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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of flaws. If you
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of flaws. If you like these three
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of flaws. If you like these three actresses, watch
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of flaws. If you like these three actresses, watch them in
0
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he 's properly cast. He plays" the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He could n't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His" southern accent" is that" off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His" boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r 's in spite of the fact that in real life he is German, and speaks several languages- one of them being Italian! That 's kind of a good reason to cast someone else do n't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of flaws. If you like these three actresses, watch them in something else. This movie
0
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This film is one giant pant load.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay.
1
tensor([ 101, 2023, 2143, 2003, 2028, 5016, 6090, 2102, 7170, 1012, 2703, 8040, 13492, 4063, 2003, 12580, 2439, 1999, 2010, 2219, 2919, 9000, 1012, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian!
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian! That's kind of a good reason to cast someone else don't ya think?
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian! That's kind of a good reason to cast someone else don't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian! That's kind of a good reason to cast someone else don't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian! That's kind of a good reason to cast someone else don't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian! That's kind of a good reason to cast someone else don't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian! That's kind of a good reason to cast someone else don't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of flaws.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian! That's kind of a good reason to cast someone else don't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of flaws. If you like these three actresses, watch them in something else.
1
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This film is one giant pant load. Paul Schrader is utterly lost in his own bad screenplay. And his directing is about as comatose as it can be without his actually having been sleepwalking during the process. The worst though is Woody Harrelson, whom I ordinarily like when he's properly cast. He plays "the walker", a homosexual man in D.C. who plays social companion to the bored wives of the Washington elite. He couldn't have been more one dimensional if he had been cut out of a magazine and bounced around in front of the camera on a popsicle stick. His "southern accent" is that "off the rack" version that decrescendos from the beginning to the end of every line he delivers, as though the heat and humidity of the South is still draining him of every ounce of energy he has. It is monotonous. But, his is not the worst accent in the movie. His "boyfriend", played by Moritz Bleibtreau, attempts to affect some kind of a Mid East accent that is so clumsy he can barely deliver the bad lines written for him. He is incapable of rolling his r's in spite of the fact that in real life he is German, and speaks several languages - one of them being Italian! That's kind of a good reason to cast someone else don't ya think? From the story, to the screenplay, to the directing, to the camera work, to the performances by the leads, this movie is bad from beginning to end. The only tolerable moments in this film came from three supporting actresses: Lily Tomlin, Lauren Bacall, and Kristin Scott Thomas. Only these three managed to make it through this movie with their dignity in tact. In fact, all three are excellent, in spite of being trapped in a really bad film. Ufortunately, no one could ever be good enough to redeem this endless series of flaws. If you like these three actresses, watch them in something else. This movie is not worth your time.
1
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The plot
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The plot for
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The plot for Descent, if it
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The plot for Descent, if it actually can
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The plot for Descent, if it actually can be called
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The plot for Descent, if it actually can be called a plot, has two noteworthy
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the
0
tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
tensor([1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
tensor([1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 2079, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 2079, 1050, 1005, 1056, 2131, 11587, 2011, 24842, 3723, 5019, 1011, 2021, 2065, 2017, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 2079, 1050, 1005, 1056, 2131, 11587, 2011, 24842, 3723, 5019, 1011, 2021, 2065, 2017, 5987, 2033, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to
0
tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 2079, 1050, 1005, 1056, 2131, 11587, 2011, 24842, 3723, 5019, 1011, 2021, 2065, 2017, 5987, 2033, 2000, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through
0
tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 2079, 1050, 1005, 1056, 2131, 11587, 2011, 24842, 3723, 5019, 1011, 2021, 2065, 2017, 5987, 2033, 2000, 4133, 2083, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of
0
tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 2079, 1050, 1005, 1056, 2131, 11587, 2011, 24842, 3723, 5019, 1011, 2021, 2065, 2017, 5987, 2033, 2000, 4133, 2083, 3438, 2781, 1997, 102, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing
0
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson
0
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of
0
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she
0
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does
0
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in
0
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in the NC-17 version,
0
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in the NC-17 version, which I
0
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in the NC-17 version, which I saw. If you
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in the NC-17 version, which I saw. If you have a
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in the NC-17 version, which I saw. If you have a couple of
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in the NC-17 version, which I saw. If you have a couple of hours to
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 2079, 1050, 1005, 1056, 2131, 11587, 2011, 24842, 3723, 5019, 1011, 2021, 2065, 2017, 5987, 2033, 2000, 4133, 2083, 3438, 2781, 1997, 26710, 1013, 2601, 1006, 6719, 1007, 5019, 2007, 2053, 9994, 2017, 2031, 2178, 2518, 2746, 1012, 17496, 11026, 1010, 2028, 1997, 2026, 5440, 19910, 2003, 102])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in the NC-17 version, which I saw. If you have a couple of hours to throw away and want to
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tensor([ 101, 1996, 5436, 2005, 6934, 1010, 2065, 2009, 2941, 2064, 2022, 2170, 1037, 5436, 1010, 2038, 2048, 19144, 2824, 1012, 2028, 2379, 1996, 2927, 1011, 2028, 2012, 1996, 2203, 1012, 2362, 2122, 2824, 2191, 2039, 2672, 1019, 1003, 1997, 1996, 2561, 3185, 2051, 1012, 2673, 1006, 1998, 1045, 2812, 1035, 2673, 1035, 1007, 1999, 2090, 2003, 10468, 1996, 2472, 1005, 1055, 7143, 3947, 2000, 6039, 1999, 1996, 2781, 1012, 1045, 2066, 14888, 5691, 1010, 1045, 2066, 2601, 5691, 1998, 1045, 2079, 1050, 1005, 1056, 2131, 11587, 2011, 24842, 3723, 5019, 1011, 2021, 2065, 2017, 5987, 2033, 2000, 4133, 2083, 3438, 2781, 1997, 26710, 1013, 2601, 1006, 6719, 1007, 5019, 2007, 2053, 9994, 2017, 2031, 2178, 2518, 2746, 1012, 17496, 11026, 1010, 2028, 1997, 2026, 5440, 19910, 2003, 102])
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The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning- one at the end. Together these events make up maybe 5 % of the total movie time. Everything( and I mean _ everything_) in between is basically the director 's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I do n't get troubled by gritty scenes- but if you expect me to sit through 60 minutes of hazy/ dark( literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she does n't get naked, not even in the NC-17 version, which I saw. If you have a couple of hours to throw away and want to watch"
0
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