Update README.md

README.md

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----
-license: apache-2.0
----
+---
+license: apache-2.0
+language:
+- en
+tags:
+- flux
+- diffusers
+- lora
+- replicate
+- woodcut
+- avantgarde
+- SilverAgePoets
+- Soviet
+- art-style
+- image-generation
+- flux-diffusers
+- diffusers
+- dedistilled
+- de-distilled
+- DrawThings
+- PEFT
+- photo
+- realism
+- Surrealism
+- illustration
+- experimental
+- character
+- historical person
+- poetry
+- literature
+- history
+- archival
+base_model: black-forest-labs/FLUX.1-dev
+pipeline_tag: text-to-image
+library_name: diffusers
+emoji: 🔜
+instance_prompt: Mukhina style photo
+widget:
+- text: >-
+    prominent centered text title: "SEREBRYAKOVA FLUX" prominent centered text
+    title: "SEREBRYAKOVA FLUX" a Serebryakova style oil painting by the Soviet
+    artist Zinaida Serebryakova,  detailed  Soviet revolutionary illustration
+    of  a beautiful Soviet woman poet in the 1920s, avant garde modernist oil
+    painting, Large font prominent centered text title: "SEREBRYAKOVA FLUX"
+  output:
+    url: images/example_hb59bcpow.png
+
+---
+# |\ Vera Mukhina's ART of STONE MONUMENTS /|
+## ||| FLUX LoRA ||| By SilverAgePoets.com |||
+
+For generating stylized images reminiscent of sculptures & stone monuments by **Vera Mukhina**. <br>  
+
+Our Low-Rank Adapter (LoRA) for FLUX models fine-tuned on a set of manually pre-processed art scans... <br> 
+Representing a broad selection (about 40 images) of photographs taken across many decades (earliest c. 1910s thru c.2010s) capturing a wide range of sculptures (ranging in scale from miniatures to enormous monuments) designed  by ... <br> 
+The epochal Latvian-Russian-Soviet or, in short, World artist, sculptor, and monumentalist: <br> 
+**Vera Mukhina** *(1889 — 1953)*, <br>
+One of the 20th century's most accomplished, versatile, celebrated, and era-defining sculptors... <br>
+Who is best known, both across the Soviet regions and internationally, for her enormously iconic & sized figurative monument *"The Worker Man & the Kolkhoz Woman"*. <br> 
+Initially designed & created by Mukhika for the 1937 *Exposition Internationale* in Paris, *"The Worker Man & the Kolkhoz Woman"* arose at the side of the Eiffel Tower like two commensurably-sized sentries about to climb atop the metallic lattice, and perched atop, to proudly flaunt their hammer & sickle unto the whole wide world. <br> 
+Unsurprisingly, the sculpture consolidated unto itself much of the Expo's attention that year, inspiring near-universal acclaim & awe, & drawing the eyes of the World. Who could resist the sublime grandeur of that pair of beautiful Soviet giants, stood tall against the backdrop of violet Parisian skies (paraphrasing a smitten Picasso)?! <br> 
+The sculpture seemed to proclaim the full maturation and arrival of the first young generation reared in the USSR, and who held neither memories nor ethical residue of the rotten pre-Revolutionary empire. <br>  
+Back in the USSR that year, triumphant and tensely, desperately, tragically narrow-zealed Stalinist administrators busy systematically erasing the last, as it seemed to them, vestiges of the Old World, had collectively burst under the dialectic strain of hope and paranoia into a murderous and self-destructive psychosis... <br> 
+...targeting for elimination a single demographic (with others mainly swept up by proxy/inertia): anyone who had been in any way politically active in the late 1910s and early 1920s, mainly lifelong Bolsheviks. <br> 
+In effect, in 1937 & 1938 there took place in the USSR a veiled (and to this day, mis-categorized) anti-Communist genocide orchestrated by Communists, and which resulted in the violent elimination of 90% of surviving communists & socialists active before and during the Revolution, and/or were influential in the 1920s. <br> 
+Alongside them were eliminated most Civil War-era Red Army veteran officers.  Why?  One theory is horrifyingly simple: to make way for the young. And if by 1940 there were still a few mentors around for these youths to turn to, it just so happened that very few of those mentors had ever lay eyes on Marx's Das Kapital. <br> 
+Remarkably, the purges were very effectively hidden or obscured from the young, many of whom remained oblivious until the 1950s. But then again, were they not so oblivious, they might have lost the War. <br> 
+As it was, the War against invading fascists was won; yet, from among those youths, the first young Soviet generation for the sake of whose futurous integrity the Bolsheviks self-annihilated, more than half would perish in it. <br> 
+Future is never built through or from wars. Sometimes it can be very narrowly safeguarded, given low enough casualties. But mostly, it is massacred, no matter who wins. <br> 
+And furthermore, among those survivors left relatively undebilitated physically or/and mentally, many would become profoudly shocked, demoralized unto apathy or apolitization or alcoholism following the 1954/1955 revelation of the true scale and scope of 1930s purges... <br>  
+And though the USSR as such survived for approximately span of their median lifetimes, in many ways its founding hope was by 1956 already largely extinguished. Still, even as these histories unrolled, what remained in their wake had included one of this hope's prime symbols, and a key artistic legacy of the USSR: the monuments designed by Vera Mukhina. <br> 
+
+**This Variant of *our Soviet Monuments Style LoRA* was fine-tuned over a De-Distilled Version of FLUX.** <br> 
+
+<Gallery />
+
+## Trigger words
+You should use `Mukhina style photo of a sculpture` or `Vera Mukhina style photo of a stone monument` to summon the artist's latent chisel. <br>
+
+*Finally, here's a short poem/set of song lyrics, which we translated from an older set of song lyrics.* <br> 
+
+**ART OF STONE MONUMENTS**<br> 
+
+*(After the lyrics to "Искусство Каменных Статуй” by Deadushki)* <br> 
+*(Translated to Worldish + mildly detourned/updated by A.C.T. Soon®)* <br> 
+
+Rolling on over me again, old stranger night is here, <br> 
+Gardens of my hermeticism <br> 
+					someone had sown with fear, <br> 
+Yesterday's runner up was shot  <br> 
+      						next to a wall <br> 
+							by dawn, <br> 
+	Buried in tabloid basement jails, <br> 
+			Mourned by a songbird flown.   <br> 
+
+Those who survive learn how to sleep, saved for a span of time,<br> 
+But I know: time must run out <br> 
+						when <br> 
+							dreams start to run inside.<br> 
+There is an art of enormous forms: <br> 
+	Statues devised from slabs. <br> 
+It is an art form of timeless stone: <br> 
+	Art of stone monuments. <br> 
+
+Raining on gardens where I’m alone, raindrops still hunt in gangs, <br> 
+		But they shall never imbibe the full  <br> 
+									art of stone monuments! <br> 
+I am much stronger than the hunt, <br> 
+ 						Sharpest of arrows bounce, <br> 
+		Once this lone wolf, transformed to stone, <br> 
+				Forever stands and laughs. <br> 
+
+Those who survive learn how to sleep, saved for a span of time, <br> 
+Now I’ve learned: time might help us  <br> 
+							where  <br> 
+								dreams start to run inside. <br> 
+There is an art of enormous forms: <br> 
+	Statues devised from slabs. <br> 
+It is an art form of timeless stone: <br> 
+	Art of stone monuments.<br> 
+
+
+## Use it with the [🧨 diffusers library](https://github.com/huggingface/diffusers)
+
+```py
+from diffusers import AutoPipelineForText2Image
+import torch
+
+pipeline = AutoPipelineForText2Image.from_pretrained('black-forest-labs/FLUX.1-dev', torch_dtype=torch.float16).to('cuda')
+pipeline.load_lora_weights('AlekseyCalvin/Art_of_Stone_Monuments_FLUXLoRA_BySilverAgePoets', weight_name='mukhinastyle_700_lora_f16Convert.safetensors')
+image = pipeline('your prompt').images[0]
+```
+
+For more details, including weighting, merging and fusing LoRAs, check the [documentation on loading LoRAs in diffusers](https://huggingface.co/docs/diffusers/main/en/using-diffusers/loading_adapters)