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When I was little my parents took me along to the theater to see Interiors. It was one of many movies I watched with my parents, but this was the only one we walked out of. Since then I had never seen Interiors until just recently, and I could have lived out the rest of my life without it. What a pretentious, ponderous, and painfully boring piece of 70's wine and cheese tripe. Woody Allen is one of my favorite directors but Interiors is by far the worst piece of crap of his career. In the unmistakable style of Ingmar Berman, Allen gives us a dark, angular, muted, insight in to the lives of a family wrought by the psychological damage caused by divorce, estrangement, career, love, non-love, halitosis, whatever. The film, intentionally, has no comic relief, no music, and is drenched in shadowy pathos. This film style can be best defined as expressionist in nature, using an improvisational method of dialogue to illicit a "more pronounced depth of meaning and truth". But Woody Allen is no Ingmar Bergman. The film is painfully slow and dull. But beyond that, I simply had no connection with or sympathy for any of the characters. Instead I felt only contempt for this parade of shuffling, whining, nicotine stained, martyrs in a perpetual quest for identity. Amid a backdrop of cosmopolitan affluence and baked Brie intelligentsia the story looms like a fart in the room. Everyone speaks in affected platitudes and elevated language between cigarettes. Everyone is "lost" and "struggling", desperate to find direction or understanding or whatever and it just goes on and on to the point where you just want to slap all of them. It's never about resolution, it's only about interminable introspective babble. It is nothing more than a psychological drama taken to an extreme beyond the audience's ability to connect. Woody Allen chose to make characters so immersed in themselves we feel left out. And for that reason I found this movie painfully self indulgent and spiritually draining. I see what he was going for but his insistence on promoting his message through Prozac prose and distorted film techniques jettisons it past the point of relevance. I highly recommend this one if you're feeling a little too happy and need something to remind you of death.

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When I was little my parents took me along to the theater to see Interiors. It was one of many movies I watched with my parents, but this was the only one we walked out of. Since then I had never seen Interiors until just recently, and I could have lived out the rest of my life without it. What a pretentious, ponderous, and painfully boring piece of 70's wine and cheese tripe. Woody Allen is one of my favorite directors but Interiors is by far the worst piece of crap of his career. In the unmistakable style of Ingmar Berman, Allen gives us a dark, angular, muted, insight in to the lives of a family wrought by the psychological damage caused by divorce, estrangement, career, love, non-love, halitosis, whatever. The film, intentionally, has no comic relief, no music, and is drenched in shadowy pathos. This film style can be best defined as expressionist in nature, using an improvisational method of dialogue to illicit a "more pronounced depth of meaning and truth". But Woody Allen is no Ingmar Bergman. The film is painfully slow and dull. But beyond that, I simply had no connection with or sympathy for any of the characters. Instead I felt only contempt for this parade of shuffling, whining, nicotine stained, martyrs in a perpetual quest for identity. Amid a backdrop of cosmopolitan affluence and baked Brie intelligentsia the story looms like a fart in the room. Everyone speaks in affected platitudes and elevated language between cigarettes. Everyone is "lost" and "struggling", desperate to find direction or understanding or whatever and it just goes on and on to the point where you just want to slap all of them. It's never about resolution, it's only about interminable introspective babble. It is nothing more than a psychological drama taken to an extreme beyond the audience's ability to connect. Woody Allen chose to make characters so immersed in themselves we feel left out. And for that reason I found this movie painfully self indulgent and spiritually draining. I see what he was going for but his insistence on promoting his message through Prozac prose and distorted film techniques jettisons it past the point of relevance. I highly recommend this one if you're feeling a little too happy and need something to remind you of death. Otherwise, let's just pretend this film never happened.

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" It

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" It appears that many critics

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" It appears that many critics find the

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" It appears that many critics find the idea of

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding.

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off"

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off" Hitchcock in

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off" Hitchcock in his suspense/ horror films? In

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off" Hitchcock in his suspense/ horror films? In Robin Wood 's view, it

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off" Hitchcock in his suspense/ horror films? In Robin Wood 's view, it 's a strange form of

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off" Hitchcock in his suspense/ horror films? In Robin Wood 's view, it 's a strange form of cultural snobbery. I

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off" Hitchcock in his suspense/ horror films? In Robin Wood 's view, it 's a strange form of cultural snobbery. I would

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off" Hitchcock in his suspense/ horror films? In Robin Wood 's view, it 's a strange form of cultural snobbery. I would have to

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" It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let 's not kid ourselves: critics were mostly supportive of Allen 's Bergman pretensions, Allen 's whining accusations to the contrary notwithstanding. What I do n't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for" ripping off" Hitchcock in his suspense/ horror films? In Robin Wood 's view, it 's a strange form of cultural snobbery. I would have to agree with

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"It appears that many critics find the idea of a Woody Allen drama unpalatable."

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"It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman.

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"It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let's not kid ourselves: critics were mostly supportive of Allen's Bergman pretensions, Allen's whining accusations to the contrary notwithstanding.

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"It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let's not kid ourselves: critics were mostly supportive of Allen's Bergman pretensions, Allen's whining accusations to the contrary notwithstanding. What I don't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for "ripping off" Hitchcock in his suspense/horror films?

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"It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let's not kid ourselves: critics were mostly supportive of Allen's Bergman pretensions, Allen's whining accusations to the contrary notwithstanding. What I don't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for "ripping off" Hitchcock in his suspense/horror films? In Robin Wood's view, it's a strange form of cultural snobbery.

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"It appears that many critics find the idea of a Woody Allen drama unpalatable." And for good reason: they are unbearably wooden and pretentious imitations of Bergman. And let's not kid ourselves: critics were mostly supportive of Allen's Bergman pretensions, Allen's whining accusations to the contrary notwithstanding. What I don't get is this: why was Allen generally applauded for his originality in imitating Bergman, but the contemporaneous Brian DePalma was excoriated for "ripping off" Hitchcock in his suspense/horror films? In Robin Wood's view, it's a strange form of cultural snobbery. I would have to agree with that.

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The second attempt by

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The second attempt by a New York intellectual in

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The second attempt by a New York intellectual in less than 10 years to

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish"

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about these people, however, I

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about these people, however, I found them

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about these people, however, I found them quite hilarious. Much

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about these people, however, I found them quite hilarious. Much of

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about these people, however, I found them quite hilarious. Much of the dialog is exactly like

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about these people, however, I found them quite hilarious. Much of the dialog is exactly like the funny stuff from

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about these people, however, I found them quite hilarious. Much of the dialog is exactly like the funny stuff from Allen 's earlier films- only he

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The second attempt by a New York intellectual in less than 10 years to make a" Swedish" film- the first being Susan Sontag 's" Brother Carl"( which was made in Sweden, with Swedish actors, no less!) The results? Oscar Wilde said it best, in reference to Dickens '" The Old Curiosity Shop":" One would have to have a heart of stone not to laugh out loud at the death of Little Nell." Pretty much the same thing here." Interiors" is chock full of solemnly intoned howlers.(" I 'm afraid of my anger." Looking into the middle distance:" I do n't like who I 'm becoming.") The directorial quotations( to use a polite term) from Bergman are close to parody. The incredibly self- involved family keep reminding us of how brilliant and talented they are, to the point of strangulation.(" I read a poem of yours the other day. It was in- I do n't know- The New Yorker."" Oh. That was an old poem. I reworked it.") Far from not caring about these people, however, I found them quite hilarious. Much of the dialog is exactly like the funny stuff from Allen 's earlier films- only he 's directed his

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