where are more greats like ASSAULT ON PRECINCT 13, HALLOWEEN (1), ESCAPE FROM NEW YORK and THE THING?<br /><br />Carpenter crony Wallace proves he can't write his way out of a paper bag with his paper-thin script packed with yawns, groans and recycled gags from the original. Did I mention I hated every character in the movie? There was not a single memorable character in the whole film. How does that happen? This film has nothing to recommend it. Not even the DVD presentation is good; the menu looks awful.<br /><br />By comparison, JASON X: "FRIDAY THE 13th IN SPACE" was a masterpiece. Now that is how you make a sequel and (re)energize a franchise, ladies and germs, as well as create an exciting DVD menu.
| 0 |
full_train
|
998 |
Given the people involved, it is hard to see why this movie should be so messed up and dull. The writer, David Ward, wrote the amazing caper film "The Sting" two years later, Jane Fonda had just won an Academy Award for Klute, and Donald Sutherland had just done excellent work in films like "Klute," "Start the Revolution Without Me," and "Kelly's Heroes." Plotwise, the movie is a caper tale, with a small gang of bumbling misfits planning a big heist. At the same time the movie wants to be hip satire, a series of comedy sketches of the type that the NBC television show "Saturday Night" would do so well two years later. The bad result is that the plot makes the comedy bits seem awkward and forced and the disconnected comedy bits destroy any kind of suspense that the heist might have. It is quite literally a movie that keeps smashing into itself, just as the cars in the cars in the demolition scenes run into each other.<br /><br />The only real interest for me was watching Jane Fonda. Her "Iris Caine" is supposed to be a light hearted version of her dramatic Bree Daniels prostitute character in "Klute" Yet, one doesn't believe her for a moment. It is always Jane Fonda pretending to be a prostitute that we are watching. It is as terrible a performance as her performance in "Klute" was terrific. It would be a good lesson for acting teachers to run the two films together to show how the same actress in the same type of role can be great or pathetic. It suggests that actors are only as good as their writers and directors.
| 2 |
full_train
|
999 |
This movie was pretty absurd. There was a FEW funny parts. Its goes right in to the bin of movies in my memory where I think, "Hmm.....that movie had a few funny parts, but overall, pretty ridiculous plot (or lack of)."<br /><br />I thought it seemed like Ben was trying a little too hard to be a cooky funny guy. And I didn't understand how he was a self made multi-millionaire and still such an idiot. Anyways, I like Ben Affleck. He makes some crap, but hey, I can forgive him. I mean, I liked Jersey Girl, I didn't think Gigli was all his fault, I like him overall. I guess he's kinda like the kid you feel sorry for cuz he just can't seem to get it right.<br /><br />My advice would be to avoid this flick. It didn't really develop in to a workable plot and Catherine O'hara and Jimmy G. weren't used as well as they could have been. They deserved better. Overall, this movie is NOT Home Alone, it's NOT A Christmas Story, its NOT Christmas Vacation or any of the other classics. Forever Forgettable.
| 2 |
full_train
|
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