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[ { "from": "human", "value": "Write me a song called Wake Up in the Sky with the following description: “Wake Up in the Sky” is the third single from Gucci Mane’s album, Evil Genius. The song is an ode to the high life, with Gucci, Bruno, and Kodak discussing drugs, alcohol, and the finer things in life.\nThe song marks the second collaboration between Gucci Mane and Bruno Mars following Gucci’s remix of Bruno’s “That’s What I Like.” The song also marks Gucci’s second collaboration with Kodak, following Kodak’s “Vibin in This Bih.” This song marks Bruno and Kodak’s first collaboration. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Bruno Mars & \nGucci Mane\n]\nFly-y-y, fly-y-y, fly\nIt\n's Gucci (It's Gucci), huh?\nFly (\nWoo\n)\n[Chorus: Bruno Mars & \nGucci Mane\n]\nI drink 'til I'm drunk (\nYeah\n), smoke 'til I'm high (\nYeah\n)\nCastle on the hill \n(Well damn\n), wake up in the sky\nYou can't tell me I ain't fly (\nYou can't tell me I ain't fly\n)\nI know I'm super fly (\nI know\n), I know I'm super fly (\nI know\n)\nThe ladies love luxury (\nHuh\n)\nThat's why they all fuck with me (\nWoo\n)\nOut here with the moves (\nMoves\n) like I invented smooth\nYou can't tell me I ain't fly (\nYou can't tell me I ain't fly\n)\nI know I'm super fly (\nI know\n), I know I'm super fly\n[Verse 1: Gucci Mane]\nHuh, huh, huh\nI stay fresh as hell, take a pic, I might as well, hell\nDrop the top and take a selfie, my car drives itself\nI got white girls blushin', homie, college girls rushin' on me (Woo)\nAll my diamonds custom so they clutchin' and they touchin' on me\nOoh, think it's vegetables\nOoh, think it's edible\nOoh, it's incredible\nOoh, ooh, ooh\nI smell like Bond No. 9 now\nSection full of fine dimes\nBitches starin' at me sayin', \"Wow\"\nUnforgettable (Woo), like Nat King Cole (Huh)\nGucci Barry White, I'm singing to your ho (Well damn)\nA one man show (Whoa), a human bankroll (Whoa)\nShe lost in the sauce (Woo) 'cause Gucci got the glow (Huh) [Chorus: Bruno Mars & \nGucci Mane\n]\nI drink 'til I'm drunk (\nBurr\n), smoke 'til I'm high (\nIt's Gucci\n)\nCastle on the hill (\nHuh\n), wake up in the sky (\nYeah\n)\nYou can't tell me I ain't fly (\nYou can't tell me I ain't fly\n)\nI know I'm super fly (\nI know\n), I know I'm super fly (\nI know\n)\nThe ladies love luxury, that's why they all fuck with me\nOut here with the moves like I invented smooth\nYou can't tell me I ain't fly (\nYou can't tell me I ain't fly\n)\nI know I'm super fly (\nI know\n), I know I'm super fly (\nI know\n)\n[Post-Chorus: Bruno Mars & \nGucci Mane\n]\nNow watch me fly (Fly-y-y)\nNow watch me fly (Fly-y-y)\nYou can't tell me I ain't fly (\nYou can't tell me I ain't fly\n)\nI know I'm super fly, I know I'm super fly\n[Verse 2: Kodak Black]\nKodak, Kodak\nI'm so fly, don't need no flight attendant\nBig Cuban link,\n don't need no pendant\nI ain't never had no pot to piss in, yeah\nNow all my records trendin'\nOh my, I came from stealing bikes to flying on a G5\nI don't know why I'm smokin' this cherry pie so much but this my life\nI'm on Adderall, I be smellin' Hi-Tech when I piss\nLike it's basketball, I drop fifty-pointer on my wrist\nIt's Lil Kodak, take a pic\nI came home and dropped a hit\nAll these diamonds got me sick, I'm actin' spoiled (Woo)\nCutlass sittin' high (Yeah), I feel like I can fly (Yeah)\nSo fresh to death, it's crazy, feel like I can die\nI done finally got my wings, they make me wanna sing (Glee) [Chorus: Bruno Mars & \nKodak Black\n]\nI drink 'til I'm drunk (\n'Til I'm drunk\n), smoke 'til I'm high (\n'Til I'm high\n)\nCastle on the hill (\nAyy\n), wake up in the sky\nYou can't tell me I ain't fly (\nYou can't tell me I ain't fly, baby\n)\nI know I'm super fly (\nI know it\n), I know I'm super fly (\nI know it\n)\nThe ladies love luxury (\nRight\n), that's why they all fuck with me (\nAyy\n)\nOut here with the moves like I invented smooth (\nYeah, yeah\n)\nYou can't tell me I ain't fly (\nYou can't tell me I don't fly, baby\n)\nI know I'm super fly (\nI know it\n)\nI know I'm super fly (\nI know it\n)\n[Outro: Bruno Mars]\nNow, now watch me fly (Fly-y-y)\nNow watch me fly (Fly-y-y)\nYou can't tell me I ain't fly\nI know I'm super fly, I know I'm super fly" } ]

[ { "from": "human", "value": "Write me a song called Every Girl with the following description: Released as the first single from Young Money’s debut album We Are Young Money, “Every Girl” is a love letter from the dudes at Young Money to essentially every woman alive. Lil Wayne, Drake, Jae Millz, Gudda Gudda, and Mack Maine take turns expressing their love for all girls.\nThe song’s music video was released on April 6, 2009. D. Woods of Danity Kane fame, who is referenced in the song, makes a cameo in the video along with fellow Young Money rappers Lil Twist and Lil Chuckee.\nThe song is sometimes also called “Every Girl in the World,” and can be found on streaming platforms under both names. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nTha Biz-Tha Bizness\n[Verse 1: Lil Wayne]\nUgh, I like a long-haired, thick redbone\nOpen up her legs, then filet-mignon that pussy\nI'ma get in and on that pussy\nIf she let me in, I'ma own that pussy\nGon' throw it back and bust it open like you 'posed to\nGirl, I got that dope dick, now, come here, let me dope you\nYou gon' be a dope fiend, your friends should call you \"Dopey\"\nTell 'em keep my name out they mouth 'cause they don't know me\nHa, but you can call me Tunechi\nI'll fuck the whole group, baby, I'm a groupie\nMy sex game is stupid, my head is the dumbest\nI promise, I should be Hooked on Fonics\nHah, but anyway, I think you're bionic\nAnd I don't think you're beautiful, I think you're beyond it\nAnd I just wanna get behind it\nAnd watch you \nback it up and dump it, ba-back it up and dump it\n[Chorus: Lil Wayne & \nDrake\n]\n'Cause we like her (Hey), and we like her, too\nAnd we like her (Hey), and we like her, too\nAnd we like her (Hey), and we like her, too\nAnd we like her, and she like us too, and oh...\nI wish I could fuck every girl in the world\nI wish I could fuck every girl in the world (Oh...)\nI wish I could fuck every girl in the world (\nYeah, alright\n)\nOh, oh, ahh [Verse 2: Drake]\nShe be jumpin' up and down, tryna fit that ass in\nTook her half an hour just to get that belt to fasten\nAll they wanna talk about is partying and fashion\nEvery single night I have a dream that I am smashing’ 'em all\nYoung Money, man, this shit so timeless\nAnd I'm in the mood to get faded, so please, bring your finest\nAnd what are all your names again? We drunk, remind us\nAre any of y'all into girls like I am? So let’s be honest\nShe wants me, she wants me\n'Cause I got it all, shawty, tell me what you don't see\nI will fuck with all y'all, all of y'all are beautiful\nI just can't pick one, so you can never say I'm choosin’ hoes\nAnd Wayne say, \"Pussy, pussy, pussy\"\nAnd weed and alcohol seem to satisfy us all, damn\nAnd every time I think of staying with her\nShe bring that friend around and make a nigga reconsider\nAnd then...\n[Chorus: Lil Wayne & \nJae Millz\n]\n'Cause we like her (Hey), and we like her, too\nWe like her (Hey), and we like her, too\nWe like her (Hey), and we like her, too\nAnd we like her, and she like us, too, and oh...\nI wish I could fuck every girl in the world\nI-I-I wish I could fuck every girl in the world\nI wish I could fuck every girl in the world\nCallin’ all sexy ladies\nOh, oh, ahh [Verse 3: Jae Millz]\nBut, um, \nI ain't bein’ disrespectful, baby, I'm just bein' Millz\nAnd I don't know how fake feels, so I gotta keep it real\nI just want to fuck every girl in the world\nEvery model, every singer, every actress, every diva\nEvery high-saditty chick, every college girl, every skeezer\nStripper, and every \ndesperate housewife that resemble Eva\nMy role model was Wilt, so, married women or MILF\nIt don't matter who you is, miss—you can get \"Tha Bizness\"\nHa!\n[Verse 4: Gudda Gudda]\nThese hoes is God's gift like Christmas\nI like 'em caramel skin, long hair, thick ass\nUgh, and I swear I'm feelin' all of y'all\nI'm scrollin' down my call log, and I'ma call all of y'all\nMy butter-pecan, Puerto Rican\nShe screamin' out, \"Papi!\" every time a nigga deep in\nAnd I'm about to get my Bill Clinton on\nAnd Hilary can Rodham too,\n boy, I gets my pimpin' on\n[Chorus: Lil Wayne]\n'Cause we like her (Hey), and we like her, too\nWe like her (Hey), and we like her, too\nWe like her (Hey), and we like her, too\nAnd we like her, and she like us, too, and oh...\nI wish I could fuck every girl in the world\nI wish I could fuck every girl in the world\nI wish I could fuck every girl in the world\nI wish I could fuck every girl in the world (Oh, oh, ahh) [Bridge: Lil Wayne & \nMack Maine\n]\nI wish I could fuck every girl in the world\nI wish I could fuck every girl in the world\nI-I wish I could fuck every girl in the world\nI wish I could fuck every girl in the world (Hey)\nI wish I could fuck every girl in the world (Hey)\nI-I wish I could fuck every girl in the world (Hey)\nI-I wish I could fuck every girl in the world\nAnd bitch, I'm Mack Maine\n[Verse 5: Mack Maine]\nSanaa Lathan, Meagan Good\nAngelina Jolie\n, ha, D. Woods\nFor free suites, I'd give Paris Hilton all-nighters\nIn about three years, holla at me, Miley Cyrus\nI don't discriminate, no, not at all\nKit-Kat a midget, if that ass soft, I break her off\nI exchange V-cards with the retards\nAnd get behind the Christian like Dior 'cause he are\nMack Mizzle, baby\n'Cause he are Mack Mizzle, baby\n[Outro: Lil Wayne]\nAnd I wish I could fuck every girl in the world\nI wish I could fuck every girl in the world\nI wish I could fuck every girl in the world\nI wish I could fuck every girl in the world\nI wish I could fuck every girl in the world\nYoung Mula, baby" } ]

[ { "from": "human", "value": "Write me a song called Firework with the following description: “Firework” is a song by American singer Katy Perry from her third studio album, Teenage Dream. The song was released as the third single, following the success of singles “California Gurls” and “Teenage Dream”.\nLyrically, “Firework” is meant to be an inspiration for anyone who’s ever felt worthless or unloved. Its message that everyone is beautiful and capable of leaving the world in awe really resonates with artist Katy Perry.\nIn fact, she has said that “Firework” is her favorite of all the songs she’s ever written. In an interview at the Grammy’s, she said that she was inspired to write the song after reading a paragraph in Jack Kerouac’s novel On the Road. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDo you ever feel like a plastic bag\nDrifting through the wind, wanting to start again?\nDo you ever feel, feel so paper-thin\nLike a house of cards, one blow from cavin' in?\nDo you ever feel already buried deep?\nSix feet under screams, but no one seems to hear a thing\nDo you know that there's still a chance for you?\n'Cause there's a spark in you\n[Pre-Chorus]\nYou just gotta ignite the light\nAnd let it shine\nJust own the night\nLike the Fourth of July\n[Chorus]\n'Cause baby, you're a firework\nCome on show 'em what you're worth\nMake 'em go, \"Awe, awe, awe\"\nAs you shoot across the sky-y-y\nBaby, you're a firework\nCome on, let your colors burst\nMake 'em go, \"Awe, awe, awe\"\nYou're gonna leave 'em all in awe, awe, awe [Verse 2]\nYou don't have to feel like a waste of space\nYou're original, cannot be replaced\nIf you only knew what the future holds\nAfter a hurricane comes a rainbow\nMaybe a reason why all the doors are closed\nSo you could open one that leads you to the perfect road\nLike a lightning bolt, your heart will glow\nAnd when it's time, you'll know\n[Pre-Chorus]\nYou just gotta ignite the light\nAnd let it shine\nJust own the night\nLike the Fourth of July\n[Chorus]\n'Cause baby, you're a firework\nCome on, show 'em what you're worth\nMake 'em go, \"Awe, awe, awe\"\nAs you shoot across the sky-y-y\nBaby, you're a firework\nCome on, let your colors burst\nMake 'em go, \"Awe, awe, awe\"\nYou're gonna leave 'em all in awe, awe, awe [Bridge]\n\"Boom, boom, boom\"\nEven brighter than the moon, moon, moon\nIt's always been inside of you, you, you\nAnd now it's time to let it throu-ou-ough\n[Chorus]\n'Cause baby, you're a firework\nCome on show 'em what you're worth\nMake 'em go, \"Awe, awe, awe,\"\nAs you shoot across the sky-y-y\nBaby, you're a firework\nCome on, let your colors burst\nMake 'em go, \"Awe, awe, awe\"\nYou're gonna leave 'em all in awe, awe, awe\n[Outro]\n\"Boom, boom, boom\"\nEven brighter than the moon, moon, moon\n\"Boom, boom, boom\"\nEven brighter than the moon, moon, moon" } ]

[ { "from": "human", "value": "Write me a song called I Go Gets Out with the following description: “I Got Gets Out” is a song by singer Beyoncé Knowles.\nThe song was recorded with Detail alongside several other tracks for her fifth album BEYONCE but failed to make the tracklist or the re-releases.\nThe song was registered on BMI in 2013.\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Lyrics from Snippet]\n[Verse: Beyoncé & Rihanna]\nI’ve gotta get you before I say goodbye (goodbye)\nYou make me want to want you" } ]

[ { "from": "human", "value": "Write me a song called Things in My Jeep with the following description: This song was performed by Akiva Schaffer as his character Kid Brain in the movie Popstar: Never Stop Never Stopping.\nIn the movie it is shown as Kid Brain’s attempt at going solo. It doesn’t do well because as Nas explains, “I had different stuff in my Jeep.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kid Brain]\nKidBrain\n[Verse 1: Kid Brain]\nBoxing gloves, condoms and blue blockers\nDress shoes, a Sharpie and 3 quarters\nA football, hacky sack, frisbee in the back and a baseball cap\nTwo folding chairs, adirondack\nAnd a mini cooler filled with healthy snacks\nBeach towels, sunblock, a surfboard and a sleeping bag\nBottled water, cashew nuts, extra socks, an American flag\nOld boots, paper towels, Shopgirl: A Novella\nDeodorant, house keys, sweatshirt, an umbrella\nA golf club, basketball, bug spray\nA laundry heap, a pocket knife, a battery\nThese are the things in my Jeep\n[Chorus: Kid Brain & Chester Bennington]\nThese are the things in my Jeep, Jeep, Jeep, Jeep, Jeep\nThese are the things in my Jeep, Jeep, Jeep, Jeep, Jeep\nThese are the things in my Jeep, Jeep, Jeep, Jeep, Jeep\nThese are the things in my Jeep, Jeep, Jeep, Jeep, Jeep\n[Verse 2: Kid Brain]\nHairspray, a toy car, deck of cards, and some handy wipes\nA bag of trash, a shoe lace, a Rubik's cube, and a flashlight\nA bandanna with my name on it\nA mix tape, push play on it\nA toothbrush and toothpaste\nA tic tac in a briefcase\nA dream catcher, a road map\nRegistration and insurance\nA toy car, a rubber band and a tape of the Jimi Hendrix Experience\nA cup holder, a steering wheel, a soda can in the back seat, a phone charger, an old wallet\nThese are the things in my Jeep [Verse 3: Chester Bennington]\nHi, come inside, look around my Jeep\nYou will find such marvelous things\nA broken stapler, some crumpled paper\nPrepare for adventure, inside my Jeep\n[Chorus: Kid Brain & Chester Bennington]\nThese are the things in my Jeep, Jeep, Jeep, Jeep, Jeep\nThese are the things in my Jeep, Jeep, Jeep, Jeep, Jeep\nThese are the things, all of the things\nThese are the things that I keep in my Jeep\nThese are the things, all of the things\nThese are the things that I keep in my Jeep" } ]

[ { "from": "human", "value": "Write me a song called Blessings with the following description: Lecrae posted a number of teaser clips on his Twitter page the week of January 15th to January 22nd. They included famous athletes, musicians, and actresses professing they believe in Christ and giving God the glory for their achievements. The videos included 2pac, Stephen Curry, Allen Iverson, and Lauryn Hill. “Blessings” was released on January 23rd, 2017.\n\nThe music video was released on March 22, 2017. The video features Lecrae’s family just having a good time. Lecrae described the video in an interview:\nInspiration for the video was a lot of the ‘90s movies like Boyz n the Hood, Soul Food, Menace II Society, Big Momma’s House vibe. We wanted to paint a picture of family and the blessing of having friends and family and kids, and uncles, and aunties, big mama. It’s also a lot of how my childhood was. My family would throw parties all the time and it would be a lot of laughing, drinking, dancing, spades and dominoes and that was a great time for me. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lecrae]\nEar Drummers\nOoh, yeah\nOoh, yeah\n[Chorus: Ty Dolla $ign]\nIf I ever took a loss, I learned a lesson\nI won't ever think I'm better than the next man\nI've been down before the come up, I ain't stressin'\nBaby, I'm too busy countin' all these blessings\n[Verse 1: Lecrae]\nYah, yah, yah\nCount it up, count it up, count it up (Count it up)\nLine 'em up, line 'em up, line 'em up (Line 'em up)\nSwear the sun shinin' on me in my huddle\nNo matter the trouble surroundin' us\nThey don't see that it's a lot of us (Yeah)\nEverybody move anonymous (Woo)\nWon't take that credit, I know where we get it\nThem blessings be comin' from God above (Blessings)\nI was doin' all kinda bad\nWhere the choir at? Tell 'em I need a verse (Verse)\nHit the pew and tell God, \"He's first\" (First)\nHit the studio to body a verse (Verse)\nI remember pushin' mama's little white Hyundai with no gas money (Yeah)\nI just bought a car, cash money (Zoom)\nI ain't even tryna brag on it (Nah)\nI just tell it how it really is\nI ain't trippin', they ain't feelin' this\nI ain't sayin' I deserve nothin'\nI'm just tryna talk about the benefits\nI've been punchin' in the clock\nTryna keep the kitchen stocked\nMan it's a blessin' 'cause we ain't ever had a lot\nBut all we need is all we got (Woo) [Chorus: Ty Dolla $ign]\nIf I ever took a loss, I learned a lesson\nI won't ever think I'm better than the next man\nI've been down before the come up, I ain't stressin'\nBaby, I'm too busy countin' all these blessings, blessings\n[Post-Chorus: Ty Dolla $ign & \nLecrae\n]\nCount it up, count it up, count it up (\nWord\n)\nCount it up, count it up, count it up\nCount it up, count it up, count it up (\nOh\n)\nBlessings\nCount it up, count it up, count it up\nCount it up, count it up, count it up\nCount it up, count it up, count it up (\nYeah, yeah, yeah\n)\nBlessings\n[Verse 2: Ty Dolla $ign]\nI put my mama in the crib, said, \"Stop stressin'\" (Stop stressin')\nI put my girl in a brand new diamond necklace (Ooh, yeah)\nShe said she need more of my love and affection (And affection)\n'Cause lately I've been workin' harder than ever (Oh)\nShe said, \"Baby, you a boss, (Boss) baby, clear your schedule (Yeah)\nDolla you a boss, (Boss) let's do somethin' special (Yeah)\nTake me on a PJ, we should go to Mexico (Ooh, yeah)\nI've been down for you boy, since when the money was low\" (Ooh, yeah)\nAnything for my bae 'cause she a blessing (She a blessing)\nYeah, yeah, yeah\nIf you woke up this morning it's a blessing (It's a blessing)\nYeah, yeah, yeah [Chorus: Ty Dolla $ign]\nIf I ever took a loss, I learned a lesson\nI won't ever think I'm better than the next man\nI've been down before the come up, I ain't stressin'\nBaby, I'm too busy countin' all these blessings, blessings\n[Post-Chorus: Ty Dolla $ign]\nCount it up, count it up, count it up (Word)\nCount it up, count it up, count it up (Ooh)\nCount it up, count it up, count it up (Oh)\nBlessings\nCount it up, count it up, count it up\nCount it up, count it up, count it up\nCount it up, count it up, count it up\nBlessings (Woo)\n[Verse 3: Lecrae]\nI took so many losses\nCoulda lost it\nLeft 'em leaky like a faucet\nAlmost cost me\nEverything that I got, all of my fam\nPart of the plan\nI was eatin' fried bologna out of the pan\nY'all don't understand\nI was tryna get it\nI'm in that studio tryna keep it pushin'\nPatty pies, boy I kept 'em cookin'\nAll I needed was the Mary Mary\nBut the God in me was havin' commentary, woo!\nI got angels all around like Anita Baker\nBlessings fallin' in line, guess I need a taper\nAnd every loss is a lesson\nTell my haters I confess\nTreat 'em like the green bubbles on the iPhone\nI probably never read the message [Chorus: Ty Dolla $ign]\nIf I ever took a loss, I learned a lesson\nI won't ever think I'm better than the next man\nI've been down before the come up, I ain't stressin'\nBaby, I'm too busy countin' all these blessings, blessings\n[Post-Chorus: Ty Dolla $ign]\nCount it up, count it up, count it up\nCount it up, count it up, count it up\nCount it up, count it up, count it up\nBlessings\nCount it up, count it up, count it up\nCount it up, count it up, count it up\nCount it up, count it up, count it up\nBlessings" } ]

[ { "from": "human", "value": "Write me a song called Stress with the following description: “Stress” is an unreleased song by Justin Bieber that leaked online on June 23rd, 2017. Justin posted a video of him skateboarding back in December 2013, and you can hear the song in the background but in slow-motion. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYou're the only girl that I see\nI'm the only guy that you need\nAnd there's a viable term in me\nSend you a text\nDon't flex\nTake a deep breath\n'Cause I don't need you to stress, hey hey\nBaby don't stress\nStress out over me\n[Verse 1]\nSo when I rise up, baby don't shy up\nOpen your mind, don't knock it till you try it, darling\nShow off, when you come closer\nDon't waste no time, we need it every minute darling\nOh, believe in me\nGuarantee you'll get my loyalty\nHow many times have you don't want me to leave?\nWant me to leave, no\n[Chorus]\nYou're the only girl that I see\nI'm the only guy that you need\nAnd there's a viable term in me\nSend you a text\nDon't flex\nTake a deep breath\n'Cause I don't need you to stress, hey hey\nBaby don't stress\nStress out over me [Verse 2]\nWoah-oh now\nLet's take it slow\nFrom the bottom to the top, till you're up sugar\nSo loud\nNo need to turn down\nLet the echo from your voice hit the wall sugar\nEvery goal you set will achieve\nDon't hesitate to follow my lead\nHow many times have you don't want me to leave\nYou won't want me to leave, no\n[Chorus]\nYou're the only girl that I see (only girl I see)\nI'm the only guy that you need (I'm the only guy that you need)\nAnd there's a viable term in me\nSend you a text (a text)\nDon't flex (don't flex)\nTake a deep breath (take a deep breath)\n'Cause I don't need you to stress\nI don't need you to stress out over me, hey hey\nStressing over me\nBaby don't stress over me" } ]

[ { "from": "human", "value": "Write me a song called Break It Down with the following description: “Break It Down” is an unreleased Justin Bieber song, with its snippet leaking online on January 29th, 2018. It is currently unknown of the song is intended for Bieber’s upcoming album.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWhen I see you, you don't think I run up on you (You don't think I run up on you)\nNo way\nAnd I don't want a text when I flex on you (When I flex on you)\nGet it, mic check, one, two (One, two)\nGet it, mic check, one, two (Mic check, one, two)\nBaby in my life, one, two\nBaby in my life, one, two, yeah\n[Chorus]\nSo break it down, break it down, down\nBreak it down like \"Ooh-ooh\"\nBreak it down, break it down, down\nBreak it down like \"Ooh-ooh\"\nOh, break it down, break it down, down\nBreak it down like \"Ooh-ooh\"\nOh, break it down, break it down, down\nBreak it down like \"Ooh-ooh\"\n[Verse 2]\nI can admit it, I wanna get it down\nI can admit it, just wanna hit it now\nCan we defeat it, can we debate it now\nI gotta let it, baby, it’s litty now\nOh, when it come down to it\nWhen it comes down to it\nWhen it comes down to it\nWhen it comes down to it, I know that\nWhen it comes down to it\nWhen it comes down to it, oh, no-no-no\nWhen it, when it all come, when it all comes down to it\n(When it all come)\nWhen it all comes down to it\nWhen it all comes down to it, I know\nWhen I found out, down to it\nWhen I come right down to it\nWhen it comes right down it\nWhen it, when it comes right down to it\nWhen it comes right down to it\nAnd I found time for it, when I come right down to it\nOh, no-no [Bridge]\nThey’ve all been a lie\nWhen I get in, hit it right\nShe a ten, won't hit it right\nShe don't won't think I come when I need it right\nBang-bang-bang, what you don't doubt\nBang-bang-bang, think it's goin' down\nIf it thang thang, think it's going down\nIf it come down, think it's going down\n[Chorus]\nWait, oh, down, break it down, down\nBreak it down, break it down, down, down\nOh, break it down, break it down, down\nBreak it down, break it down, down, down\nOh, break it down, break it down, down\nBreak it down, down, down\nBreak it down, break it down, down, down\nBreak it down like \"Ooh-ooh\"\nBreak it down, break it down, down\nBreak it down like \"Ooh-ooh\"\nOh, break it down, like down, down\nBreak it for you\nBreak it down like \"Ooh\" now\nBreak it down, ooh\nOh, break it down like \"Oh yeah\"\nBreak it down like no-no [Verse 3]\nEvery time that you come down\nLead in, it can fall now\nBack and forth, swang, oh yah\nSame-same like \"Oh yeah\"\nChain swang like \"Oh nah\"\nHave me dancing like no-now\nWhen it come through the soul now\nT.O banging like door down\nWhen it comes down [?]\nWhen I come like [?]\n[?] don't shake it all down\nWhen in all now [?]\n[Outro]\nOh damn, I'm coming in, save that" } ]

[ { "from": "human", "value": "Write me a song called ​rockstar (Original Version) with the following description: Featuring T-Pain and Joey Bada$$, this version of Post Malone’s hit song, “rockstar,” was leaked on December 27, 2017, by Music Mafia. The track features verses from Joey and T-Pain in place of 21, as well as a slightly different intro and instrumental piano.\nThough Music Mafia released this under the guise of it being a remix, this is actually the original version of the song according to T-Pain. Joey also tweeted that he co-wrote “rockstar” with Post, and Post has said before that Joey wrote a verse when the track was being created. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Post Malone]\nAyy, ayyy\nHahahahaha\nTank God\nAyy, ayy\n[Chorus: Post Malone]\nI've been fuckin' hoes and poppin' pillies\nMan, I feel just like a rockstar (Star, ayy, ayy)\nAll my brothers got that gas\nAnd they always be smokin' like a Rasta ('Sta)\nFuckin' with me, call up on a Uzi\nAnd show up, man, name them the shottas ('Tas)\nWhen my homies pull up on your block they make that thing go\nGrrra-ta-ta-ta (ta, pow, pow, pow, ayy, ayy)\n[Verse 1: Post Malone]\nSwitch my whip, came back in black\nI'm startin' sayin', \"Rest in peace to Bon Scott\" (Scott, ayy)\nClose that door, we blowin' smoke\nShe ask me light a fire like I'm Morrison ('Son, ayy)\nAct a fool on stage\nProlly leave my fuckin' show in a cop car (Car, ayy)\nShit was legendary\nThrew a TV out the window of the Montage\nCocaine on the table, liquor pourin', don't give a damn\nDude, your girlfriend is a groupie, she just tryna get in\nSayin', \"I'm with the band\" (Ayy, ayy)\nNow she actin' outta pocket, tryna grab up on my pants\nHundred bitches in my trailer say they ain't got a man\nAnd they all brought a friend (Yeah, ayy, ayy, ayy) [Chorus: Post Malone]\nI've been fuckin' hoes and poppin' pillies\nMan, I feel just like a rockstar (Star, ayy, ayy)\nAll my brothers got that gas\nAnd they always be smokin' like a Rasta ('Sta)\nFuckin' with me, call up on a Uzi\nAnd show up, man, name them the shottas ('Tas)\nWhen my homies pull up on your block they make that thing go\nGrrra-ta-ta-ta (Ta, pow, pow, pow)\n[Verse 2: T-Pain]\nOh shit, hey (Pizzle)\nI just did like twenty shots and now I'm standin' on top of a cop car (Hey, hey, ayy)\nShe been givin' me head for twenty minutes, man, this bitch gotta have lockjaw (Yeah, yeah, hey, ayy, woo, woo)\nAin't no retirin', bitch I'm firin' out the car, let the Glock off (Hey, hoo)\nAnd it's a job, take the car to the karate shop and chop that bitch like water (Hey, ayy, hey, ayy)\nMan, my shit been going back-to-back, grrra-ta-ta-ta, just like a choppa (Ayy, oh, hey, ayy)\nPolice pull up behind me, ain't no time to go and hide it, throw the rock far (Yeah, hey, yeah)\nValuable (Yeah, oh, oh, oh yeah), for twenty minutes, oh man, my shit is 'bout as swole as a gold bond (Hey, oh, hey, hey, ayy)\nI got plenty more, prolly fifty more, but this is what we did so far-ar-ar\n[Chorus: Post Malone, \nT-Pain\n & \nJoey Bada$$\n]\nI've been fuckin' hoes and poppin' pillies\n(\nAh-ahah-ahah\n)\nMan, I feel just like a \nrockstar\n (Star, ayy, ayy, \nwoo!\n)\nAll my brothers got that gas\nAnd they always be smokin' like a Rasta ('Sta, \nyeah, hey\n)\nFuckin' with me, call up on a Uzi\nAnd show up, man, name them the \nshottas\n ('Tas, \nbadman\n)\nWhen my homies pull up on your block they make that thing go\nGrrra-ta-ta-ta (\nYeah\n, ta, pow, pow, pow) [Verse 3: Joey Bada$$]\nThis that Amethyst Rockstar-life, might not make it\nDrop gems 'til I shine bright, just be patient\nTwo girls in my hotel bathroom naked\nThat's the type of thrill that I like, don't waste it\nMy cup filled with no chaser, I'm wasted\nMixin' weed with the Henny, got me cross-faded\nLike, \"Sorry, no interviews, y'all caught in the Matrix\"\nCheckin' for statements, life is what you make it\nI'm never on vacation 'cause there's no days off\nAll the hard work, dedication, know it all pays off\nI been gettin' no sleep, I been workin' graveyard shifts\nI'm a Braveheart, shit, they call me the Sergeant\nThe general, my squadron, the Pro Era army\nDroppin' bombs, this is just the calm before the storm, see\nThey can never harm me, my brother catch a homi\nT-Pain, Post Malone, Joey Bad, this is godly\nHuh, hahaha\n[Chorus: Post Malone]\nI've been fuckin' hoes and poppin' pillies\nMan, I feel just like a rockstar (Star, ayy, ayy)\nAll my brothers got that gas\nAnd they always be smokin' like a Rasta ('Sta)\nFuckin' with me, call up on a Uzi\nAnd show up, man, name them the shottas ('Tas)\nWhen my homies pull up on your block they make that thing go\nGrrra-ta-ta-ta (Ta, pow, pow, pow)" } ]

[ { "from": "human", "value": "Write me a song called Shed a Light with the following description: “Shed a Light” is about a partner knowing they have made a mistake, waiting for the response by their loved one. It could also be seen as being about whether or not a crush loves someone back.\nIt is the first collaboration between French producer David Guetta and German producer Robin Schulz.\nThis song could also have a Christian perspective. A person going through a hard time needs God to help them through a tough situation and needs a light to be shed upon them. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Trevor Dahl]\nWhy are you keeping me at a distance?\nAll that I'm asking for is forgiveness\nAre you even listening? Am I talking to myself again?\nI keep on staring up at the ceiling\nWaiting for you to give me some kind of reason\nAre you even listening? Am I talking to myself again?\n[Pre-Chorus: Trevor Dahl]\nAnd I know you don't owe me your love\nAnd I know that you don't owe me nothing at all\nAin't no way I'm giving up on you\n[Chorus: Trevor Dahl]\nDon't leave me here in the dark when it's hard to see\nShow me your heart, shed a light on me\nIf you love me, say so, If you love me, say so\nYou know I can't live without you, I'm on my knees\nWhere are you now? Shed a light on me\nIf you love me, say so, If you love me, say so\nSo, so, so\n[Verse 2: Trevor Dahl]\nWhy when I call, you never answer?\nI'll try to talk, you keep on dancing\nI can feel you on my skin, but am I only dancing with the wind? [Pre-Chorus: Trevor Dahl]\nAnd I know you don't owe me your love\nAnd I know that you don't owe me nothing at all\nAin't no way I'm giving up on you\n[Chorus: Trevor Dahl]\nDon't leave me here in the dark when it's hard to see\nShow me your heart, shed a light on me\nIf you love me, say so, If you love me, say so\nIf you love me, say something\nYou know I can't live without you, I'm on my knees\nWhere are you now? Shed a light on me\nIf you love me, say so, If you love me, say so\nSo, so, so\n[Post-Chorus: Trevor Dahl]\nShed a light, shed a light on me\nShed a light, shed a light on me\nDon't leave me here in the dark when it's hard to see\nShow me your heart, shed a light on me\nIf you love me, say so, If you love me, say so" } ]

[ { "from": "human", "value": "Write me a song called El Camp 2 with the following description: El Camp is a song featured on the instrumental album of producer TaeBeast, released in 2010.\nhttp://www.youtube.com/watch?v=Ep2N52I1JqYExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Verse 1 [Ab-Soul]\nThey found me under the sea, with three dollars and sixty cents\nSo why would it make any sense for me to not make any since\nThe curly head, black lipped kid\nThat works at Magic Disk, be on some shit\nI take a stand then make you sit\nYou take a stand, and then you snitch\nWhat part of the game is that huh?\nPardon my frame of mind, but if you get out of line, it'll be a disaster\nI take trips and pass out the most\nMonumental rapper, don't ever go toe to toe\nWith those who's over dosing, on the antidote\nEffortless I wreck this shit\nAb-Soul-loutly definite\nBet your deficite, that you ain't testing it\nI'm excellence on ecstasy\nIf you can fathom such a combo, off the Humboldt\nSmellin' like I'm lightin' a pine cone\nFeeling like my mind got caught in a cyclone\nI should put a spell on you niggas, like a typo\nTaeBeast, TDE, El Campo\nCarson, K-I-N-G, Del amo\nVerse 2 [Schoolboy Q]\nUh, sittin' in my homeboy's apartment\nIn them dirty halls, burner in my dirty draws.... watch it!\nFor the boys that want it all, just got into altercation at the mall\nBut niggas know my protocol, ready for my homicide\nPut me in a position, to have my finger itchin'\nDon't jump up in the game if you ain't ready for the kitchen\nCause best believe the stove hot, cooking up beef up in the box till my time stop\nBarb wires and pig cops\nEvery door get into locks, phone ain't got no dial tone\nLook up and the clouds gone, hungry and my childs gone\nSolitary mind state, push ups help me stay straight\nNoodles help maintain, reading helps me isolate\nTroubles help me concentrate, enemies evacuate\nLet me hyperventilate\nHoping that my girl'll still be on it and the mother fuckers call me in the mornin'\n(Roll it up!) Verse 3 [Kendrick Lamar]\nFuck that shit, I'mma blow it up\nFuck that shit, I'mma load it up\nDump that clip, like a movie script\nWhether blood or crip, I don't give a fuck\nI'mma live it up, my time is now\nTime and time again, I got that sound\nThat'll drown, Titanic, in Atlantic's ocean\nI'm hoping, that they both go down\nNigga please, nigga hand your bitch your keys\nSo she can push your humvee, to my place we can smoke your weed\nPray to god that I'm not god, MC bumped in your ipod\nSimply I am the CyHi of Centennial High\n don't give me no tie\nI ready made my business mine, dec-i-mals are definite\nDeficate on music mates, and bet, I do it delicate-ly\nIgnore your celiba-cy and then tell you fuck you\nAye what the fuck you want, my fucking dick, you fucking cunt\nGet off my n-u-t, s, he yes, got that unorthodox flow\nNiggas is trapped, they don't hold no wraps but they calling 5-0\nSmash in a El Dorado, whip it straight, till the fender break\nIn the middle of the street, where the criminals be\nWhile I blaze this heat from the Tae Beast.... tape\nKendrick Lamar" } ]

[ { "from": "human", "value": "Write me a song called Take It to the Head with the following description: On “Take It to the Head,” Nicki Minaj and Rick Ross boast about their riches while Wayne classically spits an X-rated verse about his women. Breezy, on the other hand, sings about doing shots with his girl.\nThe song was well-received for its features and did moderately well on the charts, peaking at #58. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: DJ Khaled]\nAnother one\nDJ Khaled\nWorkin' all winter\nShinin' all summer\nI ain't no beginner\nYou scared to take it to the—\n[Chorus: Chris Brown]\nTake it to the head, yeah-yeah\nDon't think about it, be about it\nDon't be scared to take it to the head, yeah, yeah-yeah, yeah-yeah\nGirl, you fly but if I tell you, then you might take it to the head (Yeah)\nI'm in my zone, damn near got my eyes closed\nOne shot, two shots, I'm gone (Ooh-ooh)\nTake it to the head (Yeah)\nI'm in my zone, damn near got my eyes closed (Ooh-ooh)\nOne shot, two shots, I'm gone\nNow we gon' get fucked up, no excuses, no apologies\n(\nMaybach Music\n)\n[Verse 1: Rick Ross, \nChris Brown\n]\nReputation for G's, that's the role of a boss\nSo amazin' to see, black baguettes in my watch\nShe say love is for free, just expensive to shop\nBut it's nothin' to me (Uh), that extends from my block (Ugh!)\nI got a lot of figures (Yeah), I'm a father figure (Me)\nShe know a lot of niggas, don't know a hotter nigga (Ha!)\nCome to the winner's circle, a lot of men will hurt you\nBut I'm here to nurture (For real), I wanna take you further\nShe got all them purses, I say in my verses\nYSL and Hermès and barely scratch the surface (Ugh!)\nShe know her purpose (Ugh!), as I peel the curtains\nI always make her nervous (Ugh!), this record's perfect (\nWoo-hoo, ooh\n) [Chorus: Chris Brown, \nNicki Minaj\n]\nTake it to the head, yeah-yeah\nDon't think about it, be about it\nDon't be scared to take it to the head, yeah, yeah-yeah, yeah-yeah\nGirl, you fly but if I tell you, then you might take it to the head (Yeah)\nI'm in my zone, damn near got my eyes closed\nOne shot, two shots, I'm gone (Ooh-ooh)\nTake it to the head (Yeah)\nI'm in my zone, damn near got my eyes closed (Ooh-ooh)\nOne shot, two shots, I'm gone\nNow we gon' get fucked up (\nUh\n), no excuses, no apologies\n[Verse 2: Nicki Minaj, \nChris Brown\n]\nYo, reputation for bustin', pussy open, it's nothin'\nBig fat nigga, all that huffin' and puffin'\nTake me shoppin' in France and he pay in advance\nHe got big balls, ran a play in his pants\nRan away with his money just to chill on the Island\nAll my bitches is stylin', beaches, and eatin' Italian\nThis is real shit, r-r-real shit\nOn the real, nigga fuckin' with a real bitch\nI-I-I ride for him, DMV\nStamina, GNC\nThree letters, CMB\nCompetition, I don't see any (\nWoo-hoo, ooh\n) [Chorus: Chris Brown, \nLil Wayne\n]\nTake it to the head, yeah-yeah (Yeah-yeah)\nDon't think about it, be about it\nDon't be scared to take it to the head, yeah, yeah-yeah, yeah-yeah\n'Cause girl, you fly but if I tell you, then you might take it to the head (Yeah)\nI'm in my zone, damn near got my eyes closed\nOne shot, two shots, I'm gone (Ooh-ooh)\nTake it to the head (Yeah, take it, oh-woah)\nI'm in my zone, damn near got my eyes closed (Ooh-ooh)\nOne shot, two shots, I'm gone (Oh, \nuh\n)\nNow we gon' get fucked up, no excuses, no apologies\n[Verse 3: Lil Wayne, \nChris Brown\n]\nUh, reputation for tastin'\nI'm killin' them hoes like Jason\nGirl, that pussy like medication to patients\nGot my eyes closed like Asian persuasion\nFuck with me baby, it's Tunechi, baby\nBust a nut, smoke a blunt, now I'm rejuvenated\nWith all that pink on, bitch, I'm King Kong\nI eat her ice cream, she eat my ice cream cone (Hahaha)\nPop a pill and pop that pussy\nI bet you Tunechi make her throw away that silver bullet, yeah\nAnd she kiss me on my neck and she kiss me on my chest (\nWoo-hoo, ooh\n)\nAnd then she— [Chorus: Chris Brown, \nLil Wayne\n, \nChris Brown & Lil Wayne\n]\nTake it to the head (\nHaha\n), yeah-yeah (Drink it down, \nyeah\n)\nDon't think about it, be about it (Can you? Oh)\nDon't be scared to \ntake it to the head\n, \nbaby\n, yeah, yeah-yeah, yeah-yeah (Take it, girl, \nyeah\n)\nGirl, you fly but if I tell you, then you might take it to the head (\nWhat up?\n Yeah)\nI'm in my zone\n, damn near got my eyes closed (\nHahaha\n)\nOne shot, two shots, I'm gone (Ooh-ooh, \nyeah\n)\nTake it to the head (Yeah)\nI'm in my zone\n (\nHaha\n), damn near got my eyes closed (Ooh-ooh, yeah)\nOne shot, two shots, I'm gone (Yeah)\nNow we gon' get fucked up, no excuses, no apologies\n[Outro: Lil Wayne]\nYoung Mula Baby! Uh (Haha)" } ]

[ { "from": "human", "value": "Write me a song called Close to You with the following description: Album-closer “Close to You” is a haunting piano ballad reminiscent of Rihanna’s 2012 stand-out track “Stay.” Lyrically, the song deals with the singer’s struggle to move on from a past love.\nFrequent Rihanna-collaborator and co-writer for “Close to You,” James Fauntleroy talked about the making of this R&B ballad:\n\nWhenever I’m writing songs for Rihanna, I’m always thinking about specific things that we all know about her, but I’m also trying to make it something that everyone can relate to. “Close to You” is about some things that I know she feels but that people also feel in general.\nWhen you’re thinking of any famous person that’s had a relationship in the media, you remember that everybody has had that feeling and moment when they’re alone and feeling sad. But people are more likely to pretend that nothing is wrong with them than the opposite.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNothing but a tear, that's all for breakfast\nWatching you pretend you're unaffected\nYou're pulling our connections, expecting me to let you go\nBut I won't\n[Pre-Chorus]\nI know you don't need my protection\nBut I'm in love, can't blame me for checking\nI love in your direction, hoping that the message goes\n[Chorus]\nSomewhere close to you\nClose to you\nLike so close if they hurt you, you wouldn't find out\nJust say now, I'm coming right now to be close to you\n[Verse 2]\nSaid you let it go, you kept it\nWorking hard to perfect it\nBut now your fear is reckless, and it's out of your control\nWell just let it go\n[Pre-Chorus]\nI know you don't need my protection\nBut I'm in love, can't blame me for checking\nI love in your direction, hoping that the message goes [Chorus]\nSomewhere close to you\nClose to you\nLike so close, if they hurt you, you wouldn't find out\nIf you let me, I'd be there by now\nClose to you\n[Click here to learn more about the making of \"Close to You\"]" } ]

[ { "from": "human", "value": "Write me a song called Back to the Bando with the following description: Migos first gained notoriety with their single Bando off their second mixtape, Young Rich Niggas. This song pays homage to their roots.\nA “Bando” refers to an abandoned house commonly used as a location to cook crack cocaine or sell various substances such as marijuana or promethazine-codeine.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Takeoff & \nQuavo\n]\nBack to the bando, we go\nBack to the backseat they loving the flow\nQC they call us Deathrow\nWe ain't straight outta Compton, we straight out the Nawf\nDJ Durel, give 'em hell!\nBando part two\n[Chorus: Quavo]\nTrappin' out the houses, boards on the windows\nTrappin' out the houses, where we came from\nTrappin' out the houses, where we at\nTrappin' out the houses, trap trap trap\nTrappin' out the houses, boards on the windows\nTrappin' out the houses, where we came from\nTrappin' out the houses, that's where we at\nTrappin' out the houses, trap trap trap\n[Verse 1: Quavo]\nTrapping out the houses, with boards on the windows\nA lot of y'all claim bandos but I know y'all pretenders\nYou know we the beginners, originate inventors\nIf you knocking at my bando more than twice you cannot enter\nFishscale rocking\nCooking in Versace\nNiggas baller blocking\nFeds still watching\nMolly sent in, percocet, xans\nBreak a whole pound down, cap off extra grams\nTrap season ‘come tax season, Uncle Sam\nBricks all white like the hair off of Sisqo\nPots real greasy like I wiped it down Crisco\nPulled up on a young nigga ask him what he lick for\n50 packs in the hood because I made it rappin'\nGave a cutie to my niggas down the road I made it happen\nGave straps to my niggas that I knew was bout that action\nBirds sangin', Toni Braxton, in my trunk, I'm swerving traffic [Chorus: Quavo]\nTrappin' out the houses, boards on the windows\nTrappin' out the houses, where we came from\nTrappin' out the houses, where we at\nTrappin' out the houses, trap trap trap\nTrappin' out the houses, boards on the windows\nTrappin' out the houses, where we came from\nTrappin' out the houses, that's where we at\nTrappin' out the houses, trap trap trap\n[Verse 2: Takeoff]\nTrapping out the houses, got more cheese than mouses\nKicking in your door, I'm looking for the fucking ounces\nWave around that chopper I'm intimidate spouses\nFlipping over sofas, found a 100 in the couches\n20 bales of soft, I let that alarm go off\nJerz know he slurred trippin to let one off\nWhat the fuck nigga, you trippin', you want the police to run up in the house?\nHe said he won't give the key up to the safe, I'm bout to put this strap in his mouth\nBack to the bando, we go\nBack to the backseat they loving the flow\nQC they call us Deathrow\nWe ain't straight outta Compton, we straight out the Nawf\nI'm in da city like Dro\nRoll a backwood, no drough, lotta cookie dough (girl scout)\nBroke niggas tickle me, Elmo\nBando part 2 on the radio\nYou niggas are Captain-Save-A-Hoe\nI'm a bit better than a playa hoe\nYou niggas go to them local shows\nMy bank account is on overload\nY'all niggas ain't put your wrist in the pot\nGet you a knot, they go come to yo a spot\nTrap out the bando, cause niggas they watch\nHit you artillery, niggas gon' plot [Chorus: Quavo]\nTrappin' out the houses, boards on the windows\nTrappin' out the houses, where we came from\nTrappin' out the houses, where we at\nTrappin' out the houses, trap trap trap\nTrappin' out the houses, boards on the windows\nTrappin' out the houses, where we came from\nTrappin' out the houses, that's where we at\nTrappin' out the houses, trap trap trap" } ]

[ { "from": "human", "value": "Write me a song called Numbers with the following description: Logic brings us another upbeat song about grinding, relationships and, as Birdman would say “chasin' the paper”.\nThe backing track is a sampling of Paramore’s “Decode.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus (Condensed)]\nYou already\nKnow what I been on, \nyou know where I be at\n'Cause men lie, women lie, numbers don't, I see that\nCatch me in a private jet like, \"Fuck it, where the weed at?\"\nAnd this flight attendant got the fattest ass, you know I need that\n[Verse 1]\nNow these bitches say they love me, but they just obsessed with the image\nNow if practice makes perfect then this is a scrimmage\n'Cause I ain't perfect, I never said I was\nBut now they hatin' 'cause a brother finally got some buzz\nThe things that I say (Say,) the places I'm seein' (Seein')\nThe people I talk to you don't know what I mean\nEven matters of love, it ain't always as it seems\nYeah, there's plenty in the sea until you hit the mainstream\nThe girl that I love, the one I call my honey\nNow I wonder if she love me for me or my fuckin' money\nSometimes I think about the love that I had in the past\nI truly miss it, but it just wasn't destined to last\n'Cause our separation lit a fire under my ass\nAnd now I'm gunnin' for the throne, yeah, that is my task\nJust a youngin with a dream that acquired a team\nMotivated by bad bitches and rockin' Supreme\nNow the whole world wonders what's his next move\nThat all depends on what I feel that I need to improve\nTell me what you think of me, I swear it doesn't matter\nJust as long as I am happy and my pocket's getting fatter\nWatch me shatter the competition, get mad and now all of 'em wishing\nYou coulda done it like I done it, bitch, I run it, ah!\nYeah, you know I do it like it ain't ever been done\nHit the Vegas strip and blow a million euro just for fun\nTo be honest I may have embellished that last line\nChillin' with a shorty that is so much more than fine\nAt the penthouse poppin' bottles of that hundred-thousand-dollar wine\nI got the connect, met 'im through the grape vine [Chorus]\nYou know what I been on, \nyou know where I be at\n'Cause men lie, women lie, numbers don't, I see that\nCatch me in a private jet like, \"Fuck it, where the weed at?\"\nAnd this flight attendant got the fattest ass, you know I need that\nY-y-you know what I been on, you know where I be at\n'Cause men lie, women lie, numbers don't, I see that\nNow these bitches say they love me, but they just obsessed with the image\nYou know what I been on, you know where I be at\n[Verse 2]\nYeah, it's been a year, and everything I said would happen has\nNew-school style with old-school bars like Alcatraz\n'Cause I ain't never second guess this music shit\nI knew this shit was all I ever wanted, all I ever had\nBorn famous, now it's just time to convince the world\nDitch cats, like drainage if they disrespect then don't step through\nI paint pictures for your mind and bring it to life like cinematography\nSay it then I do it, my whole career's a prophecy now\nBetter grab your jacket, 'cause in this world we live in it's cold out\nAnd when my album hit the stores it's sold out\nLike these rapper's careers\n, I'm the sum of our fears\nFuck a Grammy-nominated, bitch, I made it and I'm here\nI said it's all about the fans, not all about the record sales\nThey said it wouldn't work, I told 'em go fuck theyselves\nWhy you think I'm independent? Visionaries never fail\nWhy-why you think I'm independent? Visionaries never f— [Chorus]\nYou know what I been on, \nyou know where I be at\n'Cause men lie, women lie, numbers don't, I see that\nCatch me in a private jet like, \"Fuck it, where the weed at?\"\nAnd this flight attendant got the fattest ass, you know I need that\nY-y-you know what I been on, you know where I be at\n'Cause men lie, women lie, numbers don't, I see that\nNow these bitches say they love me, but they just obsessed with the image\nYou know what I been on, you know where I be at (\nSinatra\n)\n[Outro]\n\"You gotta realize\nA lot of the time when I talk, and I'm talking extremely cocky\nI'm not talking about myself\nI'm talking about the work.\"\n You know where I be at\nLogic" } ]

[ { "from": "human", "value": "Write me a song called Guap on Me with the following description: “Guap On Me” is the first single released from the long-awaited collaborative mixtape Ape Shit by Future and producer Mike Will Made-It. The tape was speculated to drop on Thanksgiving 2015, but that date came and went without a tape.\nThe song leaked on July 18, 2016, the same day that Paparazzi (Dab) leaked. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nThey hopin' we live young and die fast\nThey feel we take over the game\nFeel we take over the game\n[Verse 1]\nI bought her Dior and poodles\nI put the shrimp in the noodles\nI gave you love like a guru\nI seen the whale in the wave\nWe laugh at you niggas and fuck your bitches\nWe don't know how to behave\nWe been so viciously trained\nI've seen the gift in the game and the curse\nI watch that pussy get wet in a 'vert\nWe can flow through the hood like you drivin' a hearse\nAll this shit peaches and cream\nI ride the B with the wings\nPut a few of them B's in the ring\nYou deserve to get treated like a queen\nDon't let this shit go to your head\nDon't let the dick go to your head\nSippin' purp, I don't fuck with the red\nShe want titties? I bought her some breasts\nI pray it don't go to your head\nI pray it don't go to your head\nCan't forget about my bitch on the side\nI tell Uber to give her a ride\nPopped the cruiser, I'm back in the skies\nManeuver the streets with my guys\nThe money didn't come in disguise\nThey thought it all came overnight\nI flood out my neck with some diamonds\nI gotta thank God for this life\nToo many malicious suspicious bitches\nGot a hell of a vision, I need some Ritalin\nGot that kush in my cataracts, ask my dentist\nI got them golds and the permanent, yeah [Hook]\nWhole lotta guap on me, got a whole lotta guap on me\nDon't hold your nuts on me, don't hold your nuts on me\nGot a whole lotta guap on me, got a whole lotta guap on me\nThat bitch gon' fuck for free, that bitch gon' fuck for free\nWhole lotta guap on me, got a whole lotta guap on me\nDon't hold your nuts on me, don't hold your nuts on me\nGot a whole lotta guap on me, got a whole lotta guap on me\nThat bitch gon' fuck for free, that bitch gon' fuck for free\n[Verse 2]\nShe know the culture\nShe know I'm flier than a poster\nShe know I ride with the toaster\nI have a work on my line with them boulders\nI'm makin' my quota\nI sip out the soda\nI trip off the soda\nI live for the dodie\nGet worshipped like Moses\nHeavenly sent from the crew are my niggas\nI'm liftin' my niggas, I love the young niggas\nWrote on your sneakers young nigga\nServin' illegal my nigga\nDuckin' them people my nigga\nSmokin' my reefer my nigga\nWe get to grindin' and makin' these moves on these niggas\nNothin' to prove to these niggas\nJust schoolin' these niggas, we tutor these niggas\nFuck on that bitch and her friend like there's two of me nigga\nThey thick and they bi, got me two on me nigga\nThe tool on me nigga\nThey suckin' me that mean they chewin' me nigga\nI put them bezels in Jesus face\nGot this yellow bitch look just like Lisa Ray\nHatin' on me and I go and fuck Lisa Ray\nYou niggas always wanna imitate\nTake your bitches out on dinner dates\nI get some head on the interstate, ay [Hook]\nWhole lotta guap on me, got a whole lotta guap on me\nDon't hold your nuts on me, don't hold your nuts on me\nGot a whole lotta guap on me, got a whole lotta guap on me\nThat bitch gon' fuck for free, that bitch gon' fuck for free\nWhole lotta guap on me, got a whole lotta guap on me\nDon't hold your nuts on me, don't hold your nuts on me\nGot a whole lotta guap on me, got a whole lotta guap on me\nThat bitch gon' fuck for free, that bitch gon' fuck for free" } ]

[ { "from": "human", "value": "Write me a song called I Love It (Freaky Girl Edit) with the following description: This is is the clean version of Lil Pump and Kanye West’s hit song “I Love It.” This version of the song was performed at the 44th SNL season premiere where Kanye was a guest. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Adele Givens]\n'Cause you know in the old days\nThey couldn't say the sh— they wanted to say\nThey had to fake orgasms and sh—\nWe can tell —iggas today:\n\"Hey, I wanna —um\"\n[Chorus: Lil Pump & \nKanye West\n]\nYou're such a \nfreaky girl\n, I love it (I love it)\nYou're such a \nfreaky girl\n, I love it (I love it)\n[Verse 1: Lil Pump & \nKanye West\n]\nYou're such a \nfreaky girl\n, I love it (Love it, love it)\nYour boyfriend is a dork, McLovin (Dork)\n(McLovin; ooh, ooh, ooh)\nI just pulled up in a Ghost (Ghost)\nThat—that—ch up out in London (Up out in)\nThen I f—d up on her cousin\nOr her sister, I don't know nothin' (Uh-uh, woo)\nAnd my ni—as gettin' ignorant\nLike a lighter, we—we ignant (Ignant, yeah)\nAll this water on my neck\nLook like I fell when I went fishin' (Fell!)\nSo much diamonds on my bust down\nOoh, uhf—what's the time? (\nWhere we at?\n)\nMe and Smokepurpp sippin' pinch (\nPurpp!\n)\nOoh, uhf, she take lines (Lines) [Chorus: Lil Pump & \nKanye West\n]\nYou're such a \nfreaky girl\n, I love it (I love it, scoop!)\nYou're such a \nfreaky girl\n, I love it (I love it)\n[Interlude: Kanye West]\nYou're such a freaky girl\nWhen the first time they ask you if you want sparklin' or still?\nWhy you tryna act like you was drinkin' sparklin' water 'fore you came out here?\nYou're such a freaky—\n[Verse 2: Kanye West]\nI'm a real freak, I need a real freak (Whoop!)\nI'm a real freak, I need a real freak (Whoop!)\nI'm a real freak, I need a real freak (Whoop!)\nI'm a real freak, I need a real freak (Whoop!)\nI'm a sick pup, I like a quick jump\nI'll light your wrist up, I'll buy you a sick truck\nI'll buy you some new gifts, I'll get you that nip-tuck\nHow you start a family? The condom slipped up\nI'm a sick puppy, I'm inappropriate\nI like hearin' stories, I like the whole script\nLike where your clothes went before you post it?\nSend me some mo' pics, you look nice for four kids\n[Chorus: Lil Pump & \nKanye West\n]\nYou're such a \nfreaky girl\n, I love it (I love it)\nYou're such a \nfreaky girl\n, I love it (I love it) [Outro: Adele Givens]\n'Cause you know in the old days\nThey couldn't say the sh— they wanted to say\nThey had to fake orgasms and sh—\nWe can tell —iggas today:\n\"Hey, I wanna —um\"" } ]

[ { "from": "human", "value": "Write me a song called When a Woman with the following description: “When a Woman” is a song which appears on Shakira’s album, El Dorado. She confirmed the title in a Twitter post on March 12th, 2017.\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nWhen a woman, when a woman loves\nWhen a woman, when a woman loves a man\nWhen a woman, when a woman loves\nWhen a woman, when a woman loves a man\n[Verse 1]\nManipulate and cause you pain\nBut lift you up when you're hurting\nScream goodbye, laugh when you cry\nBut cool the tears when they're burning\nI felt it deep inside of me\nLike an explosion of crazy\nAll of this fire that you give\nI feel it deep\n[Pre-Chorus]\n'Cause only a woman can get this dark\nOnly a woman can cause these scars\nOnly a woman can love this hard\nOnly a woman\nYeah, when this woman loves a man\nShe'll take you to hell and back\nTake you to hell and back\n[Chorus]\nWhen a woman, when a woman loves\nWhen a woman, when a woman loves a man\nOnly a woman, only a woman knows\nHow a woman is supposed to love a man\nWhen a woman, when a woman loves\nWhen a woman, when a woman loves a man\nOnly a woman, only a woman knows\nOh-oh [Verse 2]\nNo need to hear my apologies\nFor being so damn complicated\nThe ups and downs, the outs and ins\nIt's what it is\n[Pre-Chorus]\n'Cause only a woman can get this dark\nOnly a woman can cause these scars\nOnly a woman can love this hard\nOnly a woman\nYeah, when this woman loves a man\nShe'll take you to hell and back\nTake you to hell and back\n[Chorus]\nWhen a woman, when a woman loves\nWhen a woman, when a woman loves a man\nOnly a woman, only a woman knows\nHow a woman is supposed to love a man\nWhen a woman, when a woman loves\nWhen a woman, when a woman loves a man\nOnly a woman, only a woman knows\nOh-oh\n[Bridge]\nAnd even when you won't admit\nYou know you're gonna need\nTo be next to the only woman who can make you feel that kind of fire\nNo, you won't get tired\nAnd when you think it's all I got\nI'll bring it up a notch\nI'll take you on a crazy ride, you'll never get enough\nBaby, I'm your girl\nAnd this is how I show my love [Pre-Chorus]\n'Cause only a woman can get this dark\nOnly a woman can cause these scars\nOnly a woman can love this hard\nOnly a woman\nYeah, when this woman loves a man\nShe'll take you to hell and back\nTake you to hell and back\n[Chorus]\nWhen a woman, when a woman loves\nWhen a woman, when a woman loves a man\nOnly a woman, only a woman knows\nHow a woman is supposed to love a man\nWhen a woman, when a woman loves\nWhen a woman, when a woman loves a man\nOnly a woman, only a woman knows\nOh-oh" } ]

[ { "from": "human", "value": "Write me a song called Mustapha/Bohemian Rhapsody [Live Killers] with the following description: A commonly requested song was Mustapha so sometimes Freddie would do the intro of Mustapha before going into verse 1 of Bohemian Rhapsody such as with this performance from Frankfurt on 2nd February.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nIbrahim, Ibrahim\nIbrahim\nAllah, Allah\nAllah, Allah we'll pray for you, hey!\n[Verse 1]\nMama, just killed a man\nPut a gun against his head, pulled my trigger, now he's dead\nMama, life had just begun\nBut now I've gone and thrown it all away\nMama, ooh, didn't mean to make you cry\nIf I'm not back again this time tomorrow\nCarry on, carry on as if nothing really matters\n[Verse 2]\nToo late, my time has come\nSends shivers down my spine, body's aching all the time\nGoodbye, everybody, I've got to go\nGotta leave you all behind and face the truth\nMama, ooh (Any way the wind blows)\nI don't wanna die\nI sometimes wish I'd never been born at all [Guitar Solo]\n[Verse 3]\nI see a little silhouetto of a man\nScaramouche, Scaramouche, will you do the Fandango?\nThunderbolt and lightning, very, very frightening me\n(Galileo) Galileo, (Galileo) Galileo, Galileo Figaro magnifico\nBut I'm just a poor boy, nobody loves me\nHe's just a poor boy from a poor family\nSpare him his life from this monstrosity\nEasy come, easy go, will you let me go?\nBismillah! No, we will not let you go\n(Let him go) Bismillah! We will not let you go\n(Let him go) Bismillah! We will not let you go\n(Let me go) Will not let you go\n(Let me go) Will not let you go\n(Never, never, never, never let me go) Ah\nNo, no, no, no, no, no, no\n(Oh, mamma mia, mamma mia) Mamma mia, let me go\nBeelzebub has a devil put aside for me, for me, for me!\n[Verse 4]\nSo you think you can stone me and spit in my eye?\nSo you think you can love me and leave me to die?\nOh, baby, can't do this to me, baby!\nJust gotta get out, just gotta get right outta here [Outro]\n(Ooh)\n(Ooh, yeah, ooh, yeah)\nNothing really matters, anyone can see\nNothing really matters\nNothing really matters to me\nAny way the wind blows" } ]

[ { "from": "human", "value": "Write me a song called Made with the following description: “Made” is a collaboration between Big Sean and Drake that appears on Sean’s August 2010 mixtape Finally Famous Vol. 3: BIG. On the celebratory track, the rappers boast about finally earning mainstream success and for their burgeoning rap careers. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Drake]\nLow-key Peter Parker flow\nTell her bring some Ace of Spades no sparklers though\nPrivate flights no hassle I just park and go\nI’m the highlight like when markers glow\nOooooh, look what you created\nOnly got yourself to blame, I remember when you hated ooooh\nNow you tell me take my time\nHow bout I just take your city make that muthaf-cker mine uh ha\nI’m a \nunderground king\n ho, \nI sit tall, I swang low\nThe game ain't always fair and thats the thing though\nYou can play your heart out everyone don’t get a ring though\nYou are in the presence of a champion\nBout to get a condo that I can fit your mansion in\nYou always be calling her, she ain’t never answering\nYou ain’t figured out I am the reason that she canceling\nI be at the parties where you stuck outside and can’t come in\nCall me Ron Burgundy y'all the other anchormen\nWhats on the news trick, gossiping bout music\nCause rumours I’m the new shit and guess what it’s true bitch\n[Hook: Drake]\nWe made it\nWe made it\nWe made it\nThey hate it\nThey hate it\nThey hate it\nThey hate it [Refrain: Drake, \nBig Sean\n]\nI feel like we made it\nBut we ain't made enough\nIt's so amazing\nYou woulda thought we made it up\nMan I was made to be greater\nMade for the grind\nMade for the lights\nMade for the shine\n[Verse 2: Big Sean]\nAy look, I need less friends more bread\nLess talk more head\nUsed to ride escorts now I get escorted (do it)\nI’m just waiting on my cue dog no pledge\nSaid she like all girls I turn that bitch co-ed\nThrew on my track team handed my baton to her\nPassed her blew her off, I chronic Veronica\nWho got up on my nerves so I had to platonic her\nNo that ain't my girl but every leader needs a Monica\nI’m the head of my estate ain't that ironic huh\nI want the baddest chick to treat my stick like a thermometer\nOhh, I’m who they going ape shit over\nI’m who your girlfriend acting like she ain't shit over\nSee broads over niggas but business over broads\nSee business equals money and money’s over all\nI’m tryna move my momma from the ghettos to the meadows\nWell she can’t stay in that fucking hood forever, forever\nWas made for that Mick Jagger shit\n baggage check and a chick\nFast girls, faster whip, big chains master shit\nBitch I’m living everyday month yearly\nYell until you muthfuckers hear me, we made it [Hook: Drake]\nWe made it\nWe made it\nWe made it\nThey hate it\nThey hate it\nThey hate it\nThey hate it" } ]

[ { "from": "human", "value": "Write me a song called Goodbyes with the following description: “Goodbyes” serves as the second single for Post Malone’s third studio album, Hollywood’s Bleeding. The track also marks his first single of 2019 and the first collaboration between Post and Young Thug. Throughout the song, Post sings about troubles with a girl and expresses his desire to remove her from his life, while Thug’s part seems to suggest that he’s trying to reconnect with a girl, which is in complete contrast to the rest of the song.\nThe music video for the track features Post being stabbed and killed in the very beginning. Throughout the remainder of the video, a zombified Post emerges from his grave and walks around the Wild West-like town where he comes across Young Thug singing to the same crowd that killed him earlier on. There, he confronts the girl who left him behind originally, which could be a reference to Post’s ex-girlfriend, Ashlen Diaz.\nA snippet of the song originally surfaced online on March 12, 2019, and the full song leaked on March 14, 2019. After speculation by various media outlets, Post confirmed the track would be released on July 5, 2019, in a Twitter post. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Post Malone]\nMe and Kurt feel the same, too much pleasure is pain\nMy girl spites me in vain, all I do is complain\nShe needs something to change, need to take off the e-e-edge\nSo fuck it all tonight\nAnd don't tell me to shut up\nWhen you know you talk too much\nBut you don't got shit to say (Say)\n[Chorus: Post Malone]\nI want you out of my head\nI want you out of my bedroom tonight (Bedroom)\nThere's no way I could save you (Save you)\n'Cause I need to be saved too\nI'm no good at goodbyes\n[Verse 2: Post Malone]\nWe're both actin' insane, but too stubborn to change\nNow I'm drinkin' again, 80 proof in my veins\nAnd my fingertips stained, looking over the e-e-edge\nDon't fuck with me tonight\nSay you needed this heart, then you got it (Got it)\nTurns out that it wasn't what you wanted (Wanted)\nAnd we wouldn't let go and we lost it\nNow I'm a goner [Chorus: Post Malone]\nI want you out of my head (Head)\nI want you out of my bedroom tonight (Bedroom)\nThere's no way I could save you (Save you)\n'Cause I need to be saved too (Saved too)\nI'm no good at goodbyes\n[Verse 3: Young Thug]\nI want you out of my life\nI want you back here tonight\nI'm tryna cut you, no knife\nI wanna slice you and dice you\nMy argue possessive, it got you precise\nCan you not turn off the TV? I'm watchin' the fight\nI flood the garage, blue diamond, no shark\nYou're Barbie life doll, it's Nicki Minaj\nYou don't need a key to drive, your car on the charger\nI just wanna see the side, the one that's unbothered (Yeah)\nAnd I don't want ya to never go outside (Outside)\nI promise if they play, my niggas slidin' (Slidin')\nI'm fuckin' her, and the tour bus still ridin' (Ridin')\nYeah, yeah, yeah, yeah, yeah\n[Chorus: Post Malone]\nI want you out of my head (Head)\nI want you out of my bedroom tonight (Bedroom)\nThere's no way I could save you (Save you)\n'Cause I need to be saved too (Saved too)\nI'm no good at goodbyes [Outro: Post Malone & \nYoung Thug\n]\nGoodbye, goodbye, goodbye (\nBye, bye\n)\nGoodbye, goodbye, goodbye (\nBye, bye\n)\n(\nYeah, yeah, yeah, yeah, yeah\n)\nGoodbye, goodbye, goodbye (\nBye, bye, bye\n)\nI'm no good at goodbyes\nGoodbye, goodbye, goodbye (\nBye, bye\n)\nGoodbye, goodbye, goodbye (\nBye, bye\n)\nGoodbye, goodbye, goodbye (\nBye, bye\n)\nI'm no good at goodbyes" } ]

[ { "from": "human", "value": "Write me a song called Bust Me with the following description: “Bust Me“ marks the eleventh track off of Uzi’s long-awaited 2020 album Eternal Atake. The track divulges into Uzi opening up about his past experiences with women and how they weren’t interested in him until he gained his fame. Uzi raps with clever lines about how he managed these tough times and bounced back. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI remember she said fuck me, now that girl wanna fuck me (Yeah)\nLambo' truck, I remember I used to be dusty (Woah)\nEvery month, I go to the jeweler, tell Elliot to flood me\nFactory on my watch, make your aftermarket say, \"Please tuck me\"\nOld nigga had that watch since 2001, that bitch got rusty\nShe took SEPTA to my block, she said, \"Uzi, can you bus me?\" (Yeah)\nI was off a Perc', took so long, she started rush me (Yeah)\nAnd when you got this type of money, you are never ugly (At all)\n[Interlude]\nWoah, okay (Wait, where am I?)\n(\nBugz on the beat\n)\n[Verse 1]\nNo, I do not trust 'em, no, I do not trust 'em (No)\nShe say that she love me, also say she love him (Woah)\nYeah, she must be geeked up, illegal substance\nShe is not a keeper, got her from my cousin\nShe was on my phone line (Yeah), steady bustin'\nNow she wanna slow grind, she said I was nothin'\nHurt me with them closed eyes (Woah), know she salty (Let's go)\nAnd I wear my clothes tight like I'm David Ruffin\nHandcuffed, that's a no-no, you can't cuff me (Yeah)\nI can't do no one-on-one, I'm not with no stuck shit (No, no, no) [Refrain]\nI won't lose, you can't win\nI want you, but who's your friend? Ayy (Ayy)\nThree hundred for a two-door Benz (Skrrt)\nThree hundred for a two-door Benz, yeah\nThree hundred for a two-door Benz (Skrrt)\nThree hundred for a two-door Benz (Vroom)\nThree hundred for a two-door Benz\nI want you, but who's your friend? Ayy\n[Verse 2]\nThey know that I'm the shit, let me sit, please don't flush me\nThese niggas want me to slip, want me to trip, they wanna hurt me\nBut I'm ridin' 'round with some shit, it got a stick, it got a front piece\nI was with my Irish bitch, she said, \"Uzi, you so lucky,\" yeah\n[Refrain]\nI won't lose, you can't win (Yeah)\nI want you, but who's your friend? Ayy\nThree hundred for a two-door Benz (Yeah)\nThree hundred for a two-door Benz, yeah\n[Bridge]\nOne, two, three, four of your friends\nShe said, \"Uzi, can you pay my rent?\"\nSave your money, bitch, that's money well spent\nCartiers, I can't see you through the tint [Chorus]\nI remember she said fuck me, now that girl wanna fuck me (Yeah)\nLambo' truck, I remember I used to be dusty (Woah)\nEvery month, I go to the jeweler, tell Elliot to flood me\nFactory on my watch, make your aftermarket say, \"Please tuck me\"\nOld nigga had that watch since 2001, that bitch got rusty\nShe took SEPTA to my block, she said, \"Uzi, can you bus me?\"\n (Yeah)\nI was off a Perc', took so long, she started rush me (Yeah)\nAnd when you got this type of money, you are never ugly (At all)\n[Outro]\nWhat the fuck? Wait, what?\nWait, what?\nYo? Yo?\nWhere are they going? Wait\nWait, so\nYou gotta hit that button right there\n(\nYou are now leaving EA, the dark world\n)" } ]

[ { "from": "human", "value": "Write me a song called Deep with the following description: “Deep” is a song essentially depicting how emotionally engrossing things can become in life and one’s own alienation from it, with Sean’s motivated delivery battling against any negative introspection regarding the matter.\nFrequent Big Sean collaborator Lil Wayne addresses his thoughts on prison life and the importance of artistry behind the output in the final verse, stating that it’s “deeper than rap.” CyHi The Prince recorded a verse for the track—which he released via his Soundcloud—but it was ultimately cut. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Big Sean]\nDo or die, nigga\nI'mma keep poppin' this Champagne\nDon't worry about shit\nFinally famous, nigga\n[Hook: Big Sean]\nMan, I look up to God, I wonder if I fell from the sky\nWould I hit the ground or will I learn how to fly?\nI'm pretty sure you see it in my eyes\nSometimes I wonder if I already died\nThat shit get deep, deep, deep\nMan, I swear to God that shit just get so deep, deep, deep, deep\n[Verse 1: Big Sean]\nMan, I swear to God it get so deep though\nThat sometimes I just gotta wake my ass up out my sleep though\nAnd wonder what if all the shit I reaped then got repoed\nAnd the girl I gave it all up for ain't love me for me though\nSee, I got a stack of problems that could use a fucking steamroll\nGot off in the game, don't need no cheat code\nAs long as I know the G code\nBeing paranoid done turned me to a creep\nYou ain't got that metal on your side\nPolice gon' work it like Magneto if they need to, it get deep\nDeep, deeper than telekinesis\nDeeper than your sister dying and you're telling your nieces\nThe deeper it gets, boy, the pressure increases\nBut pressure make diamonds\nAnd my name is Sean cause I shine, it's self explanatory\nI architect the flow, rapping all of these stories on stories\nYou know the story\nIf my back against the ropes, then I'll finish Stone Cold it\nMy opponent probably praying for postponement\nYou fuck with the best rapper, don't even know it\nIt's written in the stars, man, the sky is the author\nI pulled the sword out of the stone, I'm King Arthur\nMotherfuck your armor, nigga, only weapon I'm scared of is Karma\nYou watching the son turn to father, fucking life and her daughter\nNigga, that shit just get deep [Hook: Big Sean & Lil Wayne]\nMan, I look up to God, I wonder if I fell from the sky\nWould I hit the ground or will I learn how to fly?\nI'm pretty sure you see it in my eyes\nSometimes I wonder if I already died\nThat shit get deep, deep, deep\nMan, I swear to God that shit just get so deep, deep, deep, deep, deep\n[Verse 2: Lil Wayne]\nBeen going hard all day\nWish a nigga would fuck with me\nThen I blow the candles out on my cake\nAnd niggas always thinking it's a game\nTil we ran them out the arcade\nStunting in my southernplayerlistic Cadillac, Andre\nI talk that cash money shit\nYM plus CMB, you can do the math for me, bitch\nJail time, a slap on the wrist\nCut your head off, get it mailed out, stamp on your lips\nYou can tell I'm grinding by my wrist\nAnything can happen cause a broke man is an optimist\nWell, tell them I'll be waiting in suspense\nI got some miles on me, but it's cool cause I never give an inch\nAnd I don't give two fucks about what your mouth say\nCause this shit is deeper than rap, I cannot say\nThat shit enough times like somebody rewind me\nLike shit is deeper than rap, I cannot say that shit enough times\nI feel like Sean, don't get enough shine\nIs it because he ain't got the tattoos? He ain't throwing up signs\nWell, let me throw up mine\nAnd also let me show this vision of mine\nFuck the finish line, just finish your lines\nAnd if getting your point across crosses the line\nSome of the time then cross it with pride\nThat's real, my nigga, remember that\nAnd it ain't about if they remember you, they remember rap\nSo just spit it back and hope somebody diggin' that\nCause this shit is deep, deep\nDeep as empty pockets, nigga\nWe come empty pockets before we have empty pockets, slime\nThat shit get deep [Hook: Big Sean & Lil Wayne]\nMan, I look up to God, I wonder if I fell from the sky\nWould I hit the ground or will I learn how to fly?\nI'm pretty sure you see it in my eyes\nSometimes I wonder if I already died\nThat shit get deep, deep, deep, deep\nMan, I swear to God that shit just get so deep, deep, deep, deep, deep\nThat shit get deep, deep, deep\n(Deep as empty pockets)\nDeep, deep\n(We come empty pockets before we have empty pockets)\nYeah, oh my god is just so deep, Yeah, yeah\n(Deep as empty pockets)\n(We come empty pockets before we have empty pockets)\nSometimes I wonder if I already died\nThat shit get deep" } ]

[ { "from": "human", "value": "Write me a song called Falling Over Me with the following description: “Falling Over Me” serves as the fourth track from Demi Lovato’s sophomore studio album, Here We Go Again. The song’s premise is about Lovato praying a crush will notice her and develop the same feelings. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm standing in the center of the room\nI'm watching boys follow girls' perfume, mmm\nAll is as it should be, I assume, oh\nExcept for the distance between me and you\nYou're standing as a flower on the wall\nThe room is still, but we're about to fall\nAnd all the names that brought us here\nJust simply fade away\n[Chorus]\nWho you are is falling over me\n(\nWho you are is falling over me\n)\nWho you are is everything I need\n(\nWho you are is everything I need\n)\nI'm hoping, I'm waiting, I'm praying you are the one\nAnd I'm hoping, I'm waiting, I'm praying you are the one\n[Verse 2]\nI can't believe that night turned into today\nI used the line you were supposed to say, ooh yeah\nAnd all the names that brought us here\nAnd now we have to thank\n[Chorus]\nWho you are is falling over me\n(\nWho you are is falling over me\n)\nAnd who you are has got me on my knees\n(\nWho you are has got me on my knees\n)\nI'm hoping, I'm waiting, I'm praying you are the one [Bridge]\nIf you are, I will wait, I will follow\nI'm here to stay\nAs long as we're promised tomorrow\nI promise you today\nI'll wait, I'll wait\n[Chorus]\nWho you are is falling over me\n(\nWho you are is falling over me\n)\nAnd who you are has got me on my knees\n(\nWho you are has got me on my knees\n)\nYeah, I'm hoping, I'm waiting, I'm praying you are the one\nI'm hoping, I'm waiting, I'm praying you are the one\nYou are the one" } ]

[ { "from": "human", "value": "Write me a song called This Love with the following description: “This Love” is a slow burning ballad which finds Camila entangled in toxic relationship, trying to get the love “out of [her] veins” as she falls for her lover’s games “again and again”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nNo, no, no\n[Verse 1]\nKnow just how to make me miss ya\nWhen I'm feelin' sentimental\nGoin' in our separate ways\nBut wind up back here in the middle\nLosin' you I couldn't face\nBut to love you is worse\nWaitin' for you just in case\nOne day it doesn't hurt, nah, nah, nah\n[Pre-Chorus]\nSaid it's the last time, but nah, nah, nah, nah\nJust like the last time, yeah, nah, nah, nah, nah\nTired of building up my walls, yeah\nJust to watch them fall again\n[Chorus]\nSo fuck this love callin' my name\nGet out of my veins\nIf you need your space, then just walk away\nYou know how to fuck me up, then make it okay\nI guess that's just your game\nAnd I'm the one who gets played\nAgain, and again, and again, and again [Verse 2]\nMaybe you should set me free\nMaybe I don't really want you to\nMaybe I just wanna be\nBe the person that you just can't lose\nIf you're gonna leave, then go\nIf you need me, let me know\nLove me or just let me go\nBut no, nah, nah, nah\n[Pre-Chorus]\nSaid it's the last time, but nah, nah, nah, nah\nJust like the last time, yeah, nah, nah, nah, nah\nTired of building up my walls, yeah\nJust to watch them fall again\n[Chorus]\nFuck this love callin' my name\nGet out of my veins\nIf you need your space, then just walk away\nYou know how to fuck me up, then make it okay\nI guess that's just your game\nAnd I'm the one who gets played\nAgain, and again, and again, and again\n[Bridge]\nMaybe you should set me free\nMaybe I don't really want you to\nMaybe I just wanna be\nBe the person that you just can't lose\nNo, there I go and fall again [Chorus]\nFuck this love (Yeah yeah) callin' my name\nGet out of my veins (Get out of my veins)\nIf you need your space, then just walk away\nYou know how to fuck me up, then make it okay\nI guess that's just your game (That's just your game)\nAnd I'm the one who gets played\nAgain, and again, and again, and again, and again\n[Outro]\nOoh, oh, again\nOh, no\nHere I go again" } ]

[ { "from": "human", "value": "Write me a song called We Found Love with the following description: Forever The Sickest Kids covered “We Found Love” originally by Rihanna for the compilation album Punk Goes Pop 5. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nFTSKs\n, 2012's, \nCharlie Bit Me\nYou got it, \nthis is for you, Bob Becker\n'Preciate that young pimp\nFearless Records\n, drop it\n[Verse 1]\nYellow diamonds in the light\nNow, we're standing side by side\nAs your shadow crosses mine\nWhat it takes to come alive\n[Pre-Hook]\nIt's the way I'm feeling, I just can't deny\nBut I've gotta let it go\n[Hook]\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place [Verse 2]\nShine a light through an open door\nLove a life I will divide\nTurn away 'cause I need you more\nFeel the heartbeat in my mind\n[Pre-Hook]\nIt's the way I'm feeling, I just can't deny\nBut I've gotta let it go\n[Hook]\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\n[Bridge]\n(Yellow diamonds)\nYellow diamonds in the light\nNow, we're standing side by side\nAs your shadow crosses mine\nBreakdown\nBreakdown\nBreakdown\nBreakdown [Hook]\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place\nWe found love in a hopeless place" } ]

[ { "from": "human", "value": "Write me a song called Scott Storch Talks Eminem with HipHopDX (2/17/14) with the following description: This interview was conducted by Mikey T the Movie Star and the corresponding recap article was posted by Danielle Harling on HipHopDX on February 17, 2014.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "(This article appears courtesy of HipHopDX, and the original can be found \nhere\n.)\nAs a producer who has \nworked with Detroit wordsmith Eminem\n early on his career, Scott Storch was asked to share his earliest memories of the rapper during a recent interview with \nMikey T The Movie Star\nStorch says he was introduced to Eminem through Dr. Dre\n who doted on \nEm’s lyrical skills\n. The New York beatsmith also revealed that he was surprised to find that Eminem was “another white dude\" upon meeting the rapper\n“I remember I was working with Dr. Dre,” Storch said. “And he was telling me about Marshall. I mean, I had heard about him from his Rawkus days. But he was telling me ‘Oh, I got this dude [called] Eminem. He’s ridiculous. He’s like the best rapper I swear to God in the world. Blah blah blah blah blah.’ And he came in and I wasn’t expecting like for another white dude to be walking in the room. I thought I was the only white dude. And then I didn’t know he was speaking up this guy that’s this most amazing rapper is coming in.”\nStorch went on to comment on Eminem’s creativity and energy in the studio, qualities he says he sees in \nChris Webby\n, an artist he’s currently working with\n“I remember that day we were fixing up a record of his and we did that ‘Just The Two Of Us’ that day,” he said. “And I don’t know—I was blown away then. He was something completely different. He reminds me of—like his energy and just all his creativity—like the greatest. \nAnd I saw something the other night in this dude I’m working with, Chris Webby\n. And it kinda reminded me a little bit of that type of vibe. Really into the craft and excited about the records…I remember being in the studio at some point. I forget what album it was with Em. And Em was going so crazy. \nHe was so passionate about just adding like all the little sound effects to the songs. Like a glass breaking or anything, a car screeching.\n The sounds. Like all that stuff and just being so meticulous with it and making it real.”\nIn addition to working with Eminem, Storch also reportedly worked with Dr. Dre on his much-delayed album, Detox. \nNearly four years ago the producer revealed that Dre’s album was only three tracks away from completion during an interview with DJ Skee\nFollowing his return to music last year, Scott Storch has worked with the likes of \nFat Joe\n, \nPusha T\n, \nDJ Khaled\n, and a \nhandful of other artists" } ]

[ { "from": "human", "value": "Write me a song called Freak Hoe with the following description: Future pays homage to Master P and TRU\nA “freak hoe” is a girl who is easily attainable, and freely performs sexual endeavors. Future is with a whole lot of freak hoes those are twerking all over the place. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nFreak hoes, freak hoes\nFreak hoes, freak hoes\n[Chorus]\nFreak hoes, freak hoes\nBounce that ass, make your knees touch your elbows\nFreak hoes, freak hoes\nBounce that ass, make your knees touch your elbows\nFree dope, free coke\nLay it down, niggas kickin' in your front door\nFree dope, free coke\nLay it down, niggas kickin' in your front door\n[Verse 1]\nTitanic on my wrist, bad bitch on my dick\nDid a donut in the 6, I just drove by Magic City\nPut that heroin in the bricks, put that heroin in the bricks\nPut that heroin in the bricks, now your chain gigantic\nOn a worldwide treasure hunt, blowin' good Guinea\nPretty girls reppin' Pretty Gang fuckin' wit' the kiddo\nType to fuck a hood nigga good, then tell him \"ditto\"\nWent from 5 on the indo, 30 rounds in the extendo\nFuck a friend though, ain't pretend though\nNigga comin' through sprayin' at the window\nGet the memo, got a line, on Chyna White\nBut I ain't giving out no info\nGet to bendin' corners like a nigga ridin' in a limo\nI been in the pussy all day at the cribbo\nI fuck a bitch, she tell her friend, I love some free promo\nI love a freak ho' though [Chorus]\nFreak hoes, freak hoes\nBounce that ass, make your knees touch your elbows\nFreak hoes, freak hoes\nBounce that ass, make your knees touch your elbows\nFree dope, free coke\nLay it down, niggas kickin' in your front door\nFree dope, free coke\nLay it down, niggas kickin' in your front door\n[Verse 2]\nWhole lot of dirty soda and some bad bitches (Bad bitches)\nPut some rose on some gold tryna overdose (Overdose)\nMade a ho' eat a ho' 'cause she a broke ho' (Broke ho')\nGot that check on me, nigga that's a fo' fo'\nMy cuban link's bigger than the Wu-Tang (Wu-Tang)\nLil' nigga take your head off for a new chain (Yeah, yeah)\nI send my side bitch out to St. Barts\nI ride around town with a AR (Yeah)\n[Chorus]\nFreak hoes, freak hoes\nBounce that ass, make your knees touch your elbows\nFreak hoes, freak hoes\nBounce that ass, make your knees touch your elbows\nFree dope, free coke\nLay it down, niggas kickin' in your front door\nFree dope, free coke\nLay it down, niggas kickin' in your front door\nFreak hoes, freak hoes\nBounce that ass, make your knees touch your elbows\nFreak hoes, freak hoes\nBounce that ass, make your knees touch your elbows\nFree dope, free coke\nLay it down, niggas kickin' in your front door\nFree dope, free coke\nLay it down, niggas kickin' in your front door" } ]

[ { "from": "human", "value": "Write me a song called Say It With Me with the following description: “Say It With Me” is an uptempo track with an electronic beat which breaks into a mellow R&B sound for the chorus. The track features vocals from Sevyn Streeter who sings in the chorus. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Chris Brown]\nHey, baby\nI don't like the way you got me feeling lately, oh\nThey say, baby\nI'm feeling like you found someone to replace me, oh\n[Pre-Chorus: Chris Brown]\nDo you remember, you used to say that you would never walk away?\n'Cause I remember the time and the place like it was just yesterday, oh\nBaby, you had me gone, gone, gone\nBut you won't have me, I'm gone, gone, gone\nSay no more 'cause I know what you came for\nJust wanna play them games, girl\n[Chorus: Chris Brown, \nSevyn Streeter\n, \nChris Brown & Sevyn Streeter\n]\n'Cause it's so hard (It's so hard, baby) to be let down (To be let down, baby)\nTell me you won't do this to me (No, no, no)\nWe've come too far (So far, baby) to give up now (To give up now, baby)\nGirl, that's just the way it should be (Girl)\nSay it with me, babe\n(Hey, baby)\nSay it with me\n(Please don't take my love away)\nSay it with me, babe\n(Tell the DJ keep this party going)\nSay it with me\n(Hooray, hooray)\nSay it with me, babe\n(Hey, baby)\nSay it with me\n(Please don't take my love away)\nSay it with me, baby\n(Tell the DJ keep this party going)\nUh-huh [Verse 2: Chris Brown]\nHey baby, know you crazy (Crazy)\nBut you ain't that crazy about me (No, you ain't)\n'Cause you think that you can get whatever you want (Want)\nSo you lie and you try to blame me (Nah)\nSay lady (Lady), you're cold\nYou're poison to me and I know (Ooh!)\n[Pre-Chorus: Chris Brown]\nDo you remember, you used to say that you would never walk away? (Hey!)\n'Cause I remember the time and the place like it was just yesterday, oh\nBaby, you had me gone, gone, gone (Gone, gone)\nBut you won't have me, I'm gone, gone, gone (Gone)\nSay no more 'cause I know what you came for (For)\nJust wanna play them games, girl (Hey!)\n[Chorus: Chris Brown, \nSevyn Streeter\n, \nChris Brown & Sevyn Streeter\n]\n'Cause it's so hard (It's so hard, baby) to be let down (To be let down, baby)\nTell me you won't do this to me (No, no, no)\nWe've come too far (So far, baby) to give up now (To give up now, baby)\nGirl, that's just the way it should be (Girl)\nSay it with me, babe\n(Hey, baby)\nSay it with me\n(Please don't take my love away)\nSay it with me, babe\n(Tell the DJ keep this party going)\nSay it with me\n(Hooray, hooray)\nSay it with me, babe\n(Hey, baby)\nSay it with me\n(Please don't take my love away)\nSay it with me, baby\n(Tell the DJ keep this party going)\nUh-huh (Ooh, ooh, ooh) [Outro: Chris Brown]\nHey baby, please don't take my love away\nTell the DJ keep this party going, hooray hooray\nHey baby, please don't take my love away\nTell the DJ keep this party rocking, hooray hooray" } ]

[ { "from": "human", "value": "Write me a song called Big Barbie with the following description: “Big Barbie” is an unreleased song by Nicki Minaj that features Atlanta-native rapper Future.\nNicki confirmed and played a snippet of the song during an Instagram live made on June 26, 2021. The track was recorded around 2017 and was initially supposed to appear on her fourth studio album, Queen, released on August 10, 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Snippet\n[Intro]\n(\nWe got London on da Track\n)\n[Chorus: Nicki Minaj]\nBig Barbie, in a pink 'Rari\nA milli on the rock, Playboi Carti\nBillion dollar pussy, put it out in Saudi\nIn the space coupe, finna meet Marty\nBig Barbie, in a pink 'Rari\nA milli on the rock, Playboi Carti\nBillion dollar pussy, put it out in Saudi\nIn the space coupe, finna meet Marty\n[Verse 1: Nicki Minaj]\nI'm the Don Barbie, afro blonde Barbie\nBurrr in the summer like it's winter time Barbie\nI'm a down Barbie, worth a song Barbie\nStick a fork in her like it's dinner time Barbie\nI'm the Bella Barbie, Donatella Barbie\nBitches is my step sisters, Cinderella Barbie\nI'm the bomb Barbie, in my prime Barbie\nLimited edition, this one-of-a-kind Barbie\n[Refrain: Nicki Minaj]\nBitch, I'm stopping bags (Bags)\nBitch, I'm stopping bags (Bags)\nGet my shopping bags\nTell that bitch I'm in my bag (Bag)\nBitch, I'm stopping bags (Bags)\nBitch, I'm stopping bags (Bags)\nGet my shopping bags\nTell that bitch I'm in my bag (Bag) [Pre-Chorus: Nicki Minaj]\nYikes, copped the Rollie, I forgot to buss it down (Buss it down)\nHousekeeper, I'ma have her dust it down (Dust it down)\nStupid nigga, you gon' have to suffer now\nPut the squeeze on him, now he tryna cuff her now (Now)\n[Chorus: Nicki Minaj]\nBig Barbie, in a pink 'Rari\nA milli on the rock, Playboi Carti\nBillion dollar pussy, put it out in Saudi\nIn the space coupe, finna meet Marty\nBig Barbie, in a pink 'Rari\nA milli on the rock, Playboi Carti\nBillion dollar pussy, put it out in Saudi\nIn the space coupe, finna meet Marty\n[Verse 2: Nicki Minaj]\nI'm the bling Barbie (Barbie), I'm the King Barbie (Barbie)\nCurve niggas like they arm in a sling Barbie (Barbie)\nCop the ring Barbie (Barbie), ba-da-bing Barbie (Barbie)\nGood box, tell 'em, \"Call Don King” Barbie\nI'm the floss Barbie (Barbie), I endorse Barbie (Barbie)\nMink carpet but I ain't done the floors Barbie\nCatch a Ken Barbie (Barbie), for the win Barbie (Barbie)\nWait, hold up Juice, uh, bitch, I been Barbie [Refrain: Nicki Minaj]\nBitch, I'm stopping bags (Bags)\nBitch, I'm stopping bags (Bags)\nGet my shopping bags" } ]

[ { "from": "human", "value": "Write me a song called California Gurls with the following description: In 1965 The Beach Boys recorded the original “California Girls.” Their lyrics proclaimed that none of the other girls in the US could top California girls. In Perry’s number one hit “California Gurls” we hear how amazing West Coast girls are from one of them.\nThe song features Californian rapper and first time collaborator Snoop Dogg. He borrows a line directly from the Beach Boys when he says “I really wish you all could be California Girls.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Snoop Dogg]\nGreetings, loved ones\nLet's take a journey\n[Verse 1: Katy Perry & \nSnoop Dogg\n]\nI know a place\nWhere the grass is really greener\nWarm, wet and wild\nThere must be somethin' in the water\nSippin' gin and juice\nLayin' underneath the palm trees (\nYeah\n, undone)\nThe boys break their necks\nTryna creep a little sneak peek (\nWhat?\n At us)\n[Pre-Chorus: Katy Perry]\nYou could travel the world\nBut nothing comes close to the golden coast\nOnce you party with us\nYou'll be falling in love\nOh, oh-oh-oh-oh-oh-oh\n[Chorus: Katy Perry]\nCalifornia girls, we're unforgettable\nDaisy Dukes, bikinis on top\nSun-kissed skin so hot, we'll melt your popsicle\nOh-oh-oh-oh-oh-oh, oh, oh-oh-oh-oh-oh\nCalifornia girls, we're undeniable\nFine, fresh, fierce, we got it on lock\nWest Coast represent, now put your hands up\nOh-oh-oh-oh-oh-oh, oh, oh-oh-oh-oh-oh [Verse 2: Katy Perry]\nSex (Sex) on the beach\nWe don't mind sand in our stilettos\nWe freak in my Jeep \n*horn honks*​\nSnoop Doggy Dogg on the stereo, oh, oh\n[Pre-Chorus: Katy Perry]\nYou could travel the world (You could travel the world)\nBut nothing comes close to the golden coast\nOnce you party with us (Once you party with us)\nYou'll be falling in love\nOh, oh-oh-oh-oh-oh-oh\n[Chorus: Katy Perry & \nSnoop Dogg\n]\nCalifornia girls, we're unforgettable (\nCalifornia\n)\nDaisy Dukes, bikinis on top\nSun-kissed skin so hot, we'll melt your popsicle (\nOoh\n)\nOh-oh-oh-oh-oh, oh, oh-oh-oh-oh-oh-oh\nCalifornia girls (\nCalifornia\n), we're undeniable\nFine, fresh, fierce, we got it on lock\nWest Coast represent (\nWest Coast\n), now put your hands up\nOh-oh-oh-oh-oh-oh, oh, oh-oh-oh-oh-oh\n[Verse 3: Snoop Dogg, \nKaty Perry\n & \nBoth\n]\nToned, tan, fit and ready (Ready)\nTurn it up 'cause it's gettin' heavy\nWild, wild, West Coast\nThese are the girls I love the most\nI mean the ones, I mean like she's the one\nKiss her, touch her, squeeze her buns (\nUh\n)\nThe girl's a freak\nShe drive a Jeep and live on the beach\nI'm okay, I won't play\nI love the Bay (Bay) just like I love L.A.​ (L.A.​)\nVenice Beach and Palm Springs (Hey)\nSummertime is everything\nHomeboys bangin' out\nAll that ass hangin' out\nBikinis, zucchinis, martinis\nNo weenies, just the king and a queenie\nKaty, my lady (\nYeah?\n)\nLook at here, baby (\nUh-huh\n)\nI'm all up on ya\n'Cause you representin' California (\nOh-oh, yeah\n) [Chorus: Katy Perry & \nSnoop Dogg\n]\nCalifornia girls, we're unforgettable\nDaisy Dukes, bikinis on top (Hey)\nSun-kissed skin so hot, we'll melt your popsicle\nOh-oh-oh-oh-oh-oh, oh, oh-oh-oh-oh-oh (\nCome on, come on\n, oh, oh, oh yeah)\nCalifornia girls, we're undeniable (-Niable)\nFine, fresh, fierce, we got it on lock\nWest Coast represent (\nWest Coast, West Coast\n)\nNow put your hands up (\nAyy, ayy\n)\nOh-oh-oh-oh-oh-oh, oh, oh-oh-oh-oh-oh\n[Outro: Katy Perry & \nSnoop Dogg\n]\nCalifornia\nCalifornia girls (\nCalifornia girls, man\n)\nCalifornia (\nHahahaha\n)\nCalifornia Girls" } ]

[ { "from": "human", "value": "Write me a song called ​wRoNg with the following description: ZAYN teams up with R&B singer Kehlani for “wRoNg.” Kehlani is the sole featured artist on Mind of Mine. This is the first collaboration between ZAYN and Kehlani. Throughout the track, ZAYN and Kehlani sing about their sexual endeavours with their respective partners.\nThe collaboration was first announced during his Beats 1 interview with Zane Lowe. The song was “originally written as a rap song” before shifting it into a mid-tempo, R&B-influenced mellow ode to duplicity and communication in relationships.\nThe two have gushed about their mutual admiration, and Kehlani said of working with Zayn:\nHe’s one of the most talented people I’ve ever met and his album is about to be stupid crazy. It’s so tight, our song is super tight. I was just honoured that he chose me to be the feature of the project. It’s cool, I think we’re gonna build a lot, over time. He’s really dope. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: ZAYN]\nOh, we're not on the same place\nShow me in the same light\nFeels right when we take flight\nClothes off 'cause she's so soft\nThis ain't a fair fight\nI wanna shed light on the subject\nI'll get her wetter than ever\nFour letters are never the question\nShe likes when I'm messy\nAnd I like when she's undressing\n[Chorus: ZAYN]\nYou're looking in the wrong place for my love\nDon't think because you're with me, this is real\nYou're looking in the wrong place for my love\nDon't stop what you're doing 'cause I like how you're doing it\n[Verse 2: Kehlani, \nKehlani & ZAYN\n]\nHere with you 'cause you got the right vibe\nSeems like you probably got a dope mind\nBut it's gotta be the right time\nWe're only good for the night time\nI see through your demeanor, baby, I'm a pleaser\nI go out my way to treat you, but I can't be a teacher\n'Cause I'm a problem with problems, \nI know who I am and I'm not\n no good\nYou can have me tonight or never, I \nthought you understood\nBaby, some \npeople are meant to be loved\n and others just \nmake it\nSo take what I'm willing to give and love it or hate it, oh [Chorus: Both, \nZAYN\n, \nKehlani\n]\nYou're looking in the wrong place for my love\nDon't think because you're with me, this is real\nYou're looking in the wrong place for my love\nDon't stop what you're doing \n'cause I like how you're\n doing it, \nno\n[Refrain: ZAYN & \nKehlani\n]\nDon't stop what you're doin', what you're doin'\nDon't stop what you're doin', don't stop, uh\n[Bridge: ZAYN & \nKehlani\n]\nI don't, I don't really know \n(\nWhat you're doin', uh\n)\nI don't, I don't really care \n(\nDon't stop, uh\n)\nMaybe keep it on the low \n(\nDon't stop what you're doin', uh\n)\nStories that I don't wanna share (I don't, \nuh, don't stop\n)\n[Chorus: Both, \nZAYN\n & \nKehlani\n]\nYou're looking in the wrong place for my love\nDon't think because you're with me, this is real\nYou're looking in the wrong place for my love (\nMy love\n)\nDon't stop what you're doing 'cause I like how you're doing it, \nno\nYou're looking in the wrong place for my love\nDon't think because you're with me, this is real\nYou're looking in the wrong place for my love (\nFor my love\n)\nDon't stop what you're doing 'cause I like how you're doing it" } ]

[ { "from": "human", "value": "Write me a song called Baby (Acoustic Version) with the following description: Acoustic version of Canadian pop star Justin Bieber’s single Baby on his first acoustic album My Worlds Acoustic. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou know you love me, I know you care\nJust shout whenever and I'll be there\nYou want my love, you want my heart\nAnd we will never ever ever be apart\nAre we an item? Girl, quit playing\nWe're just friends, what are you saying\nSay there's another and look right in my eyes\nMy first love broke my heart for the first time and I was like\n[Chorus]\nBaby, baby, baby oh\nI'm like baby, baby, baby no\nI'm like baby, baby, baby oh\nI thought you'd always be mine, mine\nBaby, baby, baby oh\nI'm like baby, baby, baby no\nI'm like baby, baby, baby oh\nI thought you'd always be mine, mine\n[Verse 2]\nOh for you, I would have done whatever\nAnd I just can't believe we ain't together\nAnd I gotta play it cool, cause I'm losing you\nI'll buy you anything, I'll buy you any ring\nCause I'm in pieces, baby fix me\nAnd just shake me 'til you wake me from this bad dream\nI'm going down, down, down, down\nAnd I just can't believe my first love won't be around and I'm like [Chorus]\nBaby, baby, baby oh\nI'm like baby, baby, baby no\nI'm like baby, baby, baby oh\nI thought you'd always be mine, mine\nBaby, baby, baby oh\nI'm like baby, baby, baby no\nI'm like baby, baby, baby oh\nI thought you'd always be mine, mine\n[Verse 3]\nYeah, yeah, yeah, yeah, I'm 16, and I thought that you'd be mine\nI used to tweet you and text you and call you and hit you on Facebook all the time\nBut but but now you're gone, so far long that I can't even find you\nYou know that feeling when you leave your love and it's right behind you\nCan't believe that you did me wrong, we were on iChat all night long\nListening to our favourite song, she was wrong, I am gone\nI thought I loved her, never but no one above her\nYes she was my lover, but now until another like\n[Chorus]\nBaby, baby, baby oh\nI'm like baby, baby, baby no\nI'm like baby, baby, baby oh\nI thought you'd always be mine, mine\nBaby, baby, baby oh\nI'm like baby, baby, baby no\nI'm like baby, baby, baby oh\nI thought you'd always be mine, mine [Outro]\nYeah yeah yeah, yeah yeah yeah\nYeah yeah yeah, yeah yeah yeah\nNow I'm all gone, gone, gone\nI'm gone" } ]

[ { "from": "human", "value": "Write me a song called Baila Baila Baila (Remix) with the following description: Farruko, Anuel AA, J Balvin y Daddy Yankee se juntan a Ozuna en el remix de “Baila Baila Baila” para hablar de una chica que se distanció del amor porque la trataron mal en su antigua relación; sin embargo, quieren que ella olvide sus malas experiencias, haciéndola sentir como nadie nunca lo hizo antes.\n“Baila Baila Baila” es el segundo sencillo del tercer álbum de Ozuna, llamado Nibiru. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Baila Baila Baila (Remix)\" ft. Farruko & Anuel AA]\n[Intro: Ozuna & Anuel AA, \nOzuna\n, \nFarruko\n]\nElla casi ni sale, la traicionó el amor\nTiene par de amistade', pero no quiere relación\nDonde va sobresale, en sus ojos se ve la ilusión (\nSe ve la ilusión\n)\nPero llamó a su amiga, que se olvide, que esta es su canción (\nWoh, oh, oh\n)\n¡Remix!\n[Coro: Ozuna, \nDaddy Yankee\n & \nAnuel AA\n]\nY baila, baila, baila (Baila, baila)\nPonle música pa’ que esto no pare\nBaila, baila, baila (Woh, oh, oh; \noh-oh, oh\n)\nTengo que besarte ante' que se acabe\nBaila, baila, baila (Baila, baila)\nPonle música pa' que esto no pare (\nYou ready?\n)\nBaila, baila, baila (Oh; \nbaila, baila\n)\nTengo que besarte ante’ que se acabe (\nWhat?\n)\n[Verso 1: Daddy Yankee]\nMami, llégale al código con el perreo sólido\nEsta te la dedico pa' que suelte' el estré'\nAcércate al perímetro y rompe lo' termómetro'\nSi tú abre' la vía, te vo'a parquear el tren\nMe gusta cómo lo hace’ cuando te atreve’\nTenía' escondida esa actitu’, ey\nTu piquete me gusta, le da cómo e'\nCon la' chispa' al aire, botella ’e Moët\nGrábate un video y que lo vea tu ex\n¿Y qué fue? (¡Sube!), eh\nTu piquete me gusta, le da cómo e'\nCon la' chispa' al aire, botella 'e Moët\nGrábate un video y que lo vea tu ex\n¿Y qué fue? Me gusta como— [Verso 2: J Balvin & \nOzuna\n]\nBaila porque quiere olvidar\nPonle reggaetón pa' que la veas sudar\nSexy sube su videíto a IG\nEntra al club, no le hace falta el ID\nYa no deja que la hieran\nSe va en busca de sus amigas, que la noche es pasajera\nPa' bailar usa ropa ligera\nLa atención llama y eso que ni se esmera (\nWoh-oh, oh-oh\n)\nSu flow es natural, le gusta inventar\nMás conmigo, que soy su preferido\nY ella e' la mía, no la voy a cambiar (\nJaja\n)\nSu flow es natural, le gusta inventar\nMás conmigo, que soy su preferido\nY ella e' la mía, no la voy a cambiar\n[Coro: Ozuna, \nDaddy Yankee\n & \nJ Balvin\n]\nBaila, baila, baila (Baila, baila)\nPonle música pa' que esto no pare\nBaila, baila, baila (Woh-oh, oh-oh)\nTengo que besarte ante' que se acabe\nBaila, baila, baila\n (\nBaila, baila, baila\n)\nPonle música pa' que esto no pare\nBaila, baila, baila\n (\nBaila, baila, baila\n)\nTengo que besarte ante' que se acabe [Verso 3: Farruko]\n(Pri-yah, yah, ¡Farru!)\nCuando pusieron su canción, se grabó pa' Insta' (¡Blep!)\nBailando y cantando sola en la pista\nElla anda sola, suelta y soltera\nY taguea a su' amiga' pa' romper la carretera\nY está mordí'a y bien despechá' (Eh, eh)\nY dice que hoy se va a emborrachá'\nY desde que se dejó, la tipa no para 'e janguear\nYa no quiere nada serio, lo que quiere e' vacilar (¡Farru'!)\n[Verso 4: Anuel AA]\n(Oh-oh, oh; Anuel)\nDJ, pon reggaetón o bachata\nComo sea, bebé, tú me mata'\nSin censura, tu cuerpo a oscura'\nPerreando e' una locura\nUah (Uah), tu figura (Tu figura), uah (Uah), tú desnuda (Desnuda)\nSoy adicto a tu calentura, tú ere' una tortura\nUah, tu figura (Figura), uah, tú desnuda\nSolo por un beso como Aventura, mami, hazlo por la cultura\n[Coro: Ozuna & \nFarruko\n]\nY baila, baila, baila (Baila, baila)\nPonle música pa' que esto no pare\nBaila, baila, baila (Woh-oh, oh-oh)\nTengo que besarte ante' que se acabe (\n¡Blep!\n)\nY baila, baila, baila\n (\nOh, oh\n)\nPonle música, baby, no le baje'\nBaila, baila, baila\n (\nYeah-yeah\n)\nTú lo que está' buscando e' que yo a ti te guaye [Outro: Ozuna, \nAnuel AA\n & \nFarruko\n]\nLuian\nMambo Kingz\nHydro\nJowny\nPu-pu-pu-pum\n(\nUah\n; \nreal hasta la muerte, baby; real hasta la muerte, baby\n)\nThis is the remix\n(\nOzuna, uah\n; \n¡Farru!\n)\nDaddy Yankee\nJ Balvin\n(\nAnuel\n)\nHear This Music\n(Santo Niño\n)\nNibiru\nWoh, oh, oh\nDímelo Vi\n(\nLos reye' en lo' Billboard, ¿oíste, bebé?\n)" } ]

[ { "from": "human", "value": "Write me a song called Kismet with the following description: Kismet means fate, and here SZA tells us more about her personality that has kept her on this path of fate and where this path might take her. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Keep your intentions pure don’t be scared don’t mince words\nI don’t mince words\nMy narcissism keeps me level\nKeeps me straight no curve balls\nGot no curve balls stay straight here\nYou wish that I was less than I am\nLess than I will be but I won’t\nNo I won’t\nKismet, serendipity\nReflections\nI am him and he is me\nKismet… Serendipity" } ]

[ { "from": "human", "value": "Write me a song called Powerful with the following description: The fifth track off Major’s third album Peace Is the Mission. According to Diplo\nIt features slight dialouge between British Pop singer, Ellie Goulding and Jamaican Reggae singer, Tarrus Riley (son of Jimmy Riley). The conversation suggests that these two people are in a deep relationship and each has a profoundly romantic and intimate effect on the other.\nAccording to Diplo with Radio.com:\n\nThat record went through a lot of different steps. We treat all of our songs like DJs and remix them ourselves. We try things out of the ordinary, because people expect Major Lazer to have a very progressive sound with the production. The hook came from working with [Jamaican artist] Tarrus Riley. The name of the beat was “Powerful,” and the one thing about Jamaican artists is once you have a name for a beat, that’s gonna be the lyrics of the song, so you have to be really careful. Luckily, that was a good title. We wrote the lyrics with a girl named Ilsey, who’s a really awesome songwriter.\nEllie had been hitting me up around that time wanting to work with Major Lazer, so I sent her this demo. She was like, ‘whoa, this is the perfect record for me to do with you guys.’ She changed some bits around and did that awesome bridge for us. Then I had my boy Switch, who was one of the original members of Major Lazer, do some drum productions on it and Skrillex added some touches.\n\nWatch the lyric video below:\nhttps://www.youtube.com/watch?v=Y7OCgi7rANc Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Ellie Goulding]\nOh, my, my, my, what you do to me?\nLike lightning when I'm swimming in the sea\nFrom the very first time we loved\nFrom the very first time we touched\nWalking on wires and power lines\nYou put your body on top of mine\nEvery time that you lift me up\nTo the heaven and stars above\n[Pre-Chorus: Tarrus Riley]\nOh, lord, have mercy, I'm begging you, please\nI'm feeling drained, I need love\nYou charge me up like electricity\nJump-start my heart with your love\n[Chorus: Tarrus Riley & Ellie Goulding]\nThere's an energy when you hold me\nWhen you touch me, it's so powerful\nI can feel it when you hold me\nWhen you touch me, it's so powerful\nThere's an energy when you hold me\nWhen you touch me, it's so powerful\nI can feel it when you hold me\nWhen you touch me, it's so powerful [Verse 2: Ellie Goulding]\nI couldn't leave even if I wanted to\n'Cause something keeps pulling me back to you\nFrom the very first time we loved\nFrom the very first time we touched\nThe stroke of your fingers, the scent of you lingers\nMy mind running wild, the thoughts of your smile\nOh, you gotta give me some\nAnd you could give it all, but it's never enough, no\n[Chorus: Tarrus Riley & Ellie Goulding]\nThere's an energy when you hold me\nWhen you touch me, it's so powerful\nI can feel it when you hold me\nWhen you touch me, it's so powerful\nI can feel it when you hold me\nWhen you touch me, it's so powerful\nThere's an energy when you hold me\nWhen you touch me, it's so powerful\nI can feel it when you hold me\nWhen you touch me, it's so powerful\nI can feel it when you hold me\nWhen you touch me, it's so powerful\n[Outro: Ellie Goulding]\nHold me in your arms\nBurns like a fire, electricity\nWhen you're close I feel the sparks\nTakes me higher to infinity" } ]

[ { "from": "human", "value": "Write me a song called Top Down with the following description: “Top Down” it’s the first song on Fifth Harmony’s debut album, Reflection. According to Ally Brooke, the song is about:\nhaving a good time with friends, going out and running around the city. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Ally, \nLauren & Ally\n]\nBlaze it up and we'll be cruisin' with the top down\nRev up the engine, we'll be cruisin', watch it go down\nGet in my truck and I'll be ridin' with my top down\nWith my top down, my top down\n[Verse 1: Camila]\nYup, from a small town cruisin' through the big city\nWhere the fellas are cute and the girls are pretty (Hm-hm)\nIt's our world so you know it's going down\nI ain't got a lotta money, but I got a lotta style\nWhat, what?\n[Chorus: Ally, \nLauren & Ally\n]\nBlaze it up and we'll be cruisin' with the top down\nRev up the engine, we'll be cruisin', watch it go down\nGet in my truck and I'll be ridin' with my top down\nWith my top down, my top down\n[Post-Chorus: Lauren]\nElectric city\nBaby, you're mine tonight\nElectric city\nDon't you shine bright\nElectric city\nBaby, you light the way\nElectric city\nI think that I might stay [Verse 2: Normani & \nDinah\n]\nPassed out real and I woke up realer\n(Hey, hey, hey, hey, hey, uh)\nMe and my clique going hard and you feel us\n(Hey, hey, hey, hey, hey)\nCome on let me take you for a ride\nI ain't got a lotta money, but I got a lotta style\nWhat, what?\n[Chorus: Ally, \nLauren & Ally\n]\nBlaze it up and we'll be cruisin' with the top down\nRev up the engine, we'll be cruisin', watch it go down\nGet in my truck and I'll be ridin' with my top down\nWith my top down, my top down\n[Post-Chorus: Lauren]\nElectric city\nBaby, you're mine tonight\nElectric city\nDon't you shine bright\nElectric city\nBaby, you light the way\nElectric city\nI think that I might stay\n[Instrumental Break] [Chorus: Ally, \nLauren & Ally\n]\nBlaze it up and we'll be cruisin' with the top down\nRev up the engine, we'll be cruisin', watch it go down\nGet in my truck and I'll be ridin' with my top down\nWith my top down, my top down\n[Post-Chorus: Lauren]\nElectric city\nBaby, you're mine tonight\nElectric city\nDon't you shine bright?\nElectric city\nBaby, you light the way\nElectric city\nI think that I might stay" } ]

[ { "from": "human", "value": "Write me a song called Kids See Ghosts with the following description: On July 28, 2017 Ferrari Sheppard, one half of the duo Dec 99th with Mos Def, tweeted:\n\n\n\n\nAt the outset of 2018, Talib Kweli also uploaded a picture to Instagram of Mos Def and Kanye together.\n“Kids See Ghosts” may be the very song Sheppard witnessed, and the results of the work alluded to by Kweli.\nOn the album’s namesake track, Cudi is introspective while Kanye addresses the expectations and pressures that come with fame, as well as his attitude toward his competition and possibly the media.\nThis is also not the first time Kanye has tried to tap into the youth and made reference to kids interacting with spirits, having noticeably rapped about this on “Dark Fantasy”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Yasiin Bey]\nKids see ghosts sometimes\nKids see ghosts sometimes\nKids see ghosts sometimes\nSpirit (Spirit, spirit, spirit)\nMovin' around, just movin' around\nKids see ghosts sometimes\nKids see ghosts sometimes\nKids see ghosts\nSpirit (Spirit, spirit, spirit)\nYeah, that's the king\n[Verse 1: Kid Cudi]\nStop that movement, stop that movement\nY'all can't move me, this my movie\nY'all can't stop me, y'all too sloppy\nCarbon copied, carbon\nSame thing, in a room\nSittin' by myself, findin' heaven soon\nMany things that will trouble you\nLook beyond for a feelin' like you never knew\nReachin' out, huntin' for the truth\nI'm guessin' I'm just sick of runnin'\nAll this time searchin' hard for somethin'\nI can hear the angels comin' [Chorus: Kid Cudi]\nKids see ghosts sometimes\nKids see ghosts sometimes\nKids see ghosts sometimes\nSpirit (Spirit, spirit, spirit)\nMovin' around, just movin' around\nKids see ghosts sometimes\nKids see ghosts sometimes\nKids see ghosts\nSpirit (Spirit, spirit, spirit)\nYeah, that's the king\n[Verse 2: Kanye West]\nWell, it took me long enough to rap on this strong enough\nPaid this shit just gon' give up, 'cause Ye just gon' live up\nTo everything that sucks to you and that's never enough\nThought I'd be clever enough to give up while I'm ahead\nI like breakfast in bed, but I love breakfast and head\nFor anybody who said that I was better off dead\nTold 'em, \"Don't ever believe nothin' that you ever read\"\nGot a Bible by my bed, oh yes, I'm very Christian\nConstantly repentin', 'cause, yes, I never listen\nDon't like bein' questioned and don't like bein' less than\nAny of competition in any of my professions\nSo I gotta guess then, I gotta stay the best man\nWhat else you expect from, uh, Mr. West, man\nPainting from Wes Lang, hung in my space like a relative\nThat you ain't seen in a minute, called on the telephone\nAnd when they see you they say, “Damn you got hella grown\nAlways thought you'd make it, but damn now you hella known\n\"\nLet's address some topics that I can embellish on\nHow we made enough bread for us to put some relish on\nI won't relish on the fact I'm vibin' on the future\nUltralight buildin' in the buildin' by Miuccia\nHerzog and de Meuron in an office out in Basel\nNo not Miami, Switzerland (Switzerland)\nAhahaha! [Chorus: Yasiin Bey]\nKids see ghosts sometimes\nKids see ghosts sometimes\nKids see ghosts sometimes\nSpirit (Spirit, spirit, spirit)\nMovin' around, just movin' around\nKids see ghosts sometimes\nKids see ghosts sometimes\nKids see ghosts\nSpirit (Spirit, spirit, spirit)\nYeah, that's the king\n[Bridge: Yasiin Bey]\nCivilization without society\nPower and wealth with nobility\nStability without stasis\nPlaces and spaces\nCivilization without society\nPower and wealth with nobility\nStability without stasis\nSpaces and places\n[Outro: Yasiin Bey]\nKids see ghosts sometimes\nKids see ghosts—ghosts sometimes\nKids see ghosts sometimes\nYeah, that's the king\nBut what's a crown for the clouds, movin' around\nYeah, that's the king\nBut what's a crown to the clouds, movin' around" } ]

[ { "from": "human", "value": "Write me a song called Me & My Girls with the following description: “Me & My Girls” is a bonus track from the deluxe edition of Selena Gomez' second solo album Revival, which was released on 9 October 2015.\nThe song has Spanish influences.\nSelena invited her best friends into the studio to make the shouting and laughing sounds you hear in the background on the track.\nGomez performed this song at the Victoria’s Secret Fashion Show in 2015.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDrop down on a desert ride\nJust outside the 95\nNever felt more, more alive\nI got my chicas by my side\n[Pre-Chorus]\nAnd if we want it, we take it\nIf we need money, we make it\nNobody knows if we fake it\nYou like to watch while we shake it\nI know we're making you thirsty\nYou want us all in the worst way\nBut you don't understand\nI don't need a man\n[Chorus]\nMe and my girls, me and my girls\nMe and my, me and my, me and my, me and my girls\nMe and my girls, me and my girls\nNo jodas, nosotras\nMe and my girls\nMe and my girls\n[Verse 2]\nThe night is dark but the moon is bright\nWe're staring at this summer night\nTan skin looks damn good in white\nStripping down by the Hollywood sign [Pre-Chorus]\nAnd if we want it, we take it\nIf we need money, we make it\nNobody knows if we fake it\nYou like to watch while we shake it\nI know we're making you thirsty\nYou want us all in the worst way\nBut you don't understand\nI don't need a man\n[Chorus]\nMe and my girls, me and my girls\nMe and my, me and my, me and my, me and my girls\nMe and my girls, me and my girls\nNo jodas nosotras\nMe and my girls\nMe and my girls\n[Bridge]\nI'm going home with who I came with\nAnd who I came with's not you\nI'm going home with who I came with\nAnd who I came with's not you\nI'm going home with who I came with\nAnd who I came with's not you\nI'm going home with who I came with\nAnd who I came with's\nMe and my girls, me and my girls\nYou can look, but don't touch\nI'm not here to hook up\nI'm just here to turn up\nTonight is just us [Chorus / Outro]\nMe and my girls\nMe and my girls\nMe and my girls\nNo jodas nosotras\nMe and my girls" } ]

[ { "from": "human", "value": "Write me a song called Halo (Recorded for Radio 1's Live Lounge) with the following description: This cover of Beyonce’s “Halo” was performed live from BBC 1’s Radio Live Lounge on June 24th, 2009, where the band also performed their single “Rabbit Heart (Raise It Up).Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nRemember those walls I built?\nBaby, they tumbled down\nThey didn't even put up a fight\nThey didn't even make a sound\nI found a way to let you in\nBut I never really had a doubt\nStanding in the light of your halo\nI got my angel now\n[Pre-Chorus]\nIt's like I've been awakened\nEvery rule, I had you breaking\nIt's the risk that I'm taking\nI ain't never gonna shut you out\n[Chorus]\nEverywhere I'm looking now\nI'm surrounded by your embrace\nBaby, I can see your halo\nYou know you're my saving grace\nYou're everything I need and more\nIt's written all over your face\nStanding in the light of your halo\nPray it won't fade away [Post-Chorus]\nHalo\nHalo\nHalo\nHalo\n[Verse 2]\nHit me like a ray of sun\nShining through my darkest nights\nYou're the only thing that I want\nAnd I'm addicted to your light\nI swore I'd never fall again\nBut this don't even feel like falling\nGravity can't forget\nTo pull me back to the ground again\n[Pre-Chorus]\nIt's like I've been awakened\nEvery rule, I had you breaking\nIt's the risk that I'm taking\nAnd I ain't never gonna shut you out\n[Chorus]\nEverywhere I'm looking now\nI'm surrounded by your embrace\nBaby, I can see your halo\nYou know you're my saving grace\nYou're everything I need and more\nIt's written all over your face\nStanding in the light of your halo\nPray it won't fade away [Post-Chorus]\nHalo\nHalo\nHalo\nHalo\n[Chorus]\nEverywhere I'm looking now\nI'm surrounded by your embrace\nBaby, I can see your halo\nYou know you're my saving grace\nYou're everything I need and more\nIt's written all over your face\nStanding in the light of your halo\nPray it won't fade away\n[Outro]\nI can see your halo, halo, halo\nI can see your halo, halo, halo\nI can see your halo, halo\nHalo, halo\nOoh, ooh, ooh\nOoh, ooh, ooh\nOoh, ooh, ooh\nOoh, ooh" } ]

[ { "from": "human", "value": "Write me a song called Breathe (Original No Rap Version) with the following description: The original version of the song “Breathe” released on July 28, 2003 contained in the physical copies of the single features vocals only from Blu Cantrell. Originally intended to be on her second studio album Bittersweet, it was finally replaced with the rap version featuring Jamaican dancehall rapper Sean Paul.\nOn the first verse, Blu rap/sings about her come up and the success she enjoys, calling out the haters who didn’t believe in her and thanking her fans. On the rest of the song, she talks to her lover and states that she’s feeling unappreciated and losing interest in him. She finally suggests that maybe they should break up for a while.\nAlthough the Sean Paul version was used for the single’s official video, an altered version of it with just Blu was uploaded on her official YouTube channel in 2017. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Pre-verse]\nBig up to all the Brooklyn massive crew\nSome they pay no mind, but now them notice Blu\nSo take your ones, your fiftys, put your hundreds to your shoes\nAnd to my fans, you know I love you\nTo the top we be chargin'\nI'm not leavin' till someone stops rockin'\nAll the soldiers come back and start marchin'\nAnd I see myself sellin' in black market\n[Verse 1]\nYou say you love, say you love me\nBut you're never there for me, yeah, mmm...hmm...\nYou'll be cryin', slowly dyin' When I decide to leave, oh, oh\n[Chorus]\nAll we do is make up\nThen break up\nWhy don't we wake up\nAnd see?\nWhen love hurts\nIt won't work\nMaybe we need some time alone\nWe need to let it breathe\nBreathe\nBreathe\nBreathe [Verse 2]\nYou're only lonely when your homey\nAin't got a ride or no loot, yeah, uh-huh\nThen comes the drama\nSome other girl is claimin' she's goin' out with you, hmm...hmm...\n[Chorus]\nAll we do is make up\nThen break up\nWhy don't we wake up\nAnd see?\nWhen love hurts\nIt won't work\nMaybe we need some time alone\nWe need to let it breathe\nBreathe\nBreathe\nBreathe\n[Bridge]\nSummer, spring, winter and fall\nI realize, love don't love me anymore\nI'm still walkin' out that door\nWaitin' for a cure\nI wish that you could love me more\nAnd give me what I'm lookin' for\nYou used to be the one I adore\nBut now it seems I'm just not sure Maybe we need some time alone (time alone)\nSo we can just breathe\nBreathe (Let it breathe)\nBreathe (Breathe, ah...)\nBreathe (Let it breathe)\nBreathe\nBreathe (Breathe)\nBreathe\nBreathe (Uh-huh)\nHey... hey... hey... hey...\nLet it breathe, yeah\nOh... oh... breathe\n.\n." } ]

[ { "from": "human", "value": "Write me a song called In Your Pocket with the following description: “In Your Pocket” is the seventh track on Maroon 5’s fifth studio album, V. Lyrically, the song is about a cheating girlfriend, one who pretends she has nothing to hide, but still won’t let her lover see her phone as proof that she is innocent of the charge. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSay, what you're mad at me for, me for?\nYeah, why you talk that evil? Yeah\nThat's not the way you show love, show love\nNo love, no love, no no\nSay, what you're crying at me for, me for?\nTry to control your ego, yeah\nThat's not the way you show love, show love\nNo love, no love, no no\n[Chorus]\n'Cause I got all the things I wanna say but nothing's coming out\nAnd all the times I came to you, I never, ever lied\nShow me that phone in your pocket, girl\nShow me that phone in your pocket\nSo wait, you think that I don't know what this is really all about?\nIt should be really easy if you had nothing to hide\nShow me that phone in your pocket, girl\nShow me that phone in your pocket\n[Verse 2]\nSo, what you spying on me for, me for?\nTell me what you're looking for, yeah\nThis shit you said is so low, so low\nNo love, no love, no no\nBut tell me, where do you go, you go\nWhen you say you need time alone, yeah\nYou really think I don't know, don't know\nI know, I know, I know [Chorus]\n'Cause I got all the things I wanna say but nothing's coming out\nAnd all the times I came to you, I never, ever lied\nShow me that phone in your pocket, girl\nShow me that phone in your pocket\nSo wait, you think that I don't know what this is really all about?\nIt should be really easy if you had nothing to hide\nShow me that phone in your pocket, girl\nShow me that phone in your pocket\n[Post-Chorus]\nShow me yours, I'll show you mine\nI'll, I'll show you mine\nShow me yours, I'll show you mine\nI'll, I'll show you mine\nShow me yours, I'll show you mine\nI'll, I'll show you mine\nI'll, I'll show you mine, yeah\n[Bridge]\nI can't believe you looked me in the eye\nAnd said to me you had nothing to hide, yeah\nNow you're dead to me; this really is goodbye\nGoodbye, ooh\n[Chorus]\n'Cause I got all the things I wanna say but nothing's coming out\nAnd all the times I came to you, I never, ever lied\nShow me that phone in your pocket, girl\n(Show me that phone, oh)\nShow me that phone in your pocket\nSo wait, you think that I don't know what this is really all about? (Ooh, ooh-ooh)\nIt should be really easy if you had nothing to hide\nShow me that phone in your pocket, girl (Show me that phone)\nShow me that phone in your pocket (Show me that phone) [Post-Chorus]\nShow me yours, I'll show you mine\nI'll, I'll show you mine\nShow me yours, I'll show you mine\nI'll, I'll show you mine\nShow me yours, I'll show you mine\n[Outro]\nShow me that phone in your pocket" } ]

[ { "from": "human", "value": "Write me a song called Fun It with the following description: ‘Fun It’ could be considered as Queen’s very first foray into dance/disco, predating “Another One Bites the Dust” by a few years. Written by drummer Roger Taylor and sung as duet with Freddie Mercury, the lyrics do attest to dancing as a fun endeavor, the purpose of disco itself.\nSynths? Not quite, or indirectly, yes: Taylor cleverly linked a series of four drum pads to a central module in Mountain Studio’s Pollard Syndrome Quad 478, uh, synthesizer. Roger was, traditionally, the most prone member to be in tune with current musical trends, such as the previous album’s punkish “Sheer Heart Attack” guts. But an electronic drum kit for a disco-like effect? That would be hubris for Queen. Then again, part of Jazz’s thrill-ride is its “fuck it” attitude, not to mention producer Roy Thomas Baker was on board for the first time since “A Night at the Opera”, after his success in America with the The Cars‘ debut LP. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Roger Taylor]\nEverybody in the morning\nShould do a good turn all right\nEverybody in the night time\nShould have a good time all night\nNow we got a movement\nDon't shun it, fun it\n[Verse 2: Freddie Mercury]\nCan't you see? Now you're moving free\nGet some fun, join our dynasty\nCan't you tell? When we get it down\nYou're the one, you're the best in town\n[Chorus: Both]\nHey, everybody, everybody\nGonna have a good time tonight\nJust shaking the soles of your feet\nEverybody, everybody\nGonna have a good time tonight\nThat's the only soul you'll ever meet\n[Verse 3: Roger Taylor]\nThey say that moving\nThe body's jive it's all right\nThat's the only one part\nOf being alive, all right, all right [Verse 4: Freddie Mercury]\nGroove on out, groove on up, okay\nDo your thing, do your thing your way\nGet your kicks, get your tricks with me\nGet up and dance, honey, fun's for free\n[Chorus: Both]\nEverybody, everybody\nGonna have a good time tonight\nJust shaking the soles of your feet\nEverybody, everybody\nGonna have a good time tonight\nTime tonight, time tonight\nThat's the only soul you'll ever meet\n[Outro: Both]\nDon't shun it, fun it\nDon't shun it, fun it\nDon't shun it, fun it" } ]

[ { "from": "human", "value": "Write me a song called OT with the following description: Ot stands for “Overtime” – this is a track about the nonstop & tour-laden lifestyle that Berner, Wiz and crew notoriously live with its ups and downs. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Wiz Khalifa]\nUh, you know a nigga be travelin' and shit\nOn the road, in the game\nGet straight to it\nYou know I ain't even had time to change clothes\n[Chorus: Wiz Khalifa]\nYou know I spend a lot of time on the road\nBut see I'm getting to a lotta this dough\nAnd then we turnin' up after the show\nAfter I smoke a pound I gotta go\n[Verse 1: Berner]\nYeah, man I'm back in my zone\nFuck a trap, I put plants in my home\nWhen I'm high I don't answer my phone\nI lost another pack on the road\nFuck one time, I'm gon shine on these bitches\nRoll a raw paper naa, I ain't lightin no swishers\nGimmie cash yeah, then gimmie some more\nMe and Wiz put our weed in a store\nArizona bitches, yeah they love me for sure\nLet the wax joint burn, shout out West Coast Cure\nMy shit the bomb heat a nail hit the bong really on\nAll I want is strong Dom Perignon\nIn the morning when I wake up I break a zip down\nIn and outta town it kinda make me sick now\nI'm never home but damn this money lookin' right\nWake up in the morning take another flight, gone... [Chorus]\nYou know I spend a lot of time on the road\nBut see I'm getting to a lotta this dough\nAnd then we turnin' up after the show\nAfter I smoke a pound I gotta go\n[Verse 2: Wiz Khalifa]\nUh...\nAll I got is my balls and a quarter ounce of weed that I tucked in my drawers\nJust in case the police come fuck it they could bring the dog but they ain't gettin' none\nEatin' good when I'm on tour, hear the beat playin' in the back that's by my nigga Coz\nMore buses that mean I'm living large\nBigger check cause I'm the bigger star\nInstead of gettin money you worry 'bout how to get where we are\nChampagne, pounds of weed, loud motors in every car\nTakin shots, rollin up, money so long can't fold it up\nThey talkin lyrics ain't dope enough\nTalkin them pounds ain't smoke enough\nTalkin' bout shows ain't sold enough\n[Chorus]\nYou know I spend a lot of time on the road\nBut see I'm getting to a lotta this dough\nAnd then we turnin' up after the show\nAfter I smoke a pound I gotta go [Verse 3: Berner]\nAll I need is some money and weed\nOn my table there's a pile of cream\nBaby girl got her face in the plate\nShe wanna give me a bump\nI'm on a xanie I'm straight...\n Uh\nFour days, I'm in five different states\nBurn a pound if I like how it tastes\nSet up shop in a city I ain't from\nOvernight it celebrate when they come\nJewels drippin' on my wrist I'm a damn fool\nY'all don't smoke like me n' Wizzle man do\nMan I'm on my D boy, kingship\nNew whip, rollin weed on my pink slip\nNew strain, yeah I'm back on my G shit\nGrow house in a city where the beach is\nYou know I stay on the road\nAnd I rep that big Bay everywhere that I go\nFasho\n[Chorus]\nYou know I spend a lot of time on the road\nBut see I'm getting to a lotta this dough\nAnd then we turnin' up after the show\nAfter I smoke a pound I gotta go" } ]

[ { "from": "human", "value": "Write me a song called Hurricane with the following description: “Hurricane” is the lead single from Donda, the song was highly expected after being one of the biggest leaks from the Yandhi era.\nThe song was first previewed by Kanye West in an Instagram post on September 14, 2018. It was later previewed on September 27, 2018, in a tweet featuring a caption that would tease the original release date of his scrapped album, Yandhi.\n“Hurricane” would later appear on earlier tracklists for Donda in July 2020. On July 22, 2020, Kanye posted a now deleted tweet, claiming Lil Baby was his favorite rapper but wouldn’t work with him. Lil Baby then responded claiming he wasn’t aware of the refusal.\nLil Baby would later be flown out to Wyoming to work with Kanye on Donda, and info would later surface that he would be featured on “Hurricane.”\nThe track was officially played at the first public listening party for Donda, which happened at the Mercedes-Benz Stadium on July 22, 2021.\n“Hurricane” has seen dozens of unreleased versions, with verses from Young Thug, Ty Dolla $ign, Big Sean, 6ix9ine, KayCyy, 070 Shake, Ant Clemons, Consequence, Vic Mensa, Lil Yachty, Rooga & many more. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: The Weeknd]\nSee this in 3D, all lights out for me\nAll lights out for me, lightning strikes the beach\nEighty degrees, warm it up for me\nFinally free, found the God in me\nAnd I want you to see, I can walk on water\nThousand miles from shore, I can float on the water\nFather, hold me close, don't let me drown\nI know You won't\n[Verse 1: Lil Baby]\nYeah, walkin' on the bridge, I threw my sins over the deep end\nSippin' 'til my stomach hurt, this month I done lost three friends\nEarly mornin', brainstormin', normally I can't sleep in\nSometimes I just wanna restart it, but it all depends\nIf I'ma be that same young, hungry **** from West End\nWrote my hardest wrongs and the crazy part, I ain't have no pen\nMaybach interior camе with sheepskin\nStill remember whеn I just had three bands\nNow I'm the one everyone call on 'cause I got deep pants\nBro told me the way to beat the game is on the defense and\nNever fazed by names that they might call me, but they gon' respect it\nAnd I feel like you better off tryin' to call, I might not get the message\nAnd she just tried to run off with my heart, but I blocked off the exit, yeah\n[Bridge: The Weeknd & \nKayCyy\n]\nOh-oh, I know You won't (I know You won't)\nI know You won't (Oh), oh (\nOh, yeah\n)\nI know You won't, I know that You look over us (\nI know\n)\nSo we silently sleep\nBring down the rain, yeah, oh [Verse 2: Kanye West]\nMm-mm-mm-mm-mm, I was out for self\nMm-mm-mm-mm-mm, \nI was up for sale, but I couldn't tell\nGod made it rain, the devil made it hail\nDropped out of school, but I'm that one at Yale\nMade the best tracks and still went off the rail\nHad to go down, down, down, this the new town, town, town\nThis the new ten, ten, ten, I'm goin' in, in, in\nHere I go on a new trip, here I go actin' too lit\nHere I go actin' too rich, here I go with a new chick\nAnd I know what the truth is, still playin' after two kids\nIt's a lot to digest when your life always movin'\nArchitectural Digest, but I needed home improvement\nSixty-million-dollar home, never went home to it\nGenius gone clueless\n, it's a whole lot to risk\nAlcohol anonymous, who's the busiest loser?\nHeated by the rumors, read into it too much\nFiendin' for some true love, ask Kim, \"What do you love?\"\nHard to find what the truth is, but the truth was that the truth suck\nAlways seem to do stuff, but this time it was too much\nMm-mm-mm-mm-mm, everybody so judgemental\nEverybody so judgemental\nEverybody hurts, but I don't judge rentals\nMm-mm-mm-mm-mm, it was all so simple\n[Chorus: The Weeknd]\nI see you in 3D, the dawn is bright for me\nNo more dark for me, I know You're watchin' me\nEighty degrees, burnin' up the leaves\nFinally, I'm free, finally, I'm free\nAs I go out to sea, I can walk on water\nWon't you shine Your light? Demons talk on my shoulder\nFather, hold me close, don't let me drown\nI know You won't" } ]

[ { "from": "human", "value": "Write me a song called Autumn Leaves with the following description: Ed Sheeran wrote this song about a dear friend that had passed away, and it is a bonus song on his debut album +. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nAnother day, another life\nPasses by, just like mine\nIt's not complicated (Oh)\nAnother mind, another soul\nAnother body to grow old\nIt's not complicated\n[Pre-Chorus]\nAnd do you ever wonder if the stars shine out for you?\n[Chorus]\nFloat down like autumn leaves\nHush now, close your eyes before the sleep\nAnd you're miles away\nAnd yesterday, you were here with me\n[Verse 2]\nOh, another tear, another cry\nAnother place for us to die\nIt's not complicated\nAnother life that's gone to waste\nAnother light lost from your face\nIt's complicated\n[Pre-Chorus]\nIs it that it's over or do birds still sing for you? [Chorus]\nFloat down like autumn leaves\nAnd hush now, close your eyes before the sleep\nAnd you're miles away\nAnd yesterday, you were here with me\n[Bridge]\nOoh, how I miss you\nMy symphony played the song that carried you out\nAnd, ooh how I miss you\nAnd I, I miss you and I wish you'd stay\n[Pre-Chorus]\nDo you ever wonder if the stars shine out for you?\n[Chorus]\nFloat down like autumn leaves\nHush now, close your eyes before the sleep\nAnd you're miles away\nAnd yesterday, you were here with me\n[Outro]\nMmm, mmm, mmm, mmm\nTouch down like a seven-four-seven\nWe'll stay out and we'll live forever now" } ]

[ { "from": "human", "value": "Write me a song called On Sight (Demo) with the following description: “On Sight” appears on Kanye West’s 2013 effort, Yeezus. This is an early demo of the song that leaked online on June 4, 2019.\nAs is typical with many unfinished Kanye demos, the second verse finds Kanye mumbling as he attempts to create a flow and fill in proper lyrics later on. The instrumental also has some differences; there appear to be some production elements left off of the final release, and the sample is lacking in reverb. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kanye West]\nYeezy season approachin'\nFuck whatever y'all been hearin'\nFuck what, fuck whatever y'all been wearin'\nA monster 'bout to come alive again\nSoon as I pull up and park the Benz\nWe get this bitch shakin' like Parkinsons\nTake my number and lock it in\nIndian hair, no moccasins\nIt's too many hoes in this house of sin\nReal nigga back in the house again\nBlack Timbs all on your couch again\nBlack dick all in your spouse again\nAnd I know she like chocolate men\nShe got mo' niggas off than Cochran, huh?\n[Chorus: Kanye West]\nOn sight, on sight\n[Bridge: Kanye West]\nHow much do I not give a fuck?\nLet me show you right now 'fore you give it up\nHow much do I not give a fuck?\nLet me show you right now 'fore you give it up\n[Interlude: Holy Name of Mary Choral Family]\nOh, he'll give us what we need\nIt may not be what we want [Verse 2: Kanye West]\nBaby girl, try and get a nut\nDuna-duna, try and give it up, uh\nChoppin' up, ah\nDistant enough, won't cop in Atlanta\nDone fourth announcin'\nDun-dun-dun-dun, days of councelin'\nI'm off somethin', four days of mousin'\nBounce of somethin', gon' keep it bouncin'\nCountin' on somethin', I'ma keep it dousin'\nJump off somethin' like I've been out of it\n[Open Verse]" } ]

[ { "from": "human", "value": "Write me a song called Street Nigga Sacrifice with the following description: Track off Migos‘ debut album Yung Rich Nation which is the second instalment in the YRN series following up to their mixtape Y.R.N. (Young Rich Niggas) produced by Da Honorable C.N.O.T.E..\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Quavo]\nRan from the task force, my lifestyle like a rodeo horse\nHad a dream in a porsche then I woke up and had to go to court\nGot a lawyer, dropped the cases, now you see me on the pages\nXXL magazine, December issue cover Fader\nThey sayin' Migos better than the Beatles\nPaul McCartney, I would like to meet him\nYoung niggas from the Northside with Lyor Cohen havin' brunch meetings\nHuncho, where the fam?, I got to feed 'em, private jet in the six seater\nQuavo livin' legend, Elvis, that's why I pull up Lincoln Continental, gone!\n[Chorus: Quavo]\nCame in the game, we had somethin' to prove\nCame in the game, we had nothin' to lose\nStreet nigga sacrifice, street nigga sacrifice\nStreet nigga sacrifice, street nigga sacrifice\nClean it up then you got to flip the money twice\nClean it up then you got to flip the money twice\nStreet nigga sacrifice, street nigga sacrifice\nStreet nigga sacrifice, street nigga sacrifice\n[Verse 2: Offset]\nStreet nigga just want a Beamer\nOn the Northside, police givin' subpenea's\nPistol in the locker, Gilbert Arenas\nGrandma was a sacrifice, can't forget\nWe can see the fuck shit and we with it\nTrappin' out the bando, behind the door was a semi\nReal got the squad, Quavo whip it scientific\nJuggin' iPhones, so we made a half a ticket\nReal street nigga sacrifice\nAnd you in the trap, watch out for the mice\nPlease don't get it twisted, we on the mic\nChoppas eat you niggas like a termite\nBloody money turn to clean money\nFiend money that got bean money\nI seen money and I dream money\nListerine wash it, I clean money [Chorus: Quavo]\nCame in the game, we had somethin' to prove\nCame in the game, we had nothin' to lose\nStreet nigga sacrifice, street nigga sacrifice\nStreet nigga sacrifice, street nigga sacrifice\nClean it up then you got to flip the money twice\nClean it up then you got to flip the money twice\nStreet nigga sacrifice, street nigga sacrifice\nStreet nigga sacrifice, street nigga sacrifice\n[Verse 3: Takeoff]\nStreet nigga sacrifice, takin' penitentiary chances, nigga, day and night\nNo re in the sacrifice, I pull up in the Lamborghini, turn on the lights\nGotta thank god for my life, shit that happen over night\nWell respected, Migos Gang, we rep this worldwide, takin' nine hour flights\nWhen you a young rich nigga, you do what you like\nWant a feature, nigga gotta pay the price\nPourin' act in the cream soda, fuck the sprite\nCut the lights off and in the club, my diamonds bright\nIn the kitchen with the egg beater, hop in the Lamborghini, that's a two seater\nWork come from Columbia, name it Catalina\nMight just take a trip, just go to Geneva\n[Chorus: Quavo]\nCame in the game, we had somethin' to prove\nCame in the game, we had nothin' to lose\nStreet nigga sacrifice, street nigga sacrifice\nStreet nigga sacrifice, street nigga sacrifice\nClean it up then you got to flip the money twice\nClean it up then you got to flip the money twice\nStreet nigga sacrifice, street nigga sacrifice\nStreet nigga sacrifice, street nigga sacrifice" } ]

[ { "from": "human", "value": "Write me a song called Angels Like You with the following description: “Angels Like You” is the third track and single on Miley Cyrus' seventh studio album Plastic Hearts.\nThe personal nature of the lyrics has led many to believe this song is about Cyrus' ex-girlfriend Kaitlynn Carter. Cyrus and Carter dated for a month in 2019, even traveling to Europe together. The two split up when things allegedly became too serious. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMmm, mmm, mmm\n[Verse 1]\nFlowers in hand, waiting for me\nEvery word in poetry\nWon't call me by name, \nonly \"baby\"\nThe more that you give, the less that I need\nEveryone says I look happy\nWhen it feels right\n[Chorus]\nI know that you're wrong for me\nGonna wish we never met on the day I leave\nI brought you down to your knees\n'Cause they say that misery loves company\nIt's not your fault I ruin everything\nAnd it's not your fault I can't be what you need\nBaby, angels like you can't fly down here with me\n[Post-Chorus]\nI'm everything they said I would be\nLa, la, la\nI'm everything they said I would be\n[Verse 2]\nI'll put you down slow, love you goodbye\nBefore you let go, just one more time\nTake off your clothes, pretend that it's fine\nA little more hurt won't kill you\nTonight, mother says you don't look happy\nClose your eyes [Chorus]\nI know that you're wrong for me\nGonna wish we never met on the day I leave\nI brought you down to your knees\n'Cause they say that misery loves company\nIt's not your fault I ruin everything\nAnd it's not your fault I can't be what you need\nBaby, angels like you can't fly down here with me\n[Post-Chorus]\nI'm everything they said I would be\nLa, la, la, la\nLa, la, la\nLa, la, la\nOh, ah, ah\nAh, oh\nAh, oh\n[Chorus]\nI know that you're wrong for me\nGonna wish we never met on the day I leave\nI brought you down to your knees\n'Cause they say that misery loves company\nIt's not your fault I ruin everything (Everything)\nAnd it's not your fault I can't be what you need\nBaby, angels like you can't fly down here with me, oh [Outro]\nAngels like you can't fly down here with me" } ]

[ { "from": "human", "value": "Write me a song called Dull Knives with the following description: A desperate cry for help, “Dull Knives” serves as the ninth track from Imagine Dragons' fifth studio album, Mercury – Act 1.\nOne of the more rock-induced tracks in the band’s entire discography, many elements in the instrumentation and production are reminiscent of their 2010 EP, Hell and Silence. Frontman Dan Reynolds‘ wife, Aja Volkman also has a writing credit on the song.\nThe song is guitarist Wayne Sermon’s favorite track from the album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm holding my breath, holding so tight\nNothing is wrong, nothing is right\nI'm in the dark, looking for light\nWon't someone please save my life?\nInside, I'm a mess, but I don't let it show\nI'm just hanging on, but you'd never know\nI smile all day, and cry through the night\nWon't someone please save my\nLife is fleeting\n[Chorus]\nDull knives taking my life\nA slow burn fire from the inside\nDull knives twisting my spine\nThey're taking their time, time\n'Til I lose my mind\n[Verse 2]\nA smoldering flame, deep in my heart\nBarely a sign, it's barely a spark\nHolding on through every night\nWon't someonе please save my lifе?\nI'm crying for help, it's such a cliché\nInvisible pain, it's filling each day\nI open my mouth and feed you a lie\nWon't someone please save\nMy life is fleeting, no repeating [Chorus]\nDull knives taking my life\nA slow burn fire from the inside\nDull knives twisting my spine\nThey're taking their time, time\n'Til I lose my mind\n[Bridge]\nDull knives ripping from the inside\nSpare me the ride\n[Guitar Solo]\n[Outro]\nFrom the inside\nDull knives twisting my spine\nThey're taking their time, time\n'Til I lose my mind\nDull knives" } ]

[ { "from": "human", "value": "Write me a song called Lucky Me with the following description: In “Lucky Me,” Chris reflects on the good and the bad that fame brings, with the hardships being overshadowed by the love for music and his fans.\nThe track incorporates Michael Jackson’s ““Man in the Mirror” melody in the bridge and is inspired by Jay-Z’s “Lucky Me,” with a few lines baring big resemblence to the rapper’s song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHi-oh-i-oh-ay (Woah)\nHi-li-hi-li-hi-li\nHi-oh-i-oh-oh (Woah)\nHi-li-hi-li-hi-li\nHi-oh-i-oh-ay (Hey)\nHi-li-hi-li-hi-li\nHi-oh-i-oh-oh\n(\nRight about now\n)\n[Verse 1]\nLights on, stage set, huh\nI guess I gotta put on a show again 'cause everyone's waiting\nFemales, fly jets\nWhen I turn the radio on, I hear all my songs play, yeah\n[Pre-Chorus]\nWhatever money can buy, I've probably got it\nAnd that's real talk (Oh-oh, oh-oh), yeah\nI see my name in the sky all over the world (Ooh-ooh-ooh-ooh)\nAnd I just sit here saying\n[Chorus]\nLucky me, I gotta pose for the cameras\nEven when my world's falling down, I still wear a smile\nLucky me, even though I'm so damaged\nGotta pick myself up and perform for the crowd (For the crowd)\nLucky me\nI pray none of my loved ones wanna be stars (Lucky me)\n'Cause nobody said it'd be so hard (Lucky me)\nWouldn't put this on no one else, else (Lucky me) [Post-Chorus]\nHi-oh-i-oh-ay\nHi-li-hi-li-hi-li\nHi-oh-i-oh-oh\nHi-li-hi-li-hi-li\nHi-oh-i-oh-ay\nHi-li-hi-li-hi-li\nHi-oh-i-oh-oh\n[Verse 2]\nSo exclusive\nI don't have to wait in the line, it's like the club is mine now\nIf it was only that simple\nThen what I'm saying is easy to do (Easy to do) and we know that's not true (That's not true), oh, nah\n[Pre-Chorus]\nWhatever money can buy, I've probably got it\nAnd that's real talk (Oh-oh, oh-oh), yeah\nI see my name in the sky all over the world (Ooh-ooh-ooh-ooh)\nAnd I just sit here saying\n[Chorus]\nLucky me, I gotta pose for the cameras\nEven when my world's falling down, I still wear a smile\nLucky me, even though I'm so damaged\nGotta pick myself up and perform for the crowd (For the crowd)\nLucky me\nI pray none of my loved ones wanna be stars (Lucky me)\n'Cause nobody said it'd be so hard (Lucky me)\nWouldn't put this on no one else, else (Lucky me) [Bridge]\nMy dream and it's my heart, the life of being a star\nYou don't even know how hard it is, do you? Yeah\nNow I'm thankful for everything and I'm finally becoming a man\nNow I gotta bigger show to do\n[Chorus]\nLucky me, I gotta pose for the cameras\nEven when my world's falling down, I still wear a smile (Oh)\nLucky me, even though I'm so damaged (So damaged)\nGotta pick myself up and perform for the crowd (For the crowd)\nLucky me\nPray none of my loved ones wanna be stars (Lucky me)\n'Cause nobody said it'd be so hard (Lucky me)\nI wouldn't wish this on no one else, else (Lucky me)\n[Outro]\nHi-oh-i-oh-ay\nHi-li-hi-li-hi-li\nHi-oh-i-oh-oh\nHi-li-hi-li-hi-li\nHi-oh-i-oh-ay\nHi-li-hi-li-hi-li\nHi-oh-i-oh-oh" } ]

[ { "from": "human", "value": "Write me a song called Fed Up with the following description: On “Fed Up,” American producer DJ Khaled enlists the help of a superstar cast for his high profile collaboration. The track features the joint efforts of major rappers Usher, Lil Wayne, Drake, Rick Ross & Jeezy, who all team up to discuss their disdain for their opposition, who desperately tries to emulate their success and achievements.\nThis track marks the first time that all five rappers appeared on the same track. It’s important to note that Lil Wayne’s verse did not appear on the official single version of the track, and rather only made it on the album version. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Usher, \nDJ Khaled\n & \nJeezy\n]\nDJ Khaled (\nDJ Khaled!\n) (\nYeah!\n)\nOh oh (\nThe streets is fed up\n)\n(Who else nigga?)\n Ohh\n(\nWe fed up\n) Yeah man (\nWe The Best\n)\nThe Runners, Usher, talk to 'em\n[Chorus: Usher]\nYeah, yeah\nIt was all a dream, yeah homie I am on my job\nAnd you can't take that away from me\nYeah I got my team, and I got all of my niggas behind me\nAnd they give me the love I need (yeah)\nI got my foot in the door, still hustling for more\nCheck in the game now I'm back in the light, yeah\nI'm fed up (hey) I'm fed up (hey) I'm fed up\nI'm so sick and tired of being sick and tired\n[Verse 1: Jeezy, \nUsher\n]\nI am absolutely, positively on my grizzy\nEven though I'm sick and I'm tired, I gets busy\nStarted a 62, but it ended up a frisbee\nAnd me, I like to stand at the stove until I'm dizzy\nBall so hard it's like I brought the game with me\nLeft my glove so white you thought I brought Jermaine with me\n'Bout to paint a perfect picture like I brought the frame with me\n(\nI'm fed up, I'm fed up, I'm fed up\n)\nI give it all up before I let the fame get me\nI got niggas tryin' to sue me, bitches tryin' to do me\nWay these niggas actin', you'da thought they never knew me\nBut these niggas know me and half them niggas owe me\nI'm fed up, it's why I'm actin' like the old me [Chorus: Usher]\nYeah, yeah\nIt was all a dream, yeah homie I am on my job\nAnd you can't take that away from me\nYeah I got my team, and I got all of my niggas behind me\nAnd they give me the love I need (yeah)\nI got my foot in the door, still hustling for more\nCheck in the game now I'm back in the light, yeah\nI'm fed up (hey) I'm fed up (hey) I'm fed up\nI'm so sick and tired of being sick and tired\n[Verse 2: Rick Ross, \nUsher\n]\nI'm sick and tired of you suckers so now I'm fed up\nSomebody catch the chain, I'm 'bout to tear his head off\nShawty bendin' over knowin' I'm 'bout to tear it up\nBefore you let your top back, get your bread up\nMade history, but now we claimin' victory\nGet ya out the White House, go back to your efficiencies\nSuckers feel me and I know you haters hear me\n(\nI'm fed up, I'm fed up, I'm fed up\n)\nLike the IRS, you wonder what I'm makin, yearly!\nWith them brown bags circulate, so I perpetrate\nWe shinin' than the bottom cause we're down to twerkulate\nLookin' at the parking lot; better get your mind right\nI hope you fed up being broke because the times right\nRoss! [Chorus: Usher]\nYeah, yeah\nIt was all a dream, yeah homie I am on my job\nAnd you can't take that away from me\nYeah I got my team, and I got all of my niggas behind me\nAnd they give me the love I need (yeah)\nI got my foot in the door, still hustling for more\nCheck in the game now I'm back in the light, yeah\nI'm fed up (hey) I'm fed up (hey) I'm fed up\nI'm so sick and tired of being sick and tired\n[Verse 3: Drake, \nLil Wayne\n]\nUhh, me and Wayne was gettin' high on 'em\nHe leaned over and told me, \"Just don't retire on 'em\nAnd when they give ya they shoulders, never cry on 'em\nAnd when they love you to death, just never die on 'em\"\nAnd the question still remains\nHave I counted all the money that I've managed to obtain?\nNiggas dedicatin' overtime to damagin' my name\nAnd somehow I'm still the hottest motherfucker in the game (\nI’m happy to be back man!\n)\n[Verse 4: Lil Wayne]\nI’m tired of these haters\nThat’s why I go hard like A.C. Slater\nWeezy Baby here, y’all pre-natal\nI just get the beat and murk it out like Fredo\nUhh, I’m sick of bein' criticized\nThat’s why I’m higher than the Star Trek Enterprise\nI do it big, don’t get mad cause you minimized\nI keep a red flag in case I get penalized\nUhh, it's Young Money like you didn’t know\nStop playin', I hit Drizzy with the give-and-go\nIt was all a dream, now we the dream team\nWho trying to see us? You seein' things\nHustle like I still pay rent man\nGot a chest full of heart, no Tin Man\nUhh, Kha-Kha-Khaled I’m fed up\nFlow wake the dead up, Weezy [Verse 5: Usher]\nYeah, hop out, I been in this, been breakin records since '94\nSo I ain't gotta brag about records that I’ve broke\nRecords that I hold and records that I’ve sold\nAnd I’m fed up with these niggas relieving my lingo (yeah)\nDon’t bite the hand of your provider\nYou sayin' I ain’t influenced you, you a liar\nI’m on fire, you just a biter\nYou need to wake up and realize\n[Chorus: Usher]\nYeah, yeah\nIt was all a dream, yeah homie I am on my job\nAnd you can't take that away from me\nYeah I got my team, and I got all of my niggas behind me\nAnd they give me the love I need (yeah)\nI got my foot in the door, still hustling for more\nCheck in the game now I'm back in the light, yeah\nI'm fed up (hey) I'm fed up (hey) I'm fed up\nI'm so sick and tired of being sick and tired" } ]

[ { "from": "human", "value": "Write me a song called Bad Girl with the following description: The lyrics to Daya’s “Bad Girl” are inspired by the singer’s own decision to open up about being bisexual. The accompanying video brings the lyrics to life.\nIn an interview with whenthehornblows.com Daya said;\nBad Girl is about the exploration and discovery of my sexuality as a bisexual woman. I feel like before I started exploring my sexuality, part of my younger self was always looking to temporarily fill this emptiness inside with stereotypically “bad guys”. But now that I’ve been in a relationship with a girl and opened that hypothetical door, I’ve realized it’s possible to have these desires and find someone who not only fulfills them, but also reflects the same ones back at me in a more mutually benefitting, satisfying way. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nAlive in the dark and we ride forever\nFeeling so high going down together (Down)\nFree shots at the bar from the guy in leather\nCheers to the night that we won't remember now\n[Pre-Chorus]\nNothing you could do or say is right\nI already know just what I like\n[Chorus]\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe got what they want-want, what they want-want\nThey can look, but they just can't touch it\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe're always up to no good\nDoing what they wish they could\n[Verse 2]\nDo it like this all around the clock\nGot boys lining up all around the block (Uh-huh)\nLighting up flares in the parking lot\nIf we're gonna live give it all we got (Uh-huh, uh) [Pre-Chorus]\nNothing you could do or say is right\nI alrеady know just what I like\n[Chorus]\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWе got what they want-want, what they want-want\nThey can look, but they just can't touch it\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe're always up to no good\nDoing what they wish they could\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe got what they want-want, what they want-want\nThey can look, but they just can't touch it\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe're always up to no good\nDoing what they wish they could\n[Pre-Chorus]\nNothing you could do or say is right\nI already know just what I like [Chorus]\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe got what they want-want, what they want-want\nThey can look, but they just can't touch it\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe're always up to no good\nDoing what they wish they could\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe got what they want-want, what they want-want\nThey can look, but they just can't touch it\nBad girl, need a bad girl, need a bad girl\n'Cause the bad boys just don't cut it\nWe're always up to no good\nDoing what they wish they could" } ]

[ { "from": "human", "value": "Write me a song called Bottled Up with the following description: “Bottled Up” is the debut solo single from Dinah Jane. It’s her first song as a lead artist and the first song she’s released since Fifth Harmony went on a hiatus. It’s about someone who turns to smoking and drinking in order to get their “bottled up” feelings out.\nDinah sees it as a “transition single” from her 5H times to her solo endeavors:\nI feel like ‘Bottled Up’ was something I just wanted to get off my chest — the transition from Fifth Harmony to Dinah and I just didn’t want to lose my fans so I kind of kept some familiar sounds in there and now I’m honing into more of what I will be releasing\nThe song features Marc E. Bassy and Ty Dolla $ign, making it the second time Dinah and Ty have collaborated on a song–the first time being Fifth Harmony’s hit single “Work From Home”.\nThis song has been teased a couple of times before its release–the first time being back in November, 2017. Later in August 2018, a video of her on the set of the music video with Ty and Marc was released–which was later released as the song’s official lyric video. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Dinah Jane]\nDinah Jane\n[Verse 1: Dinah Jane]\nI don't need no diamond ring, baby, I got you\nI can buy the finer things, simple things will do\nSay the best things in life are free, now I know why\nSince you gave your love to me, opened up my eyes\n[Pre-Chorus: Dinah Jane]\nI'm a bad chick, I need a bad one with me\nWork from home, but he gon' stay up with me\nNo sleep tonight, yeah, you know what I like\nIf you ride for me, I'm gonna ride for you\nBack to back, boy, we gon' make it through\nNo sleep tonight, yeah, you know what I like (woo)\n[Chorus: Marc E. Bassy]\nI'm drinking, baby, 'cause I'm bottled up\nI'm smoking, baby, yeah, I'm high as fuck\nI'm drinking, baby, 'cause I'm bottled up\nI'm smoking, baby, yeah, I'm high as fuck\n[Verse 2: Ty Dolla $ign \nwith Dinah Jane\n, \nDinah Jane\n]\nDolla $ign\nBottled up, yeah, yeah, bottled up, yeah\nFeeling like Bee & Jay, we're drunk in love, yeah\nI put 50 on your wrist, \nthat don't mean shit\nWhen you tell me that you're mine, I know you mean it\nD'Ussé, put it on the rocks\nLittle baby, on that french Vanilla Ciroc (Ooh, yeah)\nWe could be \nanywhere in the world right now\nBut you're here with me, girl (\nOh, woah, woah\n) [Chorus: Marc E. Bassy, \nTy Dolla $ign\n, \nDinah Jane\n]\nI'm drinking, baby, 'cause I'm bottled up (\nBaby, I got you, ooh\n)\nI'm smoking, baby, yeah, I'm high as fuck (\nSimple things will do\n)\nI'm drinking, baby, 'cause I'm bottled up (\nI'm bottled up\n)\nI'm smoking baby, yeah, I'm high as fuck (\nI'm bottled up\n)\n[Verse 3: Dinah Jane, \nTy Dolla $ign\n]\nI know that sex appeal is all they sell\nI could get it with a one night stand, but it won't be real\nBut he putting in the work\nLet me feel if this is worth it\nGonna have to hit him with the bust down (\nDown\n)\nYeah, yeah, yeah\n[Pre-Chorus: Dinah Jane]\nI'm a bad chick, I need a bad one with me (Oh, woah, woah)\nWork from home, but he gon' stay up with me (Ooh, yeah)\nNo sleep tonight, yeah, you know what I like\nIf you ride for me, I'm gonna ride for you\nBack to back, boy, we gon' make it through (Ooh, yeah)\nNo sleep tonight, yeah, you know what I like (Yeah)\n[Chorus: Marc E. Bassy & Dinah Jane, \nDinah Jane\n]\nI'm drinking, baby, 'cause I'm bottled up (\nI'm bottled up, yeah, yeah\n)\nI'm smoking, baby, yeah, I'm high as fuck (\nI'm high as fuck\n)\nI'm drinking, baby, 'cause I'm bottled up (\nbeen drinking, oh\n)\nI'm smoking baby, yeah, I'm high as fuck (\nYeah\n) [Outro: Marc E. Bassy & Dinah Jane, \nDinah Jane\n]\nBaby, I'm bottled up, yeah\nBaby, I'm bottled up (\nBaby, I'm bottled up\n)\nBaby, I'm bottled up, yeah\nBaby, I'm bottled up\nBaby, I'm bottled up, yeah\nBaby, I'm bottled up, yeah\n (\nI'm bottled up\n)\nBaby, I'm bottled up, yeah\nBaby, I'm bottled up, yeah, yeah, yeah\n (\nI'm bottled up\n)\n(\nI'm bottled up\n)\n(\nI'm bottled up\n)" } ]

[ { "from": "human", "value": "Write me a song called Bugz ’97 with the following description: This was a recording of Bugz in 1997 that was done before he died in 1999 that was placed on this album, in memory of his death. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Bugz]\nFuck that!\nWho run shit once these drums hit?\nYou dove headfirst into some old dumb shit\nHere's a can of asswhip, for you to come get\nYour clique made they trip, I make them hoes submit\nAsk your girl, she know the scoop, don't fuck with Bugz' bitch\nI chop off her titty, have you sucking one tit\nThem pink belly niggas, is who you run wit\nMaking half-ass songs, shitty snares and one kick\nI hate your damn sound, don't like it one bit!\nYou could make a double album, won't have one hit!\nYour entire outfit is on some bullshit\nAnd there's not a damn one that I can't outwit\nI ad-mit, that my style is unfit\nFor momma's baby boy, because I'm on some dumb shit\nLike I commit, larceny, give harm quick\nYou pull the alarm switch I stab you in your armpit\nNow who the nitwit wanna come get wit\nThis egotistic hip-hop fundamentalistic\nDon't risk it, you get your shit split\nNow keep your distance, and keep existence\nI'm persistent when it comes to bend shit\nSmoke the blunt with my judge right before my sentence\nI'm relentless, to deny is senseless\nYour bitch pay my bill, that's where the hell your rent went\nFuck that!" } ]

[ { "from": "human", "value": "Write me a song called Skit #4 with the following description: The fourth and final installment of Kanye’s Broke Phi Broke skits utilized throughout Late Registration. Here, we see Kanye get kicked out of the fraternity, he is gone. Leading perfectly into the next track. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[All whispering]\nBroke, broke, broke phi broke (we ain't got it)\nBroke, broke, broke phi broke (we ain't got it)\n[Louder]\nBroke, broke, broke phi broke (we ain't got it)\nBroke, broke, broke phi-\n[Leader]\nI've called this private meeting today because \nthere is a imposter among us\nThere is an imposter among us\nThis brother right here has been out making beats on the side, yes he has\nPretending he's broke walking amongst us\nThis brother has been eating every day, can you believe that? Eating every day\nPretending he's with us, he's not one of us\nI did not want to believe this, but I walked into the brother Kanye's closet and I found new shoes\nI found new shoes!\nKanye, would you like to step forward and explain these new shoes?!\n[Kanye (stammering)]\nI was-you crazy, I wasn't, I didn't, um, I was just um, I was in here-\n[Leader]\nNo, you speak up, brother!\n[Kanye]\nI was gon' stick-I'm tryin' to stick to my roots and- [Leader]\nWhat?\n[Kanye]\nI wanna stick to my roots, and-\n[Leader]\nWhat?! You march your new shoes out of here, Kanye. Don't you ever come back in 'em. Don't you ever come back smellin' all good, taking showers and shit like that, alright? We don't appreciate that down here at Broke Phi Broke\nWhat's next?" } ]

[ { "from": "human", "value": "Write me a song called New Freezer with the following description: Rich the Kid enlists Kendrick Lamar for “New Freezer,” the lead single from his debut album, The World Is Yours. The Ben Jayne-produced track originally included A$AP Ferg and MadeInTYO, but Rich ultimately decided to use Kendrick’s verse on the final version.\n“New Freezer” received a platinum certification from the RIAA in March 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Rich the Kid]\nAyy, new freezer (New freezer, New freezer)\nYou know what it was when you signed up, ayy\nDat way, yuh, yuh, yeah, dat way\n[Chorus: Rich the Kid]\nMy bitch too foreign, need a visa (ooh)\nI don't need her (huh?)\nPull up drop top with a eater (skrrt)\nTwo seater (skrrt)\nNew bitch wanna fuck to my AP (AP, ice)\nNew freezer (ice)\nI woke up thinkin' 'bout bands (bands)\nHop off a jet to a check when I land (yuh)\nMy bitch too foreign, need a visa (bitch)\nI don't need her (huh?)\nPull up drop top with a eater (yeah)\nTwo seater (skrrt, skrrt)\nNew bitch wanna fuck to my AP (bitch)\nNew freezer (new freezer)\nI woke up thinkin' 'bout bands (new freezer)\nHop off a jet to a check when I land (dat way)\n[Verse 1: Rich the Kid]\nOoh, money way (money)\nDiamonds, flexin' (bling, woo)\nI woke up rich, spend a grip on a necklace (yuh)\nI put the plug on three way (plug)\nMaserati go speed race (yeah)\nDrop a baby on a bitch face (woah)\nMore ice flexin' this way (ice)\nWe put the world on the wave (the wave)\nDon't give a fuck, 'cause I'm paid (woo)\nMore Act in a lemonade (Act)\nPharmacy knowin' my name (my name)\nI fuck that bitch, 'cause she bougie (she bougie)\nShe suck my dick in the movies (yuh)\nTrap jumpin' like 2-3\nShe a foreign lil' freak (freak) [Chorus: Rich the Kid]\nMy bitch too foreign, need a visa (woo)\nI don't need her (bitch)\nPull up drop top with a eater (skrrt)\nTwo seater (skrrt)\nNew bitch wanna fuck to my AP (AP, ice)\nNew freezer (ice)\nI woke up thinkin' 'bout bands (bands)\nHop off a jet to a check when I land (woo)\nMy bitch too foreign, need a visa (bitch)\nI don't need her\nPull up drop top with a eater (yeah)\nTwo seater (skrrt, skrrt)\nNew bitch wanna fuck to my AP (bitch)\nNew freezer (woah)\nI woke up thinkin' 'bout bands (what up?)\nHop off a jet to a check when I land (ooh, yuh, yuh)\n[Verse 2: Kendrick Lamar]\nBig shot (hol' up, wait)\nPeanut butter insides\n(No) Outside, cocaine white, body look like Gentiles (Gentiles)\nRule of the day, get a view every day\nGet a bitch with a tan by the pool every day\nGet a clip with a plan, give a jewel every day\nI never sleep, I gotta eat, I gotta dance\nI Milly Rock when I get that advance\nHow can I shop with like 64 Ms?\nTalkin' to Top about business again\nHe want a lot with new Bentleys again\nI want some top from like two sets of twins\nTwinnie twin twins, yeah, yeah\nAyy, bitch (bitch), where your friends? Yeah, yeah\n(Hol' up) switch (hol' up), she won't end, yeah, yeah\nBall 'em in, fallin' in bundles of flowers like parliament\nNever know, big dawg like ours [Chorus: Rich the Kid]\nMy bitch too foreign, need a visa (woo)\nI don't need her (bitch)\nPull up drop top with a eater (skrrt)\nTwo seater (skrrt)\nNew bitch wanna fuck to my AP (AP, ice)\nNew freezer (ice)\nI woke up thinkin' 'bout bands (bands)\nHop off a jet to a check when I land (woo)\nMy bitch too foreign, need a visa (bitch)\nI don't need her\nPull up drop top with a eater (yeah)\nTwo seater (skrrt, skrrt)\nNew bitch wanna fuck to my AP (bitch)\nNew freezer (woah)\nI woke up thinkin' 'bout bands (what up?)\nHop off a jet to a check when I land (ooh, yuh, yuh)" } ]

[ { "from": "human", "value": "Write me a song called The Way (Fabolous Remix) with the following description: This is a remix of Ariana Grande’s “The Way” where Mac Miller’s verse is replaced with verses by the rapper Fabolous. It was released on July 11, 2013. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ariana Grande]\nI love the way, you make me feel\nI love it, I love it\nI love the way, you make me feel\nI love it, I love it\n[Verse 1: Fabolous]\nYeah\nThis chick got me feelin' some type of way\nIf men are dogs then I guess I be the type to stay\nFeelin's grow over time\nDiamonds go over time\nSo we gotta stop playing, no over time\n[Verse 2: Ariana Grande]\nYou give me that kinda something\nWant it all the time, need it every day\nOn a scale of one to ten I’m at 100\nNever get enough, I can’t stay away\n[Pre-Chorus: Ariana Grande]\nIf you want, I got it, I got it every day\nYou can get whatever you need from me\nStay by your side, I’ll never leave you\nAnd I ain’t going nowhere cause you’re a keeper [Chorus: Ariana Grande]\nSo don’t you worry, baby you got me\nI got a bad boy, must admit it\nYou got my heart, don’t know how you did it\nAnd I don’t care who sees it, babe\nI don’t wanna hide the way I feel when you're next to me\nI love the way you make me feel\nI love the way\n(I love the way)\nBaby I love the way you make me feel\nI love the way, the way you love\n[Verse 3: Ariana Grande]\nOh, so crazy you get my heart jumping\nWhen you put your lips on mine\nAnd honey it ain’t a question, (quick question)\nCause boy I know just what you like\n[Pre-Chorus: Ariana Grande]\nSo If you need it, I got it, I got it everyday\nBe your lover, your friend, you’ll find it all in me\nStay by your side, I’ll never leave you\nAnd I ain’t going nowhere cause you’re a keeper\n[Chorus: Ariana Grande]\nSo don’t you worry, baby you got me\nI got a bad boy, must admit it\nYou got my heart, don’t know how you did it\nAnd I don’t care who sees it, babe\nI don’t wanna hide the way I feel when you're next to me\nI love the way you make me feel\nI love the way\n(I love the way)\nBaby I love the way you make me feel\nI love the way, the way you love [Verse 4: Fabolous]\nLooking good feeling better\nPicture us still together\nHaters see the shine\nWant a jack it like chilly weather\nBut we ain't worry about nothin' we ain't worry about nothin'\nI know you gonna ride like that car parked out front\nBoy don't even talk about stuntin'\nShe walk out when she want\nBought them red bottoms 'cuz she ain't walked out once\nAnd I love the way you make me feel\nMy thirsty ex get no refill\n[Outro: Ariana Grande]\nSo don’t you worry, baby you got me\nI got it bad boy, must admit it\nYou got my heart, don’t know how you did it\nAnd I don’t care this is it babe\nI don’t want another way to feel you next to me\nI love the way you make me feel\nI love the way\n(I love the way)\nI love the way\nBaby I love the way you make me feel\nI love the way, the way I love you\nThe way I love you\nThe way I love you\nThe way I love you uh, uh uh yeah\nI love the way you make me feel\nI love it, I love it\nI love the way you make me feel\nI love it, I love it\nThe way I love you" } ]

[ { "from": "human", "value": "Write me a song called Left Right (Version 1)* with the following description: This was recorded and previewed on December 9, 2015.\nThere are at least three versions of “Left Right”.\nIn order of recording:\n1. Left Right (Version 1)\n2. Left Right (Original Mix) [ft. Playboi Carti]\n3. Left Right (ft. Playboi Carti)\n\nVersion 1\n- Only Lil Uzi Vert\n- Yet to be leaked or released\nRecorded: 12.09.15\n\nVersion 2\n- Adds Playboi Carti\n- Different lyrics from Lil Uzi Vert\n- First leaked version\n- First officially released version\n- Uploaded by Lil Uzi Vert on SoundCloud (now unavailable in US)\n- Also uploaded by Maaly Raw\nRecorded: sometime between 12.09.15 and 12.17.15\nLeaked: sometime between 12.17.15 and 12.21.15\nReleased: 01.28.16\n\nVersion 3\n- Adds beat cuts\n- Adds “left, right” sound effects in outro\n- Used in video (video was shot sometime between 01.28.16 and 02.24.16)\n- Second officially released version\nSFX added: sometime between 01.28.16 and 01.31.16\nReleased: 01.31.16 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Snippet\n[Verse]\nOn the real, I stay silent, bitch, I never told, ayy (Yeah)\nWhy your bitch on my dick? Well, I never know, ayy\nIs it because I'm countin' money? Yeah, I'm countin' notes, ayy, yeah\nBitch, I'm countin' money, yeah, I'm countin' notes, ayy (Count up, count up)\nI just went to 3peat, spent like five thousand, yeah\nCartier on my face, don't need no eye doctor, yeah\nDabbin' in the name of love, feel like Pied Piper, yeah\nHit that bitch from the back then I side pipe her, yeah\nTreat that…" } ]

[ { "from": "human", "value": "Write me a song called BACK TO THE BASICS with the following description: “BACK TO THE BASICS” is the outro to Future’s ninth studio album, I NEVER LIKED YOU.\nThroughout the slow-paced track, Future speaks on his regular subject matter of luxury vehicles, the perks of his wealth, and the heartbreaks he’s experienced with women in his life. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nPlenty, cry\nThis life without you\nYou don't want, you don't want, you don't want\nYou don't want, you don't want to go back to the basics, yeah\n[Verse]\nChecked the velocity, hope you can weather through the storm\nPeep out the carpet, it's custom stitched up in yarn\nHottest commodity covered in Italian \nvelour\nHold on to your faith when I need you to be there\nAskin' for your heart, if it's real then it's rare\nOcean in the sea, \nGIA I see\nLunch time in Cheetah with snow bunny divas\nOnly for me, this just ain't for the relapse\nBubble eye Benz came with goggles, yeah\nGang of Korean, talk to me proper, yeah\nTranslator friend, European model, yeah\nThey cover my trend, top story, ESPN\nSo many chains like a turtleneck under my chin\nI'll learn to speak another language if it makes sense\nPrincess cut clarity VVSs\nMilitary money\n out the gutter, ducked the popo\nThree strips skrrted goin' solo\nHavin' the time of my life with no photo\nCan't show every gift you get to IG when you fuck on a mogul\nI DC sniped it and I hit it listenin' to gogo\nI'ma make 'em lose count if they addin' up the total\nAfter I fuck you, let me cry on your shoulder\nThis is a chance of a lifetime [Outro]\nAfter we make love, let me cry on your shoulder\nYou don't want, you don't want, you don't want\nYou don't want to go back to the basics\nYou don't want, you don't want, you don't want\nYou don't want, you don't want to go back to the basics\nGet a room key, check in saying two-o-four\nAfter we make love, let me cry on your shoulder\nYou don't want, you don't want, you don't want\nYou don't want to go back to the basics\nYou don't want to go back to the basics" } ]

[ { "from": "human", "value": "Write me a song called Jimmy Cooks with the following description: Concluding the house-inspired Honestly, Nevermind, Drake switches up for the album’s final song, trading bars with 21 Savage, on a hard-hitting instrumental. Chock-full of name-drops, references, threats, and exclamations, the two rappers stay true to their roots when it comes to establishing dominance within the rap game.\n “Knife Talk,” the previous collaboration between the pair, contains a similarly menacing aura, which 21 interpolates during his half on the track.\nThe song also opens with a sample from 1999’s “Just Awaken Shaken” by Playa Fly. Fly is a rapper from Memphis, Tennessee, an area with a unique sound in hip-hop, a sound that both “Jimmy Cooks” and “Knife Talk” aim to utilize with their catchy and repetitive melodies. The aforementioned Certified Lover Boy collaboration, “Knife Talk,” additionally features Project Pat, whose role as a Memphis rapper on the track’s intro is reprised through the use of the Playa Fly sample on this track.\nThe song’s title refers to Drake’s character in the Canadian series Degrassi: The Next Generation, Jimmy Brooks. Drake portrayed the basketball star from 2001 until his departure from the show in 2009. “Jimmy Cooks” could be Drake incorporating a line from the song’s first verse:\nPlus I’m cookin' up ambition on a kitchen stove\nIn short, “Jimmy Cooks” is Drake’s way of acknowledging his past as an actor while focusing on his future and ambition for rapping. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nJust awaken shaken once again, so you know it's on\nJust awaken shaken once again, ho, you know it's on\nJust awaken shaken once again, so you know it's on\nJust awaken shaken once again, ho, you know it's on\nYeah, life\nLife is the only thing we need\nThey need me to go, but I don't wanna leave\nRest in peace to Lil Keed\n[Verse 1: Drake]\nFuck a pigeonhole, I'm a night owl, this a different mode\nI might have to make her paint a 6 on her pinky toe\nHeard you with a shooting guard, just let a nigga know\nI would have you courtside, not the middle row\nAll good, love, in a minute, though\nI can't strеss about no bitch 'cause I'm a timid soul\nPlus I'm cookin' up ambition on a kitchen stove\nPot start to bubblе, see the suds, that shit good to go\nHoes say I'm suave, but I can't get RICO'd\nBro think he John Wayne, I bought him yellow stones\nLove the way they hang, babe, fuck the silicone\nEverybody fake now, you could crack the code\nBustdown everything, set in rose gold\nDread talkin' to you niggas like I'm J. Cole\nI can tell her head good before I even know\nBitch, don't tell me that you model if you ain't been in \nVogue\nGotta throw a party for my day ones\nThey ain't in the studio, but they'll lay somethin'\nRest in peace to Drama King, we was straight stuntin'\nYou don't like the way I talk? Nigga, say somethin'\nGotta throw a party for my day ones\nPull up and you know it's us, the bass jumpin'\nYou don't like the way I talk? Then say somethin'\nGet out my face, nigga [Chorus: Drake & \n21 Savage\n]\nGotta throw a party for my day ones\nThey ain't in the studio, but they'll lay somethin'\nRest in peace to Drama King, we was straight stuntin'\nIf I let my nigga 21 tell it, you a\nPussy\n[Verse 2: 21 Savage]\nSpin a block twice like it ain't nowhere to park (21)\nSmack the backside of his head like he Bart (Pussy)\nOVO 4L, we come out when it get dark (21, 21)\nBig stepper, he came in a Rolls, but he left in a stretcher (21)\nLet my brother drive while I shoot, team effort (21)\nAskin' all these questions, bitch, you must think you Nadeska\nThe chopper like to feel on all the opps, it's a molester (21)\nI be with my gun like Rozay be with lemon pepper\nShe wanna hear some Afrobeats 'cause she just popped a Tesla\nAll that workin' out, that nigga must think he a wrestler\nBut this ain't UFC, this chopper came with a compressor (21)\nThis chopper came with a compressor (Pussy)\nThis chopper came with a— (Pussy)\nThis Glock 45 came with a switch (21)\nIf I was Will Smith, I would've slapped him with a stick\nPut your hands in the air, it's a stick-up (21)\nSpin the same hood where I get my dick sucked (Facts)\nIf you standin' on business, put your blick up (21, 21)\nCome around actin' scary, get your shit took (21)\nFell in love with feelin' dizzy, so I spizzin (21)\nI got mad love for the boy, yeah, that's my twizzin (21)\nIf them niggas keep on dissin', slide agaizzin (21)\nWe the reason why the opps ain't got no frizziends (21)\nLast nigga played with me got turned duppy\nI ain't even roll him in the 'Wood 'cause he musty\nYou ask how she doin', I just tell her come and fuck me\nShot his ass twenty times, damn, this nigga lucky (\nDamn, that nigga lucky\n) [Chorus: Drake]\nGotta throw a party for my day ones\nThey ain't in the studio, but they'll lay somethin'\nRest in peace to Drama King, we was straight stuntin'\nYou don't like the way I talk? Nigga, say somethin'\n[Outro: Drake]\nSay somethin', say somethin', say somethin', say somethin', say somethin'\nYou don't like the way I talk? Nigga, say somethin', say somethin', say somethin', say somethin', say somethin'" } ]

[ { "from": "human", "value": "Write me a song called First Off with the following description: “First Off” is a boastful track that sees Future teaming up with Travis Scott, as well as production by Future’s frequent producer ATL Jacob.\nIn the track, the two discuss drugs, money, and the National Basketball Association (NBA). The two drop references to NBA, as well as teams and players, such as Dwyane Wade, James Harden, and Tracy McGrady. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future & \nTravis Scott\n]\nBack on the Forbes, shit crazy (Yeah)\nI make more than Dwyane Wade, baby\n \n(\nATL Jacob\n)\nI'm a street nigga and I stay faded (Pluto, \nyeah\n)\nNever worked in a gym, but I weighed it (Travis, \nyeah\n)\n[Chorus: Future & \nTravis Scott\n]\nFirst off, you get the ammo, then you cock it (Ooh)\nFirst off, we had to blast off like a rocket (\nSkrrt, skrrt\n)\nI put the Patek water on, but I got options (Yeah)\nPJ takin' off and I ain't stoppin', no\nLouis V belts, Louis V on my walls\nFishscale, nigga, I can't fuck with no laws (\nYeah\n)\nLinda Farrow's what's on my lens, I see fugazi\nI should pimp this bitch and make her pay me (\nYeah\n)\n[Verse 1: Future & \nTravis Scott\n]\nStarted off surfin' on a codeine wave\nI don't exchange info with these niggas\nThey some opps, you can kill 'em, they ain't with us\nOrdered a pound of gas to smoke, I need a fill-up (\nYeah\n)\nGot a line on good Gelato and Gorilla\nGot Lil Freaky with me, know you gon' get hit up\nSteppin' over dead bodies in Margielas (Oh yeah)\nI touched a hundred M's and I've been gettin' better (Ooh)\nIn a red Bugatti, gave it right to valet\nShoot his head off right, it get you new Chanaynay\nShootin' dice all night, yeah, me and Dae Dae\nWe had to work the one on 'em, it was a good payday\nHe was a teenager, they put him on the news where I'm from\nHe let off forty shots, he can't get no bond\nClosed on when he shoppin', when he kill him, he young\nThey ever get caught snitchin', they gon' cut off your tongue (\nMm\n)\nI can't wait 'til they set the rat up, yeah (\nYeah, yeah\n)\nI was catchin' juugs, now a nigga a millionaire\nI get the rap check and I avoid the paps\nI get NBA money and ain't been in the drafts [Pre-Chorus: Future & \nTravis Scott\n]\nYeah, I'm back on the Forbes, shit crazy (Yeah)\nI make more than Dwyane Wade, baby \n(Pop it, pop it)\nI'm a street nigga and I stay faded\nNever worked in a gym, but I weighed it\n[Chorus: Future & \nTravis Scott\n]\nFirst off, you get the ammo, then you cock it (\nStraight up\n)\nFirst off, we had to blast off like a rocket (\nUh\n)\nI put the Patek water on, but I got options\nPJ takin' off and I ain't stoppin', no\nLouis V belts, Louis V on my walls\nFishscale, nigga, I can't fuck with no laws\nLinda Farrow's what's on my lens, I see fugazi\nI should pimp this bitch and make her pay me\n[Verse 2: Travis Scott & \nFuture\n]\nBound to cut off where it's dim and pour above the rim (Yeah)\nGet the backend at the door and let the dogs kill 'em (Dogs)\nPoint 'em out, then turn around, that's how we let 'em in (Ooh)\nParanoid, one conversation, then I switch the SIM (Oh)\nThis took like NBA business, I ain't talkin' scrimmage (In the league)\nYou know I'm James Bond with it, Harden with the finish\nNew whip's got curtain options in it, I don't need it tinted (Yeah)\nJust need the option not to see 'em when I'm ridin' in it (Yeah)\nUsed to spend checks on my Nikes, now they pay me (Yeah, yeah)\nGot some Bulls cheerleaders and they wavy (Alright; yeah, yeah)\nNumber one off in my city like McGrady (Straight up)\nYeah, I'm back on the Forbes, shit crazy\nRoll so much gas, I can't let 'em breathe (It's lit)\nPop me ten to three, I can't let 'em sleep (Pop it, pop it)\nFlyin' through the clouds in somethin' heavenly (Skrrt, skrrt)\n(To these racks, way up, way up) [Pre-Chorus: Future]\nYeah, I'm back on the Forbes, shit crazy\nI make more than Dwyane Wade, baby\nI'm a street nigga and I stay faded\nNever worked in a gym, but I weighed it\n[Chorus: Future & \nTravis Scott\n]\nFirst off, you get the ammo, then you cock it (\nStraight up\n)\nFirst off, we had to blast off like a rocket (\nUh\n)\nI put the Patek water on, but I got options (\nIt's lit\n)\nPJ takin' off and I ain't stoppin', no\nLouis V belts, Louis V on my walls (\nYeah, yeah\n)\nFishscale, nigga, I can't fuck with no laws (\nYeah\n)\nLinda Farrow's what's on my lens, I see fugazi\nI should pimp this bitch and make her pay me\n[Outro: Future & \nTravis Scott\n]\nBack on the Forbes, shit crazy (\nYeah, yeah\n)\nI make more than Dwyane Wade, baby (\nYeah, yeah\n)\nI'm a street nigga and I stay faded\nNever worked in a gym, but I weighed it" } ]

[ { "from": "human", "value": "Write me a song called I Won with the following description: Originally dubbed “Trophy Wife,” this Metro Boomin-produced track finds Future and Yeezy toasting to the sweetest of arm candies over clashing snares and elephant feet drums. It even has its own game.\n“I Won” isn’t usually a term of endearment, but Future and Kanye West — both of whom are engaged to beautiful, famous women and are fathering children with them — built an entire song on the concept that there’s nothing more romantic than being dubbed life’s grand prize, having a person to spend the rest of their life with.\nFuture on working with Kanye:\nThat’s rare when you get a Kanye verse back in one day, so you know it’s one of them records when he does the verse and sends it back in 24 hours. That’s the icing on the cake with the album.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Metro Boomin]\n[Chorus: Future]\nI just want to take you out and show you off\nYou already know that you the perfect one\nGirl when I'm with you, feel like a champion\nEver since I got with you I feel like I done won me a trophy\nA trophy, I won me a trophy\nI won, I won, I won a trophy\nI just want to take you out and show you off\nYou already know that you the perfect one\nGirl when I'm with you, feel like a champion\nEver since I got with you I feel like I done won me a trophy\nTrophy, I won me a trophy\nA trophy, I won me a trophy\nTrophy, I won me a trophy\nA trophy\n[Verse 1: Future]\nGet to fuckin' on the dresser just to make that pussy wetter\nGotta put you in that vintage then you rockin' Perry Ellis\nThen I leave with you, only cause I believe in you\nWe get to bangin' on the walls just to piss the neighbors off\nYou and them 12 foot ceilings, I just painted the halls\nSo I can breathe with you\nI want to live my dream with you\nYou say that money don't matter it's the times and the memories\nAnd now that ass gettin' fatter and I know it's because of me\nI know it's because of me\nI know it's because of me, got you in custody\nWhoever knockin' at the door, they gotta wait 'til we finished\nI know I started at the bottom but that ain't where we endin' [Chorus: Future]\nI just want to take you out and show you off\nYou already know that you the perfect one\nGirl when I'm with you, feel like a champion\nEver since I got with you I feel like I done won me a trophy\nTrophy, I won me a trophy\nI won, I won, I won a trophy\nI won me a trophy\nTrophy, I won me a trophy\nA trophy\n[Verse 2: Kanye West]\nYou the number one trophy wife\nSo it's only right to live the trophy life\nYou grew up on J. Lo, Timberlands by Manolo now\n'Til one day I put an angel in your ultrasound\nI wanna dip that ass in gold, I wanna dip that ass in gold\nI made it over NBA, NFL players\nSo every time I score it's like the Super Bowl\nBaby, we should hit the south of France\nSo you could run around without them pants\nI put that glacier on your little hand\nNow that's the only thing without a tan\nMy trophy on that Bound bike, I gave you only pipe\nIf people don't hate then it won't be right\nYou could look at Kylie, Kendall, Kourtney and Khloe\nAll your Mama ever made was trophies, right? [Chorus: Future]\nI just want to take you out and show you off\nYou already know that you the perfect one\nGirl when I'm with you, feel like a champion\nEver since I got with you I feel like I done won me a trophy\nTrophy, I won me a trophy\nI won, I won, I won a trophy\nI won me a trophy\nTrophy, I won me a trophy\nA trophy" } ]

[ { "from": "human", "value": "Write me a song called Deserve with the following description: “Deserve” is a single by Kris Wu in collaboration with American rapper, Travis Scott. The track features mellow, harmonizing vocals and raps by the two artists. The song hit #1 on US iTunes Chart upon release making Kris the first Chinese artist to achieve this accomplishment.\nConsequently, the track became one of Kris' most successful singles in the USA. It earned Kris his first Billboard Hot R&B/Hip-Hop songs chart entry landing at #44 and a #4 spot on the Billboard Bubbling under Hot 100 chart.\nThis track was later added to Kris Wu’s debut album, Antares as the 12th track. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kris Wu & \nTravis Scott\n]\nYeah, yeah, yeah, yeah, yeah\nYeah, yeah, yeah, yeah, yah\n[Verse 1: Kris Wu & \nTravis Scott\n]\nI got all this money, so I know you won't expect this (\nyahhh\n)\nRunnin' on the low-low, but I know that you interested\nI just made a call, you and your girls is on the guest list (\nyah, yah\n)\nMaybe it's the liquor, but I swear I wanna French kiss\n (\nit's lit!\n)\nAnd that body on you girl, I promise that's impressive\nRollie on my wrist, I'm tryna chill, but still, I'm flexin'\nBaby, you a star and all these others girls is extras (\nyah\n)\nI been on the block, I'm trynna build with you like Tetris, oh\n (\nstraight up!\n)\n[Pre-Chorus: Kris Wu & \nTravis Scott\n]\nListen, listen, know you trippin', trippin', you won't catch me slippin', oh (\nyah, yah\n)\nRacks on me, spend it all on you, I ain't scared of tippin', oh\nFacts on me, I ain't spittin' fiction, say it with conviction, oh\nYou a vixen, I been checkin' for you, don't know what you missin' (\nyeah, yeah\n)\n[Chorus: Travis Scott & \nKris Wu\n (\nboth\n)]\nGirl, you know that you a freak, \nyeah, yeah, yeah\n (\nI know, I know\n)\nShawty, you belong to me, \nyeah, yeah, yeah\n (\nI know it all\n)\nLet me get you in your zone, \nyeah, yeah, yeah\n (\nall day, all night\n)\nMaybe we can take it home, \nyeah, yeah, yeah\n (\noh\n)\nGirl, you know that you a freak\n, \nyeah, yeah, yeah\n (\nI know, I know\n)\nShawty, you belong with me\n, \nyeah, yeah, yeah\n (yeah, yeah)\nLet me get you in your zone\n, \nyeah, yeah, yeah\n (\nalright, alright\n)\nBaby, you deserve a song\n, \nyeah, yeah, yeah\n (song) [Verse 2: Travis Scott & \nKris Wu\n]\nI might write a song about you tonight (\nyou tonight\n)\nYou the perfect melody for the life (\nand what I like\n)\nLet me make you famous, Michael Jackson dangerous\nYou my favorite song, add you to my playlist (\noh\n)\n[Pre-Chorus: Kris Wu & \nTravis Scott\n]\nListen, listen, know you trippin', trippin', you won't catch me slippin', oh (\nyah, yah\n)\nRacks on me, spend it all on you, I ain't scared of tippin', oh\nFacts on me, I ain't spittin' fiction, say it with conviction, oh\nYou a vixen, I been checkin' for you, don't know what you missin' (\nyeah, yeah\n)\n[Chorus: Travis Scott & \nKris Wu\n (\nboth\n)]\nGirl, you know that you a freak, \nyeah, yeah, yeah\n (\nI know, I know\n)\nShawty, you belong to me, \nyeah, yeah, yeah\n (\nI know it all\n)\nLet me get you in your zone, \nyeah, yeah, yeah\n (\nall day, all night\n)\nMaybe we can take it home, \nyeah, yeah, yeah\n (\noh\n)\nGirl, you know that you a freak\n, \nyeah, yeah, yeah\n (\nI know, I know\n)\nShawty, you belong with me\n, \nyeah, yeah, yeah\n (yeah, yeah)\nYou don't gotta sleep alone\n, \nyeah, yeah, yeah\n (\nalright, alright\n)\nBaby, you deserve a song\n, \nyeah, yeah, yeah\n (song)\n[Bridge: Travis Scott & \nKris Wu\n (\nboth\n)]\nGirl, you know that you a freak\nShawty, you belong with me\nLet me get you in your zone\nMaybe we can take it home\n, \nyeah, yeah, yeah [Chorus: Travis Scott & \nKris Wu\n (\nboth\n)]\nGirl, you know that you a freak, \nyeah, yeah, yeah\n (\nI know, I know\n)\nShawty, you belong to me, \nyeah, yeah, yeah\n (yeah, yeah)\nLet me get you in your zone, \nyeah, yeah, yeah\n (\nalright, alright\n)\nBaby, you deserve a song\n, \nyeah, yeah, yeah\n (song)\n[Outro: Kris Wu]\nBaby, you deserve a song, yeah, yeah, yeah\nBaby, you deserve a song, yeah, yeah, yeah\nBaby, you deserve a song, yeah, yeah, yeah\nBaby, you deserve a song, yeah, yeah, yeah" } ]

[ { "from": "human", "value": "Write me a song called Ain’t Mine with the following description: The thirteenth song off Migos’s mixtape Rich Nigga Timeline. The song was produced by CheeseBeats who also produced the hit “Handsome And Wealthy” and many more.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Quavo]\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nStop claimin' me bitch, you know you lyin'\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nYou can have that little bitty bitch, you know she ain't mine\nMost of these bitches ain't mine\n[Verse 1: Takeoff]\nMost of these bitches they ain't mine, nigga\nYou can have that bitch, I swear she ain't no dime, nigga\nShe no quarter, I won't spoil her\nThink she Moses when she cross the water\nImmigrant, she cross the border\nHow the fuck niggas say they can afford my bitches?\nIt's the same niggas rockin' Jordans\nPull up Trailblazer, like I'm in Portland\nWhite boy shoot better than Kyle Korver\n300 Spartans, my niggas immortal\nSellin' fishes, \nI got Nemo and Dory\nIn the swamp with gators like I'm in Florida\nTryna get rich like Richard Porter\nTakin' that Pyrex pot and glass bowl\nAnd stickin' my hand in that water\nIf the bitch try to take a quarter\nIt gon' be a homicide, \nLaw and Order\nIt's cheaper to leave her\nBut it's gon' cost you some money if you wanna spoil her\nShe got that Aquafina, call her water\nShe wanna ride on top of my Sequoia [Chorus: Quavo]\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nStop claimin' me bitch, you know you lyin'\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nYou can have that little bitty bitch, you know she ain't mine\nMost of these bitches ain't mine\n[Verse 2: Offset]\nYou cuffin' your ho and I'm fuckin' your ho\nLike a light, she can switch\nSloppy toppy, eat it, licorice\nWipe the gloss off your lip when you suck the dick\nWhy you claimin' a nigga? You know you ain't mine\nIt's time to cut her off, it's 'bout that time\nWhy the fuck you keep lyin'? You a little fine\nI'm not wastin' my time, only spend with dimes\nShe got the audacity say that we're married\nI'm chasin' a nigga like Tom & Jerry\nLook how she standin', she Halle Berry\nI laugh at the bitch like I'm Tyler Perry\nThe birds they be singin' like Mary Mary\nShe say she a virgin, don't got a cherry\nI'm not fuckin' no bitch if the pussy hairy\nI'm passin' your bitch like a Hail Mary\nShe wanna claim me cause I'm famous\nMexico groupie bitches, they be dangerous\nImmigrant bitches, they don't speak our language\nI don't fight over bitches, I leave your shirt painted\nInnocent bitches, they look like a model\nShaped like a bottle, they suck and they swallow\nLil' mama, she bad so niggas gon' holla\nAnd shouts out lil' mama, she only fuck ballers [Chorus: Quavo]\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nStop claimin' me bitch, you know you lyin'\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nYou can have that little bitty bitch, you know she ain't mine\nMost of these bitches ain't mine\n[Verse 3: Quavo]\nYou can have, she ain't mine\nNo, I don't want her\nI don't want her\nYes she's foreign, I caught her in Barcelona\nGot this Spanish lil' mama, like to drink Corona\nBut you can have her, she gon' instantly bend it over\nCuffin' bitches, I ain't worried 'bout it\nCause everybody know about it\nI pulled up to my mansion in the Audi\nSmashed and then she outtie\nSay she from New York, I had to call my nigga Rowdy\nHe told me that she goin' in, she got that sloppy toppy\nSo you know what I did?\nI got her suckin' me up in a Benz\nShe told me she wanted a threesome\nI told that lil' bitch call her friend\nWhen I pull, light the light, the Forgis slide\nYou must be blind if this money you think ain't mine [Chorus: Quavo]\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nStop claimin' me bitch, you know you lyin'\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nMost of these bitches ain't mine\nYou can have that little bitty bitch, you know she ain't mine\nMost of these bitches ain't mine" } ]

[ { "from": "human", "value": "Write me a song called Banana with the following description: One of the hardest tracks off of Rashad’s debut EP Cilvia Demo.\nHence, Isaiah Rashad calls it banana. A banana is a play on words for a hard dick, which he needs for the beat.\nRashad mentioned in a tweet that the song was named “Banana” as a symbol for Yellow Xanax pills, which are mentioned in the songs chorus.\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(Mrranamanamanamanamana)\nI gotta kinda sing it\n(Manamana)\n[Verse 1: Isaiah Rashad]\nYo, now ever since I was young, had a gift with the tongue\nThis shit might open the door (It might open the do')\nFruit loop for the young, honeycomb for some\n22, put piff in a bowl (Put piff in a bowl)\nAnd I was bending the corners, hot-boxin' the sauna\nI've been focused gettin' closer to goals (Gettin' closer to goals)\nAnd I be slippin' a bit, probably sippin' a bitch\nI ain't really into tippin' the hoes\nSee, my brother got weight, my sister at home (Yeah, yeah)\nWhen I get straight, my sister gettin flown (Yeah, yeah)\nCouple nephews, my niggas gettin' grown (Yeah, yeah)\nMikey D stay down, nigga gettin on (Yeah, yeah)\nCan I get a glass cup and a lil' Henny? (Yeah, yeah)\nI'm too cold but a little timid (Yeah, yeah)\nI blow checks save a lil' penny (Yeah, yeah)\nI'm too young for some big money, ooh\nCome girl get some dick from me (Ooh)\nMy job needs some piss from me, ugh (Ooh)\nLil' bro, can you fuck with me (Yeah, yeah)\nCame through at the last minute, ugh (Yeah, yeah)\nLiving, wasting my time, lacing with percs, purp in a bind\nHazy, oh baby, I'm better when blind\nI don't see nothin', it's perfect, it's fine (Yeah, yeah) [Chorus: Isaiah Rashad & SZA]\nWe are the young and Xanax, oh\nSee, there's nowhere to go\nTo hide from the lows (Ugh)\n'Cause we are the young and Xanax, oh (Yeah, bitch)\nSee, there's nowhere to go (Yeah, bitch)\nStuck on the high, yeah\n[Verse 2: Isaiah Rashad]\nAyy, my son sleep, I'm rollin it up, I don't sleep (Rollin' it)\nI'm runnin' for bucks, don't tweet (Runnin' for)\nYou fuckin' with us, I won't eat (Fuckin' with)\nStart stomping your feet, I need that (Stompin' ya)\nDepending on all of your feedback\nCome out to my show and come feed that\nCan't go back to sellin' that retail\nMy daddy left me with no details\nCame back with a bitch and a stepson (Yeah, yeah)\nI guess he forgot that he left somethin' (Yeah, yeah)\nHe must have been saving the best bum (Yeah, yeah)\nShe screaming out, \"Give me the rest, hun\" (Yeah, yeah)\nPearl necklace, I empty my left nut (Yeah, yeah)\nMost niggas can't fuck with my worst shit (Yeah, yeah)\nI'm scribing my living with curses (Yeah, yeah)\nJust wait 'til I get this shit perfect (Yeah, yeah)\nYou niggas can't fuck with my verses (Yeah, yeah)\nSee, Dave, he don't think that I'm 'bout this (Yeah, yeah)\nDon't make me come run in your houses (Yeah, yeah)\nWe know where your mom and your dad live (Yeah, yeah)\nOoh baby, it's Swayze, just mask us (Yeah, yeah)\nMy niggas got triggas and vastly (Yeah, yeah)\nDon't like how we living it lasts (Yeah, yeah)\nYou out of your trigger and backseat (Ooh)\nJust look at the shooter, it's Mike D (Ooh)\nYour rosary shining so nicely (Ooh)\nWe innocent kids if you ask me (Ooh)\nI rode in the Benz in the backseat (Yeah, yeah)\nThem vices, they swarm and attack me (Yeah, yeah)\nGod got me, that nine is upon me (Yeah, yeah)\nThat Juve, that Percy, that Bun B (Yeah, yeah)\nSoundtrack in this black while we dumping (Yeah, yeah) [Chorus: Isaiah Rashad & SZA]\nWe are the young and Xanax, oh\nSee, there's nowhere to go (Yeah, yeah)\nTo hide from the lows (Yeah-yeah, yeah)\n'Cause we are the young and Xanax, oh (Yeah, bitch)\nSee, there's nowhere to go (Yeah, bitch)\nStuck on the high, high, yeah" } ]

[ { "from": "human", "value": "Write me a song called Collard Greens with the following description: The second single from Q’s highly anticipated album Oxymoron, on which the West Coast superstar recruits close friend and fellow Black Hippy member Kendrick Lamar to spit a bilingual verse.\nIn an interview, Schoolboy Q says that the meaning of Collard Greens is actually money.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: ScHoolboy Q]\nYeah, yeah, yeah\nUh, uh\nYo, yo\n[Chorus: ScHoolboy Q]\nOh, oh, luxury\nChidi-ching-ching, could buy anything, cop that\nOh, oh, collard greens\nThree degrees low, make it hot for me, drop that\nOh, oh, down with the shit\nDrink this, smoke this, get down with the shit\nHey, oh, oh, down with the shit\nCop this, pop this, down with the shit\n[Verse 1: ScHoolboy Q]\nSmoke this, drink this, straight to my liver\nWatch this, no tick, yeah I'm the nigga\nGang rap, X-mas, smoke, shots I deliver\nFaded, Vegas, might sponsor the killer\nShake it, break it, hot-hot for the winter\nDrop it, cop it, eyes locked on your inner object\nRock it, blast-blast, new beginnings\nLovely, pinky how not I remember, fiendin'\nGive me, give me, give me some\nFreak the freckles off your face\nFrenchy, freakin', swappin' tongue\nClick my link and spread your buns\nLose your denim, make it numb\nBlow it, baby, no Saddam\n \n(Icky-icky, icky-icky)\nFuckin' in the car service, thank me for the car pool\nChromosome, part full, probly off a Norco\nAnd gas, not the Arco, poppin' since the intro\nYou shoppin' from the window, play my favorite tempo [Chorus: ScHoolboy Q]\nOh, oh, luxury\nChidi-ching-ching, could buy anything, cop that\nOh, oh, collard greens\nThree degrees low, make it hot for me, drop that\nOh, oh, down with that shit\nDrink this, smoke this, get down with the shit\nHey, oh, oh, down with the shit\nCop this, pop this, down with the shit\n[Verse 2: Kendrick Lamar]\nHold up, biatch! This yo' favorite song\nTranslation: \nVen aquí, mami, ese culo\nTú quieres coger mis huevos, y papi me desespero\nChuparse puto pendejo, el pinche cabrón\nLet's get it – nights like this, I'm a knight like this\nSword in my hand, I fight like this\nAnd I'm more than a man, I'm a god\nBitch, touché, en garde\nToupée drop and her two tits pop\nOut of that tank top and bra\nAnd when I say \"Doo-doo-doo-doo,\"\n \nbitch, that be K. Dot\nShe want some more of this\nI give her more of this, I owe her this\nIn fact, I know she miss the way I floored this, on forgis\nI know my Houston partners, drop a four on this\nAnd focus, and slow it down\nAlright, let me blow this bitch\nI'm famous, I blame this on you, cash in the mirror\nHang in my penthouse roof, skyline the clearest\nWatch it, your optics poppin' out, you look the weirdest\nPop my top on the 105, head with no power steerin', ah! [Chorus: ScHoolboy Q]\nOh, oh, luxury\nChidi-ching-ching, could buy anything, cop that\nOh, oh, collard greens\nThree degrees low, make it hot for me, drop that\nOh, oh, down with that shit\nDrink this, smoke this, get down with the shit\nHey, oh, oh, down with the shit\nCop this, pop this, down with the shit\n[Verse 3: ScHoolboy Q]\nBummy nigga famous, straight from the bottom\nBroke niggas hate it, still never robbed him\nGuns in the basement, out they have a problem\nKush be my fragrance, we love marijuana\nFunction on fire, burn the roof off this mothafucka\nPsych ward is ballin', go craze like no other\nWeed steady blowin', pass the blunt to my momma\nRuns in the family, puff-puff keep a nigga fiendin'\nFaded, faded, faded, right?\nShot glass super size, she gon' get some dick tonight\nMeet me at the W, and no, it's not the Westside\nStick it up your SoutHside\n \n(Icky-icky, icky-icky)\nBaller futuristic, groovy gangsta with an attitude\nWhat these niggas make a year\nI spend that on my daughter shoes\nSmokin' weed and drinkin', all the college students lovin' Q\nWe gon' turn it out until the neighbors wanna party too [Chorus: ScHoolboy Q]\nOh, oh, luxury\nChidi-ching-ching, could buy anything, cop that\nOh, oh, collard greens\nThree degrees low, make it hot for me, drop that\nOh, oh, down with that shit\nDrink this, smoke this, get down with the shit\nHey, oh, oh, down with the shit\nCop this, pop this, down with the shit" } ]

[ { "from": "human", "value": "Write me a song called Nothing Like Us with the following description: Bonus track on Justin Bieber’s second acoustic album Believe Acoustic.\nIn an interview with Billboard, Bieber confirmed the song is about what happened between him and his ex-girlfriend Selena Gomez:\nBecause at the end of the day, there’s nothing like us, you know? That’s just it. It is what it is. People are going to relate to that.\nJustin performed the song live for the first time on “Saturday Night Live”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOh-oh, oh-oh, oh-oh\n[Verse 1]\nLately I've been thinking, thinking 'bout what we had\nI know it was hard,\n \nit was all that we knew, yeah\nHave you been drinking to take all the pain away?\nI wish that I could give you what you deserve\n[Pre-Chorus]\n'Cause nothing can ever, ever replace you\nNothing can make me feel like you do\nYou know there's no one, I can relate to\nAnd know we won't find a love that's so true\n[Chorus]\nThere’s nothing like us, there’s nothing like you and me\nTogether through the storm\nThere's nothing like us, there's nothing like you and me\nTogether\n[Verse 2]\nI gave you everything, baby, everything I had to give\nGirl, why would you push me away? Yeah\nLost in confusion, like an illusion\nYou know I'm used to making your day [Pre-Chorus]\nBut that is the past now,\n \nwe didn't last now\nI guess that this is meant to be\nTell me was it worth it? We were so perfect\nBut baby I just want you to see\n[Chorus]\nThere's nothing like us, there's nothing like you and me\nTogether through the storm\nThere's nothing like us, there's nothing like you and me\nTogether\nThere's nothing like us, there's nothing like you and me\nTogether through the storm\nThere's nothing like us, there's nothing like you and me\nTogether" } ]

[ { "from": "human", "value": "Write me a song called Alien (Quavo & Offset Version) with the following description: This track serves as another demo for the leaked Kanye West song, “Alien”, which was reportedly expected to appear on his scrapped 2018 album Yandhi. This demo differs from the original version of “Alien” and features vocals from G.O.O.D. Music affiliates Quavo and Offset from the rap group Migos. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ant Clemons]\nDear ones, we are looking to bring you enlightenment\nTo offer illumination in stormy skies\nWe are here as beings of light\nBenevolent, invested in humanity and her evolution\nTelling my brothers to stay calm, though\nTurned to a Mothra, bro, this that Godzilla\nTurned to a monster, more like Othello\nPhantom of the opera, it goes where it goes\nMy nightmares still haunt me\nWhen I sleep, they haunt me\nWhen I sleep, they haunt me\nAnd my nightmares, they haunt me\nBut I won't let 'em get the best of me\n[Chorus: Quavo]\nI can dance with the devil, but I can't try to be God (Dance, nope)\nDamn, that's kinda odd, let you try to be better (Odd, you)\nPut these bitches on the pedestal (Bitch)\nI'mma eat her like an edible (Eat it up)\nThey love him, they call him incredible (Incredible)\nThey say fuck him he fresh out the medical (Fresh out the)\nMedical, Medical, Medical\n[Verse 1: Quavo]\nShe a bad bitch from out of town, she pop like this (Pop it, yeah)\nStop runnin' 'round town, sayin' you fucked my bitch (Quit cappin', stop it)\nThem young niggas runnin' down, we run right in (Runnin' in, runnin' in, runnin' in)\nI'm not talking 'bout a man unless it's Ben (No, Benjamin Franklin, racks)\nShe wanna go to the sunken place, told her to giddy up, ándale\n(Giddy up, sunken place!)\nPut you in brand new fabrics, let you go drip on the runway (Woop, drip)\nDemons they shake off my back when I walk into church on a Sunday (Help me, God!)\nNiggas don't know how to act, so that's why I bought a new AK\n(It go brrat, rah)\nChopper bullet gettin' off, everybody runnin' off (Hey, go)\nBad bitches love my dog (Bad)\nSend 'em back, they tell it all (Send 'em back, brrrrrrt, hey)\nOnly taking one call (One call, brrrrt)\nI'm not taking no calls [Chorus: Quavo]\nI can dance with the devil, but I can't try to be God (Dance, nope)\nDamn, that's kinda odd, let you try to be better (Odd, you)\nPut these bitches on the pedestal (Bitch)\nI'mma eat her like an edible (Eat it up)\nThey love him, they call him incredible (Incredible)\nThey say fuck him, he fresh out the medical (Fresh out the)\n[Verse 2: Offset]\nShe a dime out the ghetto\nNew Patek, now she walk the high pedestal\nPopped the Perc' down her throat like an edible\nI don't hang with no broke, they ineligible\nPut her on a jet, then I put her on flex\nLook at that ass, it stupid, Tourette's\nDo the whole dash and I pray I don't wreck\nBuy a bitch an ass, she was sittin' on flats\nWatchin' my back, don't slap, go attack\nHoppin' in the hatch, Richard Mille max\nYou wanna offer me a mil', you can have the deal back\nSticks in the field kill, pull your weave back\nPull her hair, break her back like a Kit Kat\nGive my dog a bone, that's a whole hunnid' racks\nHit 'em with a sig in the stomach, six pack\nServe a nigga bags, rob him, that's a recap\nBitch, give me neck 'til you break your kneecaps [Open Verse]" } ]

[ { "from": "human", "value": "Write me a song called The Driveway with the following description: “The Driveway” is the third song off Miley’s debut album, Breakout. Lyrically, the song is about the end of a long relationship.\nThis song’s demo was recorded by Katy Perry and was rumored to appear on her album. After getting dropped from her old record label, the song was sold to Miley, who wrote new verses, only keeping the chorus.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nAfter twelve, not so well\nWon't pretend it's too soon to tell what's around this bend\nNo disgrace about face\nAnything not to have to chase you down again\n[Pre-Chorus]\nYou know nothing hurts like losin'\nWhen you know it's really gone\nExcept for the pain of choosin' to hold too long\n[Chorus]\nI tried it your way\nBut I got nothing to show\nIt's been the same, same\nAnd the story's getting old\nSo I guess the driveway\nWill be the end of the road\nFor us, it's too late\nLet the credits start to roll\n[Verse 2]\nA lot to say, but not today\nLet the radio break the silence as we drive\nA kiss goodbye, not this time\nDon't remember what about this song I ever liked [Pre-Chorus]\nYou know nothing hurts like losin'\nWhen you know I'm already gone\nExcept for the pain of choosin' to hold too long\n[Chorus]\nI tried it your way\nBut I got nothing to show\nIt's been the same, same\nAnd the story's getting old\nSo I guess the driveway\nWill be the end of the road\nFor us, it's too late\nLet the credits start to roll\n[Bridge]\nI thought maybe we were gettin' somewhere\nBut we're still nowhere at all\nI watch your tail lights fading\nI try, but a tear won't fall\nI remember what it feels like\nTo know love and have it taken away\nCan't think of what I've learned right now\nBut I'll be thanking you someday\n[Chorus]\nI tried it your way\nBut I got nothing to show\nYou know it's been the same, same\nAnd the story's getting old\nSo I guess the driveway\nWill be the end of the road\nFor us, it's too late\nLet the credits start to roll [Outro]\nLet the credits start to roll\nSo I guess the driveway\nWill be the end of the road, be the end of the road\nWill be the end of the road, be the end of the road" } ]

[ { "from": "human", "value": "Write me a song called Live My Life with the following description: Single released by Far East Movement featuring Justin Bieber in 2012. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Justin Bieber]\nI'm gonna live my life\nNo matter what, we party tonight\nI’m gonna li-li-live my life\nI know that we gon' be alright\n[Refrain: Kev Nish]\nYo, hell yeah, dirty bass\nGhetto girl, you drive me crazy\nHell yeah, dirty bass\n[Verse 1: Kev Nish]\nYo, his beat make me go wow\nThis drink make me fall down\nI party hard like carnival let’s burn this motha' down\nThis bass make me go ache (Go ache)\nThis girls circus olay\nYou’re that telly cake with a Cali' shake\nI got dough, who’s down to fake\n[Pre-Chorus: J-Splif]\n(Oh my, dirty bass) Oh, you got it like that? I can work that bad\nLet me get that (Get your ass on the floor)\n(Oh my, dirty bass) Oh, you got that small? I can break that off\nLet me get that (Get your ass on the floor) [Chorus: Justin Bieber]\nI'm gonna live my life\nNo matter what, we party tonight\nI’m gonna li-li-live my life\nI know that we gon' be alright\nI'm gonna live my life\nNo matter what, we party tonight\nI’m gonna li-li-live my life\nI know that we gon' be alright\n[Post-Chorus: Justin Bieber]\nWhoa, oh-oh, whoa, oh-oh\nI know that we gon' be alright\nWhoa, oh-oh, whoa, oh-oh\nI know that we gon' be alright\n[Refrain: Kev Nish]\nYo, hell yeah, dirty bass\nGhetto girl, you drive me crazy\nHell yeah, dirty bass\n[Verse 2: Prohgress]\nNo matter where we be at, VIP or in the C'lac\nAll we need to start it is the speakers in my chit-chat\nI spot a couple hotties\nHolla, we’re the party, we that\nGirl move it like pilates, put your head where your knee at [Pre-Chorus: J-Splif]\n(Oh my, dirty bass) Oh, you got it like that? I can work that bad\nLet me get that (get your ass on the floor)\n(Oh my, dirty bass) Oh, you got that small? I can break that off\nLet me get that (Get your ass on the floor)\n[Chorus: Justin Bieber]\nI'm gonna live (Live) my life (My life)\nNo matter what, we party tonight\nI’m gonna li-li-live (Live) my life (My life)\nI know that we gon' be alright (Be alright)\nI'm gonna live my life\nNo matter what, we party tonight\nI’m gonna li-li-live my life (My life)\nI know that we gon' be alright (We gon' be alright)\n[Bridge: Kev Nish]\nThis is my moment tonight, hell yeah, we doing it right\nSo get your hands up in the air, like you're living your life\nThis is my moment tonight, hell yeah, we doing it right\nSo get your hands up in the air, like you living your life\n[Interlude: Kev Nish]\n(Like you're living your life)\n(Like you're living your life)\n(Like you're living your life) [Chorus: Justin Bieber]\nI'm gonna live my life\nNo matter what, we party tonight\nI’m gonna li-li-live my life (My life)\nI know that we gon' be, gon' be alright\n[Post-Chorus: Justin Bieber]\nWhoa, oh-oh, whoa, oh-oh\nI know that we gon' be alright\nWhoa, oh-oh, whoa, oh-oh\nI know that we gon' be alright (We gon' be alright)" } ]

[ { "from": "human", "value": "Write me a song called Second Emotion with the following description: “Second Emotion” features Justin and Houston rapper Travis Scott calling for their significant other’s support in their respective relationships, asking their partners to reciprocate the emotions they feel towards them.\nThe collaborative efforts behind “Second Emotion” were first teased by TMZ with an article published on January 3, 2020. The track was later confirmed to be on Justin’s fifth album, Changes, when the track listing for the record was released on February 5, 2020. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Justin Bieber]\nTry to bite my tongue, but I can't take it\nI got whiplash from me turnin' my head\nHave somewhere else to go, no, I can't make it\nI'd rather take my chance with you instead\nDo you second that emotion? (Do you?)\nDo you second that emotion? (Do you?)\nYou really got me open (Do you?)\nDo you second that emotion? (Do you?)\n[Verse 1: Justin Bieber]\nHigh heels on, heard you comin' 'fore I seent ya\nMovies all around, but you look like the feature\nHad another meeting, now my plan is to meet you\nGot my hands out, all I wanna do is reach ya\nAll I wanna do is greet ya\nInfatuated, sorry if I stare\nWhere you posted up? I wanna be there\nWay you curved up, it just ain't fair\nNo, it ain't\n[Chorus: Justin Bieber]\nTry to bite my tongue, but I can't take it\nI got whiplash from me turnin' my head\nHave somewhere else to go, no, I can't make it\nI'd rather take my chance with you instead\nDo you second that emotion? (Do you?)\nDo you second that emotion? (Do you?)\nYou really got me open (Do you?)\nDo you second that emotion? (Do you?) [Post-Chorus: Justin Bieber & \nTravis Scott\n]\nGot me feeling giddy (\nAh\n), like, \"La, la, la, la\" (\nYeah\n)\nStruck a match, you got me litty, like, \"La, la, la, la\" (\nIt's lit\n)\nYou got the keys to my city (\nOoh\n), like, \"La, la, la, la\" (\nStraight up\n)\nDo you second that emotion, baby? (\nAh, yeah\n)\n[Verse 2: Travis Scott]\nMmm, yeah\nOut to big boys (It's lit)\nSpring her off the hitch (Yeah), everything legit\nMovin' like the blitz (Blitz), crib like the Ritz (Like the Ritz)\nSo you know there's room (Skrrt)\nSo, baby, please\n(Hold up, nah, nah, nah, that was the first time she did that)\nDon't like to talk to bitch (Yeah), just like to play the wish\nI know the problem is they bothered by the kid (I'm tryna pop another one in)\nOh, you sent the jet out for me?\nYou tryna ball harder than me?\n[Verse 3: Justin Bieber]\nDid I come 'cross your radar?\nCross your mind now and later?\nDo you feel like you know me?\nIt's just a part of nature\nLet's ask each other questions\nCan we do each other favors?\nWould you mind the labor? Baby [Chorus: Justin Bieber]\nTry to bite my tongue, but I can't take it (Ooh-wee)\nI got whiplash from me turnin' my head (Hey, hey, hey)\nHave somewhere else to go, no, I can't make it (Ooh-wee)\nI'd rather take my chance with you instead\nDo you second that emotion? (Do you?)\nDo you second that emotion? (Do you?)\nYou really got me open (Do you?)\nDo you second that emotion? (Do you?)\n[Post-Chorus: Justin Bieber]\nGot me feeling giddy, like, \"La, la, la, la\"\nStruck a match, you got me litty, like, \"La, la, la, la\"\nYou got the keys to my city, like, \"La, la, la, la\"\nDo you second that emotion, baby?" } ]

[ { "from": "human", "value": "Write me a song called Shoot Up with the following description: “Shoot Up” is an unreleased collaboration between Kanye West, Santigold and Bon Iver. It’s unfinished; featuring mumbling in typical Kanye-fashion to help create a flow for the song. It leaked online on April 7, 2019, seemingly out-of-the-blue.\nThe time that the song was made is debated; the original leak claims that the song has ties to Kanye’s upcoming Yandhi. Some, however, believe it may date as far back as My Beautiful Dark Twisted Fantasy due to the Bon Iver feature. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Santigold, \nBon Iver\n & \nBoth\n]\nShoot up, shoot up, shoot up the station, TV's dead\nShoot up, shoot up, shoot up the station, TV's dead\nAh\n, \nshoot up, shoot up, shoot up\n the station, TV's dead\nAh\n, \nshoot up, shoot up, shoot up\n the station, TV's dead\n[Verse 1: Bon Iver]\nOh, never wanted it to roll away the stone\nThere's no road I've ever known\nNever, never, never know\nToday I'm feeling strong, baby\nToday I did it all alone\nI said I'm feeling really warm\nSo, baby, baby, baby, come on\n[Bridge: Kanye West]\nÉlan thoughts when your tons up, for 'em put your guns up\nOne dollar ones-up, mama put your ones up\nSay they wilding for\n[Chorus: Kanye West, \nSantigold\n, and \nboth\n]\nShoot up, shoot up, shoot up the station, TV sta-\ntion, oh\nShoot up, shoot up, shoot up the statio\nn, T\nV's dead\nI'm so tired of all the lights, I'm so tired of all the lies\nShoot up, shoot up, shoot up the station, TV's dead\nI'm so tired of all the cries, I'm so tired of sinful light\nShoot up, shoot up, shoot up the station, TV's dead [Verse 2: Kanye West]\nVore the night\nAnd maybe you'll get away tonight\nAnd maybe then the night's alright\nAnd maybe you'll want something of mine\nAnd we'll get on and get by\nAnd maybe we'll learn to belong too\nAnd maybe we'll learn to will mine\n'Cause I can't depend on the now new\nAnd these niggas don't come tonight\nRoll your guns up, roll your guns up\nThey got guns so you're gonna come\nRoll up your guns up, and nothin' left to do, but\n[Chorus: Kanye West, \nSantigold\n, and \nboth\n]\nShoot up, shoot up, shoot up the station, TV sta-\ntion\nShoot up, shoot up, shoot up the station, TV's dead\nAnd I'm so tired of all the lies, and I'm so tired of all the cries\nShoot up, shoot up, shoot up the station, TV's dead\nAnd I'm so tired of some that lie, I'm on the night just on a ride\nShoot up, shoot up, shoot up the station, TV's dead\n[Verse 3: Kanye West]\nAlright, sometimes the day's too long\nWhere would you go?\nSomebody known too long\nOoh, and now you know\nSo I can't keep 'em tonight, you want to?\nA'ight, oh, oh, oh\nAnd make another song 'til drift off, 'til I, 'til I, I\nShoot up the station, TV station\nWho knew there was nothing to do and everything to lose\nAnd there's not nothing left to do, but [Chorus: Kanye West, \nSantigold\n, and \nboth\n]\nShoot up, shoot up, shoot up the station, TV's dead\nI'm going to, and if you're with me\nShoot up\n, \nshoot up, shoot up the station,\n \nTV's dead\nIf you're tired of all the lies, if you're tired of all the cries\nShoot up, shoot up, shoot up the station, TV's dead\nNow if your signs aren't all that nice n' if you find someone for life\nShoot up, shoot up, shoot up the station, TV's dead\n[Outro: Kanye West]\nAnd if you're tired of all the lies n' then you're tired of all the cries\nIt won't consign until all we die\nAnd when you drab I'm still alive, still alive\nShoot up, shoot up, shoot up the station, yeah, yeah" } ]

[ { "from": "human", "value": "Write me a song called Paper, Scissors, Rock with the following description: “Paper, Scissors, Rock” is a reference to the popular children’s game by the same name where the objective is to beat your opponent—rock > scissors, scissors > paper, paper > rock. In the chorus, Chris can’t fathom why his girl would throw away what they had and comes to the conclusion that she played paper, scissors, rock and lost.\n“Paper, Scissors, Rock” marks the fifth collaboration between Chris and Sean following his contributions on Chris' November 2010 mixtape, In My Zone 2, and Sean’s March 2011 single, “My Last.” The track marks the first collaboration between Chris and Timbaland, who also produced “Talk Ya Ear Off” from the album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Timbaland]\nBaby girl, I think we need to sit and talk, talk, talk\nPlayin' with my money, paper, scissors, rock, rock, rock\nBlowin' up my heart then stick a pen and pop, pop, pop\nEither you stupid or don't know what you got, got, got\n[Pre-Chorus: Timbaland]\nI could be wrong, you could be right\nYou'll probably be alone, I'm probably not\nWell listen, girl, you're actin' like an idiot-ot-ot\nReally tryna love you but it's gettin' hard, hard, hard\n[Chorus: Chris Brown]\nIs you crazy? Did you lose it?\nAre you stupid? Are you foolish?\nGirl, I'm the only one like me on the planet\nIt don't take rocket science to understand it\nYou paper, scissors, rock my world, girl, am I the one you playin'?\nYou paper, scissors, rock my heart and throw it all away\nYou throw it away, throw it away, th-th-throw it away, throw it away\nPaper, scissors, rock my heart and throw it all away\n[Verse 2: Timbaland, \nTimbaland & Chris Brown\n]\nWell I can take you back to the spot where you was \nbought, bought, bought\nMake 'em return my paper, scissors, \nrock, rock, rock\nMaybe you can think about the shit and \nstop, stop, stop\nClimb up on this boat and show me how you \ndrop, drop, drop [Pre-Chorus: Timbaland & Chris Brown]\nI could be wrong, you could be right\nYou'll probably be alone, I'm probably not\nWell listen, girl, you're actin' like an idiot\nReally tryna love you but it's gettin' hard, hard, hard\n[Chorus: Chris Brown, \nBig Sean\n]\nI-I-Is you crazy? Did you lose it?\nA-A-Are you stupid? Are you foolish?\nGirl, I'm the only one like me on the planet\nIt don't take rocket science to understand it\nYou paper, scissors, rock my world, girl, am I the one you playin'?\nYou paper, scissors, rock my heart and throw it all away\nYou throw it away, throw it away, th-th-throw it away, throw it away\nPaper, scissors, rock my heart and throw it all away\n(\nB.I.G, boing, Sean Don, nigga\n)\n[Verse 3: Big Sean]\nOkay, woah there (Woah there), woah there (Woah there)\nIs your noodle? Cock-a-doodle?\nAre you crazy, crazy, crazy?\nDid you knock a couple screws loose?\nI-I-I know what time it is (Why?), only 'cause you cuckoo\nI got bitches jumpin' for me like a bouquet by the beaucoup (Boing, boing, boing)\nAre you tryna leave? Oh, you trippin', tie your shoe lace (You lil' bitch)\nYou's a dime bitch 'cause you two-faced (Two-faced)\nAnd you gave me heads and tails (Hahaha)\nThrow it at me, baby (Baby), I be the wishin' well (Yeah)\nFor real though, I know our shit's not perfect\nWe connected then need space, swear our love is written in cursive\nPut that rock up on your finger (Finger), paper in your hands (Hands)\nBut you can't cut me out (Out), bitch, this ain't no game [Chorus: Chris Brown, \nBig Sean\n]\nI-I-Is you crazy? Did you lose it? (\nBoing, boing\n)\nA-A-Are you stupid? Are you foolish? (\nYou crazy\n)\nGirl, I'm the only one like me on the planet\nIt don't take rocket science to understand it\nYou paper, scissors, rock my world, girl, am I the one you playin'? (\nOh, oh\n)\nYou paper, scissors, rock my heart and throw it all away\nYou throw it away, throw it away, th-th-throw it away, throw it away\nPaper, scissors, rock my heart and throw it all away" } ]

[ { "from": "human", "value": "Write me a song called Racks on Racks with the following description: On this track, Lil Pump raps about many recurring themes in his music – his wealth, drug use, sexual endeavors, and designer clothing.\nPump first previewed “Racks on Racks” on October 21, 2018, claiming that if the post received 500,000 comments, he would release the song.\nOn January 30, 2019, Pump announced that the song and its music video would be released on the following day. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDiablo on the beat, bitch\nHey, yeah, yeah\nOoh, ooh (Ayy)\n[Chorus]\nRacks on racks on racks on racks on racks on racks, bitch\n(Esskeetit, ooh)\nRacks on racks on racks on racks on racks on racks, bitch\n(Yuh, yuh, yuh, ooh)\nNone of my cars ain't rented\nAll matte black, my windows tinted (Ooh, brrt)\nFuck a bitch once say, \"Now I'm finished\"\nFuck a bitch once say, \"Now I'm finished\" (Yuh, yuh, yuh, let's go)\nRacks on racks on racks on racks on racks on racks, bitch\n (Esskeetit)\nRacks on racks on racks on racks on racks on racks, bitch\n(Bitch, bitch, bitch, esskeetit)\nNone of my cars ain't rented\nAll matte black, my windows tinted (Ooh)\nFuck a bitch once say, \"Now I'm finished\" (Ooh, ooh)\nFuck a bitch once say, \"Now I'm finished\" (Yuh, yuh, ooh)\n[Verse]\nFuck a bitch once say, \"Now I'm finished\" (Finished)\nPopped two Percs, now I don't feel it (Woo)\nIs you with it? Show me your titties (Titties)\nUgly ass hoes cannot come kick it (Brrt)\nOoh, all black Lambo (Lambo)\nI fuck a bitch in my Versace sandals (Sandals)\nGot a new bando, look like castle\nTold the bitch let me sniff coke off her asshole (Yuh, yuh, yuh, let's go)\n80 degrees, still wear Gucci fur coat (Brrt)\nBust in her face and she call it a facial (Facial)\nI left Patricia and now I'm with Rachel (Huh?)\nFell asleep on a Xan, woke up with bankroll (Goddamn)\nOoh, woo, woo, woo\nShe flash her titties out of the roof\nOoh, ooh, ooh, ooh (Brrt)\nI think I got some Molly in my tooth (Yuh) [Bridge]\nI could buy you coke, but can't buy you food (Food)\nTold the bitch come bring the food to my room (Uh-uh)\nBitch, what the fuck wrong with you?\n(What the fuck wrong with you, ho?)\nBitch, I love drank, bitch, I don't love you (I don't love you at all)\n[Chorus]\nRacks on racks on racks on racks on racks on racks, bitch\n(Esskeetit)\nRacks on racks on racks on racks on racks on racks, bitch\n(Yuh, yuh, yuh, ooh)\nNone of my cars ain't rented\nAll matte black, my windows tinted (Ooh, brrt)\nFuck a bitch once say, \"Now I'm finished\"\nFuck a bitch once say, \"Now I'm finished\" (Yuh, yuh, yuh, let's go)\nRacks on racks on racks on racks on racks on racks, bitch\n (Esskeetit)\nRacks on racks on racks on racks on racks on racks, bitch\n (Esskeetit)\nNone of my cars ain't rented\nAll matte black, my windows tinted (Ooh)\nFuck a bitch once say, \"Now I'm finished\" (Ooh, ooh)\nFuck a bitch once say, \"Now I'm finished\" (Yuh, yuh, ooh)" } ]

[ { "from": "human", "value": "Write me a song called Just Look Up with the following description: “Just Look Up” is a collaboration between Ariana Grande and Kid Cudi released on on December 3rd, 2021 for the film Don’t Look Up, in which both artists are also part of the cast. This marks the first time Ariana and Cudi worked together, both in the studio and on screen.\nSpeculations for a collaboration between the two artists started when it was announced that they would be featured in the movie. When the nominations for the 2021 Hollywood Music in Media Awards were published on November 4, the song’s title and writers were disclosed. Ariana was nominated in the “SONG – ONSCREEN PERFORMANCE” category, while the song was nominated in the “SONG – FEATURE FILM” category.\nThe track was later announced by Ariana and Cudi on December 1st on their social media accounts. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ariana Grande]\nMm-mm, hmm\nAh, ah\n[Verse 1: Ariana Grande]\nWe knew no bounds\nFell at the speed of sound\nRidin' against all odds, but soon against ourselves\nYou haunted every memory\nWith no goodbyes, all bad for me\nYour pride put out the fire in our flames\n[Pre-Chorus: Ariana Grande]\nThen just one look is all it takes\nI feel your eyes, they're locked on every part of me\nAnd then my dumb heart says\n[Chorus: Ariana Grande]\nJust look up\nThere is no place to hide\nTrue love doesn't die\nIt holds on tight and never lets you go\nJust look up\nYou cannot deny the signs\nWhat you'vе waited for\nDon't wait no more\nIt's right up above you\nJust look up [Verse 2: Kid Cudi & \nAriana Grande\n]\n(Baby)\nKnow I lеt you down, a nigga can't deny it (Uh-huh)\nAnd there's so much I could lose and, yes, that matters (Yeah)\nI've been dealin' with madness (Yo)\nWasn't the man you needed (Hmm)\nYou dealin' with sadness, truthfully, it's all on me (Hmm)\nAnd I'm sorry, my love\nI'ma heal your heart, I'll hold it in my hand (\nOoh, ah-ah\n)\nTime is oh so precious, we don't really have much left now (\nOoh\n)\nTake my hand, baby, never leave you, Riley\n[Verse 3: Ariana Grande]\nLook up, what he's really trying to say\nIs get your head out of your ass\nListen to the goddamn qualified scientists\nWe really fucked it up, fucked it up this time\nIt's so close, I can feel the heat big time\nAnd you can act like everything is alright\nBut this is probably happening in real time\nCelebrate or cry or pray, whatever it takes\nTo get you through the mess that we made\n'Cause tomorrow may never come\n[Chorus: Ariana Grande]\nJust look up\nTurn off that shit Box News\n'Cause you're about to die soon everybody\nOoh, I, I, oh, I\nLook up\nHere it comes\nI'm so glad I'm here with you forever\nIn your arms" } ]

[ { "from": "human", "value": "Write me a song called 1 Arm with the following description: 1 Arm is another track by Lil Wayne and Juelz Santana that was leaked. There is a very high chance this song was supposed to be on their collaboration album I Can’t Feel My Face.\nAs stated by the producer Streetrunner, this track was created in 2006. On August 25, 2016, he decided to release a properly mixed/mastered version of this song as a #ThrowbackThursday.\nThis song was made back in 2006 so its officially 10yrs old. Shout out my guy DannyBoyStylesXO who laced the rock vocals. Also shout out Infamous on the guitars. Mixed and mastered by Tommy Peluso\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne]\n(\nWhat is this?!\n)\nMic check\n(\nI can't feel my fucking face!\n)\nI can't feel my face, bitch\n[Verse 1: Lil Wayne]\nLouisiana live wire, New Orleans nightmare\nGot these niggas scared, they growin' white hair\nI'm from the swamp, lil' mud on my Nike airs\nStomp in your face, lil' blood on my Nike airs\nStomp in your face 'til your face says Nike air\nI'm with my pack and we attack like bears\nAnd we can go anywhere like air\nMotherfuckin' temper shiftin' like bike gears\nHead high, I got the world on my back\nThey told me I can turn around, but never look down\nThey told me if I shoot the AK I better aim down\nThey say even a train collision produces the same sound\nI said, \"Wow,\" And I went and got two too\nSo you better be listenin' for that choo choo\nSoowoo!\n[Chorus: Lil Wayne]\nI ain't really the nigga you gon' really wanna front on\nI put your whole life on your front lawn, come on\nStunt on some shit that none on, gun on\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm [Verse 2: Juelz Santana]\nBig city terrorizers\nYou can bet some dollars (Boy)\nMy guns touch kids like pedafilers\nI stretch 'em out, I'm the exerciser\nGun in his mouth like a breathalyzer\nSwallow lead saliva\nYou ain't straight I'ma twelve o'clock ya\nNiggas pour cement on your body and cinder block ya\nBut I really think they shocked at how clear my rocks are (Why?)\nMy neck look like shots of vodka (Damn)\nBut them boys don't want it with me, I'm on that rah-rah\nUh-huh, they sweet like peach cobbler\nMy bills gotta be paid, my kid gotta get fed\nSo if a nigga gotta lay down I'm makin' his bed\nSo I hope he like his sheets red (Red)\nMedium rare, I hope he like his meat red\nBlrrat, you see my homies dressed in deep red? (Red)\nThey scramble niggas hope you eat eggs\n151st bitch!\n[Chorus: Lil Wayne]\nI ain't really the nigga you gon' really wanna front on\nI put your whole life on your front lawn, come on\nStunt on some shit that none on, gun on\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm [Verse 3: Juelz Santana]\nThey say God protect fools and babies\nI'm a G, so I depend on my tool for safety\nI roll on niggas like Skate Key, skatepark\nTony Hawk\n on a skateboard, who's fuckin' with me?\nOne arm on the wheel, one arm on the steel\nCould it be I'm crazy, Gnarls Barkley for real\nYou play dumb and you lay numb\nFace flung like when then bad demo tapes come\n[Verse 4: Lil Wayne]\nYeah, the world is so heavy, and my gun is too\nSo how can I take your light when it's dark in the room?\nAnd that mean it's nighttime, so I talk to the moon\nAnd it tells me that I'm flier than the straws on a broom\nYes I am wicked, but the witch is dead\nAnd I don't care what niggas say, nor what bitches said\nWheat, white, green, all kind of different bread\nPush my eraser, and I will give you lead\n[Chorus: Lil Wayne]\nI ain't really the nigga you gon' really wanna front on\nI put your whole life on your front lawn, come on\nStunt on some shit that none on, gun on\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm\nI can drive the whip and work the toolie whop with one arm" } ]

[ { "from": "human", "value": "Write me a song called At All Costs with the following description: Though Asha (voiced by Ariana DeBose) has been informed that the king (Chris Pine) will not show her where he keeps the wishes of his subjects, her interview impresses him enough that he does this without being asked. While she sings about their beauty, he sings about the need to keep them locked up.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: KING MAGNIFICO]\nIf happiness was a tangible thing\nIt would be you\nIf you'd have told me the feeling you'd bring\nI'd think it untrue\nAnd people search for a wonder like you\nAll of their lives\nYou still amaze me after all this time\n[Pre-Chorus: KING MAGNIFICO]\nYou pull me in like some kind of wind\nMesmerized by the hold I'm in\nLeave you here, I don't wanna\nI wanna\n[Chorus: KING MAGNIFICO]\nPromise as one does\nI, I will protect you at all costs\nKeep you safe here in my arms\nI, I will protect you at all costs\nAt all costs\n[Verse 2: ASHA]\nWhat's pain when I look at you? No way\nI could explain you, even if tried to\nI'll never dream like used to do\nIf someone tried to hurt you, I don't\nSee how that could happen\nI'd fight for you in ways you can't imagine\nFelt this, no, I haven't, I hope\nIt would be all right to stay right here beside you [Chorus: ASHA & KING MAGNIFICO]\nAnd promise as one does\nI, I will protect you at all costs\nKeep you safe here in my arms\nI, I will protect you at all costs\nAt all costs\n[Bridge: ASHA & KING MAGNIFICO]\nIf you're ever feeling like you're lost\nI will come find you\nMan all fronts, there's no ocean I won't swim across\nTo be right by you\nAnd not just once, here and now I swear on my response\nI'll remind you\n[Chorus: ASHA & KING MAGNIFICO]\nAnd promise as one does\nI, I will protect you at all costs\nKeep you safe here in my arms\nI, I will protect you at all costs\nAt all costs" } ]

[ { "from": "human", "value": "Write me a song called Our House with the following description: “Our House” is used as a metaphor for the rap game. Royce, Joell, Eminem, Joe and Crooked I have all payed their dues and now it’s their time to be on top, warning everyone that the industry is their house now.\nThe placement of “Our House” on Welcome To: Our House may also indicate that their house is their album, as “Our House” is the first full-length song, following the intro skit “The Slaughter.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus 1: Eminem, \nRoyce da 5'9\"\n]\nI wanna be the best who ever did it\nDon't know if that goal's feasible or it isn't\nBut if it is, then, God, if you're listenin'\nPlease grant me the strength to crush all competition\nYou can't blame me for dreamin', I'm a dreamer\nAnd if I'm comin' off brash, please forgive me, but that's all I want\nI just wanna be the illest MC\n, that's all I want\nThe same time bein' as real as can be\n[Verse 1: Royce Da 5'9\"]\nMayhem, sickness, murder, horror\nThese are the kind of words that describe my aura, \nG Rap\nRas Kass, Kurupt, Redman\nI am cut from that cloth\n, write a rhyme about me, you a dead man\nCool J, \"I'm Bad\" video, learned the whole\nRoutine and performed it for my father's friends while they smoked and drank\nSymphony, D.O.C. inspired me to write what\nWould eventually put me on airplanes like B.o.B\nCanibus, Wu-Tang, you know our history, but hats off\nWhen we rap this Jack Frost, we outline the track chalk\nThank God for the one-two cadence\nThank God for the lunchroom tables\nI'm tryna be the sickest nigga, dead or alive\nAnd if I happen to fall short, it's been one hell of a ride\nChronic 1 and 2, lookin' up at the sky, at the sun\nUp until the day the sun is you\nYou listenin' to hip-hop, you in Jay' house, Wayne' house\nNas' house, Em' house, \nour house [Chorus 2: Skylar Grey]\nSo welcome\nTo our house\nWhere no one\nComes back out\nYou won't find\nComfort\nIn here\nIn here\nIn here\n[Verse 2: Joell Ortiz]\nWhen I was a little boy, I wanted to be a rapper\nWanted to be on the radio and snappin' pictures after\nAnd so I grabbed my pen and pad and scribbled chitter chatter\nIt started off wack, but in the words of a ten-year-old, my shit was gettin' phatter\nI hit the studio at sixteen, stupid ill\nNot knowin' how the booth would feel, what's ADAT's and two-inch reel?\nHow you ad-lib? \nWhat's a punch? I ain't a boxer\nBut I, sure enough, learned the ropes, look, D and Mike, ya made a monster\nNow every day's a game of Contra, I got ninety-nine men\nAn infinite amount of rounds inside this mighty fine pen\nThis is my dream, don't fuck with it, I'm tellin' you\n'Cause anyone can get dusted as long as production is available\nI'm disgusted as a fan, look how niggas soundin', damn\nWeak head: y'all suck bad, fuck swag and your kicks from South Japan\nI'm finna to be the best in this profession, I been invested all my life\nSo wipe your feet before you step in \nour house [Chorus 2: Skylar Grey]\nSo welcome\nTo our house\nWhere no one\nComes back out\nYou won't find\nComfort\nIn here\nIn here\nIn here\n[Chorus 1: Eminem, \nJoe Budden\n, \nCrooked I\n]\nI wanna be the best who ever did it\nDon't know if that goal's feasible or it isn't\nBut if it is, then, God, if you're listenin'\nPlease grant me the strength to crush all competition\nYou can't blame me for dreamin', I'm a dreamer\nAnd if I'm comin' off brash, please forgive me, but that's all I want\nI just wanna be the illest MC\n, that's all I want\nSame time bein' as real as can be\n (\nYo\n)\n[Verse 3: Crooked I]\nIn my house, the lights out, no utilities in the facility\nFeelin' my life's 'bout to wipe out, these feelings I feelin' be killin' me\nI pull a mic out, can't strike out, 'cause if winnin' is really my enemy\nI pull a 9 out, blow my mind out, is the end of me really serenity?\n Man\nIn my house, it's rap or die, get a piece of that apple pie\nLife is a Pharcyde song, and that bitch just passed us by\nSo I got lyrically complex, that way, I could clock checks\nGet my moms out the projects with these concepts, competition can't digest\nAnd then I stress 'cause the road is rough, I start feelin' like shit's sour\nThe electricity in my willpower could still power the Twin Towers\nFor ten hours\n, so send cowards the message from Crooked I\nRoyce da 5', Joe Budden, Em', Yaowa [Verse 4: Eminem]\nIn our\nHouse, we spit like Sig Sauers, the way I feel now I could spit for six hours\nStraight, only way to be great is to dig down, if you could hear the sound in-\nSide my head sounds like a fuckin' drive-by, that's what the inside of my mind's like\nLookin' back on my career, even hindsights, tunnel vision, 5 mics\nNever wanted that so bad, felt like I could go mad, \nnomad with a notepad\nGo Taz, spaz on these ho bags, it bothered me, but I never wanna show that\nJust don't act like it ever does\n even though you know that there will never come\nA day someone blows past you, never was someone who's as dope as you ever was, and you hope that's\nTrue 'cause the competitor in you couldn't let somebody be better than you, and you know that\nSo you don't ever hold back, what? You're gonna go back to workin' a regular job?\nFuck that, \nI'ma go hard, grab on my gonads, tell 'em fuck theyself\nThey call me a wigger like Renee Zell'\n, \nbut I raised hell like a stay-at-home dad\nRap is the only thing that I was ever really bad to the bone at\nGuess I'm similar to \ngangrene\n, when I'm angry, then I'm \nHulk Smash\nSo much passion but no compassion\n, if eyes are the windows to the soul\nThen it's broken glass, and there's no trespassin', a'ight, now here we go\nDre stamped me, now I'm stampin' Yelawolf, get ready for the most competitive\nClique in the world, \nit's like \nClash of the Titans\n, I released the cracker\n, it's time to set it again\nAnd when it's said and it's all done, none shall ever fuck with this squadron\nSo come on in at your own risk, this is \nour house\n, bitch!\n[Chorus 2: Skylar Grey]\nSo welcome\nTo our house\nWhere no one\nComes back out\nYou won't find\nComfort\nIn here\nIn here\nIn here" } ]

[ { "from": "human", "value": "Write me a song called Little More (Royalty) with the following description: “Little More (Royalty)” is dedicated to Chris' firstborn daughter, Royalty Brown, who he cherishes dearly. The demo track leaked in November 2015 and minimal lyrics changes were made in the second version in the final version.\n“Little More (Royalty)” concludes Chris' linear 8-part music video narrative in which his displays his faults and flaws as a man, which is rounded off by this song symbolizing how his daughter changed him for the better. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nWake me up before you go\nOoh, I need a little more, just a little more\nA little more of your love, oh\nWake me up before you go\nOoh, I need a little more, just a little more\nA little more of your love\n[Verse 1]\nOh, I need a jumpstart\nWhen you call me, I'm runnin' to ya\nGimme a headstart\nThank God, gonna have me like hallelujah\nEven though I'm a man, girl, you're makin' me feel like a baby\nOoh, girl, when you lay in my arms\nI'll take advantage of the moment\nGirl, the way you make me smile is the definition of a real lady\n[Refrain]\nSo before I go to work, can I ask you for a favor?\n[Chorus]\nWake me up before you go\nOoh, I need a little more, just a little more\nA little more of your love\nWake me up before you go\nOoh, I need a little more, just a little more\nA little more of your love [Post-Chorus]\n'Cause your love (Your love), your love (Your love), your love\nWake me up with some more of your love\n'Cause your love (Your love), your love (Your love), your love\nWake me up with some more of your love\n[Verse 2]\nWoah, I need a back talk\nGirl, I'm your daddy, no sass talk\nOh, baby girl, you inspire me\nGive me the reason to keep on\nMy baby, my Royalty\nGirl, you're the lyrics to my song\nGirl, you got this heart lock on me\nI don't think I can control it\nI hold on with all my might while you look at me in my eye\nLike a vitamin, you put back my energy\nYou're makin' me stronger\nYou bring out the best of me\n[Refrain]\nSo before I go to work, can I ask you a favor?\n[Chorus]\nWake me up before you go\nOoh, I need a little more, just a little more\nA little more of your love\nWake me up before you go\nOoh, I need a little more, just a little more\nA little more of your love [Post-Chorus]\n'Cause your love (Your love), your love (Your love), your love\nWake me up with some more of your love\n'Cause your love (Your love), your love (Your love), your love\nWake me up with some more of your love" } ]

[ { "from": "human", "value": "Write me a song called Without You with the following description: “Without You” was originally sung by Badfinger and later Nilsson back in the ‘70s.\nMariah’s version of the song peaked at #3 on the Billboard Hot 100 and #4 on Billboard’s Adult Contemporary chart in 1994. It also peaked at #7 on Billboard’s R&B chart.\nInternationally, the song was successful, topping the charts in the U.K. and Europe.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNo, I can't forget this evenin', or your face as you were leavin'\nBut I guess that's just the way the story goes\nYou always smile, but in your eyes your sorrow shows\nYes, it shows\n[Verse 2]\nNo, I can't forget tomorrow when I think of all my sorrow\nWhen I had you there, but then I let you go\nAnd now it's only fair that I should let you know\nWhat you should know\n[Chorus]\nI can't live if living is without you\nI can't live, I can't give anymore\nI can't live if living is without you\nI can't give, I can't give anymore\n[Verse 1]\nWell, I can't forget this evenin' or your face as you were leavin'\nBut I guess that's just the way the story goes\nYou always smile, but in your eyes, your sorrow shows\nYes, it's shows\n[Chorus]\nI can't live if living is without you\nI can't live, I can't give anymore\nI can't live if living is without you\nI can't live, I can't give anymore [Outro]\nNo, I can't live, no, I can't live\nNo, I, no, no, no, no, I\nCan't live (\nNo, I can't live\n) if living is without you (\nNo, I can't live\n)\nI can't live, I can't give anymore\nCan't live (\nNo, I can't live, no, I can't live\n)\nNo, no, I, no, no, no, no, I" } ]

[ { "from": "human", "value": "Write me a song called Homecoming with the following description: Interpolating a line from Common’s “I Used To Love H.E.R.,” Kanye uses extended metaphor to describe his feelings for Chicago, his home, by comparing it to a lost girlfriend.\nYe had these lines kicking around for a while: they originally appeared on his debut mixtape Get Well Soon.. (which was made up of material recorded before The College Dropout) in a song called “Home.”\nFor “Homecoming,” he replaced that song’s soul sample with a looped piano, switched out the John Legend hook for a different one from Coldplay frontman Chris Martin, and rerecorded his original verse as two separate verses. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West]\nYeah\nAnd you say Chi city!\nChi city! Chi city!\n[Chorus: Chris Martin & \nKanye West\n]\nI'm comin' home again\nDo you think about me now and then? \n(Yeah)\nDo you think about me now and then?\n'Cause I'm comin' home again \n(Ow!)\n-Min' home again\n[Verse 1: Kanye West]\nI met this girl when I was three years old\nAnd what I loved most, she had so much soul\nShe said, \"Excuse me, little homie, I know you don't know me, but\nMy name is Windy and I like to blow trees,\" and\nFrom that point, I'd never blow her off\nNiggas come from out of town, I like to show her off\nThey like to act tough, she like to tow 'em off\nAnd make 'em straighten up their hat 'cause she know they soft\nAnd when I grew up, she showed me how to go downtown\nIn the nighttime, her face lit up, so astoundin'\nI told her in my heart is where she'll always be\nShe never messed with entertainers 'cause they always leave\nShe said, \"It felt like they walked and drove on me\"\nKnew I was gang affiliated, got on TV and told on me\nI guess that's why last winter she got so cold on me\nShe said, \"Ye, keep makin' that, keep makin' that platinum and gold for me\" [Chorus: Chris Martin]\nI'm comin' home again\nDo you think about me now and then?\nDo you think about me now and then?\n'Cause I'm comin' home again\n-Min' home again\nDo you think about me now and then?\nDo you think about me now and then? Oh!\nNow I'm comin' home again\nMaybe we can start again\n[Verse 2: Kanye West]\nBut if you really cared for her\nThen you wouldn't've never hit the airport to follow your dreams\nSometimes I still talk to her\nBut when I talk to her, it always seems like she talkin' 'bout me\nShe said, \"You left your kids, and they just like you\nThey wanna rap and make soul beats just like you\nBut they just not you,\" and I just got through\nTalkin' 'bout what niggas tryin' to do just not new\nNow everybody got the game figured out all wrong\nI guess you never know what you got 'til it's gone\nI guess that's why I'm here and I can't come back home\nAnd guess when I heard that? When I was back home\nEvery interview, I'm representin' you, makin' you proud\nReach for the stars, so if you fall, you land on a cloud\nJump in the crowd, spark your lighters, wave 'em around\nIf you don't know by now, I'm talkin' 'bout Chi-Town [Chorus: Chris Martin]\nI'm comin' home again\nDo you think about me now and then?\nDo you think about me now and then?\n'Cause I'm comin' home again\n-Min' home again\nBaby, do you remember when\nFireworks at Lake Michigan? Oh!\nNow I'm comin' home again\n-Min' home again\nBaby, do you remember when\nFireworks at Lake Michigan? Oh!\nNow I'm comin' home again\nMaybe we can start again\n[Outro: Chris Martin]\nLoy-oy-al, loy-oy-al\nComin' home again\nLoy-oy-al, loy-oy-al\nComin' home again\nMaybe we can start again" } ]

[ { "from": "human", "value": "Write me a song called My Life with the following description: On “My Life,” NF speaks to his sister about change. While not much is known about NF’s family other than his mother’s overdose, what we are told here is that—in the first verse—Nathan considers his sister to be addicted to both alcohol and smoking, even going as far as to call her living room “smoke-filled.”\nThough Nathan says they don’t share many of the same feelings in life, he continues through by showing her love and giving her advice along the way—even mentioning his regret for the past, wishing that they could have been closer and that their relationship would have been built stronger.\nThe majority of the second verse can also be found in “Vibin'”—an unreleased song with an entirely different mood. The “hype” song was one that NF had set up for the 2017 Therapy Session Tour, even letting fans know beforehand that it would not make an appearance on Perception. Here’s a clip to show the contrast of the two:\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, look\n[Verse 1]\nI mean this with love when I say it\nI wanna answer the phone when you call me\nThe problem is, it's 10 a.m. and you're already drinkin'\nYou're probably already wasted\nWhat's the point in having conversation with somebody that\nWon't remember we had conversations, yeah, we always talk about the same things, we just say 'em different\nTry to fix it, crazy, isn't it?\nYou say, \"Mom was always proud\" and played the videos of us as kids, I get it\nI think that both of us live in the past, so we take for granted the present\nMaybe next time I'm in Michigan, I'll come and visit\nWe ain't got a lot in common but both of us miss her\nWe could sit inside your smoke-filled livin' room, and tear up together, that's real\n[Chorus]\nI might do some things you don't like\nWe all make mistakes, that's just life\nThey might say I changed, that's alright\nThat's alright, that's alright\nThat's just my life, my life, my life, my life (My life, my life)\nThat's just my life, my life, my life, my life (That's just my)\nThat's just my life, my life, my life, my life (My life, my life)\nThat's just my life, my life, my life, my life (My life, my life, my life, my)\nMy life, my life [Verse 2]\nYou know my patience is very thin\nWish I was there again\nI'm not embarrassed to say that we've always had issues\nI'm embarrassed to say that we never took care of 'em, yeah\nPain will always find its way to the surface\nNo matter how deep you bury him\nGrowin' up, I felt like no one ever really got me, eventually\nI took that out on relationships (Woo!)\nI put my arm around you, and I mean it, I love you to death\nThese are the moments I know I'ma always hold onto and cherish 'em, yeah\nLife's about taking chances, making moves\nNot about what you did, it's what you do\nBuild on what you got and learn from what you lose\nAnd never let people distract you from being you\n[Chorus]\nI might do some things you don't like (Yeah)\nWe all make mistakes, that's just life (Life)\nThey might say I changed, that's alright (That's alright)\nThat's alright, that's alright\nThat's just my life, my life, my life, my life (My life, my life)\nThat's just my life, my life, my life, my life (That's just my)\nThat's just my life, my life, my life, my life (My life, my life)\nThat's just my life, my life, my life, my life\nMy life, my life [Bridge]\nYeah, that's just my, that's just my, that's just my\nThat's just my, that's just my, that's just my\nThat's just my, that's just my, that's just my\n(Oh no, no)\nYeah, that's just my, that's just my, that's just my\nThat's just my, that's just my, that's just my\nThat's just my, that's just my, that's just my\nLife\n[Outro]\nThat's just my life, my life, my life, my life (My life, my life)\nThat's just my life, my life, my life, my life\nYeah, that's just my life, my life, my life, my life (My life, my life)\nThat's just my life, my life (That's just my, that's just my)\nMy life, my life\nMy life, my life\nMy life, my life\nYeah, that's just my life" } ]

[ { "from": "human", "value": "Write me a song called Corazón (English Version) with the following description: Français :\nCe featuring inattendu entre le rappeur américain Lil Wayne et le français Maître Gims repose sur le remix de la chanson éponyme de Maître Gims : “Corazón”.\nUn clip serait bientôt diffusé, selon une story Instagram postée par Maître Gims :\n\nEnglish:\nThis unexpected featuring between the American MC Lil Wayne and the French rapper Maître Gims is a remix of Maître Gims’s original song “Corazón”.\nThe music video is allegedly soon to be released, according to an Instagram story posted by Maître Gims:\n\nTranslation: Thanks Weezy, see you in Miami for the music video Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro : Maître Gims]\nCorazón\n[Refrain : Maître Gims]\nCorazón, forever on my knees and what I get I need\nMi corazón, for everything I fight, for every little lie\nMi corazón, forever in your place, forever part of me\nMi corazón, corazón, corazón\n[Couplet 1 : Maître Gims]\nOk, now, I don’t mind if the shadow’s heavy\n'Cause I can make it right only if you let me\nEverything you’re hiding I know already\nWhen we get slow, you go, I get it\nFeeling all alone and I run with it\nNow you got a home, got a home let me in\nI can make it right, baby, if you admit it\nOooh\n[Pont: Maître Gims]\n(Corazón) 'Cause everybody got a light, baby, you’re the light inside of me\n(Corazón) Tell me what I gotta do, baby I’m the light inside of you\n(Corazón) 'Cause everybody got a light, baby you’re the light inside of me\n(Corazón) Tell me what I gotta do, baby, I can be the heart in you\n[Refrain : Maître Gims]\nCorazón, forever on my knees and what I get I need\nMi corazón, for everything I fight, for every little lie\nMi corazón, forever in your place, forever part of me\nMi corazón, corazón, corazón [Couplet 2 : Lil Wayne, \nMaître Gims\n]\nPardon my French\nIt's Weezy F., the F is for French, my heart in this shit\nI’m balling my fist, counting every call that I missed\nAnd then I looked up at the stars and they all made a wish\nI’m falling forever, that just means I’m sent from heaven\nLand on a broken heart, put it back together\nMy act together, your man heart black as leather\nMe and you could get together and make nasty weather \n(corazón)\nHer name was Marie, I met her in Paris\nShe a thief 'cause she stole my \ncorazón\nShe love to hear it beat, I love her from her head to her feet\nShe my sweet sweet \ncorazón\nWarm hearted hot French missis\nFrench kissing and she got that french dip, I frenched it\nAnd tell your boyfriend, listen I am what you’ve been missing\nTunechi got your corozón skipping\nCorazón\nAu revoir\n[Refrain : Maître Gims]\nForever on my knees and what I get I need\nMi corazón, for everything I fight, for every little lie\nMi corazón, forever in your place, forever part of me\nMi corazón, corazón, corazón [Pont : Maître Gims]\nEt tu es rentrée dans ma tête, ce jour-là, comme une maladie\nEt, ce que tu m'as dit, je l'ai en mélodie\nTu es rentrée dans ma tête, ce jour-là, comme une maladie\nEt, ce que tu m'as dit, je l'ai en mélodie\nEt tu es rentrée dans ma tête, ce jour-là, comme une maladie\nEt, ce que tu m'as dit, je l'ai en mélodie\nTu es rentrée dans ma tête, ce jour-là, comme une maladie\nEt, ce que tu m'as dit, je l'ai en mélodie\n[Refrain : Maître Gims]\nCorazón, forever on my knees and what I get I need\nMi corazón, for everything I fight, for every little lie\nMi corazón, forever in your place, forever part of me\nMi corazón, corazón\nCorazón, forever on my knees and what I get I need\nMi corazón, for everything I fight, for every little lie\nMi corazón, forever in your place, forever part of me\nMi corazón, corazón, corazón\n[Outro : Maître Gims]\nCorazón\nCorazón\nCorazón" } ]

[ { "from": "human", "value": "Write me a song called Armada Latina with the following description: On “Armada Latina”, Cypress Hill, the first big Cuban-American hip-hop act (and the first big Latino hip-hop act for that matter) get together with Pitbull, the most prominent Latino in hip-hop of his generation, who happens to also be Cuban-American and Marc Anthony, a Puerto Rican-American, who sings the hook. It heavily samples the Crosby Stills & Nash song “Suite: Judy Blue Eyes”.\nThe song almost appeared on the US pop chart, reaching #6 on the Bubbling Under Hot 100 Chart in early 2010. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Marc Anthony]\nAy Caribe el tierra del mi gente hermosa\n \n(Armada Latina)\nCielo y Sol, me acompanan donde quiera\n \n(mi fama hispana)\nHermanito la lucha recien que empieza\n \n(hermano ponle gana)\nYo naci con sangre Taina, yo naci\n[Verse 1: B-Real]\nCame out the gutter man, southern land\nDidn't have an upper hand\nNever had another plan\nI'm different to them other men\nSome will get a summer tan\nIt's hotter than a summer jam\nLive for today cause you're never gettin' another chance\nI ain't tripping off the he say and she say\n'Cause we say, \"fuck off\"\nAnd \"pass me a cuba libre\"\nThat's what we want, don't front\nI could see ya but\nYou don't want to see the cold heap up on how we blow it up\nWe came to blow it up\nHit the spot, so we're done\nRepresentin', throw it up, that's how we show the love\nThat's how we rise above all this shit that we know gon' come\nIt's like the soldier's run is done when the war's won [Hook: Marc Anthony]\nAy Caribe el tierra del mi gente hermosa\n \n(Armada Latina)\nCielo y Sol, me acompanan donde quiera\n \n(mi fama hispana)\nHermanito la lucha recien que empieza\n \n(hermano ponle gana)\nYo naci con sangre Taina, yo naci\n[Verse 2: Pitbull]\nLatino hasta la muerte\n \nChico stay working hard\nBout the noise, Suerte Gracias a Dios, Thank God\nThe Cubans from Miami coulda took that coke route\nMarimberos\n balseros con clinicas\nSanteros con muela\nQue dicen que pueden curar abuelas\nYa'll like Scarface, I'm more like Sosa\nCypress Hill pretty flaco, it's our culture\nFrom Cali to the crib, crib, me in Miami\nThank God I'm doin music, if not I'd be tying families\nI'm not a asshole(oh no) about my cash flow\nLet me take this shit and send this letter off to Castro\nHa, ha, ha \nDale, come mierda\n[Hook: Marc Anthony]\nAy Caribe el tierra del mi gente hermosa\n \n(Armada Latina)\nCielo y Sol, me acompanan donde quiera\n \n(mi fama hispana)\nHermanito la lucha recien que empieza\n \n(hermano ponle gana)\nYo naci con sangre Taina, yo naci [Verse 3: Sen Dog]\nWe way too hot, always coming up with something clever\nLa Coka Nostra\n, Cypress Hill, maca fera\nFeeling fancy in the hip throwin'\nGuayabera\nAnd we just clownin', on what we call some, money-lera\nCall me Senny, \nwild child from the isles\nI can go forever, like an old fashioned country mile\nSteelo be guajiro\nLatino is the lingo\nI'm straight \ncubanichi\nI bang Pinar del Rio\nLockin' up this function\nJust like Benny [?]\nGo ahead and play the congas and I'm gonna rap over it\nYeah, I'm a fool I'm outta here, yes sir I gotta go\nGet me some Chivas Regal\nAnd slap me some dominoes\n[Hook: Marc Anthony]\nAy Caribe el tierra del mi gente hermosa\n \n(Armada Latina)\nCielo y Sol, me acompanan donde quiera\n \n(mi fama hispana)\nHermanito la lucha recien que empieza\n \n(hermano ponle gana)\nYo naci con sangre Taina, yo naci" } ]

[ { "from": "human", "value": "Write me a song called Swimming Pools with the following description: This song is on Tyga’s mixtape (187) . Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "187\n[Bridge]\nLove (hate)\nNiggas (hate)\nBitches (hate)\nMe (I can't)\nFaded I might (faint)\nFaded I might (faint)\nMy mind went (blank)\nMind went (blank)\n[Verse 1: Tyga]\nNow I done grew around some niggas that caused me some drama\nSwear when you make it niggas say you owe them\nSwear they think they your momma\nEverybody with their hands out\nThey always ask me, they know that I got it\nMy biggest fear is going broke\nCan't say no, that's my problem\nI wanted that Rolls-Royce\nYoung boy looking to make a bad choice\nThen it got fucked up when mom went to jail\nI heard a little voice\nBack of my head, Back of my mind\nDropped out of school but a nigga did fine\nI ain't telling you to drop out, but if you do make use of your time [Hook]\nI said why they hating on me I'm just trying to get my guap\nI'm just trying to set my family up\nFirst: believe in one God then stack your paper higher (bish)\nGet your money, stack your paper higher (bitch)\nWe ain't ever fuck with cops, and that's never gonna stop\nAnd I'm posted at the tippy-top\nSo get your money fast then stack your paper higher (bish)\nGet your money, stack your paper higher (bitch)\n[Bridge]\nLove (hate)\nNiggas (hate)\nBitches (hate)\nMe (I can't)\nFaded I might (faint)\nFaded I might (faint)\nMy mind went (blank)\nMind went (blank)\n[Verse 2: Tyga]\nOk\nI'm taking my time, and taking your dinner\n(These Bitches) these bitches cold blooded like winter\nI'm looking at fixtures that I don't remember\nI'm all in my zone, Karl Malone\nTaking these shots, abusing my liver\nIt's mine, I spend it\nIt's mine, I'm gon' spend it\n(Aughhh!)\nDoomsday, Doom's date\nThese niggas weak like it's a tuesday\nNiggas get loony like a toon stay\nEverything well done, like two steaks\nWho they? ain't from L.A\nThey fall off like November days\nThey worry bout your sales\nBut, at the end the day, who getting paid? [Hook]\nI said why they hating on me I'm just trying to get my guap\nI'm just trying to set my family up\nFirst: believe in one God then stack your paper higher (bitch)\nGet your money, stack your paper higher (bitch)\nWe ain't ever fuck with cops, and that's never gonna stop\nAnd I'm posted at the tippy-top\nSo get your money fast then stack your paper higher (bitch)\nGet your money, stack your paper higher (bitch)\n[Bridge]\nLove (hate)\nNiggas (hate)\nBitches (hate)\nMe (I can't)\nFaded I might (faint)\nFaded I might (faint)\nMy mind went (blank)\nMind went (blank)\n[Hook]\nI said why they hating on me I'm just trying to get my guap\nI'm just trying to set my family up\nFirst: believe in one God then stack your paper higher (bitch)\nGet your money, stack your paper higher (bitch)\nWe ain't ever fuck with cops, and that's never gonna stop\nAnd I'm posted at the tippy-top\nSo get your money fast then stack your paper higher (bitch)\nGet your money, stack your paper higher (bitch) 187" } ]

[ { "from": "human", "value": "Write me a song called I Want to Know What Love Is with the following description: MC’s seventeenth track on “Memoirs of an Imperfect Angel.” It was one of Mariah’s singles for the album.\nThis song is a cover of British-American rock band Foreigner’s 1984 hit “I Want To Know What Love Is.”\nhttps://www.youtube.com/watch?v=loWXMtjUZWM Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI gotta take a little time\nA little time to think things over\nI better read between the lines\nIn case I need it when I'm colder, hey\n[Pre-Chorus]\nIn my life, there's been heartache and pain\nI don't know if I can face it again\nCan't stop now, I've travelled so far\nTo change this lonely life\n[Chorus]\nI wanna know what love is\nI want you to show me\nI wanna feel what love is\nAnd I know you can show me\n[Verse 2]\nI'm gonna take a little time (Take a little time)\nA little time to look around me (Ooh)\nI've got nowhere left to hide (Nowhere left to hide)\nIt looks like love has finally found me (Ohh)\n[Pre-Chorus]\nIn my life, there's been heartache and pain\nI don't know if I can face it again\nCan't stop now, I've travelled so far\nTo change this lonely life [Chorus]\nI wanna know what love is\nI want you to show me\nI wanna feel what love is (Feel what love is)\nAnd I know you can show me\nShow me, I wanna know\nI wanna know what love is\n(Ohh, I wanna know)\nI want you to show me\n(And I'm feeling so much love)\nI wanna feel what love is (I wanna feel)\nAnd I know you can show me, hey, yeah\nI wanna know what love is\nLet's talk about love\nI want you to show me" } ]

[ { "from": "human", "value": "Write me a song called In the Closet with the following description: “In The Closet” is a love song from Michael’s 8th solo album, Dangerous. It’s about a woman who Michael loves, but, due to the problems in his life, can’t exactly publicly exhibit his feelings. He’s therefore keeping their relationship “in the closet.”\nRolling Stone Magazine called the track “ the steamiest, most unambiguously sexual song [Jackson had] ever sung.”\n\nJackson originally intended to have Madonna feature on the track, and took her out for dinner three times in early 1991. On the failed collaboration, Madonna commented:\n“I think all he wanted was a provocative title, and ultimately he didn’t want the content of the song to live up to the title.”\nEngineer Rob Disner recalls approaching Michael after the meetings:\n“When I asked Michael later about her visit he said that she ‘scared’ him,”\nJournalist Jeff Weiss argues that “the creative union most likely fizzled due to major stylistic divergences.”\nShe was replaced by Princess Stephanie of Monaco, who used her seductive speaking voice in lieu of Madonna-esque vocals. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThere's something I have to say to you\nIf you promise you'll understand\nI cannot contain myself when in your presence\nI'm so humble\nTouch me, don't hide our love\nWoman to man\n[Verse 1]\nShe's just a lover who's doin' me by\nIt's worth the givin', it's worth the try\nYou cannot cleave it or put it in the furnace\nYou cannot wet it, you cannot burn it\nShe wants to give it\n[Chorus]\nShe wants to give it\nAh, she wants to give it (\nDare me\n)\nShe wants to give it\nAh, she wants to give it (She wants to give it)\nShe wants to give it (Yeah)\nAh, she wants to give it\nShe wants to give it\nAh, she wants to give it\n[Verse 2]\nIt's just a feelin', you have to soothe it\nYou can't neglect it, you can't abuse it\nIt's just desire, you cannot waste it\nThen if you want it, then won't you taste it?\nShe wants to give it [Chorus]\nShe wants to give it\nAh, she wants to give it (Dare me)\nShe wants to give it\nAh, she wants to give it (She wanna get it)\nShe wants to give it (Yeah)\nAh, she wants to give it\nShe wants to give it\nAh, she wants to give it\n[Interlude]\nOne thing in life you must understand\nThe truth of lust, woman to man\nSo open the door and you will see\nThere are no secrets, make your move, set me free\n[Refrain]\nOh, because there's somethin' about you, baby\nThat makes me want to give it to you\nI swear there's somethin' about you, baby (Oh)\n[Interlude]\nJust promise me whatever we say or whatever we do to each other\nFor now, we'll make a vow to just keep it in the closet\n[Verse 3]\nIf you can get it, is it worth the try?\nI really want it, I can't deny\nIt's just desire, I really love it\n'Cause if it's achin', you have to rub it\nShe wants to give it [Chorus]\nShe wants to give it\nAh, she wants to give it (Dare me)\nShe wants to give it\nAh, she wants to give it (Get it)\nShe wants to give it (Yeah)\nAh, she wants to give it\nShe wants to give it\nAh, she wants to give it\n[Post-Chorus]\nJust open the door and you will see\nThis passion burns inside of me\nDon't say to me you'll never tell\nTouch me there, make the move, cast the spell\nOh, because there's somethin' about you, baby\nThat makes me want to give it to you\nI swear there's somethin' about you, baby\nThat makes me want\nJust promise me whatever we say or do to each other (Whatever we do)\nWe'll make a vow forever that we'll just keep it in the closet\n[Refrain]\nBecause there's somethin' about you, baby\nThat makes me want to give it to you\nBecause there's somethin' about you, baby\nThat makes me want to give it to you\nI swear there's somethin' about you, baby\nThat makes me want to give it to you\nI swear there's somethin' about you, baby\nThat makes me want to give it to you\nI swear there's somethin' about you, baby\nThat makes me want to give it to you\nI swear there's somethin' about you, baby\nThat makes me want [Interlude]\nJust promise me whatever we say or whatever we do to each other (Baby, whatever we do)\nFor now, we'll make a vow to just keep it in the closet\n[Chorus]\nShe wants to give it (Dare me)\nKeep it in the closet\nShe wants to give it (Dare me)\nKeep it in the closet\nShe wants to give it\nAh, she wants to give it (Dare me)\nShe wants to give it\nAh, she wants to give it\nShe wants to give it\nAh, she wants to give it\nShe wants to give it\nAh, she wants to give it (Break it down)\nShe wants to give it (Dare me)\nShe wants to give it\nAh, she wants to give it\nShe wants to give it (Keep it in the closet)\nShe wants to give it (Ah)\nShe wants to give it (Ah, better keep it in the closet)\nShe wants to give it\nAh, she wants to give it (Dare me)" } ]

[ { "from": "human", "value": "Write me a song called Forever & Always (Piano Version) with the following description: This is simply a piano-based version of Swift’s song “Forever & Always” from her album Fearless. See the original lyrics here.\nThis version of the song captures the raw emotions behind the lyrics. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nOnce upon a time\nI believe it was a Tuesday when I caught your eye\nWe caught onto something\nI hold onto the night\nYou looked me in the eye and told me you loved me\nWere you just kidding?\n'Cause it seems to me\nThis thing is breaking down, we almost never speak\nI don't feel welcome anymore\nBaby, what happened? Please tell me\n'Cause one second it was perfect\nNow you're halfway out the door\n[Chorus]\nAnd I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when he said, \"Forever and always\"\nOh, and it rains in your bedroom, everything is wrong\nIt rains when you're here and it rains when you're gone\nI was there when you said, \"Forever and always\"\n[Verse 2]\nWas I out of line?\nDid I say something way too honest made you run and hide?\nLike a scared little boy\nI looked into your eyes\nThought I knew you for a minute now I'm not so sure\nSo here's to everything coming down to nothing\nHere's to silence that cuts me to the core\nWhere is this going?\nThought I knew for a minute but I don't anymore [Chorus]\nAnd I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when he said, \"Forever and always\"\nAnd it rains in your bedroom, everything is wrong\nIt rains when you're here and it rains when you're gone\nI was there when you said, \"Forever and always\"\n[Post-Chorus]\nYou didn't mean it, baby\nI don't think so\n[Bridge]\nOh, oh-oh, oh-oh-oh\nOh-oh, oh-oh-oh, oh\nBack up, baby, back up\nDid you forget everything?\nBack up, baby, back up\nDid you forget everything?\nBack up, baby, back up\nPlease back up, oh back up\nBack up, baby, back up\n[Chorus]\n'Cause it rains in your bedroom, everything is wrong\nIt rains when you're here and it rains when you're gone\nI was there when you said, \"Forever and always\"\nAnd I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when we said, \"Forever and always\"\n'Cause it rains in your bedroom, everything is wrong\nIt rains when you're here and it rains when you're gone\nI was there when you said, \"Forever and always\" [Outro]\nYou didn't mean it baby\nYou said, \"Forever and always\", yeah" } ]

[ { "from": "human", "value": "Write me a song called Good Old-Fashioned Lover Boy with the following description: The song was the eighth track on their album “A Day At The Races” which was released in 1976. The song also appeared on “Queens First EP” released in 1977.\nThe song is about how Freddie is an old-fashioned lover, taking his partners on old-school dates such as dancing or dinner, also hinting at the fact that he is a good lover. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI can dim the lights and sing you songs\nFull of sad things\nWe can do the tango, just for two\nI can serenade and gently play\nOn your heart strings\nBe a Valentino, just for you\n[Chorus]\n\"\nOoh love, ooh lover boy\nWhat're you doing tonight? Hey boy\"\nSet my alarm, turn on my charm\nThat's because I'm a good old-fashioned lover boy\n[Verse 2]\nOoh, let me feel\nYour heartbeat (Grow faster, faster)\nOoh, can you feel my love heat? (Ohh)\nCome on and sit on my hot seat of love\nAnd tell me how do you feel, right after all\nI'd like for you and I to go romancing\nSay the word, your wish is my command\n[Chorus]\n\"Ooh love, ooh lover boy\nWhat're you doing tonight? Hey boy\"\nWrite my letter, feel much better\nI'll use my fancy patter on the telephone [Bridge]\nWhen I'm not with you, think of you always\nI miss you (I miss those long hot summer nights)\nWhen I'm not with you, think of me always\nLove you, love you\nHey boy where do you get it from?\nHey boy where did you go?\nI learned my passion in the good old-fashioned\nSchool of lover boys\n[Guitar Solo]\n[Verse 3]\nDining at the Ritz, we'll meet at nine\n(One, two, three, four, five, six, seven, eight, nine o'clock) precisely\nI will pay the bill, you taste the wine\nDriving back in style in my saloon will do quite nicely\nJust take me back to yours, that will be fine (Come on and get it)\n[Chorus]\nOoh love \n(There he goes again)\nOoh lover boy (Who's my good Old-fashioned lover boy?)\n(Ooh ooh)\nWhat're you doing tonight? Hey boy!\nEverything's all right, just hold on tight\nThat's because I'm a good old\nFashioned (Fashioned) lover boy" } ]

[ { "from": "human", "value": "Write me a song called Thug Life with the following description: “Thug Life” is an ode to the late hip-hop legend 2Pac. Regarded as one of hip-hop’s best artists of all time, Pac was a notorious gangster and had a prominent tattoo across his stomach that read “Thug Life.”\n\nIn 1993, Tupac formed a rap group called Thug Life that consisted of Tupac Shakur, Big Syke, Macadoshis, Stretch, The Rated R, and finally Tupac’s half brother Mopreme. Eventually, the Thug Life caught up with 2Pac on September 7, 1996 and he was shot four times in a drive-by shooting in Las Vegas, Nevada. Six days later, hip-hop lost one of the greatest artists it has ever witnessed.\nIn addition to referencing 2Pac, “Thug Life,” the sixth track on Issa Album, details 21’s drug-filled beginnings of him hiding crack at his grandmas house, his experience with an unfaithful girl and other dealings that all represent his thug lifestyle.\nThe song also samples “Giving Him Something He Can Feel,” a classic 90s r&b hit by En Vogue. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nScrape the corner, buy a Rover\nCrack inside my grandma's sofa\nSunday, family coming over\nMove the crack behind the toaster\nCarry pistols with no holsters\nTrying not to be a poster\nYou was listening to your coaches\nI was listening to the vultures\nAnd I slept with rats and roaches\nThat's why I don't smoke no roaches\nNiggas tryna knock my focus\nWonder why I'm sippin' potion\nWe happy, dawg, but we ain't joking\nBig bullets, we ain't poking\nIn that pussy, slow motion\nNigga, ain't none of my songs wrote\n[Chorus]\nI'm thinking to myself, you ain't gang, nigga, fuck you\nFeel like 2Pac, Thug Life, nigga, fuck you\nIf he had the password to your phone he wouldn't have cuffed you\nDog-ass bitch, I knew I never should've trust you\n[Verse 2]\nHo, stab a nigga in the back like the streets do\nCan't believe that you betrayed me, I used to sleep with you\nNiggas quick to say they loyal to you, they be see-through\nGang, gang, screaming, \"Fuck you, they want to eat you\"\nMy son got asthma, grandma having spasms\nFuck the chatter, he gon' tattle, put 'em on the platter\nSnakes plotting on my downfall, I can hear 'em rattle\n(That fuck nigga gon' flop, man, 21 ain't even no real nigga, fuck that nigga)\nWe sticking to the G code, nigga, we ain't beefin' over freak ho's\nI hit her on the D low, yeah, she like my steelo\nThat nigga think that he a bully, do him like Craig did Deebo\n30-round hangin' out the big Glock\nNigga, no six shots, shootin' 'til the clip stops\nYou a lil' kid and I'm a big dog\nNigga, when we pullin' up the sticks out\nToo much money got 'em pissed off\nNigga, I'ma pull up at your bitch house\nFuck a niggas bitch to get a kick out it\nNigga pop percs, gon' get a kick out it\nDrinking on syrup with my dick out\nGlock-17 with the dick out [Chorus]\nI'm thinking to myself, you ain't gang, nigga, fuck you\nFeel like 2Pac, Thug Life, nigga, fuck you\nIf he had the password to your phone he wouldn't have cuffed you\nDog-ass bitch, I knew I never should've trust you\n[Bridge]\nWhat you want, ho, I got what you want, ho\nWhat you want, ho, I got what you want, ho\nWhat you want, ho, I got what you want, ho\nWhat you want, ho, I got what you want, ho\n[Verse 3]\nAll my tint presidential, like I'm Trump, dawg\nSecret service shooters, leave 'em niggas slumped, dawg\nDenzel, I get surgical with this pump, dawg\nBusting down, breaking down, then I put it in a blunt, dawg\nMade man stamped, I got \"21\" stamped\nIn my face, teetee and taytay in the same count\nI was down, bad and now I'm shining like a lamp\nYou put a ring on her, she ain't nothing but a tramp\nThey kicked me outta middle school and sent me to the house\nWe 'bout that gunplay, nigga, motherfuck your count\n19, I bought a Cutlass, four 12's and an AMP\nBeating down Glenwood, nigga, feeling like a champ\nNigga, we ain't takin' no deals\nLil' nigga, we ain't snitchin', we ain't making no sound\nUsed to jump niggas, now we jumping in a crowd\nUsed to make my mama cry, but now I make her proud\nI remember rainy days but now she like the sound [Chorus]\nI'm thinking to myself, you ain't gang, nigga, fuck you\nFeel like 2Pac, Thug Life, nigga, fuck you\nIf he had the password to your phone he wouldn't have cuffed you\nDog-ass bitch, I knew I never should've trust you\n[Outro]\nHo, stab a nigga in the back like the streets do\nCan't believe that you betrayed me, I used to sleep with you\nNiggas quick to say they loyal to you, they be see-through\nGang, gang, screaming, \"Fuck you, they want to eat you\"" } ]

[ { "from": "human", "value": "Write me a song called Reefer Party with the following description: Wiz and Taylor Gang rappers Chevy Woods and Neako drop 16’s over the beat of Grove St. Party, by Waka Flocka Flame Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Wiz Khalifa]\nThousand pounds of weed\nRidin' in my car so fast I won't turn down the speed\nThem hoes dont use they feet no more, they break down to their knees\nAnd suck me like a king\nRosé in my champagne glass and diamonds in my ring\nUh, roll some, thats your bitch on my dick\nI might let her hold something\nYou niggas smoking sevens I'mma need a whole onion, whole youngin, oh\nSame ones that hate, same ones that tag along\nNo Blackberry, too many lame niggas call my phone\nCall me world wide Wiz cause I’m never home\nEver leave me round your bitch I’mma get her stoned\nAnd you know that I rock camos and brought fros back\nAnd go download some of my old track\nAnd go play somewhere there’s hoes at\nFucking high, and you down there where them lows at\nGettin tired of hearing my flow jacked\nGo head hand me a joint, you can't roll that\n[Chorus: Wiz Khalifa]\nI got a whole lot of OGs, and\nI’m rolling up for anyone in here that knows me\nEverybody smoking, yea it's a party, oh, its a party\nEverybody smoking papers, nobody smoking blunts\nBitches rolling weed and my niggas fucked up\nYea it's a party, oh, it's a party [Verse 2: Chevy Woods]\nQuarter pound of that sour, thats four days on tour\nSleeping on how we smoke, see all these pillows on this floor\nEvery state we score, fill those papers they be raw\nLook like a piece of chalk in my hand\nBut I ain't writing on the chalkboard\nAnd I heard its a party, its a party its a party but I’m cool\nThem niggas smoking garbage, I’m no fool\nWe give 5 j’s out half zips? Nigga thats really smoking\nAin't enough weed up in that swisha to get you high, you joking\nNiggas claim that they be high, they be hella low\nWhen they gang up in the building you gon’ smell that sour smoke\nI could get that shit from my backyard, go pick it out myself\nYellow light let me slow it down, niggas need some help\n28 ain't enough you need more\nAll this weed over here, thats 1 weed jar\nWhen them planes get the flying, niggas wanna part\nSmoking crash with the plane, Amelia Earhart\n[Chorus: Wiz Khalifa]\nI got a whole lot of OGs, and\nI’m rolling up for anyone in here that knows me\nEverybody smoking, yea it's a party, oh, its a party\nEverybody smoking papers, nobody smoking blunts\nBitches rolling weed and my niggas fucked up\nYea it's a party, oh, it's a party [Verse 3: Neako]\nWhat I smoke in one day, these niggas dont smoke in one week\nRiding round and its just me, Pepsi can, playing that Bun B\nGotta smoke that dope on the run with me, comfortably, I’m smoking weed\nDoing speeds, who with me, probably a chick from TMZ\nI make her roll like two or three, let her smoke and feel the breeze\nYa’ll chip in on a half a zip, counting grams, saving weed\nAverage shit, it was us just smoking out in NY\nSwear to GOD we let ten fly, thats ten planes with ten guys\nNine smoke, meaning someone left without his mind pot\nPlanes Continental, flights nonstop\nYou get some zips, well get some P’s\nSmoke your spliffs around your bitch, tell me how does she breath\nPerfect planes, we call them G6′s\nAnd its just me chilling, me and three bitches\nRolling up its cool, come take this bong rip\nPack this bold straight dope, make your lungs rip" } ]

[ { "from": "human", "value": "Write me a song called People Will Say We’re in Love with the following description: “People Will Say We’re in Love” is an a capella cover of Rodgers & Hammerstein’s classic Broadway tune from Oklahoma! The tune was backed by only by a vocal choir because it was recorded in 1943 during the American Federation of Musicians (AFM) strike.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1 Frank Sinatra]\nDon't throw bouquets at me\nDon't please my folks too much\nDon't laugh at my jokes too much\nPeople will say we're in love\n[Verse 2: Frank Sinatra & \nChorus\n]\nDon't sigh and gaze at me\nYour sighs are so like mine\nYour eyes mustn't glow like mine\nPeople will say we're in love\nPeople will say we're in love\n[Verse 3: Frank Sinatra & \nChorus\n]\nDon't start collecting things\nGive me my rose and my glove\nSweetheart, they're suspecting things\nPeople will say we're in love\nPeople will say we're in love\n[Verse 4: Frank Sinatra & \nChorus\n]\nDon't start collecting things\nGive me my rose and my glove\nSweetheart, they're suspecting things\nPeople will say we're in love\nPeople will say we're in love" } ]

[ { "from": "human", "value": "Write me a song called Cockiness (Love It) [Remix] with the following description: “Cockiness (Love It) Remix” is a dubstep and dancehall track by Barbadian recording artist Rihanna and production by Bangladesh. Instrumentation is provided by vocal whoops, drums and horns. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: A$AP Rocky]\nPretty motherfucker with the Mossberg\nJiggy motherfucker at my concerts\nI'm wearin' fox furs, rockin' Oxfords\nEatin' oxtails,\n \nsippin' Cockspur\nSilly motherfuckers lookin' awkward\nSo much dick ridin' that my cock hurt (Pause)\nWe runnin' clockwork\nSo we got purp',\n and we got work\nTell Ri-Ri I go re—retarded\nOn a remix had to re-record it\nOn a CD, DVD, and TV, MP3, come see me for it\nI go cuckoo for your coucou\nYour flying fish is my favorite dish\nWon't hear crickets when I crick it\nHit it, play games like soccer when we kick it\nGet it?\n[Pre-Chorus: Rihanna]\nNo one can do you the way that I do\nBoy, I want (\nYou\n)\n[Chorus: Rihanna]\nSuck my cockiness, lick my persuasion\nEat my words and then swallow your pride down, down\nPlace my wants and needs over your resistance\nAnd then you come around, you come around, you come around [Verse 2: Rihanna]\nI want you to be my sex slave (Anything that I desire)\nBe one with my feminine (Set my whole body on fire)\nThey mad at Rihanna game (Taking over your empire)\nShe may be the queen of hearts\nBut I'ma be the queen of your body parts\n[Pre-Chorus: Rihanna]\nNo one can do you the way that I do\nBoy, I want (\nYou\n)\n[Chorus: Rihanna]\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it when you eat it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it when you eat it, I love it when you eat it\nSuck my cockiness, lick my persuasion\nEat my words and then swallow your pride down, down\nPlace my wants and needs over your resistance\nAnd then you come around, you come around, you come around\n[Verse 3: Rihanna]\nI can be your dominatrix (Just submit to my every order)\nEnter my diamond matrix (Devour my golden flower)\nMake me your priority (Place nothing above my pleasure)\nShe may be the queen of hearts\nBut I'ma be the queen of your body parts [Pre-Chorus: Rihanna]\nNo one can do you the way that I do\nBoy, I want (\nYou\n)\n[Chorus: Rihanna]\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it when you eat it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it when you eat it, I love it when you eat it\n[Verse 4: Rihanna]\nHold me down, beat it like a bully\nBeat my drum, drum, like a drumline boogie (I love it when you)\nDive head first if you wanna\nSing to my body, hold me tight Mr. Lover (I love it when you)\nDo it like I, do it like I say\nKeep it up, boy, we can do this all day\nBe my Harlem and me Saint-Tropez\nNever found nobody that will do it this way\n[Pre-Chorus: Rihanna]\nNo one can do you the way that I do\nBoy, I want (\nYou\n) [Chorus: Rihanna]\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it when you eat it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it, I love it, I love it when you eat it\nI love it when you eat it, I love it when you eat it" } ]

[ { "from": "human", "value": "Write me a song called It’s Alright with the following description: Kanye hops on the original Welcome Back beat to show Mase some appreciation.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ma$e]\nThis a classic, just add this to the rest of them\n[Chorus: Ma$e & \nKanye West\n]\nSee, I know what y'all like (\nYeah\n)\nThat's why it's gon' be alright (\nTurn me up\n)\nEvery day and all night (\nYeah\n)\nMase is back, it's gon' be alright\n(\nIf y'all could feel how my face felt, you would know how Ma$e felt\n)\nSee I know what y'all like\nThat's why it's gon' be alright (\nCome on, I hear John Legend\n)\nEvery day and all night (\nYeah\n)\nMa$e is back, it's gon' be alright\nHarlem back, it's gon' be alright (\nCome on\n)\nFo' Reel, it's gon' be alright (\nYeah, uh\n)\nMa$e is back, it's gon' be alright\n[Verse 1: Kanye West]\nMa$e said come on, Mike said shamone\nStarted up early like Raven-Symoné\nKeisha Knight-Pull\n, \nEmmanuel\nI dropped out of school with no manual\nNothin' handed at all but did I complain\nEvery time magazines tried to taint my name\nBut ya'll can't hold me down like restraint\nI took the \"T\" up out the word can't\n'Round same time when Nas said I can\nBush for sendin' our fam to Iran\nI'm in the club with Henny, ass in my other hand\nLord, please forgive me, I'm just a man\nRight now I'm trying to make some adjustments\n'Fore they do me like they did Janet and Just' and 'em\nMe and my cuz and them\nTrying to rap like Bust and them\nAnd my clothes was busted and bummy\nBut I ain't never ever accept no money from these so-called sponsors\nThey was in Benzs, I was in Hondas\nNow I wonder where they all at like Ananda\nHmm, yeah, that something to ponder\nThe money I make on this one's for Donda\nThat's West to you, you the next\nI can't hold my breath for you\nWhat you need to do is turn it up some decibels\nAnd put some more zeroes in front of that decimal, nigga [Chorus: Ma$e & \nKanye West\n]\nSee, I know what y'all like (\nYeah\n)\nThat's why it's gon' be alright\nEvery day and all night\nMase is back, it's gon' be alright\nSee, I know what y'all like\nThat's why it's gon' be alright\nEvery day and all night\nMase is back, it's gon' be alright\nHolla back, it's gon' be alright\nFor real, it's gon' be alright\nMase is back, it's gon' be alright\n[Verse 2: Ma$e]\nArm froze and all, Dom Rose and all\nMaserati, Bugatti the roads and all\nDifferent color Louis open toes and all\nI tried to tell the chick don't expose it all\nCountry dudes mouth full of gold and all\nBay area chick, cornrows and all\nI do it right, I do my wife, I leave the hoes yo y'all\nFrom the boutique, I might close the mall\nI drink my Geico and turn it Gecko\nI wave the Roley, you wave the Seiko, need I say mo'\nMore diamond than LisaRaye\nI'm no replica, I am the DNA\nBreeze cool, leave you like a hurricane\nSomebody get killed, the whole borough blame\nM.A. dollar, what a thorough name\nNo matter who come through, I'm forever the king\nI shoulda neva left the game, that's what a cutie said\nStill chicks throwin' me up like newly weds\nI'm grown and sexy, done with the groupie head\nIn the milk-white Phantom seats, and ruby red\nYou heard the rumor, listen to the facts\nI drop my cars in pairs like pitty pat\nWhen I'm done with this track, it feel like Biggie back\nThe game is country, I came to bring the city back\nI came, I came to bring the city back [Chorus: Ma$e]\nSee, I know what y'all like\nThat's why it's gon' be alright\nEvery day and all night\nMase is back, it's gon' be alright\nSee, I know what y'all like\nThat's why it's gon' be alright\nEvery day and all night\nMase is back, it's gon' be alright\nHolla back, it's gon' be alright\nFor real, it's gon' be alright\nMase is back, it's gon' be alright\n[Outro: Ma$e]\nFo' Reel, put your hands up\nG.O.O.D. Music, put your hands up\nBad Boy, put your hans up\nRoc-A-Fella, put your hands up\nChi-Town, put your hands up\nN.Y., put your hands up\nMiami, put your hands up\nTexas, put your hands up\nTennessee, put your hands up\nLondon, put your hands up\nJapan, put your hands up\nAll around the world, all around the world\nL.A., put your hands up\nA.T.L., put your hands up\nMan, this gon' be..." } ]

[ { "from": "human", "value": "Write me a song called Empty Cups with the following description: Lyrically, the song follows Charlie at a party, where he is trying to woo a girl who already has a boyfriend, whom Charlie considers lesser than himself. He wants to take her away and become more intimate with her. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nOh, the way that you dance on me makes me not wanna leave\nYou wanna go upstairs but you don't wanna sleep\nOh, right now, we're in a rhythm\nYour boyfriend's no competition\nTurn off your phone and blame it on your battery (Hey!)\n[Pre-Chorus]\nOh-oh-oh-oh\nWe're getting real, real close\nOh-oh-oh-oh\nCan't let this moment go\n[Chorus]\nHands on your body like there's no one at the party\nJust me and you and these empty cups\nIf you wanna like I wanna\nLet me take you to another room\nSo it's only us\nTurn that television up so nobody can listen\nHands on your body like there's no one at the party\nJust me and you and these empty cups\n[Verse 2]\nOoh, girl, do you think they'll notice if we slip away?\nMaybe tomorrow, they'll all have something to say\nOh, right now, we're in the rhythm\nWe don't need no one's permission\nEnd of the night don't mean we gotta separate\n (Oh-oh) [Pre-Chorus]\nOh-oh-oh-oh\nWe're getting real, real close\nOh-oh-oh-oh\nCan't let this moment go\n[Chorus]\nHands on your body like there's no one at the party\nJust me and you (Me and you) and these empty cups\nIf you wanna like I wanna\nLet me take you to another room ('Nother room)\nSo it's only us\nTurn that television up so nobody can listen\nHands on your body like there's no one at the party\nJust me and you (Me and you) and these empty cups\n[Post-Chorus]\nAll of these empty cups\nBaby, all of these empty cups\n[Pre-Chorus]\nOh-oh-oh-oh\nWe're getting real, real close\nOh-oh-oh-oh\nCan't let this moment go [Chorus]\nHands on your body like there's no one at the party\nJust me and you (Me and you) and these empty cups\nIf you wanna like I wanna\nLet me take you to another room ('Nother room)\nSo it's only us\nTurn that television up so nobody can listen\nHands on your body like there's no one at the party\nJust me and you (Me and you) and these empty cups\n(On your body like there's no one at the party, just me and you)\nAll of these empty cups\n(If you wanna like I wanna, let me take you to another room, oh, baby)\nLike it's only us\nTurn that television up so nobody can listen (Television up)\n(No one listening)\nHands on your body like there's no one at the party\nJust me and you and these empty cups" } ]

[ { "from": "human", "value": "Write me a song called Mr. Know It All (Country Version) with the following description: “Mr. Know It All” was the lead single from Kelly Clarkson’s fifth album, Stronger, which was released on September 5, 2011. A year later in 2012, Clarkson re-recorded and re-released the song with more of a country feel to it. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nMr. Know-It-All\nWell ya, you think you know it all\nBut ya don't know a thing at all\nAin't it, ain't it something, y'all?\nWhen somebody tells you something 'bout you\nThink that they know you more than you do\nSo you take it down, another pill to swallow\n[Verse 2]\nMr. Bring-Me-Down\nWell ya, ya like to bring me down, don't ya?\nBut I ain't laying down, baby, I ain't goin' down\nCan't nobody tell me how it's gonna be\nNobody gonna make a fool outta me, baby\nYou should know that I lead, not follow\n[Chorus]\nOh, you think that you know me, know me\nThat's why I'm leaving you lonely, lonely\n'Cause baby, you don't know a thing about me\nYou don't know a thing about me\n[Verse 3]\nMr. Play-Your-Games\nOnly got yourself to blame\nWhen you want me back again\nBut I ain't falling back again\n'Cause I'm living my truth without your lies\nLet's be clear, baby, this is goodbye\nI ain't coming back tomorrow [Chorus]\nOh, you think that you know me, know me\nThat's why I'm leaving you lonely, lonely\n'Cause baby, you don't know a thing about me\nYou don't know a thing about me\nOoh yeah\nYou ain't got the right to tell me\nWhen and where to go, no right to tell me\nActing like you own me lately\nYeah, baby, you don't know a thing about me\nYou don't know a thing about me\n[Bridge]\nSo what? You've got the world at your feet\nAnd you know everything about everything\nBut you don't\nYou still think I'm coming back, but baby, you'll see\n[Chorus]\nOh, you think that you know me, know me\nThat's why I'm leaving you lonely, lonely\n'Cause baby, you don't know a thing about me\nYou don't know a thing about me\nYou ain't got the right to tell me\nWhen and where to go, no right to tell me\nActing like you own me lately\nYeah, baby, you don't know a thing about me\nYou don't know a thing about me [Outro]\nOh, you don't know a thing about me baby\nMr. Know-It-All\nWell ya, you think you know it all\nBut ya don't know a thing at all\nYou don't know a thing about me\nYou don't know a thing about me" } ]

[ { "from": "human", "value": "Write me a song called Perfect Lover with the following description: “Perfect Lover” is a song recorded by Britney Spears for her fifth studio album, Blackout.\nAn R&B song, the track has a propulsive, cattery belly-dance beat. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAre we ready?\nA— Are we ready, ready?\n (\nYes\n)\nAre we ready?\nAre we— Are we ready, ready?\nUh-huh, uh-huh, uh-huh, uh-huh\nUh-huh, uh-huh, uh-huh, uh-huh\nUh-huh, uh-huh, uh-huh, uh-huh\nUh-huh, uh-huh, uh-huh, uh-huh\n[Verse 1]\nMy body feels like an inferno\nLike I'm in a race and I'm jumping a hurdle (It's going so fast)\nCome closer, we'll pursue it\nIf you just let go, we can do it (We can do it)\nBaby, I'm yours for the taking\nDon't you wanna see my body naked?\nI know that you like the way I shake it (Uh-huh)\nAnd I hope that you can take it\n[Chorus]\nYou're the perfect lover, I'm in love with all the things you do\nSo seductive when you touch me, I can't get enough of you\nYou're the best\nBaby, you got me obsessed (Yeah)\nAnd I can't catch my breath\nBaby, \nI must confess\n you got me (Ah, ah)\nWhen you come around (When you come around me, ah, ah)\nGot me so damn high, I can't come down (Yeah, ah, ah)\nEvery time you touch me there (Ah, ah)\nYou make me feel so hot [Verse 2]\nI love it\nEverything you do is so seductive\nYou got that thing that I want and then some\nAnd I can't even front, so listen\nI know what you’re missing\nBetter hurry up 'cause time is ticking, yeah\nTick tock, tick tock\nCome and get me while I'm hot, now\n[Chorus]\nYou're the perfect lover, I'm in love with all the things you do\nSo seductive when you touch me, I can't get enough of you\nYou're the best\nBaby, you got me obsessed\nAnd I can't catch my breath (Oh)\nBaby, \nI must confess\n you got me (Ah, ah)\nWhen you come around (Yeah, ah, ah)\nGot me so damn high, I can't come down (You got me too high, ah, ah)\nEvery time you touch me there (Ah, ah)\nYou make me feel so hot\n[Bridge]\nPull up to my bumper\nNeed a jump, not a chump, fill me up, I'm running low (Uh-huh)\nLet me drive you crazy\nAll night 'cause we got so far to go (Here we go)\nPull up to my bumper\nNeed a jump, not a chump, fill me up, I'm running low (Uh-huh)\nLet me drive you crazy\nAll night 'cause we got so far to go (Here we go) [Chorus]\nYou're the perfect lover, I'm in love with all the things you do\nSo seductive when you touch me, I can't get enough of you\nYou're the best\nBaby, you got me obsessed\nAnd I can't catch my breath\nBaby, \nI must confess\n you got me (Ah, ah)\nWhen you come around (Ah, ah)\nGot me so damn high, I can't come down (Ah, ah)\nEvery time you touch me there (Ah, ah)\nYou make me feel so hot" } ]

[ { "from": "human", "value": "Write me a song called Turn It Back with the following description: On the uptempo R&B track “Turn It Back”, Tory Lanez and Chris Brown unite to sing about using their money (and virility) to get back with a girl who’s upset at them.\n“Turn It Back” quietly leaked online on July 15, 2020. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(\nGot-got it on smash\n)\n[Verse 1: Tory Lanez]\nIf I got money on the line, then I gotta ride\nBaby, don't you tell me nothin'\nDon't leave me lonely 'til the mornin', I got time for it\nShe wanna fuck and sip Patrón, it got the lime on it\nYou talk a lot, but I don't wanna waste my time on it\nI got money and it's still money on my mind, shawty\nI come through in that yellow coupe, shawty\nI be so cool, shawty\nWhen I come through, shawty\nKnow what to do for me, yeah, yeah\n[Chorus: Tory Lanez & Chris Brown]\nTell me how much time you wanna give me\nYou know I'm the one that you gon' want\nHit it so good, baby, you'll forgive me\nEven when I ain't did nothin' wrong\nAnd I know that if it don't go bad, baby, I can turn it back on\nAnd I know that if it don't go bad, baby, I can turn it back\n[Verse 2: Chris Brown]\nYou got me worried all the time, yeah (Time)\nFucked up my vibe\nBaby, don't act like it's nothin' (Oh)\nI'm out here cuffin' like the police, do that time for me (Woo)\nShe wanna fuck and take my money, every dime of it (Oh, no)\nShe crossed the line and crossed the country\nNow she drive foreigns (Skrrt, oh, no)\nThink about it, still got money on my mind, baby (Yeah, yeah, yeah)\nMost of the time, I think 'bout you, baby (You, bae)\nEven though you crazy (You cray)\nCan I come through, shawty?\nKnow what to do, shawty, yeah [Chorus: Tory Lanez & Chris Brown]\nTell me how much time you wanna give me\nYou know I'm the one that you gon' want\nHit it so good, baby, you'll forgive me\nEven when I ain't did nothin' wrong\nAnd I know that if it don't go bad, baby, I can turn it back on\nAnd I know that if it don't go bad, baby, I can turn it back\n[Open Verse]\n[Chorus: Tory Lanez & Chris Brown]\nTell me how much time you wanna give me\nYou know I'm the one that you gon' want\nHit it so good, baby, you'll forgive me\nEven when I ain't did nothin' wrong\nAnd I know that, if it don't go back, baby, I can turn it back on\nAnd I know that, if it don't go back, baby, I can turn it back" } ]

[ { "from": "human", "value": "Write me a song called ​break da law with the following description: On this menacing track, 21 Savage raps about a number of topics, including his gang affiliation, his affluence, and his tendency to “break da law.” The song is produced by Metro Boomin and Southside, with additional production from Doughboy Beatz. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nSouthside on the track, yeah\nYeah\nCut the bullshit, I'm not with it\nCall your main bitch, she let me hit it\nHaha, ha\nMetro Boomin want some more, nigga\n[Verse 1]\nDiamonds got dripped in a lake (A lake)\nI don’t be goin' on dates (On dates)\nShe got an ass, but it's fake (It’s fake)\nHe savin' hoes, need a cape (Cape)\nLil' mama's head supreme (Straight up)\nBut I'm still rockin' this Bape (On God)\nAll I know is two guns, nigga\nIf you a plate, you get ate (Brrat)\nHad to put a bitch on pause (Pause)\nMe and my dawgs break laws (Laws)\n21 gang 'til I fall (Fall)\nYou could get hit in the jaw (Jaw)\nThe chopper can hit all of y'all (Straight up)\nYour brother, your goldfish and dog (All)\nMost of my niggas just rob (Wow)\nThey cut off and hand you your balls (On God)\nHit your BFF, I’m petty (21)\nCan’t leave the streets, I ain't ready (21)\nMe and my hood got married (21)\nAnd my wedding ring was a machete (Straight up)\nNeed me a Keisha like \nBelly\n (Straight up)\nDissin’ me, got a nigga's homeboys buried (On God)\nThey don't come outside, they scary (Scary)\nWhen we start spinnin' niggas’ blocks, they telling (Pussy)\nGot your baby mama in a yolk (Yolk)\nI don't smoke weed, I sell dope (21)\nAin't no back and forth, it's smoke (Smoke)\nPull up on you and your folks (Your folks)\nTry to give me head, she choke (Ugh)\nWe call you a rat 'cause you spoke (Bitch)\nAll these tennis chains like I'm in a tennis game\nY'all niggas wearin' gold ropes (You're broke) [Interlude]\nKillers out the 6 (Zone 6)\nGot 'em all hired (Straight up)\nEx-girlfriends (Old hoes)\nGot 'em all fired (Bye-bye)\nDon't you cross the gang, dawg\nWe're like barbed wire (Straight up)\nStackin' up these M's\nI'm a habitual car buyer (Skrrt)\n[Verse 2]\nActin' Hollywood, I kicked her out on Wilshire (Bye)\nGot a model and she tighter than a grill plier (Fine)\nSneak and steal my flow, lot of these rappers slick biters (21)\nI'm 4L gang for L, dawg, and we got big rifles (On God)\nLet me pop my shit (Yeah)\nKeep a big Glock on my hip (Yeah)\nOne up top, my shit (On God)\nI don't like to cock my shit (Straight up)\nY'all niggas gossip and shit (On God)\nNo more beef, we drop that shit (Straight up)\nY'all niggas talk that shit (Straight up)\nNever had a payment, I bought that shit (Straight up, straight up)\nVS1 on my wrist (Wrist)\nCan't put my tongue on no bitch (No bitch)\n'Cause I still kiss my kids (I do)\nHo, you need to fix your wig (You do)\nAll my brothers did a bid (Straight up)\nWhen they came home, we was rich (Straight up)\nFuck 40 acres and a mule\nThey got 50 racks and a brand new Sig (On God)\nLil' boy, get up out the way (Yeah)\nLil' boy, we didn't come to play (Yeah)\nAnd I got a partner named Dre (Dre)\nYou can get beats by Dre (On God)\nYou can get hit by K (K)\nK hit you, that's your last day (Day)\nGlock 27, that's bae (21)\nStick the 30 in it, had a baby (Yeah)\nMy strippers got S-Class 'Cedes (Straight up)\nRide me slow like you drivin' Miss Daisy\nI ain't go to school 'cause I was too lazy\nHad to cut her off 'cause she was too crazy\nMoncler jacket, a letterman (Letterman)\nI gotta keep a Beretta, man (Beretta, man)\nShe screamin' and scratchin' and yellin', man (And yellin', man)\nI got her in a falsetto, man (Falsetto, man) [Outro]\nHad to put a bitch on pause (Pause)\nMe and my dawgs break laws (Laws)\n21 gang 'til I fall (Fall)\nMe and my dawgs break laws (Laws)\n21 gang 'til I fall (Fall)\nMe and my dawgs break laws (Laws)\nYou could get hit in the jaw (Your jaw)\nThe chopper can hit all of y'all (Straight up)\nYour brother, your goldfish and dog (All)\nMost of my niggas just rob (Wow)\nThey cut off and hand you your balls (On God)" } ]