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Cabinet approves MoU between India, Bhutan on cooperation in peaceful uses of outer space
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I have read the book and watched the movie... I don't like it... yet I liked the notebook, and I did like Miley Cyrus at the time she made this movie, so I wasn't a hater of her then... I just can't catch onto this movie... Actually... I kind of knew from the beginning I wouldn't like it. The only reason I went and saw it was because my friends kept ranting to me about watching it. Thankfully, I watched a library copy, so I didn't waste any money Smart move huh Anyways... I was only half into the book... Like I kind of liked the book, but it was hard to stick with, and then just went to see the movie and I hated the movie, and now can't stand the book Sorry Nicholas Sparks Movie production ruined your book for me, although was only half into it in the first place... I was really into a few other Nicholas Sparks moviesbooks though... Nights of Rodadanthe The Notebook A Walk to Remember I just don't think that this is one of the best...
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In his first public discourse, known as the Turning of the Wheel of Dharma Pli Dhammacakkappavattana Sutta, SN 56, 11, Siddhartha Gautama, the historical Buddha, lays out what is considered to be the foundation of Buddhist doctrine and practice the middle path approach to understanding the nature of phenomena. At the level of affect the middle path steers clear of the extremes of indulgence and austerity, while at the mental level it avoids the extreme metaphysical positions of eternalism and annihilationism. Thus, the middle path leads to insight and wisdom, produces calm, knowledge, enlightenment, and nirva . Following his exposition of the middle path, the Buddha proceeds to outline the four noble truths and the eightfold noble path, which together represent the most basic aspects of Buddhist teachings. The middle path, thus, is intended both as an ethical method and as a primer for correct reasoning. In this second sense, the middle path relies on a particular understanding the nature of reality as being marked by, or displaying, three specific characteristics trilakaa unsatisfactoriness dukha, impermanence anitya, and the lack of an abiding self antman.
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Cabinet approves Protocol amending the Agreement for avoidance of double taxation and prevention of fiscal evasion with Belgium
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I think a round of applause is in order for whoever pieced together the trailer for Rogue Pictures' latest release, 'The Return'. I myself, along with everyone else have been duped into believing it is in fact a horror film. On the contrary though, its actually a supernatural thriller. Too bad it is not the least bit thrilling.br br 'The Return' stars Sarah Michelle Gellar as Joanna Mills, a young woman who has had personal problems since the age of eleven. It was at that age that she began having haunting visions depicting the murder of a woman whom she has never met. While in Texas on a business trip, she is led by these visions to the murdered woman's hometown, La Salle. There she comes face to face with another person who has frequently appeared in her visions. A man by the name of Terry Stahl, who is played by Peter O'Brien. Joanna is now on a desperate search for answers. A search that could in the end result in her very own murder.br br I really don't know where to begin here folks. Which should I mention first The atrocious acting, hideous directing, or the terribly bland story No matter which one I choose my point behind each is the same they simply suck. Adam Sussman's screenplay is downright moronic. Its not interesting. Its not compelling. Its just plain unpleasant. I kept waiting for something to jumpstart the film I've placed quotations around film because I don't believe 'The Return' deserves to be called an actual film due to it's foulness. and at least give it some slight chance of hope, but nothing ever happened. I was left out in an unbearable cold to freeze. Not even stellar performances from the actors themselves could have saved this disaster. Of course they probably knew this having read the script then agreeing to do the film. I assume this is why the acting was so awful. At least that's what I'm choosing to believe. I really hope the cast doesn't pride themselves on their performances. They need immediate medical attention if they do.br br Now the directing was unmistakably bad, but I can't quite crucify Asif Kapadia entirely. Well I could, but I won't since I'm such a nice guy. I look at 'The Return' as a test for Kapadia because for all of you that don't know, this is his first fulllength feature film. He's just getting his foot in the door and still learning. Next time around, well if there is a next time, hopefully he will have improved vastly. The only thing he was able to accomplish here was almost completely duplicating the visual style of Marcus Nispel's 2003 remake of 'The Texas Chainsaw Massacre'. Now that's nice the film was given that, but unfortunately he still won't be receiving any kudos from me for that. Copying someone else's work isn't something I consider to be praise worthy. Even if it is from a film I very much enjoyed.br br I think Jim Sonzero's American remake of 'Pulse' will now have to fork over the title of Worst Film of the Year to 'The Return'. It beyond question is deserving of the title in almost every imaginable way. Now I don't doubt this will make a small, and I mean very small, profit. No matter what though, it won't surpass or even parallel the fluke success of Gellar's previous acting effort, 'The Grudge'. On that note, there's one last thing I'd like to add. I can honestly say I had never been embarrassed to have been seen leaving a theater auditorium until seeing 'The Return'. That is something I never wish to experience again, along with the film itself.
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I have forever been an admirer of Hugh Hefner and the fine advancement He's made in Adult Entertainment, and I've enjoyed Playboy since that first magical moment I opened one of His Magazines.Even though I had never seen this show when it was on Cable TV, I'd heard a lot about it, that coupled with tha fact that these sets are uncensored and they could be acquired quite inexpensively, I purchased two seasons in hopes of spending many hours at the Mansion with Hef and his Ladies. The problem I have is, I don't like his Ladies Kendra is an annoying Narcisist, Holly is a Phony in the videos, and we've learned, in real life as well, and I cannot remember the other ladies name. Undressed they look artificial and far from Erotic, and not one of them ever utters a single funny or clever word, and yet every time they speak, they giggle as if every word out of their mouth is adorable especially Kendra, I don't want to know anything more about them, everWhat I did like was the opening theme by Nasty Tales doing Come on a my House, I purchased that at ITunes and it's proudly on my IPod, and I did as always enjoy watching Hef as he Entertained his friends at the Mansion Hef I'd love to be a guest and watching as he flew in his Private Jet to NYC, the Man has always carried himself with Dignity, and I will continue to admire the work he does.
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So far, this entry has used the word fittingness to pick out the normative property that FA theories appeal to in their explanations of evaluative facts. The fittingness relation can be glossed as the relation in which a response stands to its object when the object merits, or is worthy of, that response. Thus to say that something is a fitting object of admiration is to say that it merits admiration, or is worthy of this attitude. Many FA theorists have held not only that fittingness is the right normative relation to appeal to in explaining evaluative facts, but also that fittingness is explanatorily fundamental relative to the rest of the normative domain such that all other normative facts can be explained in terms of it . But FA theorists neednt be committed to either of these claims. For instance, FA theorists might agree that evaluative facts should be explained in terms of facts about fitting responses, but reject that fittingness is explanatorily fundamental relative to the rest of the normative domain. Alternatively, they might deny that fittingness is the right normative property to appeal to in explaining evaluative facts and opt instead to explain evaluative facts by appeal to facts involving a distinct normative property of responses. Other candidates for the normative property in question include a responses being such that one ought to have it , its being correct , justified , rational , required , warranted , or its being such that theres some, sufficient, or decisive reason for one to have it . The debate among FA theorists concerning which normative property to appeal to in their theories continues today. Presently, the two most popular options are fittingness and reasons. For example, an FA theorist who favors the latter option might claim that whenever something is valuable, thats fully because there are reasons for anyone to value it see section 1.5. Some costs and benefits associated with the FA theorists selection of either of these currently popular options are discussed in sections 2 and 3.
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You may change any of these options at any time in the System Settings.
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This has to be one of the worst movies of all time. The graphics were horrendous, the acting was bmovie and the effects were just plain Nintendo 64 qualified. You would think that they would put a little more effort into it. Of course, it is a Scifi channel movie so you have to expect it to be low rate, but this one takes the cake. Hell, I'm still laughing. So, as a shakeyourhead in disbelief movie, this one does well. br br Although it appears to have some 'known' actors and actresses in this, it is difficult for me to believe that they did not realize that the quality of this movie was worth their time and effort. br br The graphics might have been good in the '60's or even early '70's but come on, this is 2009 I wont give spoilers out, let's just say that if you have played Jurassic Park on the Nintendo 64 you will be very familiar with what you see in this filmbr br It is definitely not worth the 2 hours it took to sit through the thing
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Edwards Caps Intense Push in Iowa AP AP Capping an intense 10day competition for Iowa's seven electoral votes, Democratic vice presidential nominee John Edwards accused the Bush administration on Sunday of being captured by drug and insurance interests at the expense of working families.
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Kathmandu hit by 39rebel 39 blasts Suspected Maoist rebels in Nepal have set off two bombs in Kathmandu, on the third day of a blockade of the capital.
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Cognos buys Sweden 39s Frango for US52.2M Ottawa 39s Cognos Inc. announced a US52.2million deal on Tuesday to acquire a Swedish maker of financial reporting software. Cognos said it will acquire Stockholm
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. . . that's how bad it was. Special effects sucked, story wasn't any good and even Sam Worthington couldn't save this movie from drowning.
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The legal moralist notion of defeatersthe conditions that can potentially defeat a prima facie reason to impose legal coercion on the basis of moral wrongdoingshould not be thought of as closed, but rather as flexible and subject to evolution or change. The notion fits comfortably with an established set of considerations that have been developed since the 1960s, based on the crime tariff and other mechanisms at work in the criminal law . The idea of the crime tariff is that certain kinds of perceived wrongful behaviour will be engaged in, one way or another, whether it is criminal or not. That, of course, is not a conclusive objection to criminalization. If it were, the criminalization of murder or theft would be ruled out. However, if one looks at the predictable effects of criminalization of given wrongful conduct, it may make matters still worse than staying the hand of the criminal law. For one effect of criminalization is that the price of products for example dangerous drugs or services for example sex work will go up and will attract suppliers willing to break the law systematically and introduce a plethora of criminal gangs into societies, among other effects. The result may be worse than leaving well or quite bad alone. Michael Moore, for example, writes Prostitution does not go away by being legislated against, as the experience of all societies has shown. By making it criminal, however, the supply is artificially restricted to those willing to engage in criminal behaviour, so that prices and profits are such as to draw in organized criminal activity. . Devlin appeared to be anticipating this argument when pointing out a factor that needed to be weighed in considering whether abortion which he appeared to assume was morally wrongful should be, or should remain, criminal. Abortions, in certain circumstances, will be sought irrespective of whether the conduct is criminal. But, if criminal, they will be performed by amateur, unskilled backstreet practitioners, operating outside of legal regulation. This renders the procedure dangerous in a way it would not be if properly attested professionals were undertaking the procedure and punishment may seem appropriate for anyone causing or risking such danger. However, the dangerousness of this conduct, said Devlin, is largely based on the facts that it is illegal and therefore performed only by the unskilled . This again yields a factor of potential relevanceeven to those who, like Devlin, believe abortion to be morally wrong. Whatever the conclusion, such a consideration is a factor to be weighed in the balance.
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What four factors make an illustration effective What makes an illustration effective
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feminist political philosophy. Ecofeminist political philosophy tends to expand these critiques to include ecologically informed visions for conceptualizing politics, political analyses, and the nature of democracy. During the 1980s, women's activism in a variety of social movementsthe environmental, peace, animal liberation, and environmental justice movementscame together and a new form of activism emerged, ecofeminist political activism. By the 1990s, this political activism had given rise to a diversity of ecofeminisms liberal, Marxist, socialist, radical, culturalspiritual, and social ecofeminisms. These different ecofeminisms are mentioned here because each is grounded in a different ecofeminist political perspectiveliberalism, Marxism, socialism, radical feminism, indigenous and spiritual politics, anarchism, and social ecology. And each political perspective provides a different answer to questions about the nature of ecofeminist activism, green politics, and ecofeminism political philosophy. Ariel Salleh, for example, claims that the basic premise of ecofeminist political analysis is that the ecological crisis is the inevitable effect of a Eurocentric capitalist patriarchal culture built on the domination of nature, and domination of Woman as nature. Or, to turn theequation around the other way, it is the inevitable effect of a culture constructed on the domination of women, and the domination of Nature, as feminine. Catriona Sandilands' ecofeminist political perspective starts with the premise that ecofeminism contains an inherently democratic vision needs to be located in the context of contemporary democratic theory. Sandilands argues that traditional understandings of democracy, the public sphere, political speech, and coalitionbuilding fail to adequately address the need for an ecologically informed democratic politics an ecological democracy. For both Salleh and Sandilands, ecofeminist political analysis is not politics as usual it is a gendered, ecologically informed perspective that uses its understanding of the unjustified dominations of women, animals and nature to reconceive notions of the public sphere, democracy, citizenship, and free speech. Deane Curtin agrees that the environmental crisis is a crisis of citizenship and of traditional democracy. Unlike the sense of democracy that refers to culturally specific institutions created by Western liberalism, a feminist informed ecological democracy refers to a vision of democracy that recognizes that we all live in both cultural and ecological communitiesin familiar, enduring, socially diverse relationships to people and places, culture and nature. Ecological communities are democratic when they are committed to reconciling culture with nature in ways appropriate to what it is to be an ecological citizenone who exercises civic virtues that foster the health of all humans and the planet . There is a very different sort of ecofeminist political philosophy that is developing within Continental philosophy and phenomenology. It advances views of nature as a subject with agency, subjectivity, voice, and the ability to enter into political dialogue as cointerlocutor with humans. This approach to ecofeminist political theory deserves to be acknowledged, though it is not discussed further here .
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Audit Finds No Fraud In Venezuelan Election The referendum on Aug. 15, 2004 rejected the petition to revoke the mandate of President Hugo Chavez. The observation of The Carter Center mission confirms the results announced by the National Election Council
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Hoseas words teach us what about repentance and mercy
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The Western society has been fed ideas about India being a poor country. Movies like these only make those beliefs stronger. Such illustrations make it all the more difficult for Indians to be accepted abroad. Agreed there are poor and homeless in India, but why is there no representation of educated people if not the successful ones.br br I totally hated the idea of the movie portraying Patrick Swayze as another Mother Teressa. In my opinion this movie has shown India in a very bad light giving wrong notions. It is unjust to discuss only one aspect of the society. Exactly the reason why people ask me, When we go to India, can we hire an elephant right outside the airport so we do not have to walk on the roads so full of filth and snakesbr br Those who want a second opinion on contemporary Indian society should watch Monsoon Wedding.
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Conventional jury models implicitly assume that individuals share the same objective of a correct collective decision. Surprisingly, this assumption does not rule out strategic voting. To the contrary, voters may vote against what they believe to be correct in order to facilitate a correct aggregate decision. This can be called epistemicstrategic voting, because voters strategise out of a shared epistemic objective rather than conflicting interests. How is this even possible Suppose a 9member jury reaches a guiltyorinnocent verdict by majority. A juror reasons I believe in guilt. My vote only makes a difference if it is pivotal, i.e., if my jury colleagues are split 44. So, let me assume this split. But then four competent colleagues believe in innocence. So innocence is more likely than I thought. The higher probability of innocence justifies an innocent verdict. So I shall vote innocent. She votes on the basis, not of her beliefs, but her conditional beliefs assuming pivotality. If everyone reasons alike, no one reveals their genuine judgment. Votes reflect no private information or insights, and collective decision are arbitrary. Defendants are unanimously acquitted even when everyone believes in guilt. Fortunately, this absurd situation is no more stable than sincere voting. Why The strategic reasoning leading to nonsincere voting cannot be universalised it assumes others vote sincerely. Indeed, our example juror assumes her colleagues are sincere in her But then inference. Epistemicstrategic voting has been addressed gametheoretically, using jury models enriched by voters private information see AustenSmith and Banks , Feddersen and Pesendorfer , Peleg and Zamir , Bozbay, Dietrich, and Peters , and many others. The generic finding is that sincere voting by everyone is no Nash equilibrium, but that the rationality of sincere voting can be restored by carefully adjusting the aggregation rule, raising a problem of procedure mechanism design rather than group design. But is epistemicstrategic reasoning and voting really plausible There are three very different objections. Firstly, voters may be boundedly rational and unable or unwilling to strategise. Secondly, variations of the decision procedure, possibly introducing prevoting deliberation can make strategic voting less likely . Thirdly, and most interestingly, sincere voting becomes perfectly rational under a richer and arguably more realistic picture of voter motivation, where the narrowly consequentialist concern for correct collective outcomes is replaced or complemented by a concern about the act of voting itself, often an intrinsic concern for being sincere, or for expressing ones opinion, or for complying with norms of sincerity. The literature contrasts instrumental and expressive voting . Why do expressive concerns even if just small easily crowd out instrumental concerns, so that sincerity becomes rational The reason is that, in sufficiently large groups, the probability of being pivotal, i.e., of affecting the outcome, is small, so that the instrumental concern almost cancels out when solving the voters optimisation problem. So, strategic voting may well be a gametheoretic artifact of ascribing purely instrumental preferences to voters.
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Humes denial that there is an inner perception of the self as the owner of experience is one that is echoed in Kants discussion in both the Transcendental Deduction and the Paralogisms, where he writes that there is no intuition of the self through which it is given as object . Kants account of selfconsciousness and its significance is complex, a central element of the Transcendental Deduction being the claim that a form of selfawarenesstranscendental apperceptionis required to account for the unity of conscious experience over time. In Kants words, the I think must be able to accompany all my representations . Thus, while Kant denies that there is an inner awareness of the self as an object that owns its experiences, we must nevertheless be aware of those experiences as things that are, both individually and collectively, our own. The representation of the self in this I think is then, according to Kant, purely formal, exhausted by its function in unifying experience. The Kantian account of selfawareness and its relation to the capacity for objective thought set the agenda for a great deal of postKantian philosophy. On the nature of selfawareness, for example, in an unpublished manuscript Schopenhauer concurs with Kant, asserting that, that the subject should become an object for itself is the most monstrous contradiction ever thought of . Further, a philosophical tradition stemming from Kants work has tried to identify the necessary conditions of the possibility of selfconsciousness, with P.F. Strawson , Evans , and Cassam , for example, exploring the relation between the capacity for selfconscious thought and the possession of a conception of oneself as an embodied agent located within an objective world see 4.3. Another, related tradition has argued that an awareness of subjects other than oneself is a necessary condition of selfconsciousness see 4.4. Historical variations on such a view can be found in Fichte , Hegel , and, from a somewhat different perspective, Mead . Fichte offers the most influential account of selfconsciousness in the postKantian tradition. On the reading of the Heidelberg School, Fichte claims that previous accounts of selfconsciousness given by Descartes, Locke, and even Kant are reflective, regarding the self as taking itself not as subject but as object . But this reflective form of selfawareness, Fichte argues, presupposes a more primitive form since it is necessary for the reflecting self to be aware that the reflected self is in fact itself. Consequently, according to Fichte, we must possess an immediate acquaintance with ourselves, the self exists and posits its own existence by virtue of merely existing . Once more, this debate echoes ancient discussions concerning the nature and role of selfconsciousness.
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Imagine pulling back the mask of a lethal assassin and finding Barbara Cartland there... that's what happens with this film.br br The opening showed promise, but soon it drops all pretenses of being a thriller or even an imaginative love story and the only reason they made this story becomes abundantly clear to fill a gap in their female viewing market by creating yet another rehash of 'misunderstood, brooding badboy' Andrei meets 'innocent, whimsical beauty' Paula. br br Rather than waste any time in creating an original premise, the filmmakers went straight for the moneyshot the bad boy being tamed by said whimsical beauty. Thence follows a string of insincere and heavilyclichd love scenes sprinkled with pseudo philosophicalpoetic fluff. Andrei's admission of being eponymously a 'poet' is levered in to round out the perceived qualities a Byronic hero should have but even when we're told in heavy, underlined writing who and what he is, it's still difficult to believe it or care.br br For a Byronic heroantihero to work, the story needs subtlety, style and innovation all of which are utterly absent here. This is not a modern day Phantom of the Opera, it's just what happens when a weak and rather silly woman with loose knicker elastic dates a bad man, who, after meeting her, seems as dangerous as bunny slippers.br br The performances might have saved this film, had they been any good the female lead is preoccupied with looking sexy and 'otherworldly', no matter how forced or ridiculous and poor Dougray Scott appears to have been drugged as he shambles through his part. This is not his best work. The glimmers of interest were brought by Jrgen Prochnow as 'Vashon', and Andrew Lee Potts as the young photographerbrother. A better movie would have offed the sister and kept the brother instead.
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Gatlin 39s gun fastest in historic shootout Serious fun lit up the Olympics last night. A showdown among the swaggering gunslingers who populate the sprint community, celebrated by 72,000 spectators for a full 10 minutes prior
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I watched this movie on march 21 this year.Must say disappointment.But much better than Tridev.Plot is hackneyed.Tells about Prabhat who lives with his father,Wife and his little brother.The movie opens when he saves a bride.Anyway.Azghar Jhurhad makes a plot to kill his young brother.He makes a plan by sending few man.They come to a school pretended to be Prabhats friends.Kill that kid.His father throws him out of the house.Then later comes back.He and Aakash go to Kenya to find him.Sunny gives a good performance,Chunky was annoying at best,Naseerdun is wasted.Divya did good,Sonam was wasted,Jyotsna was wasted but looked cute.The kid which played Sunnys brother in the movie was cute.Too sad he had to get his character killed.The girl was cute but was annoying.The other kid did good.Alok did good.Kiran was adequate.Amrish and Gulshan did good.The cinematography is excellent in both India and Kenya.Script is weak but has a few good dialogs.Also drags .The movie.The music was alright.I only liked one songSaat Samundar the lyrics of that song was good.The other songs were forgettable.Don't watch this. Rating310
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What a waste of time, a total load of garbage. By this tale David Bowie is about 1000 years old. I would have better spent my time watching paint dry
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This is a different situation.
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The two riders were seriously injured.
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C'mon people, you can't be serious, another case of advertising snuff when it totally isn't This isn't even remotely scary nor is it terrifying or depraved it is just utterly terrible amateurish videowork, made for the next party to get the girls laid.br br The gore is incredibly bad, even the eyescene is far from making me want to puke but just making me want to take the camera and hit those guys over the head. The girl is just laying there rubberfaced, not moving at all. It would have been funnier to use a real doll instead.br br One season of I'm a Celebrity, Get Me Out of Here is more frightening than this one. Don't waste your time or your money.
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Mad dash for triathlon gold Australia 39s Loretta Harrop dominated and lost. Susan Williams, of Littleton, wasn 39t supposed to be there but left with the bronze, the only American medal.
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I concur with Mr. Zwick's review below, but I give it one and a half stars, rounded down to one. It was just dull, dull, dull.
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The following two examples from this text illustrate the method and purpose of Orukas questioning. When asked what he thought of his own Luo communitys idea of communalism, Paul Mbuya Akoko responded as follows Now the sense in which we may justly say that the Luo in the traditional setting practiced communalism is not one in which people generously shared property or wealth. Their idea of communalism is, I think, of a cooperative nature. For example, where one person had cattle, everybody ipso facto had cattle. For the owner of the cattle would distribute his cattle among people who did not have cattle so that the less welloff people may take care of them never completely given awayThe result is that everybody had cows to look after and so milk to drink. Another sage, Okemba Simiyu Chaungo from the Bukusu community, responded to the question, What is truth as follows When something is true, it is just as you see it it is just what it is just like this bottle it is true that it is just a bottle just what it is. Truth is good. Falsehood is bad. It is evil. He who says the truth is accepted by good people. A liar may have many followers but he is bad. And in response to an Interlocutor, who asks Why would people tell lies, he responded So that they may eat so that they may get empty prestige. They want to profit fraudulently. From these examples some of the distinguishing characteristics of Sage Philosophy can be gleaned. First, they display the deeply personal nature of the ideas, or opinions, that the sages expressed in response to the questions. Akokos insight derives from his individual reflections on the practice of communalism to consider its justification. Second, they provide evidence of abstract thought about philosophic topics. Chaungo considers what it means for a proposition to be true and expresses what turns out to be a correspondence theory of truth according to which the proposition This is a bottle is true if the object it refers to, this thing, is indeed a bottle. By pointing out that some people choose deliberately to be untruthful for unjust gain he also addresses the moral aspects of truth. Orukas survey of sages aimed to counter three negative claims regarding the philosophical status of indigenous African thought His reply to these claims has significantly shaped the discourse on Sage Philosophy. In what follows the criteria he proposed to determine what counts as Sage Philosophy will be considered in the light of his critique of the Eurocentric bias against African philosophic thought and the question of whether literacy is required.
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This movie is being shown over and over on cable lately, so..br br There is no excuse for these 2 attractive women to fight over either Luke Wilson or the equally vapid 'villian' in this movie. The female actresses are very cute, and that's the only reason to watch this movie. I suppose it is 'funny' that Luke's even uglierdorkierstupider friend is around, but well, that is what we get.br br Neither of the female leads would ever, EVER talk to any of the males in this movie for more than 5 minutes. What we get is them sobbing and crying and fighting and so on over 2 guys that were best described in Friday the 13th 4. Dead
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this movie only gets a second star because i work downtown and liked seeing it destroyed. the effects were pretty good i hear it was the most expensive Korean film ever made. being the most expensive and still absolutely horrid makes it a massive waste of money. i rented it so i won't complain too much about what i paid, but it was a couple hours that i'll never get back. plot holes abound. terrible acting all across the board. i do not recommend giving up the time to watch this movie, life is too short. if your friends want to watch this, run away. i can't stress enough how bad this film was. br br where the hell did the second dragon come from why didn't he show up sooner how did they have rocket launchers on dinosaurs just 500 years ago
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I got the DVD very cheap and I'm a total Drewbie, and thats probably the only constellation where this movie could ever interest anyone.br br An early Drew movie, she's looking great, and she gets a quite lot of really cute scenes of her, like a shower scene, a sexy dance scene, quite a number of sexy outfits etc. She does never show the friendly charm we know from her more recent movies.br br The movie itself is pretty average or subaverage, and much more looking like being made for the TV than one for the cinema. There is no real horror or tension built up and the dialogs are often cheesy.br br The most interesting part is probably the end because I honestly don't understand it. But maybe there is nothing to understand about it anyway. But at least you don't get the end you would be expecting, and it also comes much sooner than one would have expected.br br Overall I think this movie is exclusively for Drewbies.
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This isn't a dreadful film, merely insipid. The plot is deeply flawed and implausible. It tries to be a number of genres and fails at each. It fails as a comedy, as a suspense thriller and as a horror movie. It almost succeeds as science fiction. The direction is uninspired and Katie Holmes, cute cherub face that she is, should be modeling teen clothing, not acting. The only thing that keeps this movie from being a 1 out of 10 is Helen Mirren. Her performance is fabulously nefarious and is almost worth suffering through the rest of it. Her ability to transmute from imperious to faux sympathetic to deviously manipulate and control her prey shows masterful range. Other than Marissa Coughlin's delightful Exorcist rendition, Mirren is the only reason to see this movie. A solid 310.
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I was anxious to view and listen to Ringo and the Roundheads concert. But to my disappointment, the dvd was defective The intro was great, it had sound and video, but the concert segment only had video, no sound.Amazon was great about refunding my money, but I really wanted to see and hear the concert. This was the first time that I bought a dvd that arrived defective. Lucky for me, I had ordered another Ringo and the AllStars and that was great.
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Contributions That Warm Gods Heart THE story is not a pretty one.
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I purchased this film for 5 in a bargain bin at my local video store for one reason only, Chase Masterson, but I should have crumbled up the five, thrown it in a toilet and flushed. The film is about a bunch of twenty somethings that peaked in high school and reunite on the anniversary of their idiot friends death, who got drunk and wandered into the woods and died. There problem is a reptilian monster is hunting them down one by one. The acting is abysmal, these worthless people were apparently cast offs on shows like 90210 and Dawsons Creek. The directing was on par with a twelve year old and the script was probably done by a thirteen year old. The entire set looks like someone's backyard in Malibu. The people on here that have praised this film are obviously friends of the director andor actors. Avoid this pile of garbage at ALL costs.
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Well, what's to say. THE GOLDEN CHILD falls in the category so bad, it's good. Eddie Murphy is having some funny and sometimes quite annoying lines, but you are still entertained. Chales Dance has never been worse than his role as the villain Sardo Numspa what a fed up name is this.br br Who should watch THE GOLDEN CHILD... hm... difficult to say, but my best guess would be people who likes embarrassing movies and can be entertained by bad acting, bad plot and an even more embarrassing dialog.br br 4 out of 10
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But the assumption that all desires are like hunger in the relevant respect is open to question. Hunger is not satisfied if one still feels hungry after one has eaten. It seeks a certain kind of consciousness in oneself. But many kinds of desires are not like that. Suppose, for example, that I want my young children to be prosperous as adults long after I have died, and I take steps that increase to some small degree their chances of achieving that distant goal. What my desire is for is their prosperity far into the future, not my current or future feeling of satisfaction. I dont know and cannot know whether the steps that I take will actually bring about the goal I seek what I do know is that I will not be alive when they are adults, and so even if they are prosperous, that will give me no pleasure. Since, by hypothesis I can only hope, and do not feel confident, that the provisions I make for them will actually produce the good results I seek for them, I get little current satisfaction from my act. It would make no sense, therefore, to suggest that I do not want them to be prosperous for their sake, but only as a means to the achievement of some goal of my own. My goal is their wellbeing, not my own. In fact, if I allocate to them resources that I myself need, in the hope that doing so will make their lives better, I am doing something that one form of psychological egoism says is impossible sacrificing my own good, to some degree, for the sake of others. If the psychological egoist claims that such selfsacrifice is impossible because all desire is like hunger, the reply should be that this model does not fit all cases of desire. Recall the two premises used by the armchair psychological egoist i What motivates us to act is always a desire ii all desires are to be understood on the model of hunger. The second premise is implausible, as we have just seen and, since both premises must be true for the argument to reach its conclusion, the argument can be rejected.
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I love watching early colour films you mean those 40s clothes weren't all grey br br Margaret Rutherford dominates this movie. Her eccentric garb is actually rather attractive and yes, she has an amazing hourglass figure. But I feel she was given her head rather too much. She probably developed this characterisation over many performances, and nobody told her If it gets a laugh, leave it out. She does too much deranged fooling about when she's supposed to be surprisingly down to earth. The Madame Arcati joke is that mediums were usually portrayed as wispy females in long drapery. Arcati behaves like a retired headmistress We'll really put our backs into it. The contrast between her breezy, commonplace manner and her wacky beliefs isn't really brought out.br br Just because all the actors are English apart from Cummings, the Americans feel they have to use the words Brit, stiff, lip and upper. Oh, give it a rest The three main characters lose their tempers constantly and make risqu remarks Did he make love to you Yes, but very discreetly he was in the cavalry.
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Stocks Rally on Lower Oil Prices Stocks rallied in quiet trading Wednesday as lower oil prices brought out buyers, countering a pair of government reports that gave a mixed picture of the economy.
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The software is not from a trusted source.
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Motorola rolls out database management software Motorola is using the Application Data Management suite from OuterBay Technology to manage data growth in its Oracle ebusiness applications.
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Really, really bad. How does a film this bad get made I kept waiting for some redeeming plot point, interesting camera work, or at least some gratuitous nudity but I got nothing. I had just watched Cabin Fever and I thought it was an train wreck except for the nudity and Pancakes but it looks like genius compared to this dreck. The best script doctor in the world couldn't have saved this putrid pile of of stinking poo.br br The only thing going for this film is that it ended.br br I've got a headache just thinking about this movie and trying to write something. Ugh I'm glad I only paid 5 for it and it will soon end up in a landfill.
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With a cast of stalwart British character actors and pleasing photography of 1950s Britain, I had hoped and expected to be more entertained by this film. Unfortunately I found myself glued to it for the wrong reasons I couldn't quite believe how awful it was. I must have watched thousands of old films and am always ready to make allowances for them being products of their time, but this was really hard going.br br As others have noted, a major problem is that it doesn't seem to know what it wants to be a gentle romantic comedy, a slapstick comedy or a musical. I was a bit gobsmacked when Jeannie Carson suddenly broke into song about 15 minutes in It's not believable on any level, either the storyline itself or the fact that Daisy never appears to have an ounce of menace in her at any time. Other aspects which defied credibility included the casting of suave Donald Sinden as a songwriter a songwriter for God's sake, the fact he has Diana Dors for a fiance and doesn't appear to have the slightest interest in her I mean, Diana Dors Come on and a ludicrous scene in a song publisher's office. The whole thing's silly in the worst possible way.br br If I had to pick a favourite scene it would be the one at the very beginning with that wonderful actor Wilfred Lawson after that everything went downhill in a big way.
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The best way to understand the innovations made by philosophers in our understanding of how films relate to society is to look at the view that was dominant in film theory some years ago. According to that view, popular narrative filmsespecially those produced by Hollywood, a term that referred to the entertainment industry located in Hollywood, California, but also included popular narrative films produced on a similar modelinevitably supported social oppression by denying, in one way or another, its existence. Such films were taken to present nothing but fairytales that used the realistic character of the medium to present those imaginary stories as if they were accurate pictures of reality. In this way, the actual character of the social domination assumed by such a view to be rampant in contemporary society was obscured in favor of a rosy picture of the realities of human social existence. As part of their argument, these film theorists have gone beyond examining individual films themselves and have argued that the very structure of the narrative film functions to assist in the maintenance of social domination. From this point of view, an overcoming of narrativity itself is required for films to be genuinely progressive. In opposition to such a negative view of film's relationship to society, philosophers of film have argued that popular films need not support social domination but can even give expression to socially critical attitudes. In making this argument, they have corrected film theory's tendency to make broad generalizations about the relationship between film and society that are not grounded in careful analysis of individual films. They have instead concentrated upon presenting detailed interpretations of films that show how their narratives present critical takes on various social practices and institutions. Class, race, gender, and sexuality are among the different social arenas in which philosophers of film have seen films make socially conscious, critical interventions in public debates. One interesting example of films that develop political stances that are not merely supportive of existing modes of social domination are those that involve interracial couples. So Stanley Kramer's 1967 film, Guess Who's Coming to Dinner, investigates the plausibility of racial integration as a solution to the problems of antiblack racism in America through its portrayal of the problems facing an interracial couple. Nearly 25 years later, Spike Lee's Jungle Fever argues against the earlier film's political agenda, once again using an interracial couple that encounters racism. Only this time, the film asserts that the intransigent racism of White Americans undermines integration as a panacea to the ills of this racist society . And many other films employ this narrative figure to investigate other aspects of racism and possibilities for its overcoming. Similarly, philosophers have looked outside of Hollywood to the films of progressive filmmakers like John Sayles to illustrate their belief that narrative films can make sophisticated political statements. A film like Matewan is shown to involve a sophisticated investigation of the relationship between class and race as sites of social domination. In general, then, we can say that philosophers have resisted a monolithic condemnation of films as socially regressive and explored the different means that filmmakers have used to present critical perspectives on areas of social concern. While they have not ignored the ways in which standard Hollywood narratives undermine critical social awareness, they have shown that narrative film is an important vehicle for communal reflection on important social issues of the day.
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S could not be saved, because you cannot change the contents of that folder.nnChange the folder properties and try again, or try saving in a different location.
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I saw this film under the title of Tied Up. In general I have enjoyed Dolph's movies, so gave this one a try. It wasn't worth it. I have read some of the previous comments about the box enticing viewers. Don't be fooled. This is a poor film at best. The acting is nonexistent. The plot, what little there is of one, is very predictable. The movie in places seems to be chopped together. This one just plain stinks the place up. Not even worth the price of a cheap night rental. As a bit of a Dolph fan, I kept waiting to see him in action. By the end of the movie, you will still be waiting. Best to avoid this film, and spend your time watching almost anything else.
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One star for the plot. One star for the acting. One star for the dubbing into squeakyvoiced American. Five stars for Monica Broeke and Inge Maria Granzow, with their propensity for taking all their clothes off. And ten out of ten for the divine Emmanuelle Bart, two years before she made 'Manon des sources'. Bart also undresses a couple of times, but even fullyclothed her presence is enough to make this film eminently watchable. Watch out for the scene where she tells her friend about the three first times for a girl. It's corny, but still far more erotic than the rather laughably choreographed love scenes featuring Broeke, Granzow and Patrick Bauchau. Incidentally, the cinematography is not great the stills for the closing credits are a better indication of what David Hamilton is capable of.
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Will they too receive a resurrection
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This video was ok only. It was not a story like the regular Bob the Builders, it was sorta documentary like. My son still enjoyed it, but I was disapointed enough to not buy any other on site videos.
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Profits Up for Farm Equipment Maker Deere CHICAGO Reuters Deere Co. ltA HREFhttpwww.investor.reuters.comFullQuote.aspxtickerDE.N targetstocksquickinfofullquotegtDE.NltAgt, one of the world's largest farm equipment makers, on Tuesday said quarterly earnings jumped sharply, driven in part by strength in its agricultural and construction equipment businesses.
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Australian detective Phillip Jackson Patrick Thompson investigates cyberporn sites, even such perverted ones as selfcondoned cannibalism. He runs across a website with fellow investigator Nigel Matthew Le Nevez that consists of Feeders and Gainers, people who love grotesquely overweight people. On this website is 602 pound gainer Deidre played quite well by Gabby Millgate and her feeder Michael Carter also a well acted role by Alex O'Loughlin.Detective Jackson goes overboard when he discovers that the feeder is attempting to kill his gainer and going so far as taking Vegasstyle wagers on how big she'll be when she dies. Although taken off the case by his boss, he jumps a plane and travels to Toledo, Ohio, USA to catch up with Michael Carter and confront him.What follows are some overdone and over dramatized scenes of confrontation, along with psuedopsychological supposedly nuggets of witty intellectual discourse. However, even a bit of good acting and a great soundtrack can't save this film from its script, its poor photography, and its overthetop sensationalism. it takes years and years to kill someone by overeating no one is going to be placing Vegasstyle bets on it The ending did have a nice little twist, in case you decide to sit it out through the rest of the movie.There is a little bit of gore, and a bit of nasty fatmelting and cannibalism going on, but not enough to distract from the mediocrity of the film. Overall, definitely rent before you buy, and you might even want to get your rental fee back. I don't recommend this movie, it didn't live up to the hype of the editorial or other reviews.
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A fourth objection takes issue with liberal multiculturalists understanding of what equality requires. Brian Barry defends a universalist ideal of equality, in contrast to the groupdifferentiated ideal of equality defended by Kymlicka. Barry argues that religious and cultural minorities should be held responsible for bearing the consequences of their own beliefs and practices, just as members of the dominant culture are held responsible for bearing the consequences of their beliefs. He does think that special accommodations are owed to people with disabilities, but he believes religious and cultural affiliations are different from physical disabilities the former do not constrain people in the way that physical disabilities do. A physical disability supports a strong prima facie claim to compensation because it limits a persons opportunities to engage in activities that others are able to engage in. In contrast, religion and culture may shape ones willingness to seize an opportunity, but they do not affect whether one has an opportunity. Barry argues that egalitarian justice is only concerned with ensuring a reasonable range of equal opportunities, not with ensuring equal access to any particular choices or outcomes . When it comes to cultural and religious affiliations, they do not limit the range of opportunities one enjoys but rather the choices one can make within the set of opportunities available to all. In reply, one might agree that opportunities are not objective in the strong physicalist sense suggested by Barry. But the opportunity to do X is not just having the possibility to do X without facing physical encumbrances it is also the possibility of doing X without incurring excessive costs or the risk of such costs . State law and cultural commitments can conflict in ways such that the costs for cultural minorities of taking advantage of the opportunity are prohibitively high. In contrast to Barry, liberal multiculturalists argue that many cases where a law or policy disparately impacts a religious or cultural practice constitute injustice. For instance, Kymlicka points to the Goldman case discussed above and other religion cases, as well as to claims for language rights, as examples in which groupdifferentiated rights are required in light of the differential impact of state action . His argument is that since the state cannot achieve complete disestablishment of culture or be neutral with respect to culture, it must somehow make it up to citizens who are bearers of minority religious beliefs and native speakers of other languages. Because complete state disestablishment of culture is not possible, one way to ensure fair background conditions is to provide roughly comparable forms of assistance or recognition to each of the various languages and religions of citizens. To do nothing would be to permit injustice.
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Been lurking for a couple of years or so. I have never been moved to post on here before, so perhaps this movie is worth a star for that, but I doubt it. I just watched it on DVD, having missed it in the movies due to illness and never got around to watching it till now. I had not read extensively about it, certainly not even thought about the movie in some months. It was just what the buddy picked up in the store, so it got watched.br br Bad mistake.br br The shot I spoke of in the the summary up top is in the trailer and on the poster. Right from the off, Jason Statham has hair. Like in no other GR movie. Or any JS movie that I've seen. At least not in the quantities on display here. And Ray Liotta in underpants SHOULD be advance warned. It's scary and funny but not in a hahahumour way. Its more in an almostTheOfficebutslightlymutatedandsofailingsortofhumour way. They each say the same thing This movie is not like anything you expect this movie to be.br br Now, based on previous, extensive, moviewatching experience, I expected this movie to be a few things. Likebr br Coherent,br br Interesting or engaging,br br Not a complete and utter farrago of navelgazing,br br Something more substantive than a motley bunch of badlyrealised fables from what is just a standard eastern mystic ideology dressed up as a cool, modern, selfaware artform,br br Hopefully better than The Idiots.br br As you may have guessed by my tone, it thoroughly failed to check any box above. Instead it wasbr br x Badly edited pace all over the shop, 70samateur high8 style jump cuts, incomprehensible plot twists delivered through hackneyed flashback montages, I could go on...,br br x Shot as if by a depressed 14yrold goth who'd just spent the weekend watching Truffaut and Godard with the drapes drawnbr br x So up its own behind with the whole I'm really smart, me motif message, that it feels determined to repeat it every 20 minutes or so, just to make sure the dumb people ie everyone who doesn't like it in the audience make sure they get the point,br br x A genuine waste of my time.br br As for the undoubted ability of some people to get something from this, fine. I'm glad you enjoyed it. One poster said something that caught my attention under25s probably understood it better because of the editing. Maybe, but editing is supposed to make your work more accessible, not less. As for the Genius is only recognised by the enlightened brigade out there, go suck an onion and grow up. There is nothing more presumptuous and selfserving than people who say the reason another person doesn't know great art is because they don't understand the 'craft materials moon cycle filaments of supreme rational thought' which the 'auteur poet artist palm reader idiot savant' is using to explain his or her 'vision grand scheme oneness with Gaea great big bucket of dogsick'.br br For me and many, many more people, its garbage. br br Movies, art, stories, poetry, anything designed to be viewed by another human is supposed to be engaging and moving. In some direction be it metaphorical, spiritual, emotional or whatever you're having yourself.br br The only way this moved me was forward in time, two hours closer to my own inevitable demise. The greatest trick He ever pulled was making You believe Any Part of this movie meant Anything at Allbr br And now, please, by all means, toast my buns for me.
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Elvis Presley plays a halfbreed Native American Indian who has to defend his reservation from nasty business tycoons. Everyone likes to get drunk, fight, and make children. Fighting, wrestling, and punching out each other replace the stereotypical handraised expression Howbr br Although he does have makeup on, it's obvious Elvis is healthier than he appeared in prior films possibly, he was getting ready for his famous comeback. It couldn't have been because this movie's script was anything to get excited about. Joan Blondell trying to seduce Elvis, and Burgess Meredith in war paint, should be ashamed.br br The best song is Stay Away actually, Green Sleeves with different lyrics. The most embarrassing song is Elvis' love song to the bull Dominic. There are some surreal scenes, but it never becomes trippy enough to succeed in that genre though, Stay Away, Joe might provide some laughs if you're in the right mood.br br Otherwise, stay away. br br Stay Away, Joe 1968 Peter Tewksbury Elvis Presley, Burgess Meredith, Joan Blondell
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Yogcra Buddhists have a pragmatic theory of conceptformation and view language as at best helping us get what we want and avoid what we want to avoid. The Buddhas words are to be trusted because of his special experience and superior capacity as a reasoner as well as his compassion motivating his most excellent advice. Gagea imagines an attack on testimonial knowledge from Buddhist skeptical quarters such that, in fact, there is no knowledge but only helpful or unhelpful advice because there is no truth, no veridicality. Statements do not correspond to facts. Gageas rebuttal centers on knowledge production through words. Any instance of knowledge has a mode of production distinct from one that fails so to produce. The argument that erroneous utterances fail to generate knowledge cuts no ice, since erroneous utterances are not veritable testimony as we Naiyyikas understand it, he says . We are able to distinguish erroneous and true utterances by the processes that produce them, and thus meet the skeptical challenge. A different line of rejection of testimony is attributed to the Vaieika school, which is said to admit testimonial knowledge but to see its generation as coming from inference of a certain sort. A hearer reasons 1 Speaker S states p, 2 S is a trustworthy authority, pta, 3 what such authorities state is true, and so, therefore, 4 p is true. And if challenged, S could say that she knows p because of the inference. Gageas rebuttal centers on how premise 1 could be known. Testimony has to be admitted as a separate knowledge source to understand how the reductionists inference could get started. Just what is the knowledge source for 1
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Buena Vista has once again supplied a horrendous package. This movie does NOT contain a commentary track as noted on the box, nor is there a DTS track. If you absolutly have to have the movie, the transfer is not bad for a nonanamorphic. but the misleading advertising from BV, not amazon's fault,and the cost are serious things you want to consider
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Livewire Beep Beep UltraFast Broadband Is Here Reuters Reuters For Rainer Kinnunen, life has been a bitof a blur since he signed up for a superhighspeed Internetservice three years ago.
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Formal studies of facts are scarce. And they are also heterogeneous, both in form and in content. In form insofar as they are formulated in languages of various kinds, which vary greatly in expressive power. And in content, not only because of the variety of views on given issues, but also because the kind of issues dealt with varies greatly. This makes it difficult to present these theories within a uniform framework. We are going to choose a specific framework, present, within that framework, some of the options a facttheorist may wish to adopt, study their relationships, and give references in due course to indicate where in the resulting space of possible theories various accounts, formal and nonformal, are to be located. Our framework is significantly distinct from many of those which are used in the literature. So it should be kept in mind that in attributing this or that view to an author, what we will say is often not to be understood literally when it is not, what we really attribute to the author is something which, translated into our framework, is what we literally attribute to her. There are two main uses of the predicate is a fact. On one of them, the predicate is rigid necessarily, if something is a fact, then it cannot fail to be a fact. On that use, and given the assumption that there are contingent facts, it is possible that something be a fact without existing obtaining. On the second use, nothing can be a fact unless it exists, and so on the assumption that there are contingent facts, the predicate is nonrigid. Some call facts in the first sense states of affairs or situations, reserving the word fact to mean what obtaining state of affairs or actual situation mean. Throughout this section we shall use fact in the first sense. The issues we are going to deal with fall under the following five headings Facts and Worlds, Boolean Operations on Facts, Independency, Facts and Propositions, The Inner Structure of Facts. The presentation will be cumulative in character in each section we will come back to topics dealt with in previous ones if any, sometimes in order to compare the current options available to a facttheorist to the old ones.
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this is the only bond movie I have not watched twicethere is no style and where did they find the so calledleading lady,she has no appeal at all,the supportingladies were much more attractive
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Since the publication of the Essence of Manifestation in 1963, Henrys entire oeuvre was devoted to the systematic development of a phenomenology that, while constituting itself within the phenomenological tradition, criticizes substantially not only classical Husserlian phenomenology but also the works of some of Husserls most famous successors Heidegger, Sartre and MerleauPonty. The originality of Henrys phenomenology lies in the fact that it considers intentionality to be only one of two modes of appearing. In other words, Henry argues that the way in which phenomena appear to us cannot be restricted to the consciousness of something as classical phenomenology would suggest. On the contrary, for Henry, intentional consciousness must be founded in a more fundamental mode of appearing that is precisely non and even preintentional and that therefore essentially differs from intentionality. It is this fundamental mode of appearing that Henry designates as affectivity, pathos or life.
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Not only is the central character in this terrible film selfabsorbed and selfindulgent, so is the film itself This silly little diddy relies far too much on narration to make its rather inane point. The script is abyssmal and the actors are mediocre. The film has the look of a slightly more polished, but certainly not more entertaining, Troma film the makers of Toxic Avenger and other cult favorites. But it possesses none of the skill Troma is known for in telling campy stories. I wish I hadn't wasted money buying this nonsense.
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I generally enjoy watching old movies, but this is not one of the good ones. While Hitchcock managed a few decent movies, I think he was LARGELY overrated.The story is thin, attempted humor is more annoying than funny as is Peter Lorre, in general the writing is bad and the acting not so great. Our war spies end up getting credit for a job they couldn'tdidn't even do they were pathetic and so was the whole setup which makes the USA look foolish and incompetent. In fact, the more I think about this movie after watching it, the more I dislike it.I cannot recommend this movie to anyone. Sorry.
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Elisabeth seems to have taken an early interest in the passions, as Edward Reynolds dedicated his Treatise on the passions and the faculties of the soule of man to her. While there is little information about its context, the dedication suggests that Elisabeth had seen a draft of the work, and so one can infer that they had some discussion or correspondence. Reynoldss work, while one of the first selfstanding treatments of the passions of the period, draws largely on AristotelianScholastic discussions. It does, however, focus on the sensitivity of the passions to reason, and so our capacity to correct our errant passions through reflection.
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Could not initialize monitoring
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Video CD
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The fifth pillar is information Soochna.
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End of line for Buffalo bakery Interstate Bakeries Corp. said it plans to shut down its bakery operation in Buffalo effective Oct. 23, a closing the Kansas Citybased company said will affect approximately 200 employees.
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this season sucked. Bad story, bad characters worse execution of how 'immortal' bauer is. Wayne Palmer president Bauer putting up with near death torture, then pulling off a huge escape without so much as limpingOkay it had its pluses but very few the opening sequence, the end and some of the thrilling action sequences. But it generally sucked. Thank god they had the time to plan season seven to make it good.Following the awesome season five, season six just wasn't up to par
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From the beginning
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Why is this show so popular It's beyond me why people like it. I think it's one of the worst sitcoms out there. br br Because it's so popular, I've tried more than once to watch it and I can't make it through an entire episode.br br For one thing, the acting is horrible. Everybody is overacting to the point where it's annoying to watch. They talk in unnatural voices, use unnatural tones, and have unnatural body language. I've seen better acting in a kindergarten school play.br br For another thing, it's NOT FUNNY. The plots are dull. They're not creative, intelligent, or FUNNY. Shouldn't a sitcom be funny Why am I not laughingbr br Lastly, what is seventies about this It's about as authentic to the seventies as Happy Days was to the fifties.br br OH and what is up with Ashton Kutcher Who cast this untalented dweeb And now he's making movies Oh, save us allbr br If people think this is quality television, it worries me.
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U.S. July Output Up Factories Run Faster WASHINGTON Reuters U.S. industrial output advanced in July, as American factories operated at their highest capacity in more than three years, a Federal Reserve report on Tuesday showed.
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This is probably one of the worst films i have ever seen. The events in it are completely random and make little or no sense. The fact that there is a sequel is so sickening i may come down with a case of cabin fever I'M SO SORRY. I describe it as bug being smooshed to a newspaper because it seems to be different parts of things mixed together. e.g Kevin the pancake loving karate kid is just freakishly weird on its own, then there's the cop who is slightly weird and perverted, then the drug addict, then there's the fact that they attack some random guy who clearly needs help. then all of a sudden the main character is having sex with his friends girlfriend just because she says something stupid about a plane going down. then at the end some good old family racism followed by a rabbit operating on Kevin the karate kid. Its actually pretty despicable that they can use racism as a joke in this film. There is no reason for anyone to enjoy this film unless you love Eli Roth, even that did not make me like this film. Hate is a strong word but seeing as it is the only word i am permitted to use it will have to do. BOYCOTT CABIN FEVER 2
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Vodafone Plans Joint Australia 3G Rollout Vodafone, which has some 330,000 customers in Queensland or about 10 of the state 39s mobile market, hopes the promotion will add 150,000 new customers or nearly 1 of Australia 39s 16 million mobile telephone users.
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Volkswagen Says It Will Not Increase Wages Automaker Volkswagen said Monday there is quotno room quot for wage increases this year as it prepares for pay talks with Germany 39s largest industrial union.
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Instead, let the peace of the Christ control in your heart.
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When the book was published in 1928, it was widely discussed and, along with Wittgensteins Tractatus, became one of the classic texts of the Vienna Circle. Its effect was amplified in the Englishspeaking world by A.J. Ayers endorsement of it in his bestselling Language, Truth, and Logic , which however misrepresented the book quite seriously. This misrepresentation contributed to the neglect of the book among AngloAmerican philosophers, which even the sophisticated discussion, critique, and further development by Nelson Goodman or the belated English translation could not affect. It also allowed many preconceptions about the book to continue circulating almost through the end of the twentieth century. Only toward the end of that century did a revaluation set in, initiated by Michael Friedman, who took issue, in a series of papers , with the entire Englishspeaking tradition going back to Ayer of seeing the Aufbau as a phenomenalist project of reducing all knowledge to sense impressions on the model of Hume or Mach. Instead, Friedman pointed out, we should see it in the context of its neoKantian origins. From that perspective, the Aufbau is better understood as seeking a new basis of scientific objectivityachieving objective knowledge despite the subjective starting point of individual perception, and the structuralism discussed above section 3.2. On the basis of Friedmans discussions, many others have since contributed to the revaluation of the Aufbau This new interpretive interest in the Aufbau and its philosophical context has also led to renewed efforts to reconstruct the Aufbaus constitution system with new tools. Goodmans 1951 critique of quasianalysis has finally found responses and repairs from Mormann and Leitgeb Leitgeb goes further and argues that if the goals of the Aufbau strategy are limited in certain ways, Goodmans and Quines critiques no longer apply see the supplement Aufbau Sections 3 and 4. Chalmers suggests a much more drastic rationalistic revision of the Aufbau where Carnap thought it would be possible, in principle, to derive all true scientific sentences whatsoever from basic true sentences in an empiricistically acceptable constitution system just by means of the systems definitions, Chalmers drops any empiricist ambitions and replaces the role of definitions by that of a priori knowledge, including synthetic a priori knowledge whose existence Carnap of course denied.
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There is a need to think about it.
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On the surface, these three approachesthe cosmology of change, the ontology of change and the moralmetaphysics of changeappear to steadily narrow the scope of philosophizing change. They seem to continuously move away from the cosmos to the human world, and from the human world to an individuals moral cogitations. One may even say that in this narrowing of the scope, we see a retreat from the empirical to the intellectual, and from the objective to the subjective. Yet, in their own ways, these three approaches offer answers to the human fear of uncertainty that was characteristic of divination in early China. Whether performed with yarrow stalks, coins or by cracking the bones of oxen, divination in early China was an attempt to calm the nerve and soothe the mind, giving inquirers the courage to make decisions at the crossroads of their lives . On the other hand, the three approaches give hope to readers by transforming the hexagrams into symbols to discuss the human role in the unfolding of the universe . Together, they make three arguments These three arguments are succinctly summarized into the three meanings of change yi you san yi in Qian Zuodu Opening up the Regularities of Hexagram Qian of the Eastern Han 1 the multifariousness in change bianyi, 2 the constancy in change buyi, and 3 at ease with change yijian . If we use these three meanings of change to compare the three approaches, the first two focus primarily on finding the constancy in change buyi and thereby assuring us that everything is predictable. By contrast, the third pays special attention to incessant change bianyi and urges us to live with uncertainty and serendipity yijian. If indeed fearespecially the fear of the uncertain futureis the fundamental tenet of the Yijing, the third approach is most honest. Rather than suppressing or externalizing the fear of uncertainty, the third approach faces the fear squarely with humility and candidness. More important, it brings the struggle with the fear of uncertainty to everyday life, particularly in the split second when we make decisions.
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First off let me say that this has to be on the top of my list of boring movies. Nothing, and I mean nothing in this movie is even remotely thrilling. Most of it is very confusing and as it progresses you just wish it would end Some people want a movie that makes them think through the entire thing, to which I say...More power to you I on the other hand just want to be entertained. Which brings me back to this stinker, entertainment it is not. This movie is stupid and a complete waste of time. Seems that most here agree also. Most of this didn't make any sense, and by the time you think you have one scene figured out another lame scene comes around and....well I guess you see where this is going. Avoid, this one sucks....bad
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Want to see ugly people have awkward sex And listen to them chat about it in endless, clinical fashion when they're not engaging in it Well friends, do I have a drawnout, fakebio for you Like many Hollywood movies today, it strives to make a hero out of a guy who really wasn't. Liam Neeson portrays Alfred Kinsey, the researcher who wrote the famous human sexuality books in the 40s. The writers of the film would have you believe people were not enjoying or speaking about sex until Kinsey was brave enough to write about. That seems a bit specious, especially since my greatgrandparents owned a thriving sex shop on Nantucket in the 30s... I think... maybe it was a cheese shop. Anyway, Kinsey was just a nerdy, pervy guy who enjoyed interviewing people about their sexual positions and proclivities and writing boring tomes about his findings a good job if you can get a major university to fund it. The film tried unsuccessfully to be both cute and serious, but did succeed in being long, predictable and unsightly. Now I could be wrong, but I'm pretty certain not everyone was startlingly homely in the olden day, but geez Louise, the casting agent for this overhyped dud made sure to fill the film with a bunch of serious ugs check out all his assistant's wives... yikes. Kinsey's lovin' scenes with a dowdy Laura Linney are brutal and at times, meant to be and the following is not a spoiler, but a warning the makeout session between ol' QuiGon Jinn and his assistant played by Peter Sarsgaard one of the best actors around today may be the most unsexy, uncomfortable liplocking session ever.
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He had been sick for a long time.
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The Jammu and Kashmir Reorganisation Bill was passed in Rajya Sabha
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The AustralAsian Strike Fighter The Australian Defence Force must defend and project across an airsea gap. This requires long range autonomous strike weaponry. The Joint Strike Fighter does not solve this issue and detrimentally places added pressure on Australia's limited force of aerial refuelling assets. The world's defence manufacturers are not creating strike platforms that solve Australian needs. For this reason, Australia needs to look to other nations with similar defence needs. In this case, Japan, South Korea and Taiwan all face defending an airsea gap. Australia should enter a partnership with these nations to create a strike fighter that satisfies the strategic needs of defending an airsea gap. The benefits of such a partnership will be many.
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A creature has moral standing if its interests are morally relevant to the agents whose actions impact it. Stones dont have moral standing, people do. Moral philosophers disagree about the grounds of moral standing, i.e., that in virtue of which a creature has moral standing. Some argue that the capacity to feel gives a creature moral standing , others favor autonomy . What about lay people According to Gray, Gray, and Wegner , lay people side with Bentham Whether a creature can suffer determines whether it has morally relevant interests . However, the influence of another historical tradition, which like Kant highlights the connection between rationality and autonomy and moral standing, suggests that the capacity to feel might not be the whole story. Sytsma and Machery provided evidence for the twosource hypothesis both rationality and the capacity to feel underwrite the ascription of moral standing by lay people. Others have since identified further factors that influence the ascription of moral standing , and they have examined how information about the grounds of moral standing can be used by people in a selfserving manner . Recent work connects moral standing ascription to, on the one hand, vegetarianism and the treatment of animals and, on the other, the psychological processes underlying dehumanization .
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Where did Jehovah send Amos, and for what purpose In the days of Amos, the Israelites were already split into two kingdoms.
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There are numerous topics in the philosophy of science that bear direct relevance to the themes covered in this lemma. A few central topics are mentioned here to direct the reader to related lemmas in the encyclopedia. One very important topic that is immediately adjacent to the philosophy of statistics is confirmation theory, the philosophical theory that describes and justifies relations between scientific theory and empirical evidence. Arguably, the theory of statistics is a proper part of confirmation theory, as it describes and justifies the relation that obtains between statistical theory and evidence in the form of samples. It can be insightful to place statistical procedures in this wider framework of relations between evidence and theory. Zooming out even further, the philosophy of statistics is part of the philosophical topic of methodology, i.e., the general theory on whether and how science acquires knowledge. Thus conceived, statistics is one component in a large collection of scientific methods comprising concept formation, experimental design, manipulation and observation, confirmation, revision, and theorizing. There are also a fair number of specific topics from the philosophy of science that are spelled out in terms of statistics or that are located in close proximity to it. One of these topics is the process of measurement, in particular the measurement of latent variables on the basis of statistical facts about manifest variables. The socalled representational theory of measurement relies on statistics, in particular on factor analysis, to provide a conceptual clarification of how mathematical structures represent empirical phenomena. Another important topic form the philosophy of science is causation see the entries on probabilistic causation and Reichenbach's common cause principle. Philosophers have employed probability theory to capture causal relations ever since Reichenbach , but more recent work in causality and statistics has given the theory of probabilistic causality an enormous impulse. Here again, statistics provides a basis for the conceptual analysis of causal relations. And there is so much more. Several specific statistical techniques, like factor analysis and the theory of Bayesian networks, invite conceptual discussion of their own accord. Numerous topics within the philosophy of science lend themselves to statistical elucidation, e.g., the coherence, informativeness, and surprise of evidence. And in turn there is a wide range of discussions in the philosophy of science that inform a proper understanding of statistics. Among them are debates over experimentation and intervention, concepts of chance, the nature of scientific models, and theoretical terms. The reader is invited to consult the entries on these topics to find further indications of how they relate to the philosophy of statistics.
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For whom did Plato write Who was his readership A very good survey of this topic is Yunis 2007 from which I would like to quote the following illuminating passage before Plato, philosophers treated arcane subjects in technical treatises that had no appeal outside small circles of experts. These writings, on nature, on truth, on being and so on, mostly in prose, some in verse, were demonstrative, not protreptic. Plato, on the other hand, broke away from the experts and sought to treat ethical problems of universal relevance and to make philosophy accessible to the public 13. Other scholars, such as Morgan , have also argued that Plato addressed in his writings both philosophical and nonphilosophical audiences. It is true that in the Republic Plato has the following advice for philosophers like someone who takes refuge under a little wall from a storm of dust or hail driven by the wind, the philosopherseeing others filled with lawlessnessis satisfied if he can somehow lead his present life free from injustice and impious acts and depart from it with good hope, blameless and content . He was certainly very bitter about Socrates fate. In his controversial interpretation Strauss argues that in Platos view the philosopher should stay disconnected from society. This interpretation is too extreme. Plato did not abandon Socrates credo, that the philosopher has a duty towards his fellowcitizens who do not devote their lives to philosophy. For him philosophy has a civic dimension. The one who makes it outside the cave should not forget about those who are still down there and believe that the shadows they see there are real beings. The philosopher should try to transmit his knowledge and his wisdom to the others, and he knows that he has a difficult mission. But Plato was not willing to go as far as Socrates did. He preferred to address the public at large through his written dialogues rather than conducting dialogues in the agora. He did not write abstruse philosophical treatises but engaging philosophical dialogues meant to appeal to a less philosophically inclined audience. The dialogues are, most of the time, prefaced by a sort of mise en scne in which the reader learns who the participants to the dialogue are, when, where and how they presently met, and what made them start their dialogue. The participants are historical and fictional characters. Whether historical or fictional, they meet in historical or plausible settings, and the prefatory mises en scne contain only some incidental anachronisms. Plato wanted his dialogues to look like genuine, spontaneous dialogues accurately preserved. How much of these stories and dialogues is fictional It is hard to tell, but he surely invented a great deal of them. References to traditional myths and mythical characters occur throughout the dialogues. However, starting with the Protagoras and Gorgias, which are usually regarded as the last of his early writings, Plato begins to season his dialogues with selfcontained, fantastical narratives that we usually label his myths. His myths are meant, among other things, to make philosophy more accessible.
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in this movie, joe pesci slams dunks a basketball. joe pesci...br br and being consistent, the rest of the script is equally not believable.br br pesci is a funny guy, which saves this film from sinking int the absolute back of the cellar, but the other roles were pretty bad. the father was a greedy businessman who valued money more than people, which wasn't even wellplayed. instead of the man being an archetypal villain, he seemed more like an amoral android programmed to make money at all costs. then there's the token piece that is assigned to pesci as a girlfriend or something...i don't even remember...she was that forgettable.br br anyone who rates this movie above a 5 or 6 is a paid member of some sort of film studio trying to up the reputation of this sunken film, or at least one of those millions of media minions who can't critique efficiently you know, the people who feel bad if they give anything a mark below 6.br br stay away...far away. and shame on comedy central, where i saw this film. they usually pick better.
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Rosario Dawson stars as a girl who is date raped and then begins a decent into darkness until given a chance at revenge. While its clear why Dawson took the role, its a chance to show her acting chops and to make a small independent, decidedly unHollywood film, its also clear that aside from stunning good looks, Dawson seems out of place in the role. Forgive me I simply couldn't find her. Thats not a mistake, thats how I felt, I had no idea where she was. Yes I know she's on the screen but even though I spent the better part of two hours looking at her she left no impression on me whats so ever. I blame the script for this since other than the ending, not a whole heck of a lot that happened on screen seemed to make any real sense. The people seemed to be more posture than real and what happens didn't seem to fit together. Forgive me for being vague but nothing in this film, other than the end which I would love to talk about but can't cause it would spoil it, and the image of Rosario Dawson as nothing more than an image, stayed with me.What can I say, this may click with you, it may not, for me it's time I can't get back. For Rosario Dawson fans only, though be warned there's several real reasons why this is NC17. And Rosario please, you're a better actress, pick better scripts
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Just a regular Jason lee movie, There were some parts of the movie that were funny. The undertone of the move is to live life on the edge I guess. These are the types of movies that I think 14 year old girls watch at slumber parties. It was an all right movie. It is kind of one of those movies you have on in the back ground and look up every now and then to when something catches attention. I think That Julia stiles and Selma Blair are a good combination and would like to see them in a movie with a good story and plot. Its just kind of a boy meets girl movie. This is that perfect movie they would show on comedy Central. I am glad that I didn't see this movie in the theater, I would have been angry. But I guess that's why I didn't see it in the theater.
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Note to self just because a film is foreign, obscure, and stars Catherine ZetaJones doesn't mean it's any good. Such is the case with 'Blue Juice,' a 1995 Brit flick about an unlikely group of surfing enthusiasts in what would seem to a dumb American, anyway an even more unlikely place to find surfers Cornwall, England. You might be thinking this has the makings for an amusing, quirky little comedy. If only. The film is just a bit over ninety minutes but it seems interminable. The easiest way to describe it is as a sort of '90's British version of 'Grease' without the dancing, but even that makes it sound better than it is. No, the best way to take it is as a little sliceoflife set in a small town. Catherine ZetaJones plays Chloe, a young woman living with a surfing instructor, JC Sean Pertwee you remember him. Pertwee is actually the film's star, and his character is something of a surfing legend to a small group of surfing devotees, the requisite oddball group of free spirits that inevitably inhabit films like this. In this case, it consists of a drug dealer who wants to be a journalist, a former nightclub dj who wants to be a record producer, and a fat nerdy guy who, in a needlessly extended scene, gets stoned and loses all his inhibitions which of course turns out to be the best thing that ever happened to him. I can't honestly say everything that goes on in 'Blue Juice' is predictable, since it's set in a place and reflects customs and manners I'm not very familiar with, but there's certainly nothing surprising or even interesting that takes place there or with the characters. The comedy, though, IS very predictable and tired. One can sense the setups a mile away and almost recite the dialogue in American form, of course before the actors do. The relationship between JC and Chloe is every bit as hackneyed. She wants him to grow up he wants them to stay the impetuous teenagers they started out being. He's afraid of losing face with his gang she thinks he prefers them to her. You get the idea. As I struggled to stay focused on 'Blue Juice,' toward the end I felt, as the saying goes, that this was an hour and half of my life I'd never get back.
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As The Task began, it instantly appealed to my sensibilities with a winning premise. Setting a horror movie within the confines of an abandoned prison during a reality game show shoothow can you go wrong If you've ever seen the television shows where contestants vie for cash prizes by braving scary and oftentimes manufactured horrors, you know that there is great material to be mined. MTV's Fear is a good comparison point. The Task, however, seems not to know exactly what to do with this idea and while attempting to be a twisty thriller misses some of the basics. Fundamentally, the movie after an expected setup and character introduction absolutely fails to even simulate interesting television. If the program being shot is supposed to be creepy andor scary, it is really benign and utterly familiar. Without the game show providing any chills, laughs, or excitement, we're left with tedium. Think I'm overstating the casehere are two random tasks One contestant goes to the chapel and has to have the lights off for one minute, another contestant has to eat meat when she's a vegetarian. Riveting and horrifying, huh Who wouldn't watch that showOf course, there is more than meets the eye is this rather tepid horror entry. A mysterious stranger starts to haunt the prison. Is it the spirit of the maniacal exwarden Is is a trick from the production company While the movie hopes to keep you guessing, it lacks the real cleverness or continuity to pull things off. The actors are all fine considering the material, but the screenplay lacks the punch and definition to really distinguish the movie as anything other than a missed opportunity. There are some supposed twists and surprises, it all feels rather cobbled together and uninspired. By the end, I really didn't care much one way or the other.Perhaps all could have been forgiven had the picture provided anything resembling scares. As each person meets the strange apparition, the resolutions are blunt and tothepoint with little tension being earned or scares being included. Those looking for big frightening moments or gore will be left stranded. And while, I don't necessarily think every film has to be a gorefestthis one genuinely needed to be creepier and more unsettling. A great idea wasted, it made me think of other films that did it better. If you like the premise, try My Little Eye about a Big Brother experience gone awry. It's not perfect either, and its tension is more psychologically derived, but it get much closer to the spirit I had hoped for here. About 1 12 stars. I'm feeling nice, so I'll round up. KGHarris, 1011.
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The sound did not work I had to return it. I do not understand why you send a defected item to a customer
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Command to run when a keyboard is connected.
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TV project aims to kickstart 3G Highquality, affordable TV on mobiles could be just what 3G operators are looking for, say researchers.
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